do you ever scroll past a novel-length post and think Um Absolutely Not
Peter Solarz
đŞź
cherry valley forever
Cosimo Galluzzi
he wasn't even looking at me and he found me
AnasAbdin
Jules of Nature

blake kathryn

titsay
Monterey Bay Aquarium
we're not kids anymore.
trying on a metaphor
noise dept.

No title available
I'd rather be in outer space đ¸
i don't do bad sauce passes

#extradirty
h

romaâ
Lint Roller? I Barely Know Her

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@krystalcarol
do you ever scroll past a novel-length post and think Um Absolutely Not
âIn one micro-second, the city of Hiroshima didnât exist.â August 6th, 1945
Urban Weed Awards Crown Unwanted Plants with Superlatives
when i was a freshman our RAâs name was Hunter but he was vegan so we ended up nicknaming him Gatherer and i still havenât gotten over that lmao
Op: @traitspourtraits
please put âyeeted the fuck off this mortal coilâ on my tombstone
The penetration of various wavelengths of light at different depths under water.
Which is why divers use flashlights in the middle of the day.
So this is maybe going to sound like a spiritual stretch, but the thought of not being able to see the full (human) range of colour at depth made me think of an analogy.
Lowest level spirituality or âenlightenmentâ (I donât really like that term) is when you can barely see any colour/depth/meaning in life. These stages happen when youâre actively going through trauma, or when someone is so very set in their tiny worldview that they canât see past the end of their nose. Not being able to see the colour doesnât mean itâs not there. It just means youâre either choosing to not try to swim higher, or you just donât have the energy/resources to do so right now.
Mid-depth, we can see some colour, but not all. This happens after youâve been able to heal a bit. Youâve consciously chosen to work toward being more aligned. Maybe youâve started dabbling in a spiritual path. Maybe youâve met someone that really expanded your worldview. Maybe youâve just found a medication or therapy thatâs working to handle your mental illness. I feel like most humans live in this mid-depth range. Maybe youâre just a person whoâs pretty happy and havenât really gone through trauma. You donât have to start at the bottom. Some people start here.
Right below the surface would be spiritual masters and social change leaders. Theyâre so close to seeing the full range of colours. Theyâve worked their way through the depths, and are treading water. Itâs not effortless, it takes energy and consistent practice to keep seeing the whole rainbow.
Above the surface is divinity. The Divine can see all the wonderful depth of colour, all the layers, all the different timelines and realities and can see everything about everything. Maybe when we die we can see what the divine does. Or maybe we still have human lessons to learn, in which case, maybe we get reborn at whatever depth we couldnât get past in our lifetime.
None of these depths are âworseâ than the others. When youâre in the deep, sure you might not be seeing much, but that darkness and silence can teach us a so much about ourselves. We learn how to be really in ourselves here. We learn about who is going to help us reach our highest and best, and we learn who is going to try and convince us that the darkness is comfortable.
Likewise, when you move upwards a bit, it has its benefits and downfalls too. You can see shapes moving above you, but you canât see really anything below you. Being able to see more than those below you can lead you to feel âholier than thoughâ and thatâs just a weight that will keep you from moving upward.
And closer still to the surface, the light is blinding. Especially when you first arrive. You likely wonât be able to see those around or below you for a while. This can make you out of touch with reality. And then after your eyes adjust, you need to be a good enough human to use all your skills to describe what colours are to those below you.
And remember that even if youâre 1mm below the surface, youâre still part of the sea, and youâre still breathing the ocean with the rest of us.
When you find your strength to swim upwards, donât forget to throw a rope down below you. Even if you cant see who youâre helping, or if youâre helping anyone at all, chances are thereâs quite a few people grateful for the help toward their surface.
Donât forget those in the depths when youâre at your surface â¨
I donât get small talk.
A large part of how I develop relationships are in hours long conversations, touching on anything with meaning. Lifeâs discomforts, self enforced expectations, reflections, stigmas, the simultaneous balance and imbalance of all there is.
