Kais Writing

I most reblog useful writing post on here, might throw a few bits of my writing on here too, you never know.

[littleblondesoprano]

🎉🎉 My book is officially out!!! 🎉🎉

Happy Big Announcement!!! Death's Ante - the book I've been teasing for like a year now - is free of my mental bonds and ready to fly onto your bookshelves!!!

Do you like horror? Possibly of the cosmic variety? Do you like psychopomps that are possibly eldritch beings? Do you want to try playing a game where your life is on the line?

Well, have I got a book for you!

Death's Ante is all of that and then some, packed into a fun, yet existential 80 pages! :D

It's currently available on Amazon (Kindle, for my non-US friends), Google Play Store, Smashwords, and will soon be available on Black Bed Sheet Books' site!

Death's Ante's full description is going below the cut! Thank you for taking time to check this out, it's truly a dream come true for me! :D

Death’s Ante is a tenacious exploration of grief, compassion, and what happens in that liminal space between life and death. You are Diane Carden, and she is dying. You are bleeding out from the strike of a hammer against the back of your skull, courtesy of your sister. You also sit at a table with five strange souls and three stacks of black cards. You don’t know it yet, but the cards will help decide if you die from your wounds (or any of the insidious trials the cards themselves depict); you also don’t know that you have the ultimate decision on this plane called the In Between, where nothing is concrete except your fear and the support of those five other strangers - seemingly separated by time and space - and yet all in the same peril as you. So, do you want to live?

[homunculus-argument]

Another worldbuilding application of the "two layer rule": To create a culture while avoiding The Planet Of Hats (the thing where a people only have one thing going for them, like "everyone wears a silly hat"): You only need two hats.

Try picking two random flat culture ideas and combine them, see how they interact. Let's say taking the Proud Warrior Race - people who are all about glory in battle and feats of strength, whose songs and ballads are about heroes in battle and whose education consists of combat and military tactics. Throw in another element: Living in diaspora. Suddenly you've got a whole more interesting dynamic going on - how did a people like this end up cast out of their old native land? How do they feel about it? How do they make a living now - as guards, mercenaries? How do their non-combatants live? Were they always warrior people, or did they become fighters out of necessity to fend for themselves in the lands of strangers? How do the peoples of these lands regard them?

Like I'm not shitting, it's literally that easy. You can avoid writing an one-dimensional culture just by adding another equally flat element, and the third dimension appears on its own just like that. And while one of the features can be location/climate, you can also combine two of those with each other.

Let's take a pretty standard Fantasy Race Biome: The forest people. Their job is the forest. They live there, hunt there, forage there, they have an obnoxious amount of sayings that somehow refer to trees, woods, or forests. Very high chance of being elves. And then a second common stock Fantasy Biome People: The Grim Cold North. Everything is bleak and grim up there. People are hardy and harsh, "frostbite because the climate hates you" and "stabbed because your neighbour hates you" are the most common causes of death. People are either completely humourless or have a horrifyingly dark, morbid sense of humour. They might find it funny that you genuinely can't tell which one.

Now combine them: Grim Cold Bleak Forest People. The summer lasts about 15 minutes and these people know every single type of berry, mushroom and herb that's edible in any fathomable way. You're not sure if they're joking about occasionally resorting to eating tree bark to survive the long dark winter. Not a warrior people, but very skilled in disappearing into the forest and picking off would-be invaders one by one. Once they fuck off into the woods you won't find them unless they want to be found.

You know, Finland.

[homunculus-argument]

Consider:

You died with a remarkable fortune and no heirs. You grant your wealth to two rivalling schools in the same city, under one condition: One of them must always keep your preserved skull. They may keep it on display (therefore attracting interest and potentially fame to the school) but that always raises the risk of students of the other school stealing it. The students and staff of the other school have not only the right, but the duty to do so at any opportunity. Nobody can be arrested for this unless they're caught breaking some other law.

Ideally, the students of the two schools keep stealing your skull, back and forth, forever. The culture of both of the schools is enriched by this activity, the students are too busy engaged in these harmless shenanigans to drift into worse habits and behaviours, and you get to be included in countless nonsensically frivolous heist operations whose sole purpose is to bring more fun into the world.

