Hey all!
Just joined BlueSky if anyone is interested :)
https://bsky.app/profile/armand-my-beloved.bsky.social
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The Stonewall Inn

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@lord-save-me
Hey all!
Just joined BlueSky if anyone is interested :)
https://bsky.app/profile/armand-my-beloved.bsky.social
Do not come into my reblogs with #anti louis de pointe du lac or some other shit because we are noooooot the same. I refuse to infantilise him or pretend he’s not just as evil as everyone else but at the end of the day I love that evil, evil man cus he's my best friend, he's my pal. He's my homeboy, my rotten soldier. He's my sweet cheese. My good-time boy.
I just saw the play Doubt: a parable with Sam Reid as the (only) male lead last night and i must talk about it before it escapes my mind into a deep void of forgottenness.
Firstly, BIG disclaimer that i am not and have never been religious-let alone Christian/Catholic so forgive me if that aspect of the play is undermined or simplified in my review-but I will be focusing on the aspect of doubt instead.
Essentially the entire play is the dilemma of whether or not Father Flynn (Sam Reid) behaved inappropriately with the only black child of a school.
Firstly, I love his sermons that Father Flynn gives to the audience throughout the play-not only do I love a nod to the audience in any play-it provides (possibly the only) insight into Father Flynn's mindset and perspective of the things occurring throughout the play.
The first sermon was of the concept of doubt and how it can bring people together in the same manner that certainty does and I think this a beautiful summary of the play as it not only leaves the characters split between the two sides, but also the audience.
This is especially apparent when Sister Aloysius (Pamela Rabe) speaks with the boy's mother (Zindzi Okenyo) about Father Flynns possible misdeeds and her response (although clearly upset) is "its just till June" which was just heartbreaking for me. This moment (and the mother as a character) adds further nuance between 'doubt' and 'certainty' where you've got wilful ignorance because, for a black person in the 60s, you've got to endure the most horrific situations in order to even have half the same opportunities of privileged white people-with poor Donald Muller having to keep silent about his possible sexual assault in order to even have a chance at going to college.
Throughout the play, there were many moments where I found myself glancing between two characters-waiting for the other shoe to drop, waiting for that 'i confess' moment-but that tension was never satisfied in a way that makes it all the more satisfying in the end when Father Flynn is confronted by Sister Aloysius about contacting a nun at his previous place of employment that makes him leave on his own accord.
It isnt until its revealed that she lied, that she never made such phone call and that his sudden absence was a promotion is when the audience (or at least me!) is filled with disappointment at the idea that he got away...but its when Sister Aloysius breaks down to Sister James (Shannen Alyce Quan) that she has doubts is when I really thought of this as a highlight play in my theatre going experience.
Not to ramble for much longer but Sister Alouisus has been characterised as such a stoic wise woman throughout the play that when she confesses her doubts its leaves us in doubt as well as the stage dims to darkness.
Overall it is a wonderful play and you should definitely take the time to see it (even if it isnt with this particular cast) as the short cast number (four) damn near guarantees a tight-knit intense atmosphere in the best way.
Me waiting for the big reveal in a play called DOUBT:
Lowkey so grateful because I got surprised with the fact i get to see Sam Reid's play at the airport
Sam Reid, Jacob Anderson, and Assad Zaman on the season finale: “There’s a lot left to unpack and revisit.”
Crazy how the actor portraying the scene has no idea what his character is doing or why. Literally what was this season? I feel so bad for Assad. It's like they're not even consulting with their actors/talent! Even Sam Reid in this interview was like "what is this??" which is really unfortunate because Sam worked so hard and wanted so badly to portray a version of Lestat to make Anne Rice proud.
This season is so conflicting -I want to like it and there are some parts of it I've softened to but the fact alone that your actors don't even understand where the story is going and they don't particularly like it is a massive problem to me, idk.
Especially considering Assad has been shown to ADORE Armand and has actually been really understanding to why he acts certain ways (reading the original source material will do that for ya).