I guess itâs just an awkward stepping stone to feel out another person that I should embrace. Or maybe I create my own. Instead of âwhat you do for a living,â Iâm more interested in what areas you pull meaning from your human experience so far. Instead of âwhat you do for fun,â I can ditch the acceptable âfriends, beach, netflix,â and tell you Iâve been reliving a memory of picking leaves and flowers and making potions for fun. But now theres intent everywhere and Iâve been finding and paving my way into somewhere Iâve been before.
Those surface level questions I dont know how to answer⌠Because Iâve spent years self reflecting and cleaning places in my psyche to where I canât be around people who start their own fires just to talk about it. Iâve got limited space for pettiness; usually reserved for my own spicy days when I feel every thing.
So, hi. Iâm on a lifelong journey to learn about myself, where I come from, and how to live with wholesome intention in unison with the earth and its elements. Iâm not stagnant for long because theres so much to learn and feel and so little time. What are your adventures leading you to discover? https://www.instagram.com/p/BuKA4kcAfJT/?utm_source=ig_tumblr_share&igshid=12a3of4u32y03
Hemlock Heaven by Donnie Rosie
guys listen
mermaids would have to be dark-skinned and chubby to survive in the oceanÂ
water isnt a great means of protecting oneself from the sun theyd have to be very dark if they were shallow mermaids and they didnt want to be constantly sunburnt and they may be paler if they lived deeper in the water but theyd have to be buff and/or chubby as hell to resist the water pressure and cold of the deep sea
what im saying is pale-ass white skinny mermaids are just unrealistic
I love this tea
Fat isnât a defense against water pressure, itâs an insulator. So the colder the water, the fatter the mermaid.
Scandinavian merfolk would be tubby, evolving more for persistence hunting in the freezing coastal waters, possibly relying more on siren-song to lull prey into effective range. The less moving the better! Gotta keep the chub on to survive the winter.
Whereas Mediterranean/Polynesian merfolk would spend their time among the fertile reefs in warmer waters, competing with other predators. They would be built for speed and agility, buff like sprinters. Darker skin would be harder to spot under the surf, and more resistant to the glaring sun.
Also: itâs not hair, itâs scillia that they use to filter plankton out of the water, and it stings like a jellyfish if you touch it.
I would imagine that merfolk come in many different colors, maybe they even have the ability to shift their skin tone to assist in hunting? I guess that depends on how intelligent your mermaids are.
Tldr; cold water mermaids would probably be chubby, warm water mermaids would look like Serna Williams.
Another thing to take into account is Deep-Sea-Gigantism. Itâs not fully understood why many animal species such as the colossal squid and whales typically grow to unimaginable sizes in high-water-pressure areas, but itâs assumed that it develops as some sort of defense mechanism. This would imply that deep-sea merfolk would be a sort of Leviathan-class eldritch horror.Â
Hell yeah hell yeah
Mermaids might be dual colored like so many other marine animals! Dark colored on top and pale on the belly (like killer whales!) this is so deep sea predators looking up will confuse the light color for sunlight and those looking down will see dark camouflage that matches the depths!
Moon Phases đ
đ New Moon - Attracting New Things, Love, Luck, New Jobs, Health, Goals.
đ Waxing - Building On What You Already Have, Courage, Success, Strength.
đ Full Moon - Creating Something, Manifesting, Divination, Scrying, Wisdom.
đ Waning - Getting Rid Of Something, Banishing, Breaking Hexes.
đ Dark Moon - Hexes, Shadow Magick, Hecate, Wisdom, Truth, Scrying.
A Botanical Alphabet (2019, watercolor)
Available on Etsy here
[Revised 11/1/17] Book Recommendations for Witches, Spellcasters, and the Curious
I periodically (usually once a year) make an updated post of my annotated bibliographies for witchcraft, magick, and divination studies. I recently noticed that I hadnât done this in a long time!Â
Since Iâve read a lot of new books in that time, and since many are worth adding, I thought Iâd go ahead and post an updated list.Â
Iâve added just ten new ones this time! Unfortunately, still, itâs getting quite long, so Iâm splitting it into two posts - one for divination, and one for magick/witchcraft. Â I will be tagging both as #long and #long+post because I realize this is pretty extreme in terms of length.
