Connichi is pretty soon and @nakutan and I are making free stickers as giveaways! I drew Shiro and @nakutan is drawing Keith :) And since I am beyond weak, have part of the Sheith version as a little bonus (won’t be a sticker though)~

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@kitty-maru
Connichi is pretty soon and @nakutan and I are making free stickers as giveaways! I drew Shiro and @nakutan is drawing Keith :) And since I am beyond weak, have part of the Sheith version as a little bonus (won’t be a sticker though)~
Back at it again at krispy kreme.
Art is by an animator on the show, if you want the source pm me. I don’t want them being harassed simply for drawing on their free time.
I finally put those Sheith pins I made up for sale! Get them here (along with a few other fun things I made):
https://nodere.storenvy.com
Keith who is clearly an alien tries to convince his conspiracy theorist boyfriend that he’s not …
My favorite thing about Thomas the Tank Engine is that it canonically takes place in a train post-apocalypse where the Island of Sodor is the only safe zone in a totalitarian dystopia in which steam trains are routinely killed and their body parts are sold or cannibalized for repair
If you think I’m kidding you need to read the original books
could you please direct me to a source? i would feel much better if this was validated.
It took me so long to find this quote online but I did it because it’s so much darker than one might expect from Thomas the Tank Engine:
“…Engines on the Other Railway aren’t safe now. Their controllers are cruel. They don’t like engines any more. They put them on cold damp sidings, and then,” Percy nearly sobbed, “they…they c-c-cut them up.” -”The Bluebells of England.” Stepney the Bluebell Engine. Rev. Awdry, Wilbert. London: Egmont Publishing, 1963.
This illustration, by Gunvor and Peter Edwards, accompanied the above text in the original book, and depicts a pair of unfortunate Other Railway engines moments before being disassembled with a blowtorch.
HOLY FUCK LOOK AT THE ONE IN THE BACKGROUND THEY TOOK ITS FUCKING FACE OMG
the early thomas the tank engine books are pretty standard stuff. saccharine bubblegum type stories and illustrations. if you watched the show, it’s like that in book form. the second half of the railway series are so fucking dark and surreal i’m convinced they were a result of reverend wilbur awdry doing copious amounts of lsd and having hallucinations of his own death.
Excuse me but the very first story in the Railway Series is about an engine who hides in a tunnel and refuses to run because he doesn’t want to get his paint job ruined in the rain, so railway management seals off the tunnel.
They eventually let him out because another engine breaks down or something, but the original plan was to just leave him in there forever.
On the show, didn’t they also hook up one engine to a generator, so he’d never move again? That was literally one of the lines, I think. It’s on some other post on here. It was chilling.
Yes! This also happened in the books, to an engine referred to only as “No. 2″, but the television series applied the same scenario to an invented character named “Smudger”, in the episode “Granpuff”.
“Smudger,” said Duke. “Was a show-off. He rode roughly and often came off the rails. I warned him to be careful, but he took no notice.” “Listen, Dukie” he snared. “Who worries about a few spills?” “We do here! I said, but Smudger just laughed.” “Hahaha!” “Until one day, Manager said he was going to make him useful at last. Smudger stopped laughing then!” “W-w-why? What did he do?!” “He turned him into a generator. He’s still there behind our shed. He’ll never move again.”
This is so fucked up
No, listen.
Okay, so we see Railway Management doing all this shit, right, but supposedly it’s so much worse in the Other Railways? I mean, sure, you might get turned into a generator or bricked into a tunnel for not doing as you’re told, but at least you’re not cut up and sold for parts, right? It’s not so bad on the island of Sodor, right?
Or maybe that’s just what Railway Management wants the engines to think.
Maybe the island of Sodor is the real totalitarian regime, and the engine citizens (slaves) are fed propaganda, illustrated in hellish grays and sulfuric yellows, about how bad it is everywhere else, at all the Other Railways.
You are lucky to be an engine of Sodor.
Railway Management cares about you.
Trust Railway Management.
Stay on Your Track.
It Could Be So Much Worse.
