Keni
roma★
JBB: An Artblog!
Three Goblin Art
Sade Olutola
taylor price
RMH
Sweet Seals For You, Always
occasionally subtle
pixel skylines
Kaledo Art
Cosmic Funnies
Peter Solarz
"I'm Dorothy Gale from Kansas"
DEAR READER
$LAYYYTER
let's talk about Bridgerton tea, my ask is open
shark vs the universe
No title available
he wasn't even looking at me and he found me
seen from Germany
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seen from Singapore
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@late-goal
Hello! How’s you doing?
This blog is gonna have mostly reblogs, some sprinkles of art and stuff
I like books but I haven’t that much as of late, Comics, clouds, the sky, animations, nerding(not as much as I like to) out about historical stuff, random useless facts
This will be changing list and word about me.
Thanka for reading
Looks like I’m watching! Highly requested
So much lore, so many villains.
i love pitting classically trained magic users against self-taught magic users in sci-fi/fantasy but it shouldn’t be snobbish disdain for them it should be terror
“WHO TAUGHT YOU LIGHTNING BEFORE BASIC TELEKINESIS. LOSING MY MIND WHAT DO YOU MEAN YOU JUST DID IT. WHAT DO YOU MEAN YOU CAST WITH YOUR BARE HANDS”
WHAT DO YOU MEAN THAT YOU’VE ‘HACKED’ MANA DRAIN
WHAT DO YOU MEAN ‘DRINK SOME JUICE’
WHAT IS ‘LOW BLOOD SUGAR’
WHY IS THIS WORKING
I HATE YOU SO MUCH
Okay but other direction can ALSO be a lot of fun
“What do you mean I don’t have to burn half my blood to create a fireball?”
“Why can you teleport more than once without vomiting? WTF is ‘quantum displacement awareness’???”
“You know HOW many spells? HOW? ... What do you mean ‘my spell book’?”
“Ooooh, you’re just summoning water portions from the Plane of Water... Lol I thought I HAD to combine hydrogen and oxygen molecules to generate water in small amounts. That’s so much easier then what I was doing!”
Tags via @mia7437
World Heritage Post
u cld write a whole thesis abt this xkcd & how the only workers personified here r the upper class college degreed tech & management workers & not the third world workers facing unsafe grueling conditions working in mining or even manufacturing..... the wood source described as a "legal fight"
he's also greatly overestimating how much design work actually goes into most products like that
not leaving that in the tags
Ha I wonder how many strokes the most complex Chinese character has like maybe eightee-
Has a Chinese son, names him bèng-dá, and he hates me
My beloved son 䨻龘 just trying to write his name in kindergarten
A little video we all should take a moment to watch and think about.
Instead of thinking about what divides us we should think about what we have in common…
I’ve reblogged this on every account I have.
This is simplistic and intended to tug on heartstrings and all that shit but guys I really needed to see something about people not being dicks so if you needed that too please watch this.
Thanks for this, Denmark.
speaking of star wars━ I read WHA last month, so, Olruggio and Qifrey as jedi
honey is the only food product that never spoils. there are pots of honey that are over five thousand years old and still completely edible
i also want to point out we know it tastes the same even after thousands of years b/c archaeologists who discovered two thousand year old honey tasted it. presumably right after they looked at each other and went “what the hell here goes nothing”
I’m pretty sure they also identify human remains by taste. Archaeologists are straight up freaks.
No, no no… you identify bone from rock or other substances by touching it to your tongue. If it sticks, it’s bone. The taste itself has nothing to do with it. And most archaeologists won’t lick human bones if they know they’re human.
…and I realize that doesn’t actually do much to prove archaeologists aren’t freaks.
mai nam is jane and wen i dig i fynde some roks both smol and big i put my tung upon the stone for science yes i lik the bone
I’m sitting with a bunch of archaeologists and we just laughed so hard we CRIED we’re getting tshirts with this on them
I will never ever get tired of seeing bredlik poems. It is really one of the seminal art forms of the century. I am not being sarcastic.