For Absolute Beginners
Encyclopedia of Witchcraft, by Judika Illes. Even better than the Weiser Field Guide to Witches - this book is huge and chock-full of information. Itâll explain in easy-to-understand language how the concept has developed throughout time, why witches do what they do, and different types of witches.
The Weiser Field Guide to Witches, by Judika Illes. This gives an excellent look at the historical lore concerning witches, from the perspective of a witch herself. Itâs kind of tongue-in-cheek, but it does have some information that wonât be found elsewhere.
The Modern Guide to Witchcraft, by Skye Alexander. Great book for those whoâre really absolute beginners and are wondering what witchcraft is all about. Skye takes a very postmodern, utilitarian, and unfailingly honest approach, and itâs geared towards those of almost any belief system.
Grimoire for the Apprentice Wizard, by Oberon Zell-Ravenheart. Attractively packaged and readible for almost all ages, this is a great (mostly) non-denominational look at the foundations of magical practice. Itâs extremely detailed. Some of it only applies to Zellâs own tradition, but itâs quite useful, anyways.
Of Witchcraft and Whimsy, by Rose Orriculum. Written by Tumblrâs own @orriculum, this is one of the best, most modern an no-nonsense Craft introductory books Iâve seen. Itâs unabashedly up-to-date and self-aware in its portrayal of the contemporary Craft.
Basic Techniques
Protection and Reversal Magick, by Jason Miller. This gets a little woo-woo at times, but he gives good advice on how to avoid serious problems that can come up as you begin to practice. Take with a grain of salt, though - some of this has the potential to make you feel paranoid.
City Magick, by Christopher Penczak. If youâre at all interested in tech witchery, or just want to practice magick within an urban setting, do check this out. It is by far the best look at the subject Iâve seen, and his discussion of urban tutelary spirits is worth the price alone.
Power Spellcraft for Life, by Arin Murphy-Hiscock. Nicely done, quite secular book providing basic beginner information regarding writing original spells and workings. It does fall prey to the trap of just listing correspondences with little information at times, but also contains a great deal of detail about ritual timing, raising power, and other topics essential for the beginner.
Sorcererâs Secrets, by Jason Miller. This is a decent volume that describes a lot of techniques you donât usually see in books, such as gesture and gaze-based magick. Be warned that Miller writes extensively about manipulative techniques, but itâs useful theory regardless of how you put it into practice.
Witchâs Bag of Tricks, by Melanie Marquis. This is not recommended for beginners, because the whole point of this book is to help existing practitioners refine and improve their already-established techniques. Itâs got some novel ideas in it, and I like the authorâs approach to symbolism in spellcasting.
Spirit Conjuring for Witches, by Frater Barrabbas. Frater B. is a very learned and rather famous magician and witch. This book is mostly geared towards Wicca, but even if youâre not Wiccan, his techniques are innovative and interesting, many utterly unlike anything Iâve seen elsewhere.
Direct Magick (Energy Work)
The Un-Spell Book, by Mya Om. This non-denominational guide to working with magical forces is filled with useful exercises that go beyond the authorâs previous work. I recommend reading this after readingEnergy Essentials.
Instant Magick, by Christopher Penczak. Excellent beginnerâs guide for those who donât have access to a lot of fancy tools or prefer to work without them. This book wonât instantly teach you magick, but it will help even a seasoned practitioner find quicker, less-complicated ways of achieving results.
Energy Essentials for Witches and Spellcasters, by Mya Om. Though I balk at the use of the term âenergyâ to describe magical forces, this book is worth a look. Itâs a bit like a workbook, with various exercises. Expect a lot of pseudoscience, though, and there are many religious references, but the techniques are solid.
Hedgewitchery and Astral Travel
Ecstatic Witchcraft, by Gede Parma. This is actually probably my favorite book on this subject, even though hedgeriding is only a part of what the book discusses. The only bad thing I can really say about this book is that itâs really not recommended for beginners, and itâs helpful to have the basics of visualization already mastered (for example) before doing the exercises Parma recommends.