[theramblingvoid]

Low level/continuous pain tips for writing

Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:

General

Continuously gritted teeth (may cause headaches or additional jaw pain over time)

Irritability, increased sensitivity to lights, sounds, etc

Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)

Soft groaning or whimpering, when pain increases or when others aren't around

Heavier breathing, panting, may be deeper or shallower than normal

Moving less quickly, resistant to unnecessary movement

Itching in the case of healing wounds

Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)

Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)

Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better

May stop mentioning it outright to other people unless they specifically ask or the pain increases

Limb pain

Subtly leaning on surfaces whenever possible to take weight off foot/leg pain

Rubbing sore spots while thinking or resting

Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)

Propping leg up when sitting to reduce inflammation

Holding arm closer to body/moving it less

Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)

Nausea/fever/non-pain discomfort

Many of the same things as above (groaning, leaning, differences in movement)

May avoid sudden movements or turning head for nausea

Urge to press up against cold surfaces for fever

Glazed eyes, fixed stare, may take longer to process words or get their attention

Shivering, shaking, loss of fine motor control

If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)

[writingwithfolklore]

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

I used to be a first draft pantser. That’s cool if you are too, it worked really well for me in at least finishing a draft. What I’ve discov

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

Have you ever been in a situation where you just can’t seem to get a scene to fill much more than a page or two? Or you’re at 500 words when

I always find myself freezing on a really good writing streak because I end off the chapter and have to face the question of what should com

I’m sure you’ve heard other writers and creators talk about ‘running out of words’ or ‘replenishing words’. I’ve also heard it called ‘fuel’

                Let me know how your writing goes, good luck!

[albertcamuesli]

dissertation writing advice

[phd-in-prog]

this is amazing and I'm glad I saw it

[incorrect-house-of-nine]

i do this when im writing fiction. Each fic has a cut document full of discarded dialogue, scene settings, metaphors etc that dont quite fit yet I might want to use down the line or other fics.

[officialprydonchapter-deactivat]

How do you write healthy parent-child relationships?

[dragon-in-a-fez]

this might be more response than you want, but interesting (and kinda depressing when you think about it) fact: there’ve been a bunch of research studies where parents have been asked what they think makes a healthy parent-child relationship, and they tend to like…not answer the actual question because they think they’re being asked what good parenting is, which is not the same. so they talk about things like helping kids with homework and making sure they eat well. children, on the other hand, usually respond to the same question with stuff that’s literally just the definition of healthy relationships generally. affection, honesty, respect, spending time together, sharing interests. and the real kicker is, objectively, we know that’s the kind of stuff that actually has a much better impact not only on whether or not the relationship is strong and positive but also the kid’s overall happiness and psychological health.

so, if you want to write a character who’s really intent on being a Good Parent you’d have them putting massive effort into making their kid Grow Up Right, worrying about shit like if they have The Right Friends and they’re spending Enough Time Outside. but if you want to write a good relationship, just make parent and kid laugh together and respect boundaries and be emotionally supportive, like you would when writing a solid pair of friends or romantic couple.

[officialprydonchapter-deactivat]

No that was actually really helpful and I’m glad you took the time to give a serious response

[raisedbyheathens]

I just want to say I think I’ve written some real good, real healthy parenting in some of my fics.

and It would be cool if people read them

[officialprydonchapter-deactivat]

How do you write healthy parent-child relationships?

[dragon-in-a-fez]

this might be more response than you want, but interesting (and kinda depressing when you think about it) fact: there’ve been a bunch of research studies where parents have been asked what they think makes a healthy parent-child relationship, and they tend to like…not answer the actual question because they think they’re being asked what good parenting is, which is not the same. so they talk about things like helping kids with homework and making sure they eat well. children, on the other hand, usually respond to the same question with stuff that’s literally just the definition of healthy relationships generally. affection, honesty, respect, spending time together, sharing interests. and the real kicker is, objectively, we know that’s the kind of stuff that actually has a much better impact not only on whether or not the relationship is strong and positive but also the kid’s overall happiness and psychological health.

so, if you want to write a character who’s really intent on being a Good Parent you’d have them putting massive effort into making their kid Grow Up Right, worrying about shit like if they have The Right Friends and they’re spending Enough Time Outside. but if you want to write a good relationship, just make parent and kid laugh together and respect boundaries and be emotionally supportive, like you would when writing a solid pair of friends or romantic couple.

[officialprydonchapter-deactivat]

No that was actually really helpful and I’m glad you took the time to give a serious response

[raisedbyheathens]

I just want to say I think I’ve written some real good, real healthy parenting in some of my fics.

and It would be cool if people read them

[officialprydonchapter-deactivat]

How do you write healthy parent-child relationships?

