I comissioned my awesome friend and look what he did!!! ✨️
He allowed me to post it for Chariot's birthday so..
Happy Birthday Shiny Chariot✨️🎉
Tres adorible, congrats on the Chariot birthday art~

izzy's playlists!
noise dept.
EXPECTATIONS

#extradirty
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One Nice Bug Per Day

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official daine visual archive
Xuebing Du
Sade Olutola
Aqua Utopia|海の底で記憶を紡ぐ
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Lint Roller? I Barely Know Her
Mike Driver
Monterey Bay Aquarium
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@kriegsaffeno9
I comissioned my awesome friend and look what he did!!! ✨️
He allowed me to post it for Chariot's birthday so..
Happy Birthday Shiny Chariot✨️🎉
Tres adorible, congrats on the Chariot birthday art~
Happy Holidays, @kriegsaffeno9 ! I was your @lwasanta santa this year, hope you enjoy <3
An Archive of Our Own, a project of the Organization for Transformative Works
(rising note of absolute glee)
An Archive of Our Own, a project of the Organization for Transformative Works
@shiny-baguette Merry Christmas, new friend! @lwasanta And excellent stuff in general, Cherie! This was a joy to create.
I'm spinning this off of the main thread about tracing the origin of the term "d66" because it's not strictly germane to the topic – none of these examples actually use the term "d66" to describe their dice-rolling methods – but I'm going to post it anyway as a matter of general interest: following a conversation with Tumblr user @notclevr, it appears that before tabletop wargames (and, nearly concurrently, tabletop RPGs) got their hands on the mechanic, the principal (though by no means exclusive) users of the old "roll a six-sided die twice, reading one die as the 'tens' place and the other die as the 'ones' place" trick may have been tabletop American baseball simulators.
The most notable example of the type – and the only well-known example still in publication today – is J Richard Seitz' APBA Baseball, first published in either 1950 or 1951 (accounts vary). In this game, a d66 roll is cross-referenced with a card representing the active player and a "board" representing the current situation on the field:
For example, with Carlton Fisk at bat, a d66 roll of 31 would yield a result of "8". Assuming for the sake of argument that the situation on the field is a runner on first and a grade C pitcher, consulting the "Runner on First Base" board, this corresponds to an outcome of "SINGLE—line drive to left; runner to third".
(This example is, strictly speaking, incorrect, as Carlton Fisk didn't have his major league debut until 1969 and I'm using the wrong lookup tables for any year in which he played, but you get the idea!)
Interestingly, APBA Baseball is not the first game to use this setup. It's heavily derived from Clifford Van Beek's National Pastime, a game whose patent was registered in 1925, though it wasn't actually published until 1930. Even at a glance, the similarities are substantial:
Indeed, though National Pastime's lookup tables are much simpler than APBA Baseball's, where they overlap they're often word for word identical. It's generally accepted that Seitz plagiarised National Pastime without credit when creating APBA Baseball (ironically, given his own famously combative stance toward alleged imitators!), though he was within his rights to do so, as National Pastime had fallen into the public domain by the time APBA Baseball was published.
We can go back even further, though. As far as I've been able to determine, the earliest known tabletop baseball simulator to use d66 lookup tables for resolving plays is Edward K McGill's Our National Ball Game, first published in 1886:
A copy of the game's 1887 US patent application can be downloaded here. This one uses an unusual 21-entry variant of the standard d66 lookup table in which the order of the rolled digits is insignificant, with doubles being half as likely as non-doubles rolls; it's unclear whether McGill was aware of this when he laid out the table. Unlike later incarnations of the genre, there are no individual player statistics, with all at-bats being resolved via the same table.
@notclevr replied:
This goes back much farther than I expected
I know, right? I did a totally cursory search for relevant prior art regarding Clifford Van Beek's 1925 patent application for National Pastime, not expecting to find much, and I was like: "1887? What the fuck…?" Apparently dice-based tabletop simulators for American professional baseball have existed for nearly as long as American professional baseball has!
@emmavoid replied:
Imagine what the current TTRPG landscape would look like if this had been how it all started!
I'm not gonna lie, "what if tabletop RPGs had grown out of tabletop American baseball simulators rather than historical miniatures wargames?" is probably the most entertaining counterfactual that's been put to me all year.
I don't know much, but I know in my bones one of the anachronisms that would persist to the present day is calling a maximal dice roll a "home run".
Imagine a world where the hobby's collective propensity to insist on using critical hit mechanics in narratively inappropriate contexts is somehow even worse.
So I have been hashing out a hypothetical RPG from c. 1922 in the Little-Wars-becomes-D&D-timeline created based on these rules by people who didn't like Wells's game, and I have come to the conclusion that a surprisingly large portion of pbta-type stuff is just baseball.
