This is a screenshot from one of the twilight movies. I dont remember which one specificaly sorry lol
But that bite mark got me thinking
He had this guy's whole-ass thumb in his mouth to bite him.
I tried and put my thumb in my mouth to replicate that bite mark. I hit the back of my throat.
This vampire deep-throated this guy's thumb. To bite him. That was a choice he made. Putting the guy's whole-ass thumb in his mouth could've easily been avoided. But no. That was delibarate.
"Research?" I asked weakly.
"That's why you haven't seen Jasper and Emmett around. That's what Carlisle is doing now. Trying to decipher ancient stories and myths, as much as we can with what we have to work with here, looking for anything that might help us predict the creature's behavior."
Having Emmett do research on vampire pregnancy is a choice. I just keep picturing that clip from Parks and Rec, Emmett being like "I typed Bella's symptoms into the computer and it says she might have network connectivity problems?"
Emmett's got a lot of talents and I think he's probably super emotionally intelligent because it's remarkable that someone with Rosalie's past is so 100% comfortable and secure with him. But I just don't think research is in his wheelhouse. He canonically has never finished a degree. Like, surely ESME would be a better option but she's too busy flitting around the house or renovating the cottage I guess??
Can't help but think Emmett and Jasper doing "research" was mostly them getting a break from actively witnessing the weirdness of Breaking Dawn.
"What do they expect us to find on the internet or in books that Carlisle doesn't already know? This shit is weird, bro."
the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.
if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.
choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.
if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.
even the "healthiest" option produces scars that will never quite heal.
Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.
Look! You hit me in two of my weak spots with baby-verse: first because I l-o-v-e hybrid (I got to know your fics because of that one back in 2020?? 2019?? idk) and because I also love babyfics (which is a fact I'm not particularly proud of, but yours is the only real good one I've read in a while). My question is actually about the dynamic Rosalie-Olie, because Rose is a character who has a difficult story with babies, and I think the way you write her is so cute and honest with her character. In the story, is this whole thing a healing experience for her or would you say it's more painful? And how her relationship with Alice changes (if it changes) with that? (Also I have to add that I'm loving FicMas so far, it's like the ultimate Jalice event on this fandom in my opinion)
Anon! Thank you so much for enjoying Hybrid. That is the most self-indulgent fic to date and for a while, it felt like everyone was politely ignoring that so it always makes me SO happy that Hybrid has a fanbase? It's unhinged, it's meant to be a bunch of fun, I love that people want to read it.
And thank you for the incredible comment about baby-verse. I am indifferent to kidfics, honestly, and most of them are terrible. Baby-verse spawned mostly out of frustration and spite about the state of baby fics and how deeply unequipped Alice and Jasper are to be parents in any universe. It would never be a choice they made for themselves, and I think if you want to stay true to them as characters, you need to recognize that. But that's a rant for another day.
SO, about Hybrid!Rose. It's really both? I think that it reopens a very raw wound for Rose, but in a way that allows it to heal stronger. She'll never have babies, but she gets to watch her favourite brother's son grow up and be a part of that? It's very bittersweet and complicated for her, definitely.
This is a version of Rosalie that thinks Alice is erratic and childish and has a bad temper, and she has no idea why Jasper is so in love with her. Rose is not a fan at all; she just tolerates Alice better than Bella because Alice isn't human and giving up a Normal Life to be with Jasper, and because Jasper isn't making his relationship with Alice a family priority - Jasper would actually prefer less family involvement.
And then Alice walks in holding this beautiful baby boy that looks so much like Jasper, Rosalie knows instantly that this is her nephew. In that first moment, it's love at first sight. Rose will die for Oliver without a second thought.
The pain comes later, and Emmett does a lot of heavy lifting there, letting Rose hurt and emote over the fact that life isn't fair and reminding her that she needs to find the good in the situation. She can grieve her own dreams and celebrate Oliver at the same time. No one in their family is going to begrudge her for hurting, but she cannot place her suffering or her healing solely on Oliver's shoulders. (And Rose does support Emmett through a similar thing - that it fucking hurts that the one family member who has expressed his lack of interest in children suddenly has a healthy son.)
It takes time - Rose desperately wants a distinctive place in Oliver's life, and she knows that having a friendship with Alice is necessary to that, so Rose tries. She's polite and friendly, and tries not to offer unsolicited advice or abscond with Oliver when Alice is at the Cullens. She's intensely aware that Jasper needs to bond with his son before she gets to bond with her nephew, and that Alice makes all the decisions whilst Jasper is still coming to terms with being a father.
Most of the time, Rose is successful, but sometimes she gets a little pushy - especially when it comes to things that would keep Oliver closer to the Cullens. Rose is a big advocate for Alice and Jasper to immediately get married, and a lot of that is seizing the opportunity to have Oliver in the house full-time. Alice is not interested in marriage - she's only eighteen and she has her own family, and she and Jasper are still working through their issues - and honestly, Emmett's relieved because he doesn't think Rose is ready to have the baby around 24/7.