[dragon-in-a-fez]

this might be more response than you want, but interesting (and kinda depressing when you think about it) fact: there’ve been a bunch of research studies where parents have been asked what they think makes a healthy parent-child relationship, and they tend to like…not answer the actual question because they think they’re being asked what good parenting is, which is not the same. so they talk about things like helping kids with homework and making sure they eat well. children, on the other hand, usually respond to the same question with stuff that’s literally just the definition of healthy relationships generally. affection, honesty, respect, spending time together, sharing interests. and the real kicker is, objectively, we know that’s the kind of stuff that actually has a much better impact not only on whether or not the relationship is strong and positive but also the kid’s overall happiness and psychological health.

so, if you want to write a character who’s really intent on being a Good Parent you’d have them putting massive effort into making their kid Grow Up Right, worrying about shit like if they have The Right Friends and they’re spending Enough Time Outside. but if you want to write a good relationship, just make parent and kid laugh together and respect boundaries and be emotionally supportive, like you would when writing a solid pair of friends or romantic couple.

[officialprydonchapter-deactivat]

No that was actually really helpful and I’m glad you took the time to give a serious response

[raisedbyheathens]

I just want to say I think I’ve written some real good, real healthy parenting in some of my fics.

and It would be cool if people read them

[din0butch]

“i don’t like writing about my day, but i want to keep a journal”:

quotes and copywork. when reading, if you find something you enjoy, just copy it into the notebook. you can copy a whole chapter if you wish, highlighting what caught your attention the most.

definitions. look up on a dictionary and copy it. you could write your own dictionary as well, making up definitions for words.

lists. a classic, write movies to watch, books to read, the playlist of the month or just the groceries you have to buy.

maps. when going somewhere, you could draw the route you took or just a map of the place itself. just look up the place on google maps and copy it. you can draw a little map of all the places you have lived or the schools you have attended as well.

photos

take “notes” as you watch movies / documentaries. write down phrases that caught your attention or doodle.

illustrations and clippings. if you see an image or piece of art that you liked, put it in your journal. if it’s from a book or from a magazine I would recommend scanning it, tho’. it will serve as a record of what kind of art you enjoy through the years.

newspaper clippings from the day.

tickets and pamphlets. from movies, museums, transportation.

postcards

records. you could record for a month what the temperature was when you woke up and when you went to sleep. if you do that for a year, it gives you a better notion of the passing of seasons. you could record rainfall and other seasonal changes as well. you could choose something (an animal, a plant, an item or object) and write down every time you see it.

rubbings of leaves, coins, landmarks.

count. there’s a scene in the movie Coraline (2009) where Coraline’s dad tells her to go count the windows. you could do the same type of counting game if you are bored and write down.

mindmaps/sketchnotes + timelines of books, movies, music albums.

collages

pressed leafs and flowers

your collections. if you collect anything you could write down an inventory or maybe try to draw the items.

recipes. write down recipes and give it a score every time you try it. you could do the same for drinks you try out.

stickers

comic strips. you can find a bunch of it online, glue your favorites in your notebook.

[wafflewarrior111]

So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.

I'm going to try it.

[deoidesign]

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

[marlynnofmany]

This is such a cool idea. What other info could it be? Careers, hobbies, economic status, lifelong ambitions? Orientation, single/taken/etc status? Insect-style role in the hive (worker/drone etc)?

If human languages are based on primitive monkey-brain ideas of whether or not the person we’re talking about is a potential mate, then what different considerations might an alien race make?

Maybe they have two drastically different body types that need to pair off to defend from predators. Maybe their civilization depends on cultivating plants that grow best when sung to, and a range of different vocal tones per household is best. Maybe some are nocturnal and some are diurnal.

What else??

[whydoeseveryonethinkiamaskeleto]

pronouns are based on age and they change throughout an individual’s life

[the-queer-demon]

*translated from alien*

Hello everybody! This is Xarthaborf, he’s-”

“Actually, it’s she now.”

“Oh my god! You finally turned 500! Congrats!”

[marlynnofmany]

XD  Fantastic, I love it! 

[mantha-has-fallen]

I’ve read through the suggestions and I’m a little surprised I’m the only one thinking of this:

Pronouns based on proximity.

