I have a type
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@lokislittlevalkyrie
I have a type
posts that make me want to rip my heart out part 5
Say My Name
Fandom: The Mandalorian
Pairing: Din Djarin x Mechanic!Reader ('Mech')
Rating: G
Word count: 5,361
Summary: You had despised how easily he had abandoned the kid with you. But what you had refused to admit until now was how you resented him for so easily abandoning you. How easily he had decided he could take himself out of not just the kid’s life but also your life. How you meant so little to him that he was ready to die without even telling you his name.
A one-shot where the Reader finally comes to learn Mando's name.
A/N: Character co-created with my friend @lokischocolatefountain and written for her birthday. Happy birthday! Reader character (Mech) is the same character in Guess and Daddy Issues
“I'm not gonna make it. Go,” Mando wheezed.
“Shut up!” Cara snapped. “You just got your bell rung. You’ll be fine.”
She removed the hand supporting the back of his neck. It was covered in blood. Her eyes widened in realisation.
“I’m gonna need to take this thing off,” she said, moving her hands to the helmet.
Before the words had fully left her mouth he replied, “No. You leave me.”
That was when you snapped. Till now, you had been on autopilot. When you unlocked the ship so that you and IG-11 could retrieve the kid, when you had ridden at top speed on a speeder bike in the middle of gunfight into a town infested with Imps, when you had hauled Mando into the ruined cantina after the Imp in black had shot him, unheeding of the blaster fight going on around you.
You looked down and saw the blood staining your clothes for the first time. His blood.
Mando’s hands were grabbing Cara’s with a surprising amount of strength given his condition.
“You make sure the child is safe,” he gasped.
Cara’s hands retreated slowly, but you weren’t going to give in so easily.
I’M SEEING YOU ADDED DIN DJARIN TO YOUR MASTERLIST??
?????
How was I supposed to resist him any longer!?!?
It’s gonna take me a long time to post Din. But until then, you can read the awesome stuff my friend @lokislittlevalkyrie wrote for him called Feeling You. Chapter 1 is Hearing You and Chapter 2 is Touching You.
FINALLLYYYYYYYYY!!!!!!!
the fact that the first female human experience barbie goes through is being self conscious and experiencing sexual harassment mirrors how growing up as a girl one day you’re okay and the next all of a sudden you feel bad about your appearance and are receiving unwanted advances is something that can be so fucking important to be recognized in film
Ken was more than an antagonist/villain but a representation/metaphor for all the sweet boys in our lives who eventually grew up to be misogynistic men. Who take more than they’ll ever give. They are the boys who felt under-appreciated and unloved and found validation from Andrew Tate podcasts.
A lot of women if not all can relate to that on some level. Son. Brother. Friend. Cousin. Nephew. Uncle. It happens so much more than we want to think about. It’s so prevalent and sad that despite everything Ken did, Barbie apologized to him and received no apology in return.
Barbie Land was far kinder than Kendom. The Barbies were dismissive about the Kens, yes, but they were always treated kindly and with some decorum. Kendom literally made the Barbies their servants designed to cater to their every whim. Just look at that. And even then, Barbie apologized. President Barbie gave them a (admittedly low) position in the courts as a token of good will. A fairly realistic take right there but so sad considering the harm they’d done.
He stole her dreamhouse. He stole Barbie’s dreamhouse. And she apologized for hurting him.
Ken's greatest suffering came from being a beta orbiter in the friendzone. From not being taken seriously by the person whose attention he believed he needed to validate his own existence. He was never exploited or degraded or dehumanized. He was never subjected to malice or sadism or violence. He was not raped. He was not objectified. The Barbies always treated him with respect (kindness, goodwill), but not with Respect (gravitas, adulation, obsequiousness).
This is truly the worst fate many men can imagine. This is what they mean when they absurdly complain that women have all the power in society, that feminism has gone too far. Men are lonely, men feel unwanted, men feel disposable, men feel unneeded, men feel unimportant, men feel disRespected.
Meanwhile, Barbie is sexually assaulted within five minutes of entering the Real World. She unapologetically hits back because she has not yet been taught that women who hit back are punished. And then she is the one who gets arrested, not the man who assaulted her. In her mugshot, her face shows a mixture of bewilderment and violation. Ken, on the other hand, is beaming. He is oblivious, blissfully unaware of sexual violence.
