THE SALMON DIET @loveherdresshateher - Tumblr Blog

jamm3rz

how it feels waiting for people to react to a post you’re proud of

mayonaizs

maybe we shuold make really round car to balance out the cybertrucks

pulpfanfiction

segamascott

bonivers

going on a guilt trip do yall want anything

secondbeatsongs

if you really cared about me you wouldn't have to ask

desolationlesbian

I don't want to buy mass-produced garbage from a big box store so I go to etsy but half of etsy is now dropshipped mass-produced garbage or AI slop so I go to the local arts and crafts street market but a ton of those booths are also selling the same generic plastic objects or identical stickers or 3D printed dragons so WHERE do I buy real trinkets and art from sincere freaks

loveridden1999

what are white gay men going through

venusswasaboy

I quote this and laugh to myself very, very often.

towerofglass

fuck it. we blog

lucy-harker

GET OUT (2017) dir. Jordan Peele PEARL (2022) dir. Ti West SMILE 2 (2024) dir. Parker Finn OBSESSION (2026) dir. Curry Barker

alysmond

"I was really obsessed with this Romeo and Juliet ending, actually. We shot both; we shot this ending that you see in the movie, and we shot the ending where she ends it all. We had shot a ton of different versions of the official ending, the one that's in the script, the one that I was excited about, and I was like, Okay, we'll do one ending where Nikki survives, but we'll just do one take of it, and then we'll move on. You see her coming to this realization that she's alive again, and she's looking around the room, and she looks so disturbed, and I just remember my dad and multiple people around me being like, 'Dude, I think it's way more disturbing if she just survives this thing.' I was like, 'Ah, you're right.' And so we switched it." – Curry Barker

campmiasmas

"We played with this idea of, is she fully seeing through her own eyes what's happening and doesn't feel in control, or if it's kind of like teleportation where every time that she pops back in, it's from the moment that she popped back in before, which is why whenever she's in the house, she comes out and she's like, 'Wait, where am I?’ So we played with both of them, and now that I've watched the film back, I think that she does both. I think that in the very beginning, whenever she doesn't understand what's going on, she's teleporting, and once she realizes what's going on, Nikki’s a fighter, and so her urge to fight the wish just gets bigger and bigger and bigger, and that’s why she has the grief at the end, because she's watched it happen. She's felt it. She has to deal with it. It wasn't her fault. Her life has completely changed. And she just lets it all go." — Inde Navarrette (x)