What’s better at saying “that one” than saying exactly where they are? Different pronouns for if they’re 5 feet away vs. 20 feet away. Did you turn your back on somebody in the middle of a conversation? They have different pronouns now.

After a while, humans try to maintain the same distance from others when conversing (lol try doing that while walking together) so their translators don’t freak out on them.

I presume there might be a completely different set of nuanced ‘pronouns’ when describing inanimate objects, which makes everything even more confusing to the humans.

How useful.

[marlynnofmany]

#You know how you can describe a chess board with b7 or e5 and everybody knows what that means? I’m imagining something similar Except each position has a different set of pronouns Or at least a different pre- or suffix from each other Maybe children use pronouns without the -fixes until they can understand the nuance Human translator tech is still rough And doesn’t understand the nuance So occasionally it’ll run into a prefix or suffix it doesn’t know And just leave it there Iks-them Or they-rith Because it’s not gendered pronouns

That would be fascinating. I imagine the humans would have quite a time wrapping their brains around it! There’s probably a “position unknown/unspecified” pronoun that the humans want to use all the time (like “they”), but the aliens insist that nope it sounds wrong to use just that one.

“Why did you say ‘iks’ when rith is right in front of you? Do we need to break out the children’s educational materials and start from the beginning?”

[cheeseanonioncrisps]

Okay, but based on relationship proximity.

Different pronouns depending on whether you’re talking about a parent, a sibling, partner, a lover, a friend, an aquaintance, a coworker… imagine the drama potential.

People switching up to friend or lover pronouns too early in a relationship and getting rejected.

Stranger pronouns being literally only okay if you’re using them to describe somebody you just met and will never see again, because any closer degree of relationship than that will have its own pronouns, and not using them is a calculated insult.

Specific pronouns to refer to mortal enemies that pretty much nobody ever uses outside of works of fiction, because using them to describe somebody is like openly admitting that you’re probably planning to kill that person.

This concept possibly getting watered down though as time goes on. Like how swear words like ‘damn’ and ‘hell’ have kind of lost their power over the years, young people start using mortal enemy pronouns to refer to like, people who are mildly annoying, or public figures they don’t like (both of which previously had their own pronouns). Older generations getting really offended by this.

Separate pronouns for fictional characters.

A classic sitcom trope is somebody assuming they’re being referred to with certain pronouns that suggest dramatic changes in their relationship with the person talking about them, only for them to find out at the end of the episode that the person was actually referring to somebody else.

Everybody knowing the moment shit has gone down because “I just saw Skrith and Jarn in the cafeteria this morning. I know you said friend seemed okay last night, but you won’t believe which pronouns friend used to refer to enemy-of-friend!”

Actually, pronouns denoting other people’s relationships to people in relation to you. You might not know X that well, but they’re your friend Y’s close friend, so you can either use aquaintance or friend-of-friend pronouns.

Sibling, parent, child, cousin, etc. pronouns originally only being used for blood family or adopted children, but gradually getting used to refer to any relationship that fills that role in your life. “Oh no, child isn’t actually a relative, but I looked after child while child’s parents were on research trips, and friends were okay with child using parent pronouns for me if child wanted to.”

Human translation devices really not being able to keep up with this, because how the fuck is the software supposed to know how close you are to this person? Humans who actually try and learn the language not faring much better, because not only are there a lot of pronouns to learn, but the nuances of when exactly you’re meant to change are very culturally specific.

Aliens meanwhile being kind of horrified that most humans will use the same two or three pronouns to refer to everyone they encounter. Do they all hate each other? Or, conversely, are they all super close? What is wrong with these people?

They end up just straight up creating a new pronoun meaning ‘member of X species’ for all other species to use to refer to them, because the alternative is having fistfights break out on ships because the humans don’t understand why it’s so fucking offensive to refer to a coworker with aquaintance pronouns.

