Can’t help but read this in Benoit Blanc’s voice
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@literary-indiscretions
Can’t help but read this in Benoit Blanc’s voice
"Wake Up Dead Man", and the thankless labor of women
One of the things that stayed with me the most, was reflecting on traditional gender roles in the Our Lady of Perpetual Fortitude congregation and how it relates to religion in general.
Vera halts her life to raise a child she has no moral obligations towards. Simone is the church's biggest donor, keeping it operable basically by herself. Martha is the only employee handling administrative work in the church, keeping the treasure a secret her whole life. They are all endlessly devoted. They are all meant to be contrasts of Grace, the real "women of God," and in the end, it's thankless labor from all of them.
Vera's adopted brother is a selfish jackass who appreciates nothing about what she did for him. He saw her as just a free nanny to be "dumped" once his real father showed up.
Simone is being prayed on at her weakest and used as a cash cow, only to be told she can't be healed because she's a faithless woman.
And Martha only realises at the tail end of her life that her selfless devotion to a man and his teachings meant nothing to him. That he betrayed her the first chance he gets.
Wicks sees himself as blameless, has no standard for his own behavior. He's a disgusting, horrible man, who deserves none of their devotion.
When Vera and Martha realize that their whole life they trusted the story of the "harlot whore", only to experience the exact same treatment even after doing everything in their power not to be like her, that's the first time they can reflect on her, and when they finally realize:
"That poor girl."
if i came to investigate a case and the main suspect was named “judas duplicitous” i’d throw in the towel dude
Just saw the new Beniot Blanc movie, I love that this established that Blanc's crime solving M.O. is to team up with whatever suspect has the kindest heart and commit minor acts of obstruction of justice to keep them from getting arrested until he can crack the case.
I hope that southern fried fancy boy never stops adopting good people at grisly murder scenes.
With three movies to compare between, I really appreciate how each Knives Out movie explores justice from a different thematic angle, not based on the murder that was committed but based on the cruelty that led to that murder.
In Knives Out, a compassionate, ethical young woman treats everyone around her with generosity, and the people around her repeatedly try to take advantage of her kindness to force her into losing the fortune that was gifted to her by a dear friend. There, justice means that she keeps the fortune and decides that actually, she doesn't have to be kind and giving to people who've proven themselves assholes.
In Glass Onion, a woman loses her sister to a gang of wealthy, successful people who've sacrificed their principles for the sake of ambition and ego. There, justice means that everyone involved will be made notorious: whatever their other accomplishments, they will forever be known for being complicit in the burning of the most famous painting in history.
In Wake Up Dead Man, the church takes advantage of a young girl's loyalty and faith to place her under a lifelong burden and fill her with guilt, shame, and hatred. Justice means helping her understand what was done to her and the women around her, and giving her compassion so she can find peace.
This is cool because it means the movies contradict each other! The compassionate justice of Wake Up Dead Man would be totally misplaced in Knives Out, and so would the toppling-monuments justice of Glass Onion. And because each movie has something different to say, they all stand on their own and feel fresh.
This is also why Benoit Blanc is the uniting figure but never the protagonist of these movies. He's an agent of legal justice in that he's the detective and it's his job to figure out whodunnit, but the protagonist -- Marta, Helen, and now Jud -- is always the character who delivers thematic justice.
The duality of reviews on wake up dead man
LEON KENNEDY Resident Evil Requiem (2026) dev. Capcom
Octavio Paz, ‘The House of Glances’ (selected lines), A Tree Within (trans. Eliot Weinberger)
a quick compilation of Leon’s special takedown animations because I love how aggressive it is.
Local man thinks the woman trying to kill him asked him out. He shows up anyway.
Cutey cutey romantic moment because I need the serotonin. And a hands insert shot because I apparently hate myself.
"After the ecstasy, the laundry." —Jack Kornfield
good morning to toril's most insane echo chamber
imagine being orin (already terrible) and passionately orchestrating your kills to worship your father and god with your art and being constantly shit on for it cause “bhaal only cares about quantity” but then hearing your stupid bloodkin flirt with a stupid banite using poetic violence and shit like “oh gortash when you and i are the last living souls we will wed upon my father’s alter and be forever bonded in bloody death” and still be the favorite child like fuck off i’d be so pissed 😭😭😭
"Gods, you're a sight for sore eyes"