YOU ARE THE REASON
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let's talk about Bridgerton tea, my ask is open
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Aqua Utopia|海の底で記憶を紡ぐ

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Lint Roller? I Barely Know Her
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if i look back, i am lost
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@litchiseason
“he wears his heart on his sleeve” not maxwell gotch. he wears his boyfriend’s heart on his fists. as a weapon <3
Fellas (non gender) is it gentlemanly to carry your 9ft (3 meters) tall robot boyfriend like C3PO being carried by Chewbacca
"Don't forget that you did this. Remember this. Remember this moment. You went back in time and gave yourself a pair of pants. REMEMBER THIS."
He forgor
these editors are menaces man im going to be thinking about that fucking clip for the whole week i cannot fucking get over it. i cant get over it. i love maxwell specifically calling out for torse's attention so he can pitch his Awesome Joke. his very cool reference to how his friend is so cool and how alike they are. just the immediate Hey Check This Out before tossing out the lamest shit ever. and it kills. i dont even think torse knew he could laugh before that exact moment (insane to think about). i fucking love how absolutely hideous and forceful and downright scary torse's laugh is. i love how maxwell is immediately and without any obfuscation so ridiculously delighted by it. to the point where he stops clenching his fist and claps !!!!!! just full clapping and cheering whoa holy shit my joke went over so well !!!! hell yes youre laughing this is awesome !!!!!! they are so enchanted by each other what the hell is going on out here. im sick
pov: youre meat
i fear knuckles made out of torses heart is something no fanfic author could’ve come up with on their own. murph unfortunately beat us at our own game. we might simply never top “so clenches a worthy fist”
edit: someone rebloged this with the hashtag “i’ve been out yaoi-d” and i’d like to add that statement to this post. we have ALL been out yaoi-d.
Okay okay the rowdy pugilist and the sad robot got to me
something about maxwell keeping his rule-following gentleman self and The Max persona separate + torse literally having two hearts that keep his more peaceful side and his violent side separate
Thierry Mandon – Suspended Domestic Scenes within Severed Buildings
Adobe is going to spy on your projects. This is insane.
For general graphics: use GIMP For vector graphics: use Inkscape For drawing and illustration: use Krita For print and web publishing and design: use Penpot For PDF authoring: use LibreOffice For PDF reading and form filling: use Okular
All are free, open source and cross-platform. None use AI.
Reblog for everyone
friends don't let friends use GIMP. use photopea
Gonna pop my favorite reference for Adobe alternatives here, lovingly compiled and updated by xDanielArt since at least 2020:
lord reblogging on main bcz fuck adobe (PROUD csp user)
I SWITCHED TO LINUX A WHILE BACK
ITS WORTH THE LEARNING CURVE
꩜ Sleeper Awake: Paik’s iconoclastic TV Bed (1972-1991) ➤
i think we should start openly mocking male creatives who can't figure out how to write women. like actually i think it's embarrassing that it took elliot page transitioning for christopher nolan to give him a good role. why did it take like ten years to get the first female lead in a marvel movie? why is it a Known Fact that stephen king can't write women? why is 50% of the population omitted from large ensemble works? i asked my friend to name a movie directed by a man with a majority female cast and he said ghostbusters 2016. ghostbusters. ghostbusters. g
I am a person who was chronically terrified of being alive for most of her life, and I still find that most advice and ideas on how to manage "anxiety" are the same: Ignore discomfort.
If you are scared of something, do it anyway. If you feel anxious, you must do things that make you scared. Get out of your comfort zone. Tell your fears they are wrong. Act as though you are not afraid. Ignore, ignore, ignore, silence, silence, silence.
It hurt me-- it is a horrible psychological weight to carry for a child to be certain that she will suffer unbearably over and over and that she will never deserve sympathy or compassion for it-- but it is also fundamentally incurious and disconnected.
If your body expresses something that is inconvenient or hard to understand, just silence and ignore it, because the things the body wants are wrong and the things the body communicates are false.
Look, I got to thinking about this when reading scientific articles about nutrition.
So much research is conducted about why people eat foods that are Wrong and Bad. But the research is conducted around an already-known truth, like a tree that has grown around a metal fence: people eat wrong and bad food because people like pleasure and avoid discomfort, and "bad" foods are pleasurable whereas healthy foods are not.
I feel a hole big enough for the wind to howl through: the joyful table, the raw ecstasy of staining my fingers with raspberries in the thicket, the peaceful bubbling of soup on the stove, salsa canned from vegetables in our garden. Stir-fried wild mushrooms, pawpaws messily devoured in the woods, the fragrance of soil and green and growing things. Curry powder. Smoked paprika. Ginger. Allspice. Garlic and onions hitting a hot pan. Nourishment. Connection. Caretaking. Safety. Pleasure. Pleasure.
Why does nobody ask, What is the goodness of food? What makes food good? Why does nobody say, Let's explore and study that goodness. Let's understand it deeply. Let's investigate the pleasure we feel, the condition of satisfaction of the things our bodies crave and need, the sense of belonging and interconnectedness that is present when good food is shared among friends. What does it mean to be nourished? To be satisfied? To feel peacefulness and comfort in the act of eating?
Comfort must be one of the least understood things in the world. No one is curious about the secrets it may hold.
Why was I burdened with the obligation to get over my fear and never encouraged to explore what would it mean to feel safe?
The goal of the therapy and medications was clear, to get my fear to a manageable enough level that I could "function" "normally." Safety was not part of it, the feeling or the reality.
The physiological functions and maladaptive thought patterns of fear were exhaustively discussed and explained to me. They only talked to me about the fear. How to ignore it. How to dominate it. How to force the physiological process of it to stop. How to manage it. How to understand and confound its patterns.
No one talked to me about safety. How it unfolded in the body. What it felt like. How to recognize when I was feeling it.
It was an attitude of profound incuriosity. I was never prompted or encouraged to ask, and no one else in the world seemed to ask: What does it mean for a person to feel safe? What does it feel like when I am safe? What things create that condition of safety? What are my safety needs? How is safety felt in my body? What can my body tell me about what I need to feel safe?
It is this flat, dull insistence that forcing oneself into what causes pain and discomfort automatically orients one in the direction of growth, whereas comfort and pleasure provide no information or guidance.
It is assumed that we all have abundant access to our comfort zones and abundant indulgence in pleasure, and therefore it is impossible that our knowledge of these things might be lacking.