[PEELS GOD AND GIVES YOU A SLICE BECAUSE I LOVE YOU]
Alisa U Zemlji Chuda
Peter Solarz

blake kathryn
trying on a metaphor
I'd rather be in outer space 🛸
NASA
art blog(derogatory)
d e v o n
$LAYYYTER
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JVL
YOU ARE THE REASON

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let's talk about Bridgerton tea, my ask is open
Claire Keane
Cosimo Galluzzi
RMH

@theartofmadeline

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@lovepeels
[PEELS GOD AND GIVES YOU A SLICE BECAUSE I LOVE YOU]
i love to move on. i love to transition. i love to shed skin and act like it never happened. yes, i love to act brand new
undercover | fall-winter 2024/2025 paris
xiaoyangbure on instagram
free museum trips are wasted on unappreciative middle schoolers. let me go
horrifying what desire does to you but here i am always running towards it
i have big big big brown eyes so i’ll be okay. rest of y’all stay safe
reading on reading
a literary syllabus [x]
how to read now by elaine castillo
a collection of essays by novelist and essayist elaine castillo about the politics and ethics of reading. castillo exposes the inherently colonial premises behind not only the works of many individual writers; but the way reading cultures analyze and canonize works, the tokenizing nature of the publishing industry that fails writers and readers of color, and the unfulfilled promises by bibliophiles and literary institutions to "build empathy" through reading diverse books.
"time in the codex" and "lastingness" by lisa robertson
two essays by poet lisa robertson from her prose collection nilling, both meditations on reading. “time in the codex” is an ode to the sensory and cognitive processes that reading evokes. “lastingness” explores the relationship between passivity and will when it comes to receiving the stories and ideas we read, using the work of hannah arendt to analyze texts by lucretius and pauline réage.
a history of reading by alberto manguel
alberto manguel (former director of argentina's national library) compiles a history of reading that encompasses the prehistory of books in ancient mesopotamia, the story of the library of alexandria and its influence in libraries that followed, literary societies such as the heian court, book thieves throughout time, book banning in multiple cultures, and the progression of text formats around the world from clay tablets to modern bookbinding.
selections from not to read by alejandro zambra (trans. megan mcdowell)
essays taken from the collection not to read by chilean writer alejandro zambra about the practice of reading, his own evolving reading life, and writing books; mixed with a variety of literary criticism. selections include "in praise of the photocopy," "against poets," "obligatory readings," "traveling with books," and "novels-- forget it."
"how do we read?", "the reading ape", and "inventing reading" by stanislas dahaene
three chapters from cognitive neuroscientist stainslas dahaene's book reading in the brain. "how do we read?" functionally breaks down how our brain understands written words. "the reading ape" imagines how our ability to read evolved by recycling preexisting neural circuits. "inventing reading" explores how languages themselves have formed over time to serve the way we think.
"when robots read books" by inderjeet mani
essay by computational linguist inderjeet mani on ways that artificial intelligence could enhance literary criticism by analyzing classic texts, particularly cumulative corpuses of works. examples of literary AI usage include finding similar character traits, archetypes, and tropes between different books and authors; quantitatively tracking literary trends; and generating timelines and maps of information pulled from narratives.
"uncritical reading" by michael warner
essay by english professor michael warner which attempts to define what "critical reading" actually is, the beginnings of a history of that practice, its alignment with agency and morality in academic culture, and what the qualities of "uncritical reading" (such as “identification, self-forgetfulness, reverie, sentimentality, enthusiasm, literalism, aversion, distraction") might offer us.
"someone reading a book is a sign of order in the world" by mary ruefle
essay adapted from a lecture in poet mary ruefle’s madness, rack, and honey that traces a reader's development through personal experiences in her own reading life. topics include rereading, what it means to read “the right book at the right time”, and the pleasure of finding imaginative connections between books.
sakura from le sserafim for dazed korea
Michelle Zauner, Crying in H Mart
Did u know. That u can put pasta inside a girl’s tummy and it will make her sososososo happy
yoshitomo nara “walk on” flip clock (2001)
have been fundamentally changed as a person (<- read a good book)
COP COPINE MESH ROMEO AND JULIET TOP
when namjoon said “you can hide your face boy but you can’t hide your heartbeat” in i believe and when richard siken said “a man takes his sadness and throws it away/ but then he’s still left with his hands” in boot theory
Nazim Hikmet, trans. by Randy Blasing and Mutlu Konuk