Because while the Kens never perpetrate such acts, they have also never been victimized in this way. The "plight" of Kens in Barbieland, the one lamented and dreaded by the incels and the Andrew Tate fans, is in no way analogous to the realities of what women experience under patriarchy. It's not even close.
Even without any knowledge of sexual violence, Ken should be attuned the obvious discomfort of the woman he proclaims to be in love with. To the fact that someone has just harmed her. That she is being stared at with an undertone of violence. But he isn't. Because even in his state of innocence, even when he is supposedly HER accessory, he still sees her as a thing first and a person second. Ken's wooing of Barbie is about his desire to obtain and possess her to validate himself and give himself purpose. It is not about her as a person at all. So, while she is upset and confused after being assaulted, he is grinning his face off because he has found an alternative source of validation in patriarchy and is thereby freed of whatever self-serving incentive he once felt to have any concern for her well-being at all.
the barbie movie is not "anti-man", it's anti-oppression.
in the real world, that oppression takes the shape of patriarchal power and women feeling like an afterthought or an accessory. in barbie land, it takes the shape of kens not knowing who they could become as independent beings because their existence has been irrevocably tied to barbie. barbie occupies the place of power, and ken is the afterthought and accessory.
the point of the movie is that any imbalance in the equality of any group of people makes the world a bad place to live in. ken feels unfulfilled and unappreciated in barbie land. He's been told his purpose is Barbie, but he's failing at that and doesn't understand what's wrong. He doesn't think he could be more than Barbie's love interest. Similarly, women in the real world feel forgotten, stunted, and held to impossible standards. Their purpose has been warped by other people telling them what it should be.
That's why it's So Important that both ken and barbie have their own reckonings of how they've reaped benefits at the expense of each other. neither of them wanted to hurt the other. Barbie just liked being a hero in Barbie Land and Ken liked feeling appreciated (and horses) when he was in the real world. But they both see and dislike how the other has been hurt by the power disparity in the real world and in barbie land. And they resolve to not perpetuate that cycle of hurt.
the reason barbie is a good movie is precisely because its main thesis is not Women Better Than Men. Nor is it a preservation of the binary or gender roles.
It's main thesis is that your identity is not the same thing as what you are to other people. And that's not exclusively a moral for Barbie herself. Sure, Barbie isn't Barbie because she's Ken's girlfriend - she's her own person to the point that the actively chooses humanity at the end. But a large portion of the movie also is devoted to explaining that Ken isn't Ken because he's Barbie's boyfriend. That Ken is his own person and should be allowed to be that, because that's (k)enough. Even Alan exists separate from the binary convention and has his own identity and story arc. He serves as a foil for the falsely symbiotic Ken/Barbie role dynamic.
anyway, my point is, no one should be (exclusively) defined by what they mean to someone else, or by what they have (whether that's power, a casa house, or a romantic partner). Everyone is a person deserving love, equality, and their own story, whatever that is.
the complexity of feminism in Barbie (2023) is just *mwah* chef’s kiss
residents of barbieland thinking barbie fixed everything. barbie near-immediately being sexualized and objectified in the real world. teenage girls thinking barbie is horribly misogynistic and supports the patriarchy. so many people on the Mattel board only valuing barbie due to consumerism. barbie thinking she can’t do anything and someone else will come and fix misogyny. barbies brainwashed into enjoying being subservient. barbie feeling like she isn’t enough. gloria telling her she is enough. gloria pointing out the difference between giving women equal treatment and “society claiming they have empowered women by actions they have already done to justify any possible misogynistic action in the future.” gloria saying how nothing women do ever satisfies the patriarchy. the movie itself acknowledging that the movie’s view on feminism is from a white perspective. THE MOVIE EMPHASIZING HOW FEMINISM ISN’T SUPPORTING A MATRIARCHAL IDEAL, IT’S GIVING ALL GENDERS EQUAL RIGHTS AND RIGHT TO IDENTITY. paralleling real world society by giving kens only a foothold in power like giving women only a foothold in power.
