Kurogane is one of my all time favourite characters I swear.
And I love that his character arc is basically “I LOVE MURDER” to “I love murder! But like, for wholesome reasons now.”
2025 on Tumblr: Trends That Defined the Year

JBB: An Artblog!
macklin celebrini has autism
No title available
dirt enthusiast

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
Claire Keane

No title available
TVSTRANGERTHINGS
occasionally subtle
PUT YOUR BEARD IN MY MOUTH

blake kathryn

Origami Around
Keni

No title available
Monterey Bay Aquarium

❣ Chile in a Photography ❣

Discoholic 🪩
NASA
seen from United States
seen from United States
seen from United States

seen from New Zealand

seen from United States

seen from United States

seen from Netherlands

seen from Italy
seen from United States
seen from Finland

seen from India
seen from China
seen from United Kingdom
seen from Türkiye

seen from Bangladesh
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
@malabava
Kurogane is one of my all time favourite characters I swear.
And I love that his character arc is basically “I LOVE MURDER” to “I love murder! But like, for wholesome reasons now.”
He’s a bodyguard! He’s a dad! He was raised by a pack of wild lesbians! He really likes fighting! He’s the only person in his family with any emotional intelligence or common sense! He has killed hundreds and has no problem with that! He sees through everyone’s bullshit! He has zero class! He cuts off his own fuckin’ arm to save the love of his life and proceeds to kick no less ass than before! He reads manga! He’s one of the most loyal and reliable people you could meet! He CAN and WILL disembowel some of the most powerful people in the multiverse for hurting his family!
Kurogane! (well, not technically his name but you get it)
mythbusters was so good because it wasn't a killjoy show. they didn't just say "see, it doesn't work" and leave it there
whenever they find that the stunt doesn't work as portrayed in the movie, they immediately ask "what would it take to make this happen?"
“we know it takes this amount of explosives to work, but what if we doubled it anyway?”
Some myths I'll always remember:
* Are elephants scared of mice? (They only did that because they were in Africa and had access to elephants.)
* Will a bull run amok in a china shop?
* Is it better to run zig-zag or straight when chased by an alligator?
I love these because NONE of them turned out the way they expected. They went into all three with pre-conceived ideas of how it would go, and each time they "failed." Elephants WILL cower from mice. A bull moves very gingerly through a china shop. It doesn't matter how you run because ALLIGATORS WON'T CHASE YOU.
And each time, they reacted with just... pure glee. "Holy shit, we were wrong! Oh my god! This is great! We were so wrong!"
And that, to me, is what science is. Being excited about being wrong because either way it's information.
Art Block
I got an art block and I thought to do something about it. We’re friends now! \o/
I thought, looking at the very first frame, that it was Loki!
[Image description: A series of 16 tweets from Raphael Mimoun (@RaphMim) that read:
“I grew up in a Zionist household, spent 12 years in a Zionist youth movement, lived 4 years in Israel, and have friends and family who served in the IDF.
When that is your world, it’s hard to see apartheid when it’s happening.
I grew up in France, in a Jewish community where the norm was unconditional love and support for Israel. Zionism wasn’t even named because that’s all we knew. Jews were nearly wiped by pogroms and repeated holocausts, and a Jewish state was the only way to keep us safe. All Zionism is rooted in trauma and fear. It is first and foremost an ideology of self-liberation. It’s about love Jewish people, survival for Jewish people. But Zionism is like any other ethnic nationalism, it’s about prioritizing *our* safety and well-being. Like all nationalisms, we were fed a historical narrative completely divorced from reality: that Palestine was a largely uninhabited piece of desert before we settled it; that in 1948 Palestinians willingly left because they were making room for Arab armies to "throw Jews to the sea"; that Arab leaders turned down all Israeli and US peace offers and were unwilling to share the land; that Israel is the only democracy in the Middle-East; that despite terrorism, the IDF upholds the highest moral standards; so on and so on. So the first reason that Israelis will never willingly make peace with Palestinians is that Israelis (and Zionist Jews around the world) live in a parallel world. They know alternate historical facts that feed more nationalism, militarism, and extremism. The second reason is that the past 100 years of conflict have dehumanized Palestinians in the eyes of Israeli Jews. I mean this in a literal way: Israelis are not able to empathize with Palestinians, they aren’t able to comprehend Palestinian suffering. So when the IDF bombs Gaza and kills children, the average Israelis thinks that 1) it is the Palestinians’ fault–for not agreeing to peace, for continuing to