But Alice and Rose do slowly form a friendship. It's a basis of mutual respect - Rose respects the fact that Alice is now apart of the family, that she's a capable mom and a good partner for Jasper. Alice respects the fact that this is really hard for Rose, and change doesn't come easy for vampires. And they both adore Ollie and want him to have a happy, normal childhood. Alice does trust Rose with Ollie in a way that she doesn't trust anyone else at the beginning - a mutual understanding of the maternal instinct, perhaps? And as Oliver grows up, Alice and Rose end up being friends on their own merits - they both like fashion, they both like fast cars, and they both have loud and clear opinions.
Oliver is also very, very close to Auntie Ro and Uncle Em - he grows up with both of them dropping any task to play with him, with special sleepovers, with having Rose and Emmett spoil him and love on him so much. So as much as Rosalie will always mourn not being a mother, being able to be there for Ollie's childhood is healing.
(And thank you. Ficmas started as a bit of a silly thing, I am so glad that everyone enjoys it. Definitely thinking of mixing it up for 2024 with an actual request form so I can see What The People Want.)
they all have matching friendship bracelets! (something something the stars on them represent how they sparkle and how abnormal and dangerous they are and thats what brought them together)
jasper and rosalie matching spiky bracelets!!
edwards sweater is loosely based on a painting I vaguely remember him mentioning in midnight sun
emmet and roaslie wedding rings <3
jasper and alice have matching necklaces and braids !!
emmets crocs and edwards sensible loafers.
jasper, alice, and rosalie have matching nailpolish
jasper's eyes are slightly darker than the rest, since he's been in the group the shortest amount of time
silly gold lines in their hair to match the eyes!!
emmett eggs...
little heart in edwards hair because hes a special little loverboy <3
The final entry, late but complete! I figured that I put Alice through the ringer all the time, it might be Jasper's turn. I had a very specific image of how this would look in my head that did not want to be translated to the page. I've also looked at this so long that I cannot look at it any longer.
So, enjoy whatever this is! I hope you all enjoyed Whumptober and were suitably depressed after my contributions to this event my loves <3
She finds him in an old church in Tulsita, Texas. It’s a tiny place, one that has less than thirty people.
It’s a grim little town, with worn buildings and cracked roads; the air is thick and hot, even late at night. It’s the perfect place to be forgotten about, to be trapped. It’s a place that feels like it isn’t part of the real world, and like maybe time has frozen.
There’s an edge of dread in the air, and she has to wonder about that.
But mostly, she just feels anticipation.
It’s taken her thirty years to find him, she’s looked everywhere. She’s read everything. She’s recorded all her visions and made all the notes. She’s learned Spanish, Italian, Hebrew, Greek, and Latin for him. She’s practically a scholar on him and his kind now.
She’s still nervous.
(There are three kinds of demons - the oldest ones who have existed for always, those are the ones that should never been disturbed or called upon. Then there are the ones that are born naturally - very rare but possible. And then there are the ones that are made. Not like vampires - in the demon world vampires are half-breed cockroaches, endemic to humanity, according to the books she’s read. The change isn’t half the pain and suffering that being turned into a demon is - she knows that.)
She walks through forest surrounding the building carefully - it’s unlikely that anyone will see her, but she prefers to err on the side of cautious. Especially since it’s very, very clear that someone does visit regularly (relatively speaking, of course - time moves very differently for immortals.)
The church is thoroughly abandoned, the pews rotten and broken and the floor tiles cracked and scattered - what would have been an expensive point of pride lost to time and neglect. What is left of the prayer books are ruined cardboard covers covered in mould. The altar is pulled right down and destroyed; all but one of the windows is boarded up. Glass crunches underfoot - a mix of the remain window’s panes, and broken beer bottles scattered around.
And as she stands there and looks around, she wonders how anyone set foot in this place, even just to hide and drink, when she can feel his presence right here? That boiling rage, that uneasy feeling in the air - the gift of animal fear, that whatever this place contains is dangerous and they need to run. It’s all around her, yelling at her to leave and never come back.
It wouldn’t be the first time.
Edward and Carlisle would be furious she’s come here by herself. When she’d worked it all out, when she’d told them what her visions had shown her, they’d acted like he was dead and gone and she’d just have to get used to walking the world alone. They expected grief and she’d been confused - Carlisle had insisted that he was as good as dead, and Alice needed to make her peace with that.
Alice could never bring him home. That the Cullen residence, the Cullen name, had no place for monsters and terrors and the things that little children hide from. And she had agreed with them politely, told them that she understood. And she did. They had thought she was mourning, taking her time to adjust to what her life would look like now.
Esme had tried to talk with her, but Alice had refused, and just closed herself up in her bedroom. And they had let her be.
They hadn’t expected her to pack her things in the same satchel she arrived with, to leave behind her locket with a letter thanking them for their hospitality; shedding the Cullen name and creed like an unfashionable winter coat.
If there was no place for monsters amongst the Cullens, then she certainly wasn’t welcome. They forget that she was a nomad, a vampire before she arrived at their house with a smile and golden eyes. They forget that she has a whole story before she ever found them, and that it’s not all pretty and kind.