feminism isn’t a giant chunk of an idea that can easily be discredited into something as simple as “support women.” it’s a complex issue with individuals of different perspectives that deals with intersectionality and confronting completely new worlds in an attempt to understand others. long story short this movie is a masterpiece
I can’t stop thinking about how perfectly Barbie portrays girlhood and growing up… How you’re born in a perfect pink world, where you make the rules and get to prioritise whimsies and friendship and beauty, and then you notice something has changed, you discover that something is wrong with you, and you’re offered an illusion of choice, but even if you’d rather keep wearing your heels and go home and be safe and comfortable, you have to choose the Birkenstock, you have to leave your home, you have to grow up. So you’re thrust into this gritty, unfeeling world, where you’re scrutinised and suppressed, where you want to disappear into yourself, because everything is harsh and big and you are tiny and fragile and inadequate. And as overwhelming and impossible as it seems, you survive it. You find truth in the things you believed in when you were young, the inherent good in humanity, connection and love; your friends who look at you while you are crying, and tell you that they cannot imagine what it is that you do not like about yourself.
i'm so fascinated by the "just ken." in the context of the tagline (she's everything, he's just ken) it makes it sound like ken is just an accessory to barbie and is nothing without her, but in the actual movie in the speech barbie gives, she turns the phrase on its head. ken isn't an accessory to barbie, he isn't the attention barbie gives him, he's just ken. and that's not even mentioning the "she's everything" part of the tagline and how it goes with gloria's speech of women having to fulfill the impossible task of fitting into every box and juggle conflicting expectations and roles just to be liked by society. the tagline represents opposite ends of a spectrum but by the end of the movie barbie and ken meet in the middle, where they're each allowed to be their own person independent of the expectations and insecurities they've been operating on. this movie, man
“It’s literally impossible to be a woman.
You are so beautiful, and so smart, and it kills me that you don't think you're good enough. Like, we have to always be extraordinary, but somehow, we're always doing it wrong?
You have to be thin, but not too thin, and you can never say you wanna be thin. You have to say you wanna be healthy, but also, you have to BE THIN.
You have to have money, but you can't ask for money because that's crass.
You have to be a boss, but you can't be mean.
You have to lead, but you can't squash other people's ideas.
You're supposed to love being a mother, but don't talk about your kids all the damn time.
You have to be a career woman, but also, always be looking out for other people.
You have to answer for men's bad behavior, which is INSANE, but if you point that out, you're accused of complaining!
You're supposed to stay pretty for men, but not so pretty that you tempt them too much or that you threaten other women because you're supposed to be a part of the sisterhood, but ALWAYS STAND OUT and ALWAYS BE GRATEFUL. But never forget that the system is rigged, so find a way to acknowledge that but ALSO, always be grateful!
You have to never get old. Never be rude. Never show off. Never be selfish. Never fall down. Never fail. Never show fear. Never get OUT OF LINE. It's too hard! It's too contradictory, and nobody gives you a medal or says 'thank you!' And it turns out, in fact, that not only are you doing everything wrong, but also, everything is your fault.
I'm just so tired of watching myself, and every single other woman tie herself into knots, so that people will like us.
And if all of that, is also true for a doll just representing a woman, then I don't even know." -Gloria the barbie movie
this is it. this is exactly it oh my god.
It was so important to have Barbie look at that woman in the bus stop and tell her she's beautiful. Cause, like Barbie herself says, she (as an idea) doesn't have an end. As Stereotypical Barbie, she's meant to be pretty and fun and that's it.
But she shows that beauty doesn't end when you get old. Aging isn't the end of your story, just another phase of it. That old woman is beautiful, and it's good that she knows it.
That's why Barbie ultimately chooses to become human. She wants to experience that new and different kind of beauty; not just her physical appearance, but that of a life well lived. She wants scars and wrinkles and cellulite. Barbie's end is that she lives as a whole narrative rather than some eternal object of visual pleasure.
the thing that gets me about the barbie movie being framed as an "anti-men" movie is that it's fundamentally untrue to the message it's sending out. the movie is an empowering feminist piece as much as it is a cautionary tale about men letting their insecurities and doubts about their place in the world lead them to falling into the alt-right/incel/mra pipeline. it's looking out for men just as much as it's looking out for women, and the only reason you might find this as an "anti-men" message is because you somehow deeply believe that this is the wrong message to send
Saw this tweet and had to collect Ryan Gosling’s best PR quotes for Barbie
Hey uh brand new addition