[coto524]

side note: a lot of these points are kind of similar to subtleties you already get in real human languages – for instance, Japanese honorifics and pronouns convey a lot of subtle nuances about relationships between the speaker, the listener/s and a third party, and lots of pronouns are predominantly used in fiction (although mainly because they’re somewhat more archaic/too high a register to use in every day speech)

similarly, proximity pronouns sounds like a logical extension of determiners like “this/that/yon” – in Spanish and a lot of Romance languages, the pronouns (e.g. él/ella) and definite articles (el/la) actually derive originally from [gendered] determiners indicating proximity in Latin (ille/illa)

there are Indigenous languages in Australia (e.g. Guugu Yimithirr) that use cardinal languages instead of relative directions, so that you have to change whether you’re talking about NESW instead of left/right by remembering which direction is which and keeping track of things & people moving and turning

with all that said: respect to everyone above, i frankly would love the idea of more aliens in fiction drawing on and being more relative to non-Western cultures compared to ya default Anglophone/Western European set of linguistic concepts, and i desperately want to see some of these concepts implemented in scifi media. but uh. please be careful about going “wow!!! this linguistic feature would be so alien and inhuman lol how weird” because actually no, often there are people in the world whose languages do have those features

[bodhimcbodeface]

Do u ever read a friend’s fic and it’s like holy shit how do you consider me qualified to talk to you?

[wanderbythewayside]

No

Y’all need better self-esteem

[wanderbythewayside]

Alright I have been enabled so I’m gonna say somethings.

Fatalistic sarcasm is a thing, however, it usually hides deep feelings of insecurity, and whether you consciously recognize this or not, it validates them. Seriously, I used to constantly make jokes about how other people’s work was better than mine, and it did nothing for my self-esteem, it was a tool to deflect from my own feelings of inferiority and it actively worked against me thinking critically about my own and other people’s work. If it was a joke I could put myself down instead of analyzing why someone’s work was better and trying to incorporate that into my own

As someone who took creative writing courses I was constantly surrounded by other brilliant people, if I hung my head in shame every time I read something as good or better than mine I never would have lifted it. 

As someone who has watched a lot of writers with very good idea’s crash and burn I mean it when I say you either develop a healthy sense of respect for your own work or you stop writing. 

There’s three things I really wish more people consider

1. Do you think their work is better because it’s a different style, one that you like? There’s an element to ‘the grass is greener on the other side’, I have seen people work in some amazing styles that I wished to god I could replicate, some I managed, some I never did, but there’s nothing wrong with either. having a different style Is Not the same as having a bad style, each has their own strengths and you can admire one without putting yours down

2. Knowing someone who is a better writer is a blessing and if they knew you were using their work to bring yourself down they would not be happy, mooch off that friend, analyze their work, ask them to edit your shit, as long as you’re not annoying them be shameless about it. the best thing creative writing did for me was give me the confidence to ask people to critic my work and shamelessly better each other for that sharing 

3. People need to normalize being confident in their work, the quality of your work has literally nothing to do with your worth as a person, the quality of your work has nothing to do with your worth as a writer. You can write something really shitty and the only thing I’d say to you is that your trying and I respect you for that

[khunfounded]

Literally every writer I know needs to read this. 

The entire reason I started writing fic was because I was too sick to be anxious about it, and after that, whenever I would get down on myself my work would stagnate, so I learned to follow sick Magpie’s lead and just say fuck it.

I write because I enjoy it. I write because I love it. And I write because I want to share a piece of myself with the world and say this is me, take it or leave it.

Learn to give yourself grace. Learn to get better at writing because you love it, not because you hate what you create. And most of all, learn that no one is able to write exactly like you do, and that is amazing.

<3

[ceterisparibus116]

And why make self-deprecating jokes when you can make jokes that lift other people up?

[justisaisfine]

Help Isa survive this month, organized by Isabel Grondin

Hello I’m Isa and I just had to have surgery to get my appendix removed! with this comes t… Isabel Grondin needs your support for Help Isa

Did it!!

Help me and I’ll doodle you a thing!! ;7; 💜💜💜

[dct239394cvvd098dffgggp]

how does being punched in the face feel like

[dct239394cvvd098dffgggp]

literally i just wanna know

[burn-brighter-than-fire]

It depends on where you get hit

Cheek: a round dull pain that clocks your entire head in a different direction. It’s painful and throbs but the main effect of a punch to the cheek is how jarring it is. You feel it in your mouth, your teeth. And no matter how you position that punch the knuckles will always hit the jaw and cheek bones adding a frame of sharp pain in which the redness will be painted.

Temple: getting hit on the temple pushes your head to the side rather than turning it. It’s disorienting because it leaves you very off balance. It essentially feels like a bad pressure headache, like when you have a sinus infection on a plane, but in one spot and on the outside. It’s sharp in the middle and radiates outward and even after the initial impact it pulses like an earthquake epicenter. It easily causes long lasting headaches and is the most likely of these examples to cause a concussion.