If I ever don’t reblog this, assume I’m dead and archaeologists are licking my bones.
An alternate version of my animatic for The Owl House main titles. It was rejected because they thought the POV change was confusing.
what if you combined a pressure cooker and a deep fryer and made a pressure fryer, the most dangerous kitchen implement in history
does this imply you want to heat cooking oil to past its boiling point at one atmosphere
Its real and its called a broaster.
*grabs america by the shoulders* we have got to lock the fuck in. south asia and the middle east are running goddamn circles around us. we have got to come up with a more dangerous way of cooking food now or we can kiss these quarter finals goodbye
Working on a dnd blub, considering making this tiefling a rune knight
Plastic Chair in Wood by Maarten Baas (2008)
I'm obsessed with this chair. The artist takes a flimsy hunk of injection-molded plastic that's been cost-cut to hell and back, and insists that we look at it with fresh eyes and understand its beauty. And they went about it in the most labor-intensive way I can think of.
Absolutely nothing about this design is convenient to execute in wood. Every piece is curved, most have compound curves. This is artisan craftsmanship: it's inherently slow, manual, and skilled. Notice, also, that most features of this chair must be thicker and heavier than on the plastic chairs being imitated. Injection-molded chairs can be produced in this shape in a matter of minutes with far less material at very low cost.
If these flowing, organic curves are so beautiful in polished wood, perhaps they are also beautiful in the mass-produced chairs that are far more accessible. Perhaps we should remember to admire designs that succeed enough to become ubiquitous. I don't know about you, but I'll never see injection-molded chairs the same way again.
@puppygirllaika
I agree with all of this, but YOU HAVE HIT UPON A FORGOTTEN TRUTH OF PLASTIC CHAIRS!!!!!
The standard one-piece injection molded plastic chair is referred to as a "Monobloc", literally just describing it as a single piece. The history of this chair is fascinating, and it all starts back in 1946, with the D.C. Simpson Monobloc.
Douglas Colborne Simpson was an architect mostly active in the 40's and 50's, designing a lot of classic mid-century style buildings in Vancouver, Canada(1). In 1946, as part of a government project to find new uses for materials developed for WWII, he and engineer James Donahue developed the design you see above, simply called the Monobloc(2). Unfortunately, we don't know a lot about this chair as it was only ever a prototype, and no modern examples have survived, nor have most of the records surrounding it(3). To my knowledge, we don't actually know if this was technically injection molded, or crafted some other way. We can't even be sure if it was technically the inspiration for the designs that followed, but no matter the case it has lent its name to the entire genre.
Plastics technology was simply not what it is today back in the 1940's. Most people would have had very little plastic in their homes, most likely just a few pieces of Bakelite (the first commercially viable plastic, made from a formaldehyde based resin in a Bakelizer, the best name for any industrial manufacturing equipment ever). Over the following few decades, however, as a wider variety of plastics were both developed and came down in price to the point of commercial viability, the concept of the plastic chair was revisited, and the first folks to revisit it were Helmut Batzner, in 1964, and Joe Colombo, in 1965.
This, is the Bofinger chair, Batzner's design:
The elements of D.C.Simpson's Monobloc were pretty alien compared to todays mass-manufactured plastic chairs, but here we start to see some more modern elements come into play. The first thing you probably notice is the front legs, which have that characteristic visible 90 degree bend in them for added rigidity, plus a much more comfortably leaned back and slightly scoop-shaped seat. We also see much more support in the back rest, with broad triangles allowing for a more efficient use of materials without losing back support.
Similar to Simpson, Batzner was not an industrial designer, but an architect, and this chair had a very specific purpose. Batzner and his team designed it as part of a project to build a new theater in Karlsruhe, Germany, which required a large amount of additional seating which could be easily packed away into storage or distributed around the theaters rooms by the staff (4). As such, it was designed to be both lightweight and stackable, so several of them could be moved by one person, and they could be stored compactly. This piece of furniture was a huge hit a the theater, and was so popular that 120,000 units would ultimately be manufactured and sold around the world, with each one taking just 5 minutes to produce (4).