By Land, Sky and Sea, by Gede Parma. This book goes into even greater details regarding different ways of conceptualizing the cosmology of hedgeriding, and I find it a very refreshing book that appreciatively draws from a number of different perspectives while grounding itself, so to speak, with the overarching metaphor of land, sky, and sea as the three worlds.
The Temple of Shamanic Witchcraft, by Christopher Penczak. Penczak is usually a pretty mixed bag, and this book is no exception. It gives a lot of good practical information and a very in-depth exploration of the three worlds (a useful concept), but itâs primarily framed by Wicca, so it might not resonate with those of other faiths and particularly those who arenât pagan at all.
Ascension Magick, by Christopher Penczak. Thereâs a chapter or two in this that address alternate ways of conceptualizing the architecture of reality, and itâs pretty helpful for a hedgerider. Beyond that, this book is mostly about ceremonial magick, but itâs a (mostly) good book. Certain parts (such as the bit about UFOs) are a little off, in my opinion.
The Shamanic Witch, by Gail Wood. This book is really best suited for someone who practices Wicca and, besides the background info and cosmological descriptions, is really only useful in the context of that tradition. If youâre Wiccan or willing to pick around a lot of Wiccan-talk, though, this is a good foundation.
Witches, Werewolves and Fairies, by Claude Lecouteux. It can be hard to find scholarly works on these phenomena that are affordable, but hereâs one I personally enjoyed. It details many accounts of journeying experienced by both pagans and Christians in earlier times, and gives a good description of the concept of the astral double, the architecture of the soul, and other topics throughout history.
Betwixt and Between, by Storm Faerywolf. This book is mostly a guide to the Feri tradition of witchcraft, but while I myself donât practice that, those who do seem to know a lot about hedgeriding! The book has several chapters on the subject and is highly recommended for this reason.
The Psychic Energy Codex, by Michelle Belanger. A lot of people have strong opinions about this author, but this is book actually provides a lot of good information about so-called âenergy workâ which can be a step in the right direction for those wanting to ride the hedge.
Psychic Dreamwalking, by Michelle Belanger. In this book, Belanger discusses, essentially, how to use your non-waking life as a vehicle to for journeying, and while I myself donât usually dreamwalk, much of what she says applies to hedgeriding in other states, too.
Hedge Rider by Eric De Vries. Considered a classic on this subject, this book contains a lot of good information on making the jump across the Hedge, but with a lot of editorializing about âtrue witchcraft,â etc. A mixed bag, but still recommended.
To Fly by Night, edited by Veronica Cummer. This is an anthology about hedgecraft by many different authors. The essays vary in quality but thereâs something for everyone, and the text doesnât shy away from tough topics, either.
Magical Writing, Words, and Symbols
Dictionary of Ancient Magic Words and Spells, by Claude Lecouteux. Mostly a historical text, this book isnât exactly practical or terribly useful. It is, nevertheless, incredibly interesting. Itâs a bit difficult to navigate, but worth a glance.
Composing Magick, by Elizabeth Barrette. A very general, but well-done, look at writing in a magical context. Some of the ritual templates are slightly specific to religious witchcraft traditions, but most information is widely applicable.
Crafting Magick with Pen and Ink, by Susan Pesnecker. Focuses both on the physical act of writing as a magical act, and the mental state associated with it. Highly recommended
The Modern Witchcraft Grimoire, by Skye Alexander. This book is for those who want to create their own grimoire. It gives fairly good advice for doing so, as well as providing hints and tricks for spellcasting and useful correspondences.
General Concepts
Practical Astrology for Witches and Pagans, by Ivo Dominguez, Jr. This book, unlike most astrology texts, wonât tell you much about interpreting a chart - instead, itâs an entire book on timing your magick with the stars!
Planetary Magick, by Melita Denning and Osborne Phillips. If you want to work with the planets at all, particularly in a highly ritualized context, I recommend this book. Itâs large, comprehensive and gives a good foundation beyond what you find in general astrology books.