threaten and attack Israel, etc 2) Israel is merely defending itself and that there is simply no alternative. The same rationale justifies Gaza’s open-air prison; military checkpoints in the West Bank; bulldozing homes; etc. Israelis even made up the term “Pallywood”, because for them, it’s all a show to turn the world against Israel. The suffering is either fake or self-inflicted. Of course, there are some Israeli leftists and anti-Zionists who fight for Palestinian liberation. But it’s a tiny, and shrinking, minority. Most Israelis don’t consider what it means for Palestinian freedom, dignity, and physical well-being to be systematically erased. Israel is, by every definition, an apartheid state: if a Jew and an Arab commit the exact same crime in the West Bank, they will face two different legal systems. The Jew will face a civil court, the Arab will face a military court. Two legal systems for two ethnic groups. But Israelis can’t fathom that this is unjust. When they fight against people calling the occupation of the West Bank “apartheid”, it’s because Israelis genuinely believe that it’s all self-defense and needed and legitimate. These two factors (alternate history and dehumanization) mean that it is *physically impossible*–and I mean that in the most literal way–for Israel to willingly end the occupation and agree to a just solution to the conflict. Peace cannot come from within Israel. Israeli society is getting more extreme, more nationalistic, more violent, and more entrenched in its own historical narrative & its own self-victimization. At this point, it is simply delusional to expect that things change will come from Israel. The *only* thing that can bring Palestinian liberation is if the cost of the occupation outweighs its benefits. And that requires, just like for the apartheids in South Africa and the US South, massive external pressure. That means consumer boycott of Israeli goods, corporate boycott of Israeli technology, and sanctions by Israel’s main trade partner and political supporters, the US and EU. Those are the only measures that can meaningfully push Israel toward ending the occupation.”]
An Archive of Our Own, a project of the Organization for Transformative Works
New chapter online!
Yuuko Ichihara: @vilyacosplay xxxHolic Photos by Karelliann
Craftsmanship closeups from Himawari! Starting from the top left and moving right: Pearl beading on ruched silk trim along neckline, suede applique detail on dupioni silk skirt, suede applique detail on steel-boned silk dupioni bodice, suede applique on blonde silk hanging sleeve lining, ruched silk choker with pearl beading and crystal drops, machine embroidery detail and piping on suede/silk hanging sleeve.
Ashura at Sakura-con, photos by DarkainMX @ cospix.net/darkain
This was a really fun project for me - I got to do some fun gradient dyeing, shibori and silk painting.
Seishiro Sakurazuka, at your service.
Awesome pics by @obfuscatingsusurration
Omg it worked 😳
Hello! I was wondering. How do you resist the urge to redraw old pages of Namesake? I am working on a webcomic and struggling not to redraw the old pages. They are comparatively Not Good compared to the most recent one and it is driving me a bit crazy.
Dear @sylvanbrushes
I don’t redraw my pages for a few reasons.
(1) If i’m drawing Namesake for a trillion years, I cannot draw other things, and while I love Namesake, it’s not the only story I have to tell.
(2) While some edits to get the book ready for print are a-ok, I discourage redraws because like - current you is always better then past you, BUT future you will also be better then current you. And current you could not have improved without past you fucking up a bit and trying. The first step to being good at something is sucking at something. If you start redrawing, you are basically constantly competing with yourself, and that’s an awful dynamic to live with. I used to think my art peaked at chapter 20, and now that I’m on chapter 32, chapter 20 looks like ASS to me. It’s never-ending
(3) Serials are about evolution, if a reader wants a consistent story, they can read a graphic novel.
(4) I’ve learned to enjoy and appreciate the mistakes of the past, as they are the foundation that had to exist for my comic to even grow to it’s current point.
(5) REDRAWING IS ACTUALLY REALLY HARD and kills the initial charm of the story. Because it’s NOT just redoing the art. The paneling is also going to be less strong. And the text. And the colors. And recapturing the initial charm of the original page is very difficult. Any new page you make to replace it is going to look more beautiful, but it’s not going to feel the same. A lot of readers got attached to the older art too - anytime I change a cover, everybody tells me to put the old one back.
(6) You don’t actually need the comic to look nice. Most people will read stuff that looks like butts if the story is good and the art is communicative. You mainly need good art for marketing, and you can just draw marketing art specifically for that.