So for even Assad to go "I have no idea" and not even a joking "oh Armand is a saint" bit is telling IMO
I KNEW the great conversion was objectively stupid, but did anybody listen? NOOOOO
Season 1 of the vampire lestat finished, i have mixed opinions BUT i will say having Armand visibly shaken up by someone FINALLY acknowledging that his trauma happened to him is so...vindicating
Can someone tell me how the Netflix adaptation of ATLA moving the painted lady to season 2 is doing anything BUT reducing Katara to a ship and villanising Aang?
Because the entire point of the Painted Lady is to show how Katara will ALWAYS fight Injustice EVEN if it is for the 'enemies' to deconstruct the notion that the place that you are born in makes you inherently 'good' or 'bad', so how does making it occur in a EARTH KINGDOM setting demonstrate that? How does Katara saving Earth kingdom citizens (who are on her side of the war) convey this message? Because she helped fire nation citizens after the fact she heard Jet plan an attack on them? (Because that's in a completely different context her helping them with no obligation).
All this did was allow that scene where she bumps into Zuko and he has a memory of watching the play where the Blue Spirit saves the painted ladies.
And making Aang YELLING at Katara for the painted lady bit just destroys this character.
Im not going to say "oh Zutara is the spawn of that is evil and anyone who likes it is bad too!" Because I LIKE IT TOO but its clear to me that this show is wasting-what is already a limited amount of time due to the 8 episode curse-on mischaractering what made the original character so important.
Its important that Katara fights Injustice as a fire nation citizens to demonstrate how her compassion to those suffering doesnt have a limit.
Its important that Aang snapping at Katara happens AFTER losing Appa in a desert to convey to the audience how torn up he is by it because HE WOULD NEVER YELL AT HIS FRIENDS
Its important that Zuko DOESNT steal from the pregnant lady to SUBTLY (⚠️⚠️) convey to the audience that Zuko to his core has ALWAYS been a good kid, just like when he spoke out against the needless death of foot soldiers, just like when he refused to fight his father out of respect because he NEVER lost his honour.
NLA:ATLA is a perfect demonstration of how the removal of 'filler episodes' to reduce seasons to eight 40-60 minute episodes is fundamentally flawed in trying to flesh out characters because even if the actual runtime length is the same (ITS NOT), the episode format still requires parts of character development to be lost (such as the noticeable absence of Appa in the cast and arc of Aang snapping, having a breakdown, regaining hope and then coming to terms that finding Appa comes second to his Avatar duties).
Call me a hater, say I'm Anti-Zutara (im not), but this show to me is a perfect representation of the nostalgia fatigue I'm having (DISNEY) of changing fundamental aspects that either 1. Worsen arcs (like Zuko's redemption) or 2. Completely alter the narrative which at that point, why not just make a completely different IP.
Here's an (OG) Zutara clip to calm down
Deciding to write a full book is so stupid because ill go an entire day not touching my plan and then midnight hits and feverishly scribbling plot points and characterisations like a madwoman
Dracula adaptation 'woman in refrigerator'ed Mina Harker so bad she doesn't even get called by own name
Last ones a joke but low-key would be a great erotica where the entire thing is about how vampires value consent above all else
Guess my favourite character (impossible edition)
Armand, my complicated fav, they'll never get you like i do
I think the people pleasing is a deeply ingrained survival mechanism. I think at his core he doesn’t give a fuck, like his pre torture/amnesia/vampire self is in there somewhere screaming at him that he’s better than this
THIS!!! Armand to me is a man who has had his spirit beaten out of him as a boy, and I'm wondering if distancing himself from Louis and the pressure/urge of control and power that he's never had before is going to allow himself the ability regain his 'bite' so to speak.
On the other hand, the appearance of Lestat and being a vampire could have stunted him in a sense
Armand, my complicated fav, they'll never get you like i do
"I dont want to waste anyone's time" they say as theyre wasting everyone's time
Its crazy how i turned 19 and all my under-age fictional crushes i had as a teen disappeared, almost like its not that hard to not be attracted to kids