Practical Planetary Magick, by Sorita dâEste and David Rankine. Shorter than I would have liked, but a useful reference to have on your shelf, with excellent tables and appendices in the back. The meditations are also quite useful.
Practical Elemental Magick, by Sorita dâEste and David Rankine. Should be read alongside the other book by this pair. Comprehensive guide to working with the elements in a ritualized fashion. Not as accessible to newbies as Lippâs book, but good for seasoned practitioners.
The Way of Four, by Deborah Lipp. Though mostly geared towards Wiccans, I found this authorâs in-depth treatment of the four elements highly fascinating. I will note that itâs probably best to get the print version of this book, as it contains exercises and quizzes.
A Handbook of Saxon Sorcery and Magic, by Alric Albertsson. I really enjoyed this little book, which focuses on older magical traditions common among the ancient Saxons. It is very much introductory, but worth a read for those new to those traditions.
Ingredients and Correspondences
The Herbal Alchemistâs Handbook, by Karen Harrison. I cannot praise this book enough for its concise and well-formulated approach to astrology, herbs, and magick as a whole.
The Weiser Concise Guide to Herbal Magick, by Judith Hawkins-Tillirson. This is excellent for anyone whoâs interested in any kind of magick. Yes, the focus is generally herbs, but thereâs a lot to be learned here about Kabbalah and other correspondence systems, as well.
Mixing Essential Oils for Magic, by Sandra Kynes. Fills a very difficult gap in published knowledge regarding the use of essential oils by discussing, in great detail, how scents interact with each other and how to create a formula thatâs not only palatable, but evocative.
Dunwichâs Guide to Gemstone Sorcery, by Gerina Dunwich. Given the New Age fascination with all things shiny, it was quite a chore to sort through the myriad crystal books to find something with good information. While far from perfect and not exactly devoid of fluff, this book does give a level of detail about the lore surrounding gemstones not seen in many other texts.
Real Alchemy, by Robert Allen Bartlett. Excellent book, lots of history and detail. Thereâs a strong focus on tradition within the text, yet the author is quite accommodating of his audience and describes alternate methods that work better in a modern context.
Spagyrics, by Manfred M. Junius. With a highly-developed academic tone and attention to detail, this book is a meaty look at traditional alchemy. I recommend this more for intermediate practitioners due to the sheer density of information.
The Hearth Witchâs Compendium, by Anna Franklin. This book is essentially a recipe book for various home remedies and magical purposes. For the most part, it focuses on healing work, but thereâs some great tips in there for making your own cleaning products and such, too. Highly recommended.
Magical Housekeeping, by Tess Whitehurst. This is worth reading if you keep your own house/apartment and are looking for practical magical techniques for cleanliness and inviting harmony into your spaces. It could be more detailed, but I enjoyed it.
A Kitchen Witchâs Cookbook, by Patricia Telesco. This is a recipe book. It is mainly geared towards Wiccans and those who celebrate the eight sabbats, but the dishes are tasty and sure to please anyone.
Spellbooks
The Goodly Spellbook, by Dixie Deerman and Steve Rasmussen. The title sounds horribly fluffy, but this is a hidden gem. It explains obscure concepts like alternative alphabets and potential uses of musical notes, as well as plant lore and other bits and pieces. Definitely worth checking out. Itâs way more than just âa book of spells.â
Encyclopedia of 5,000 Spells, by Judika Illes. The title sounds trite to some, but it delivers. This book has spells from almost every culture and spiritual philosophy, as well as a very detailed formulary. I read it when Iâm bored sometimes, too, just because I always learn some tidbit from it.
Book of Spells, by Nicola Pulford. In most editions, this book is absolutely gorgeous and describes spellcasting traditions from a variety of perspectives and traditions. Recommended for those who already understand the basics, as this book jumps straight into spellcasting and gives only a small amount of information about how things work.
Ceremonial Magick
Modern Magick, by Donald Michael Kraig. I received this as a gift several years ago. It is essentially a workbook meant to be completed slowly, step by step, and while the format will not appeal to everyone, itâs a good easy-to-read introduction to ceremonial magick.