(7) The only person who cares about the original art looking bad is yourself, because you are comparing yourself to others and how their art fucking slapped already on chapter 1, but those guys also feel like their chapter 1 sucks. Nobody is happy with chapter 1. Moving on is for the best.
(8) If anybody refuses to read a story because of the art, it happens and that’s fine. It happens if the art is amazing too. It’s about vibes. If anybody refuses to read a story because of the art and TELLS you, they are a dipship trying to hurt your feelings and can go straight to hell.
For the people who are out there “fighting the good fight” and “trying to make fandom a better place,” I have two important questions for you:
1. Is the author dead? x
2. Is your baby in the bathwater? x
What do I mean by those things? Let’s start with #1. The Death of the Author is a type of literary criticism, the extreme cliff notes version of which is that art exists outside of the creator’s life, personal background, and even intentions. I’m using it slightly differently than Barthes intended, but that’s okay, because the author is dead and I’m interpreting his work through my own lens.
In fandom, the author is dead. In fact, the author was never alive in the first place, not really. The author has only ever been the idea of a person, because unlike published fiction, the only thing we know about a fanfic author is that which they choose to tell us about themselves.
Why is that important?
Because it might not be true. Hell, that happens in real life with published authors, who have SSN’s on file with their publishers, who pay taxes on the works they create and have researchable pasts. If the author of A Million Little Pieces could fake everything, why can’t I? Why can’t you? Why can’t the writer of your favorite fic in the whole wide world?
Stop me if you’ve heard this before: “you can only write about [sensitive subject] if [sensitive subject] has happened to you personally, otherwise you’re a disgusting monster that deserves to die!!” Or maybe “you can only write [x racial or ethnic group] characters if you’re [x racial or ethnic group] otherwise you’re racist/fetishizing/colonizing!”
You can play this game with any sensitive subject you can come up with. I’ve seen them all before, on a sliding scale of slightly chastising to literal death threats.
Now, I could tell you that I’m a white-passing Latina whose grandmother was an anchor baby. I could tell you that I speak only English because my family never taught me to speak Spanish, something which I’ve been told is common in the Cuban community, though I only know my own lived experience. I could tell you that I’m mostly neurotypical. I could tell you that I’m covered in surgical scars. I could tell you lots of things.
Are any of these true? Maybe! I could tell you that my brother has severe mental development problems, so uncommon that they’ve never been properly diagnosed, and that he will live the rest of his life in a group home with 24-hour care. Is that true? Am I allowed to write about families struggling with America’s piss-poor services for the handicapped now?
Am I allowed to write about being Cuban? After all, I did just say that I’m Cuban. But is it true? Can I instead write a character that’s Panamanian? Maybe I really am Panamanian, not Cuban. Maybe I’m both. Maybe I’m neither. Maybe I’m really French Canadian. Should we require people to post regular selfies? I can’t count the number of times I’ve had someone come up to me speaking Arabic, and I’ve been told that I look Syrian. What’s stopping me from making a blog that claims that I am Syrian? Can you even really tell someone’s race and ethnicity from a photo?
Am I allowed to write about being a teenager? Am I allowed to write about being a college student? Am I allowed to write about being an “adulty” adult? Can I write a character who’s 40? 50? 60? How old am I?
All of this is to say: you can’t base what someone is or is not “allowed” to write about on a background that may or may not be real. No matter how good your intentions. And I get it - this usually comes from a place of well-meaning. You’re trying to protect marginalized groups by stopping privileged people from trampling all over experiences that they haven’t suffered. I get that. It’s a very noble thought. But you can’t require a background check for every fic that you don’t like.
If you say “you can only write about rape if you’re a rape victim,” then one of three things will happen:
Real survivors will have to supply intimate details of their own violations to prevent harassment
Real survivors will refuse to engage and will then have to deal with death threats and people telling them to kill themselves for daring to write about their own experiences
People who aren’t survivors will say “yeah sure this happened to me” just to get people to shut up
Has that helped anyone? I mean really - anyone??
So now let’s get to point #2: is your baby in the bathwater?