Around the same time, Joe Colombo enters the scene with this:
Colombo was an artist in several mediums who, after taking over his families appliance company in the 50's, made the shift towards architecture and interior design, and started designing a wide array of trend-setting furniture(5). The chair shown above is known as the Universale (sometimes referred to as the Chair Universal 4867), designed in 1965. This chair differs pretty greatly from the ones that came after it, it many ways it represents a different path that could have been taken, but it's also very widely referenced as an inspiration for what is broadly considered the origin of the white plastic chair the world over.
Enter: the Fauteuil 300
This is, arguably, the first iteration of the white plastic chair we all know today. Designed by Henry Massonnet in 1972, the Fauteuil 300 and it's imitators are, collectively, the single most widely used piece of furniture in the entire world(6). Before that, however, it was something else entirely: works of art.
What might be hard to recognize in hindsight is that all of these chairs described so far were not everyday objects. They were on the forefront of modern design, they made use of brand new materials and manufacturing processes, and at the time they were each made, they were slick, stylish, and fairly expensive. Despite the speed at which they could be manufactured, these innovative, high-end chairs rose sharply in cost up through the early 1980's due to the sheer demand for them. They weren't cheap spare seating you stuck in the garage, they were placed at dining tables and on fine patios, and they were a wildly popular talking point. That's not to say their expense justified their artistic value, but rather that their expense and popularity was a product of their status as highly contemporary and boundary-pushing designs.
With the price of plastics declining after the 70's, the increasing accessibility of injection molding to manufacturers, and the widespread popularity of these designs, copycats proliferated rapidly, and eventually drove the price down. This era, in the 80's and 90's, is when these chairs became cheap an ubiquitous, and where they became manufactured the world over.
And here is where we reach this piece, "Plastic chair in wood", by Maarten Baas, and a piece of the history I've left out so far. The Monobloc was designed to be made out of wood. Like the the other chairs designed by Joe Colombo, like the chairs that predated the Simpson, the Monobloc was designed with the intention of using laminated plywood, but as the artists and designers behind them began to experiment with new materials they fell in love with the idea of making them from plastic, and so they did. They redesigned and redesigned until they made something that would be impossible to make in wood at a price most people could afford, but which could be made from plastic in mere minutes. The organic curves and thin profiles would take so much time, so much waste material, so much skill and effort to create if made of wood that they could never be furniture, they could only be art. Baas' chair is a perfect, beautiful reflection of that.
That, in brief, is the history of the design of the white plastic Monobloc chair, but it's not all there is to know. In fact, it's kind of just the start. I've linked my sources below, but I would strongly recommend checking out the German documentary Monobloc, by Hauke Wendler. It goes over the history, but it's far more interested with what the Monobloc means, and what it's place is in our world today. The impact it's made, the better and the worse, and what it says about us. It's fascinating, and well worth your time.
sources below.
Always fun to learn about a tumblr friends surprise special interest
We all hear about the hatemail and PVP, but this site is also unmatched for activating a trap card.
Art is life and life is art the cycle of how plastic chair designs is fascinating
They got new photos of the moon,
I knew she had colors hiding in there 🥹
Correction to the link sourced by OP! The Artemis II team did not take these photographs. These were shot by a Ukrainian student named Ildar Ibatullin sometime in the last year or so. Furthermore, the Moon does not have these actual colors in reality; Ildar does a lot of post processing and compositing to saturate the colors in order to artistically represent the mineral composition of the lunar surface.
If you would like to see photos taken by the astronauts aboard Artemis II (and more!), here is the repository that NASA is keeping.
She still pretty either way gooo brrrr
My Oc Alex doodling to get over fear of posting
That pen is peak
surprised no one on here is talking about the snoopy toy who they put in artemis i for the moon trip
he’s in a space suit y’all don’t worry
Joy and whimsy detected! This post is joyful and whimsical!
Witch Hat Atelier Anime Drop Today!
