Bear Details
The bears arrive at their Air b n b in the woods.
we're not kids anymore.

No title available

★
styofa doing anything

Origami Around
cherry valley forever
Sade Olutola
I'd rather be in outer space 🛸
Jules of Nature
noise dept.
Xuebing Du
Mike Driver
Cosimo Galluzzi

pixel skylines
he wasn't even looking at me and he found me

@theartofmadeline

shark vs the universe

JBB: An Artblog!

JVL

ellievsbear
seen from Singapore

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seen from United States

seen from Singapore
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seen from United States
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@latenightprosciutto
Bear Details
The bears arrive at their Air b n b in the woods.
AMERICAN DAD EXERCISE, BABY
man, it’s harder than it looks.
Week 12: Screenplays
Scream: I loved this one. I loved how instant it was, how engaging it was, and how fun it was to read. The style was lean, economic, but very careful with words, and the connection they’d make with the reader when read on the page. Reading Kevin Williamson’s script inspired that care with my own words, and a concision that makes a script easy and fun to read, exciting when it’s exciting, slow and gradual when it’s tense.
Brokeback Mountain: Initially, I was a little skeptical. It seemed to rub against the style Williamson had made so appealing to me in Scream. But Diana Ossana and Larry McMurty’s script was a grower. It took more time describing the landscape (an integral part of the film), and went in more depth than I would ever think to. But it also was not afraid to tell us what the characters were thinking. Not in an intrusive, lazy way. But a considered, helpful approach, that I try and emulate in my writing.
Psycho: This was so meticulous in its articulation of shot and image. Joseph Stefano was exact, in that every line break indicated a new shot, a new idea. He was in a way, directing it through implication, which I really like. I try very hard to stick to that rule now, and it feels strange to do anything else.
It’s over the limit! But this is the first draft.
Twin Peaks: The Return (2017)
Vertigo Moodboard (PSW Final)
This really needs to be emphasised more on the page, I know, I know.
Reaction to inciting incident: Escape
Obstacle: Lack of direction/ being alone
Reaction to obstacle: Acceptance
I think your own criticism is probably fair, but the action is clear and the relationship between Ellie and Lex is really nicely sketched out.
The gunshot moment could be a little clearer, but aside from that, it’s super visual and engaging. Good stuff.
WEEK 10
• Protagonist’s action taken in response to Inciting Incident • Obstacle #1 encountered in the course of taking action • Protagonist’s response to Obstacle
I second Jas’ love. Great banter between Rita and Jamie - one can tell there is a history between then from the dialogue alone. The point at which Jamie passes out is also a wonderful humorous point in the piece. What a stellar way for Jamie to get out of answering that question about sexual history too!
The physiological, morphological change creates intrigue and hooks the reader to find out more about where the transformation will lead to. I am definitely hooked.
Boy, there’s a lot going on. I love it. The humour in this is so wonderful - that playful back and forth between Rita and Jamie is a reaction to the danger of the situation. It’s an instinct for him, which is marvelous character building.
Also, you haven’t over described anything. It’s precise and concise and I can’t wait to see how you develop this intriguing story.
indust. persp. 10-12 part 2
Characters response to inciting incident - Mary begging
Obstacle 1: Harold’s violence
Reaction: Attempt to drug him
Pls roast me I need the wake up call
I do like all the visual storytelling going on in the attempt to poison him, and I totally feel the tension. Poor Champ.
Part of me thinks this might work better if Harold’s not openly as violent to her, if it’s in attitude. The chains tell us enough, in a way. I think that dynamic could afford to be a bit more subtle.
But, that said, I’m hooked. Can’t complain. Good writing, clear writing, keep going, friend!
The Moodboard! (for 4-5 pger)
^ The Knife’s ‘Silent Shout’
^ Coalcliff Coke Plant
^ Still from Antonioni’s ‘Red Desert’
WEEK 9 10-12
The setup and inciting incident
Woweeee. What a cliffhanger. There’s urgency and pace in this dialogue, in the bigprint, in the scenario. I love it. I love that you get shades of their past history, too. So much going on, so arresting.
My only criticism would be to keep the action super short and super spaced out to emphasise the speed of this opening. Cannot wait to see where you take this.
Industry Perspectives Blog Task Week 9
I like how you have used the external world to tell us more about the internal state of the character. This is really well paced and concise. I am excited to see what is to come!
Good stuff. Concise, entertaining bigprint. Well sketched characters. Loved it. (Though I’m not sure texts are dialogue - probably just a part of the bigprint, I reckon, but I might be wrong).
T’is dense and more like prose that script, I know, but it is far from the final draft. Worry not.
Set up is Man’s initial run through of his day, and his emotional detachment and what have you.
Inciting is my girl Constance pointing out to Man that he’s dull and it’s making his alcoholism impersonate disco lights.
Well, I wish I could have written that Velcro line. That was great. The visual of this man’s day, the details constantly changing and adjusting, is wonderful. At first, I thought it might be implying a wearying passage of time, this man just caught in the grind, with only unimportant details changing each day. But the actual thing going on here is intriguing, even if it is sorta non-specific.
My only qualm you’ve already identified - it’s super wordy, and dense. I mean, the writing is wonderful, and a pleasure to read, but I get the feeling this sequence might last eight or nine minutes on screen.
That said, really promising start. I’m keen to see where this goes.
The set-up/inciting incident runs until “What’s it called?” - it’s a bit long, but hope ya droogs like it.
Blog Entry - Week Eight
Set up:
Like most things, natural resources are finite and eventually the mine reaches its endpoint. The mine has sucked itself dry and their most coveted gemstone is in scarce supply. The mine can no longer find any new jade pieces - a symptom of relentless culling of the mine quarry for the past twenty years.
Miners and guards alike anticipate the worse and are prepared to face a shutdown of the quarry.
Thora is the sole female guard of the mine quarry, the only female guard in her team. The mine quarry is barren and dry. Its main export is jade stones.
