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Cien años de soledad, Gabriel García Márquez. (via learnobservingeverybody)

The Astoundingly Complex Ancient Indian Stepwells

Ancient Indian stepwells captured by Victoria S. Lautman. Rudimentary stepwells first appeared in India between the 2nd and 4th centuries A.D., born of necessity in a capricious climate zone bone-dry for much of the year followed by torrential monsoon rains for many weeks. It was essential to guarantee a year-round water-supply for drinking, bathing, irrigation and washing, particularly in the arid states of Gujarat (where they’re called vavs) and Rajasthan (where they’rebaoli, baori, or bawdi) where the water table could be inconveniently buried ten-stories or more underground. Over the centuries, stepwell construction evolved so that by the 11th century they were astoundingly complex feats of engineering, architecture, and art.

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Philipp Banken

Aquí es donde las ideas se preservan, el tiempo vuela y las intimidades desaparecen.

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A Reminder • Radiohead

Usando colores vivos y espontaneos brotes de creatividad, el artista originario de Rumania Dan Cretu toma pinturas consideradas “clásicas” y les da un toque característico de nuestra época, humor digital que vuelve lo arcaico en icónico.

http://dancretu.tumblr.com/

https://www.instagram.com/dan_cretu/

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Dennis Wheatley / The Devil Rides Out / Art Unattributed (1980)

m-as-tu-vu

“Everything that occurs out of necessity, everything expected, repeated day in and day out is mute. Only chance can speak to us. We read its message much as gypsies read the images made by coffee grounds at the bottom of the cup.

Milan Kundera -*- “The Unbearable Lightness of Being” (via m-as-tu-vu)

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Caracas, Venezuela, 2006, Christopher Anderson

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If you keep hiding your true self, your life becomes like slow death. Once you become free from the lies and the hiding of yourself, then life becomes vibrant again.

Ziggy Marley (via psych-facts)

David Nebreda, el fotógrafo español que asegura vivir una realidad peor que sus fotos. Su obra explora lo grotesco utilizando al propio cuerpo como su máxima expresión de impacto, en ella también se ve el concepto Nietzschiano de arte en cuanto a que la belleza no es lo placentero. La intensidad de sus fotografías marca la línea entre lo sádico y el despertar la consciencia crítica entre sus espectadores sobre temas de género, política y paradigmas.