Eye: this is a weird one. The fist doesn’t fit within the eye socket so either the knuckles on the brow and cheeks bones protect the actual eye or they don’t. The former option gives a full spreading pain below the eye which results in the classic black eye look and a sharp pain on your brow similar to hitting your shin on the couch. The latter option, well bad things can happen when a hard fast object makes direct contact with your eye but for the sake of this it feels like a vacuum bc the concave shape is being covered and pressurized. The eye feels pushed back and pulled forward all at once. It doesn’t necessarily hurt that bad for that long unless the punch was meant to do damage. I’m fortunate to say I don’t know what it would feel like then.

Nose: remember that prank kids used to pull where they’d line up their hands with their nose, push them in one direction and crack a knuckle at the same time to pretend to break their nose? Yeah that’s what it looks like when someone punches you from the side in the nose, except it’s someone else’s hand and your nose makes the sound instead of their knuckle. It’s just like breaking any bone where you hear it and feel the action if it being done but that moment of shock blankets you for a split second until all the pain comes rushing back. It’s sharp and needlelike and can give you black eyes just to add insult to injury. If you get hit in the nose from the front it’s like the uncomfortableness of when you have to sneeze but can’t. Except that feeling took all the steroids and is now using your face as a punching bag to express its roid rage. It crackles outward like static electricity under your skin, your eyesight gets fuzzy and you can’t tell if it’s because you’re tearing up, it’s hard to open your eyes, or you’re momentarily stunned and blinded. Just know it’s all three. I find that this one knocks the wind out of you the most. Gotta remind yourself to breathe just don’t try to do it through your nose.

If you really want to know what this feels like I’d suggest joining a mixed martial arts because they’ll teach you correct form and power distribution and you can spar with pads and actually hit each other.

I’d also recommend learning what it feels like to punch someone in the face. It’s much more fun and pretty damn cathartic when they deserve it.

[dct239394cvvd098dffgggp]

i was just being stupid but these descriptions are actually so well written i could feel them lmao bless

[jenniferrpovey]

Well, thanks for “being stupid,” because this is a great ref for writers.

[bluejay-bitch-in-the-treetops]

*likes to save it to their gallery of assorted writing refs

[ifyoulookinthemirror-deactivate]

World-building Outline

@writersbytheocean

please note: this is my post! feel free to use it in your WIP but I would love if you could dm me if you would like to repost it! I hope it helps you <3

Prerequisite

What do you admire about other worlds?

What would you change in your current world? From the past?

Are there things you like from the past that you would like to include in your story?

How can you as a writer think beyond the norm?

Is there a magic system in place?

How does this change the magic system?

Basic Infrastructure

How and what do they eat?

How do they get their food?

How do they commute?

How is the history of this world interpreted differently by the different groups of habitants?

Do people survive in this world? Why or why not?

Geographical Features

Land and sky

What does it look like?

What is the climate?

Is the weather easily predictable?

What is the color of the land and sky?

What does it smell like after it rains?

How are the clouds shaped?

Are there stars in the nightsky? Do they look different?

Are there mountains/beaches/something unknown?

How do people adapt to these places? Maybe they make homes in the caves?

Are there dangerous animals?

Culture

How and what do they eat?

How do people interact with eachother? Is it different between different societies?

How does religion play a part in culture?

What is the social hierarchy like?

What group has historically been in power?

Is there an educational system?

Religion

Is religion important?

Is religion a hot button topic? Are there multiple?

How are religious groups seen?

What are some morals?

What are things that each member of the religion will not agree on?

Is trade important to habitants?

Politics

What is the political system? Is there one?

What are things the absolute power can’t do?

Do the people enjoy the system?

What are some laws in place?

How does it impact the inhabitants daily life?

Does it only affect certain groups?

Does religion affect the system?

Is there oppression? If there isn’t, how does that lead to problems or make the world better?

What are things that the habitants wish they could change?

What keeps the absolute power in power?

Habitants

How does the world impact what they look like?

What should they fear in the world?

What social norms are constructed?

Are there criminals? What happens to them?

How do groups judge people based on their physical traits?

Current Day and History

How does your story reflect on your world?

What is the major thing(s) happening in your world?

Is there  record and writing keeping?

How do the habitants know what happened in the past?

Has history repeated itself?