Wtf the fuck is this train based 1984 bullshit
“Voltron x 1900s Fashion”
A horizontal 11x17″ print for Anime North (table G15)! This poster is a crossover; the Voltron paladins are posing for one of Leyendecker’s Arrow Collar advertisements. He’s one of my favourite artists so I felt the need to put him in haha. The original ad is known for its subtle hints of homoeroticism; at first it looks like Shiro is staring at Pidge, but his gaze is actually towards Keith (I don’t ship it, but I thought that was funny because Voltron is super gay). I made Shiro in the front as the guy everyone’s looking at because… I think everyone in the group loves him. I also made it colour-coordinated because I know it’s a bit hard to recognize them right away. And I changed the original ad text to a description of the 5 lions because I didn’t know what else. I spent SO long on this print (like 4 days kill me). This will probably go for $20.
Available online!
Nothing but my son #krolia
Carnival of Venice.
NeverGonnaTakeMe
hey guys can you help me find that old portrait of a girl holding a little painting of a naked dude and cracking up about it?? I want to say it’s by Rembrandt but that’s probably not right
It’s “Smiling Girl, a Courtesan, Holding an Obscene Image” by Gerard van Honthorst!!
It’s the best painting that exists
idk this self-portrait Michael Sweerts did is a pretty high contender
that is a good and valid point. thank you
Pics that make you go hmmMMMMMMmmm
LIT - the world’s glowiest glow pigment, 100% pure LIT powder by Stuart Semple
The main differences between LIT and other glowing things is that:
it’s bright enough to be seen in ambient light. No more having to find pitch black dark to see it.
it doesn’t get less effective over time, so you’ll still get a decent glow out of it in hundreds of years.
It can be charged up with light or heat
and can be used as an acrylic or oil paint.
It has a super bright initial glow then it has up to 12 hours worth of afterglow.
https://culturehustle.com/collections/powders/products/lit-the-worlds-glowiest-glow-pigment-100-pure-lit-powder-by-stuart-semple
I fuckin’ love Stewart Semple.
Check this out! It’s a new glow-in-the-dark paint that still retains glow for up to 12 hours! It can even be seen in broad daylight! I would LOVE to use this on a Kaiju cosplay.
I need this.
Horse and deer half lance, human and Santa half keith fought and destroyed the Sleighs. It is about 1,500 km to reach the first house. It is a road movie not in time for Christmas. 馬と鹿のハーフと人間とサンタのハーフが喧嘩してたら大事なソリをぶっ壊してしまい、プレゼントを徒歩で配布することになったサンタとトナカイの絵です。まず1軒目までが1500km先とかで完全にクリスマスに間に合わんけど涙あり笑いありオチなしのロードムービー的なやつ。klanceAUたーのしー!!!
i do believe i speak for us all
so is Victory
LOVE TRIANGLE
Don’t forget Truth (Coming Out of Her Well to Shame Mankind)
This must be why the Trump administration hates them all
The Four Horsewomen of the Trumpocalypse.
I’ve never reblogged anything so quick
The Ultimate Squad, comin’ to wreck your shit and save the world
Rb for that art doe
Dignity here to join the girl posse.
AVENGERS ASSEMBLE
reblogging for the second time
Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?
not gonna lie that still looks intimately real
I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
And the raptors were dudes in suits. I shit you not.
One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.
(link to said post about malfunctioning t-rex)
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rex and was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside the t-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while you’re inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
I’m just waiting for the T-Rex to come to life and leave its stand.
@spinosaurus-the-fisher is this the kind of content you love?
Realism comes at a cost, it seems.
i mean ok but why has nobody posted this:
It’s a three piece raptor suit.
Old movies had the best special effects
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
@jurassicparkandrecreation
@shepfax
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Nobody’d ever really created convincing dinosaurs in a movie before. It’d all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, “We want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.”
The paleontologists knew an opportunity when it bit them in the ass. They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that. And when they’d created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that. One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, “Wait a minute, I’ve seen movement like that before.”
He called up film of a chicken walking. Everyone in the room said, “Holy shit.”
Prior to 1989, the idea that birds were descended from dinosaurs existed–we knew about archaeopteryx, we knew there was some minor connection there–but the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Jurassic Park changed our scientific understanding of dinosaurs.
That paleontologists’d be Kevin Padian. Who is awesome.
https://en.wikipedia.org/wiki/Kevin_Padian
This post just gets better and better with time
war (mis)understanding sharing thirst