If your intention is to protect marginalized people from being trampled upon, stop and assess if your boot is the one that’s now stamping on their face. Find your baby! Is your baby in the bathwater? Which is to say: find the goal that you’re advocating for. Now assess. Are you making the problem worse for the people you’re trying to protect? Does that rape victim really feel better, now that you’ve harassed and stalked them in the name of making rape victims feel safe?
Let’s say you read a fic that contains explicit sex between a 16 year old and a 17 year old. Is this okay? Would it be okay if the writer was 15? 16? 17? Should teenagers be barred from writing about their own lives, and should teenagers be banned from exploring sexuality in a fictional bubble, instead of hookup culture? Is it okay for a 20 year old to write about their experiences as a teenager? Is it okay for a 20 year old to write about being raped at a party as a teenager? Is it okay for a 30 year old? How about a 40 year old? Is it okay so long as it isn’t titillating? Is it okay if taking control of the narrative allows the writer to re-conceptualize their trauma as something they have control over? Is it okay if their therapist told them that writing is a safe creative outlet?
Is your author dead?
Is your baby in the bathwater?
Now let’s take a hardline approach: no fanfiction with characters who are under 18 years old. None. Is the 16 year old who really loves Harry Potter and wants to read/write about characters their own age better off? Should they be banned from writing? Should they be forced to exclusively read and write (adult) experiences that they haven’t lived? Will they write about teens anyway? Should they have to share it in secret? Should 16 year olds be ashamed of themselves? Should we just throw in with the evangelicals and say that the only answer is abstinence, both real and fictional?
Let’s say that no rape is allowed in fiction, at all. None. What happens to all the hurt/comfort fics where a character is raped and then receives the support and love that they deserve, slowly heal, and by the end have found themselves again? Are you helping rape victims by banning these stories? Are you helping rape victims by stripping their agency away, by telling them that their wants and their consent doesn’t matter?
Is your baby in the bathwater?
Fandom is currently being split in two: on one side, the people who want to make fandom a “safer” place by any means necessary, even if that means throwing out all of the marginalized groups they say they want to protect - and on the other, people who are saying “if you throw out that bathwater, you’re throwing the baby out too.”
The whole point of fandom is to be able to explore all kinds of ideas from the safety and comfort of a computer screen. You can read/write things that fascinate you, disgust you, titillate you, or make your heart feel warm. This is true of all fiction. People who want to read about rape and incest and extreme violence and torture can go pick up a copy of Game of Thrones from the bookstore whenever they want. Sanitizing fandom just means holding a community of people who are primarily not male, not straight, not cis, or some combination of those three, to higher and stricter standards than straight white cis male authors and creators all over the world.
There is nothing you can find on AO3 that you can’t find in a bookstore. Any teenager can go check out Lolita, or ASOIAF, or Flowers in the Attic, or Stephen King’s It, or Speak, or hundreds of other books that have adult themes or gratuitous violence or graphic sex. The difference is that AO3 has warnings and tags and allows people to interact only with the types of work that they want to, and allows people to curate their experiences.
Are these themes eligible to be explored, but only in the setting of something produced/published? Books, movies, television, studio art, music - all of these fields have huge barriers to entry, and they’re largely controlled by wealthy cishet white men. Is it better to say that only those who have the right connections to “make it” in these industries should be allowed to explore violence or sexuality or any other so-called “adult” theme?
Does banning women from writing MLM erotica make fan culture a better place?
Does banning queer people from writing about queer experiences make fan culture a better place?
Is M/M fic okay, but only if the author is male? What if he’s a transman? What if they’re NB? Who should get to draw those lines? Should TERFs get a vote? What if the author is a woman who feels more comfortable writing from a male character’s perspective because she’s grown up with male stories her whole life, or because she identifies more with male characters? What about all the transmen who discovered themselves, in part, by writing fanfiction, and realized that their desires to write male characters stemmed from something they hadn’t yet realized about themselves?
How can we ever be sure that the author is who they say they are?
Who is allowed to write these stories? How do we enforce it?
Is it better for none of these stories to ever exist at all?
Have you killed your author?
Have you thrown out your baby with the bathwater?
this post is AMAZING.
i’m obsessed with this
and then, two months later….
🥺