Familiar Spirits, by Donald Tyson. Though geared towards ceremonialists, any practitioner can likely learn a thing or two from Tysonâs interesting stroll through the whys and wherefores of spirit work and thoughtform creation. This is by far the best book Iâve seen on the topic of familiar spirits.
Secrets of High Magick, by Francis Melville. The most recent edition of this (the one I own) is lavishly-illustrated and full of rudimentary, yet useful information. He stresses the basics of ceremonial practice, and his writing style is very accessible. Highly recommended for absolute beginners.
My Life With The Spirits, by Lon Milo DuQuette. This is a memoir of a ceremonial magician, but it gives a good look at the magickal mindset in a highly developed form from someone whoâs experienced quite a lot. I havemajor issues with DuQuetteâs approach to Qabalah, but his memoirs are worth a read.
Chaos Magick
Liber Null and Psychonaut, by Peter Carroll. Classic book of chaos magick. I consider it required reading for almost anyone interested in the occult. Even if you have no love for chaos magick, do give it a read, just to understand how influential Carroll is, and why.
Hands-On Chaos Magic, by Andrieh Vitimus. Knowing some of the people involved in the creation of this book, Iâm a bit biased towards it. That said, even if I didnât know them, I would still recommend it. Itâs especially interesting to read alongside Liber Null and Psychonautin order to see how the chaos âcurrentâ has developed over the years.
Pop Culture Magic 2.0 by Taylor Ellwood. There arenât a lot of books on using pop culture symbolism in magick, but this one is nearly perfect. The author writes in a highly erudite, literate fashion, while still being accessible to newbies. Many useful resources cited, as well, so prepare to branch off a bit while reading it.
History-Related
Triumph of the Moon, by Ronald Hutton. An inside no-holds-barred look at the history of Wicca and Modern paganism. Highly recommended. This is sort of the book that fluffbunnies donât want you to read.
Book of Lies: The Disinformation Guide to Magick and the Occult, by Richard Metzger. Lots of facts and history of magick in the context of Postmodernity. This is different from the Crowley text of the same name, which I wouldnât recommend unless you want to focus on his tradition.
The Place of Enchantment, by Alex Owen. This is a purely historical text that documents the occult revival within the context of Modernity. I remember it being very good, but please realize I havenât really picked it up much since graduating, and it might just have served my mindset at the time.
did i ever tell u guys that in fifth grade my class wrote a play bc we were studying ancient greece? it was called persephone and the (not so hot) heroes. i played demeter. basically, persephone got kidnapped by kronos and i strong armed hades into giving me 3 heroes from the underworld to get her back but they were actually terrible and i forget how she was actually saved but bottom line is that you wish you were my fifth grade class
this wasnât little either, we used the town hall and we wore togas and shit
me as demeter
some lines (this was a joint effort of a bunch of greek-savvy 10/11 year olds):
athena:Â âim the goddess of wisdom but you donât notice me telling everyone. iâm too smart for thatâ
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aphrodite: is zeus chasing some mortal woman again?
athena: no this time he and hera have gone for marriage counselling
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athena: we can ask hades to let them out of the underworld to help
aphrodite: heâll never agree, heâs such a deadly bore (we made a fucking pun im so angry)
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demeter: hades wont pick up. heâs too busy torturing the dead in tartarus
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hades: i canât undo the laws of death. just think of the paperwork.
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aphrodite: the humidity is messing up my hair. itâs getting all frizzy
athena: is that all you care about?
aphrodite: no, itâs also messing up my dress
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demeter: itâs so dark, and there arenât any trees or flowers
hades: what do we need trees for, everybodyâs dead
-Â
paris: yeah, and i can shoot straight! isnât that right, achilles?
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(hades enters)
paris: who are you? do we know you?
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achilles: im mighty achilles
odysseus: im wily odysseus
paris: and im hungry paris
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kronos: i really am awesome, arenât i
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aeton: one wrong move and youâre history
odysseus: fool! we already are history!
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demeter: where are those mortals? i left them right there.
athena: are you sure? this isnt the first time youâve lost someone.
I suddenly have the need for the entire screenplay, and to direct it at my college.