Thora is illiterate. However, this does not deter her from her professional duties. She is good at what she does. Her core duty is to keep the miners in- check and to make sure that every jade stone makes it to the crate.
Inciting incident:
Some miners do not see the point of continuing their labour. They toil under brutal conditions and in their eyes, to continue in this fashion would seem redundant – especially when they face the likelihood of redundancy and a mine shutdown. In response, the miners start to riot and rebel in turn.
Protagonist’s action taken in response to Inciting Incident:
The riot erupts in the mess hall and Thora spots a jade piece in the hall, amidst the rabble – a place where a jade piece shouldn’t be. Thora deduces that some miners may be thieving, more than usual, and commences her usual method of carte blanche investigation to hunt down the thieves and salvage the stolen jade pieces.
She hopes that through this, the retrieved jade will fill up the crates and keep the mine alive and running.
Obstacle #1 encountered in the course of taking action
Yastar, a miner, is a match for Thora in cunning and wit. He takes clever albeit extreme measures to hide the jade from her. He does not, however, steal it for his own selfish gain. He steals it for his young daughter, who has recently sustained injuries from a mining-related explosion.
He is driven to steal a few jade pieces to pay for her treatment and prevent her from being succumbed to fatal injury.
Protagonist’s response to Obstacle
Thora struggles to catch Yastar red-handed with the jade. So she uses her keen eye and methods of entrapment to try to catch him out (e.g. gives Yastar a plate of chicken to eat when she suspects Yastar is hiding the jade pieces in his mouth; she sits and watches to see if he will spit any jade pieces out) She even persuades a miner to betray Yastar and share information about Yastar’s stash and whereabouts in exchange for a reward.
Obstacle #2 encountered in the course of taking action (if appropriate)
Occasionally, Thora’s illiteracy gets in the way as there are some clues which present themselves in written form which Thora cannot interpret.
Protagonist’s response to Obstacle
She attempts to bypass this by relying on her other senses of investigation and tracking although her inability to read does chip away at her confidence a few times which also reminds her of her futility if the mine closes down.
Story ending – Reward or Reversal? And why?
When Thora finally catches Yastar and discovers that he is stealing the jade pieces for his daughter, she lets him go. She lets him keep the jade pieces that he’s stolen, with the intention that the jade pieces will go towards restoring the daughter back to health.
Through previous encounters, Thora realises the daughter is bright and intelligent and has real potential to leave the poverty cycle and make a life for herself, something that Thora can no longer do.
Reversal: She goes against her initial goal of hunting down thieves and lets Yastar escape. The crate of jade may not be full however, she feels good for letting someone go who will put the jade to good use.
Gosh, I feel that I’ve seen this story already. The vision is really clear, I like the changes you’ve made a lot, and I get a sense of the scenes you’ll write to tell this ambitious story. Loveeee the characters, and particularly where we leave them. Good stuff.
Week 8
Set-up
In a futuristic world where nature is slowly being weeded out by metropolises, terrorist organisations utilise robotic technology as a means for world domination.
They are able to lace radio waves in the air with codes that allow for total control over the mind of another individual.
Marlow (14) lives a seemingly serene, ordinary life with his parents who are both scientists in the field of robotics. But they dangerously hide much more than they feel comfortable sharing with their son about their scientific advances.
Inciting Incident
A peaceful Christmas morning suddenly turns twisted when an unknown terrorist organisation ‘hacks’ into and controls the minds of Marlow’s parents.
Protagonist’s action taken in response to Inciting Incident
The chaos of the situation and the danger that Marlow’s life is placed in forces him to take matters into his own hands and shoot his parents dead.
Anti-terror assassin Lena (42) arrives late to the scene. She sympathises with Marlow’s plight and offers to take him under her wing as an assassin so that he can one day take revenge on those responsible. Marlow accepts.
Obstacle #1 encountered in the course of taking action
Despite his loss of innocence, Marlow is still a young boy who does not know how to hold a gun let alone use it accurately. Lena must teach him how to be a proper assassin if he is to ever stand a chance against terrorist organisations.
Protagonist’s response to Obstacle
Marlow is eager to learn how to become strong for the sake of his parents. And despite his attempts to remain emotionally detached from Lena, she naturally becomes a questionably-moral-but-motherly figure for him.
Obstacle #2 encountered in the course of taking action
The assassin duo eventually track down the leading perpetrator of this new form of technological terrorism and devise a plan to kill him on the aeroplane that he is on.
Lena boards the same plane that he is on and must kill him before it lands, as it becomes clear that the terrorist is planning to create a zombified robot army out of the 400 passengers and crew on board his flight. Lena is too late to stop this.
Marlow is forced to confront the decision as to whether he should blow up the plane with Lena on board or risk the fate of humanity by letting the plane land.
Story ending – Reward or Reversal? And why?
Marlow displays the pinnacle of his character transformation when he allows the aeroplane to land even though he knows many more people could die as a result of his decision.
This is a reward. As it is the first time that Marlow chooses to value his emotions over his rational logic, thus becoming more human than machine.
Unfortunately, as Lena steps off the plane it is clear that she did not escape unscathed. She too is mid robo-zombification and makes the sacrificial decision to detonate herself in order to destroy the mass-robot infection once and for all. This goes against her philosophy to value one’s own survival above all others.
I love the ambition of the piece, and has some fantastic callbacks, whilst still being really fresh and different. I’m not sure how all this good stuff can fit into 12 pages and still be as thoughtful and considered as you have here, but I’m really keen to see you translate this into script-form!