Or, phrased another way, Our National Ball Game already has many of the mechanics we associate with, like BitD and such: clocks (rounding the bases), 2d6 rolls producing various outcomes per move (only one move—at-bat—but that one move has about a dozen potential outcomes roughly corresponding to different position and effect), and even the conception that one roll implies both action and reaction (the batter's roll also says what the fielding team does to stop their advance).
The wild thing is that, by following the natural implication of two teams playing against each other, this game is getting into the same space as Fellowship or BOB where the antagonistic force is represented as an opposed force of players with access to more or less the same mechanics as the protagonists. The oddball thing here is that the good guys and bad guys end up taking turns being the ones who roll dice to do things, and that they give up the dice after enough bad rolls.
On the other hand, instead of stats there's a vague suggestion that certain characters should avoid rolling for feats they would be unfit to perform, and the rules makes no assumptions about players' ability to follow game procedure but do presume a load-bearing ability on the part of the players to just freestyle large sections of narrative.
#using my extensive knowledge of the design trends in early 1900s board games and 1970s-80s ttrpgs #to triangulate the exact ways that a 1920s ttrpg would suck (via @paradoxius)
The first novel ever written about roleplaying games was written before RPGs existed. It was about a man named J. Henry Waugh who completely lost himself in a tabletop simulation of baseball, using a d666 table to come up with results. He plays out each game, both sides, and tracks each player's batting averages and other statistics over time. He combines these with dozens of other minigames he plays--"political" simulators, horse races--he creates filk and horny lore (it's a book from the late 60s/early 70s and he has a very of-the-era sense of Horny), and when a disastrous roll completely overshadows the rest of the game, it also overshadows the rest of his life.
"The dice were not the drama; the dice were the mechanics of the drama."
It's a fantastic read (with some warnings I won't go into here for the sake of ease of those watching). There's a lot of little things I vibed with so much, like Waugh coming up with names by seeing interesting ones out in the wild and coming up with sounds that please his sensibilities. He narrates, he gets into character, he does horrifying things with Monopoly because base Monopoly isn't complex enough for him, but the ways it's not complex enough for him are because he wants elaborate, character-driven stories that the dense mechanics enable.
He's like the GNS essay come to life, except instead of sneering at any one style of play he embraces all three as a cohesive whole, up to having toxic coping mechanisms because he's completely lost himself to the exciting other-world of his imagination and has trouble letting the rest of the world (other than food and dames--again, it's the era) stimulate or keep his interest.
And it came out before DnD existed. The title: The Universal Baseball Association, J. Henry Waugh, Prop.
(Yes, J. Henry Waugh is named for the tetragrammaton. Again: subtext is for cowards.)
An Archive of Our Own, a project of the Organization for Transformative Works
In which a wedding is had and a prophecy fulfilled. @dianakko-week
An Archive of Our Own, a project of the Organization for Transformative Works
In which a pair of hen parties both wind up on the roof, and a discussion of philosophy ensues. @dianakko-week
An Archive of Our Own, a project of the Organization for Transformative Works
In which a cure is approached, and pain and pleasure found.
@dianakko-week
An Archive of Our Own, a project of the Organization for Transformative Works
In which an escape is had, but another escape cannot be had.
@dianakko-week
An Archive of Our Own, a project of the Organization for Transformative Works
In which Diana and Akko enter the world of amnesia, and Sucy takes a moment to--bats?
@dianakko-week
An Archive of Our Own, a project of the Organization for Transformative Works
IN WHICH Diana can't sleep, and musical practice is joined. @dianakko-week
There are freshly independent possums scattered around my yard like fat little Easter eggs trotting through the grass and bricks at dusk.
Scamperin' and schemin'...
A beast; a legend
Im bored
@nail-bat-butch
Sparklepossi....
kintsugi dollmaid. you agree.
shes very clearly maid of pieces from a number of different broken dolls
actually wait we must ascertain the truth of this vision:
is the maid dress ALSO sewn together from the disparate maid dresses of the dolls she is made of
A friend put me up to this and I made myself sad.
A ficlet follows. CW: ableism, pining.'
She wishes for a world without grief or pity or doubt.
We stan
there should be more plush yuri
need more of this
Seconded
Art by @kriegsaffeno9
Kira is Kira.
The Skeksis are lucky that she's actually illiterate.
This mashup feels like such an obvious joke but I haven't seen anyone else do it. So I helped it be a thing.
She opted for shinigami eyes. Now she just needs to find out what the hell those scribbles over everybody’s heads are.