If you're interested in my edits you can check the tag "Ophelia edits" and check out my thoughts/meta under "ophelia writes"
Xuebing Du
Three Goblin Art

if i look back, i am lost
will byers stan first human second
sheepfilms
todays bird

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titsay
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ
Sade Olutola
ojovivo
Jules of Nature
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year

Origami Around
One Nice Bug Per Day
he wasn't even looking at me and he found me
Today's Document

izzy's playlists!
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@le-ophelia
If you're interested in my edits you can check the tag "Ophelia edits" and check out my thoughts/meta under "ophelia writes"
Thank you all so much for the kind words on my dark!Mae AU! Here’s another painting for it, this time featuring Elrond as he dances at Maedros’ dark fae court, similar to how Lúthien danced for Morgoth XDD In the same vein, Elrond (and Elros; he’s hanging around there somewhere) is trying to lull Maedros into a sense of security/ease.
I imagine Elrond’s dance is close to a ballet style, hence his pointe-like shoes. That said, I wanted to practice with perspective for this painting, and got some awesome feedback from the Artists of Arda discord chat, but ultimately set that version aside and went with this! I do feel that this version has a better composition story-wise: Maedros wants to keep Elrond close, and won’t let him dance too far away.
Also, while I was drawing Maedros’ guards, I realized that they kinda resemble my designs for Maglor and Celegorm … Which led to the idea that Maedros subconsciously surrounds himself with people who look like his dead family :’’’’D Angst ahoy! loll
For this painting, I referenced the setting of the Swan Lake ballet, starring Natalia Osipova, specifically Odile’s Black Swan solo before the queen and her court. And the first version of this painting is under the cut, if you want to see:
Keep reading
One of JRR Tolkien’s ideas for Aragorn’s backstory in The Lord of the Rings was that he was actually just three or four generations removed from Isildur himself.
Then how did he survive for the thousands of years between the Second and Third Ages?
The story goes something like this:
Many hundreds of years ago, young Aragorn fell in love with an Elven woman, who exactly resembled Lúthien Tinúviel in shape and outward form.
She called herself Arwen Undómiel, the Evenstar.
He fell for her, and romanced her, and gave himself to her; together they lived in her kingdom, where her magic and her power slowed Time to a crawl for them, while hundreds and hundreds of years passed in the world outside.
At first, the Elven-maid seemed every inch a queen: beautiful, graceful, soft-spoken, meek, and with the manners befitting an upbringing in Valimar long ago.
But over time, Aragorn came to realize that his beloved had a hard, greedy, grasping side, even a cruel streak, which more and more showed itself in unexpected flashes.
Worse, she was not who she seemed to be.
Eventually Aragorn pieced together the secret.
His bride was Sauron, divested of her usual male disguise.
Greatly weakened by the loss of the Ring, Sauron yet maintained strength enough to craft a prison for the heir of Isildur: a false realm of hollow bliss and sterile delights, where the one she thought was the greatest threat to her power could languish in eternity.
A part of herself, wearing a female aspect – the gender she had hidden long ago in the deeps of time, to gain entrance as an apprentice to the smithies of Aule – remained in this pocket world, as Aragorn’s bride: a plaything to keep his attention from the bars of his gilded cage.
But eventually, Aragorn figured it out.
Eventually, Aragorn escaped.
Thousands of years had gone by in the world outside since Aragorn had been ensnared by Sauron.
Now, emerging from long captivity in a magical sub-realm, he studied the world around him, and learned what had changed and what had endured.
He met Gandalf, and learned much from the Grey Pilgrim, and taught him some things of his own; and, in search of information, he pursued and captured Gollum, who had possessed, and been possessed by, the One Ring for so many centuries.
And, shortly before his ascent to the throne of the reunited Kingdom of Gondor and Arnor, he met his future bride: Eowyn Elfsheen, sister-daughter of Théoden, King of Rohan.
(PS: Christopher Tolkien or another amanuensis may have written this story down as part of the Secret Library Archive Project.)
I ship this now.
My reaction:
“Aragorn’s backstory“ Oh, ok, is this gonna be what the whole Amazon thing is going to be about?
“He meets Arwen“ Yeah ok
“She seemed evil” um, ok…that’s new.
“She was Sauron“
so you’re telling me Sauron was getting ploughed by Aragorn for thousands of years “as part of a fiendish plan to waylay the heir of Isildur”, no other reason, Sauron just lying back and thinking of Mordor, hating every second of it, is that what you’re telling me
#i ship eowyn and faramir#like…a lot#but this backstory for aragorn is so much better???#can you imagine him having to explain to frodo#that sauron is his ex???
I would pay SO MUCH MONEY TO SEE THAT! X3
So when Sauron showed Aragorn the visions in the Palantir, it was less “Check it out, your girlfriend’s dead” and more “I know what you did last summer (ps it was me)”?
holy fuck
Tauriel Concept art | Weta Workshop | BrunuhVille Edited
Originals by Nick Keller
Olwe
Gracias profesor por hacerme llorar todo.
redraw
What I'd give for one of the Cinderella remakes to go into how when you're in an isolated and abusive situation, sometimes you need to be saved and you're not weak if you can't escape by yourself
I've never been a fan of bad faith reinterpretations of fairy tales, especially ones which flatten the originals into "princesses is saved by a prince and nothing else", to then go #girlboss. The princess can save herself because she's a strong female character! (Implying if you're in a bad situation, it's because you're not strong enough to get out)
Different Love Stories by Yingzong X
Now presenting, in its full, complete, and downloadable glory, the Racism and Middle Earth series! This six part guide to Tolkien and Racism collects relevant tidbits from Tolkien’s own writings (from the most familiar to the most obscure) in order to highlight what the most problematic and the most potential-ridden parts of Middle Earth are, and outlines how we, as fans, can make Middle Earth a better place for characters of all ethnicities.
Each chapter is summarized in the photos above. The series can be downloaded as a .pdf, .ibook, or text-only .pdf (warning: the text version is not pretty, and is missing some important maps, so use only as a last resort.) I’ve also got a list of articles, essays, and blog posts on the subject of Middle Earth and racism here, for anyone wanting to learn more, or just looking for a different perspective/take on the issue.
(For those who read the original blog posts, there have been a few changes to this final version - mainly additions made to Part I.)
(source)
Angels of Light & Darkness - Character Design Challenge by selected artists: RAY P, Diane ÖZDAMAR, Michelle Tolo, Tomasz Ryger, Adrien Jeannerod
Disney Heroines: concept art ➜ final film design
Art by LY 炼妖
So it turns out classes are hard. I might get that milestone celebration finished at some point eventually.
Anyway, here's the Siren race. Because sea elves and water genasi sometimes don't quite scratch that itch. Maybe you want to play up the charming seductress, drawing men in like an angler fish. Or maybe you just want to be a watery tart tossing swords at people.
Ksenia Palchikova on Instagram
A truly fun commission for the wonderful @kingdomforahorse
in honor of their friend. I now want to draw more mermaids…