(No place for monsters, when Carlisle went and changed four innocent people without consent? When suicide is a sin and so is murder? That she loves them fiercely but to be a family is to realize that none of them are perfect and holy and unsullied by their nature? The House of Cullen is so beautifully monstrous, she almost feels sorry for them for not seeing that.)
She had made herself once, exactly how she wanted, and she could do it again. Maybe one day she’ll visit them. See if they forgive her. Esme will. Emmett will. Rose might. But Carlisle and Edward… well, it depends on a lot of things.
Like what lies beneath the church.
It takes her a while to find the little trapdoor down into the earth behind the altar, covered with broken wood and tile, and chained up with a shiny new padlock that crumples like paper in her determined hand. The steps down are mostly rotten - slats of wood wedged roughly into the earth - but she is small and light, and slips down easily, down into a cellar dug too deep and too precisely to be created for anything but a very specific purpose, with the little alcoves in the wall with wells of oil to light the way - only a few of them are still barely burning, throwing bizarre shadows onto the walls.
Everything about this is screaming for her to turn back. Every instinct, every sign is telling her to go home. Except…
She saw him so many times, in hundreds of moments that will weave between them. The laughter and the jokes and the love. She’s seen the way he’ll protect her and change her, and she’ll do the same for him. He’ll look at her with loathing and then tolerance and smug power, and finally, soul-binding love and adoration. The scars she’ll bare will be in the shape of his jaw. She’ll trace his scars with her fingers and her mouth and her tongue; she knows all the little pieces of his story - the boring and the ugly and the difficult, as well as the fragments that are light and precious.
She can’t wait.
But this… this part she’s never seen properly and maybe her brain was protecting her.
The room is small, and little more than dirt and stone held up with rotting beams - buckled and warped, but holding steady for now. It smells rotten down here, almost burnt.
And then there is him.
He lies in the middle, on the stone, his head thrown back like a sacrifice about to be cut open in the name of some ancient god. His eyes are closed and if she didn’t know better, she would think he was asleep. She can see him properly like this, the muscular lines of his torso, the tendons in his neck, the strength in his arms and legs. He looks like a classical Greek sculpture celebrating rapture.
Except… there’s pain. The pain radiates off him like heat; most of the scars are old but the wounds are not. Or maybe they can’t heal. Burns and cuts and bone-deep gouges cover every part of him. There’s a tremor to his body that she doesn’t understand.
And then he hears her shoes on the stone floor and he lunges in one swift move, alert and ready, a snarl echoing in the space.
…Or what should have been one swift move.
Instead, it’s messy and horrific and takes her a moment to process, as she tumbles backwards, losing her footing as he comes at her.
He rips himself from the stone, pieces of skin from his legs sticking to the floor when he moves, leaving open wounds that looks almost like burns on every piece of skin that the stone touched. His legs buckle and shake at the sudden movement, evidence that he has not stood in a very long time.
His eyes are so black they look like empty sockets as he looms over her. Blackness spreads up his hands and arms, spidery black veins stretching from his eyes and throat. For a moment, she thinks she catches a glimpse of the wings; ghost-like and ephemeral in the corner of her eye, tattered void stretched over ancient bone, cracking into place no longer than his arm span.
(He’s magnificent.)
And just as suddenly as he hovers over her, he is ripped backwards and hits the floor with a hiss and the heavy clank of chains pulling tight and recoiling. She gasps at his visible pain, the way he struggles to get up, the demonic visage fading back into the skin of a man. A man in the worst kind of pain she’s ever seen.
“Get out.” His voice is hoarse, the kind that hurts to listen to, and he turns away from her. She can see the chains properly now - ankles, wrists, throat, and thighs, all connecting to a back-brace of iron. The wings have sunk back into his flesh, deep scarring almost outlining them on his back, and she hates to think how painful it was to stretch them imprisoned like this.
How long has he been here, like this? As beautiful as he is, she can see every hour, day, decade he’s spent here in the gaunt shadows of his face, in the decay in his clothing, in the layers upon layers of scars and open wounds. His eyes are hard; there is no hope or trust in them at all.
She always knew it would be difficult, but she never counted on what seeing him in this state would be like. How much it would ache to see this bitter shadow of a man, and the suffering he has lived through.
“I’ve been looking for you everywhere,” she says, sitting up. Her bag has survived the fall, but she prepared for it. Nothing in the bag is breakable, for good reason. He’s liable to get angrier.
“Oh?” He looks at her. “You long for death so badly?” His voice is mocking, but she can hear the strain, the rasp of his agony. He shifts to see her better, and she can almost see ghost of his future self.
“Only of a certain kind,” she murmurs to try and lighten the mood, but it falls flat - he’s giving her the kind of look Edward reserved for fawning classmates, so she feels adequately stupid and regrets being so flippant and crude. “You’re hurt. I want to help you.”
He is so badly hurt. The fresh burns smell like alcohol, raw and weeping blood. It’s oddly matte with no shine, but demon blood isn’t like human blood. There’s also a mottled black mark on his torso that she hopes is some terrible bruise and not broken bone just beneath the skin.
“Go away.” His voice is hard, no trace of the pain or misery he’s experiencing. There is a power and a rage there that makes her skin crawl and every instinct is telling her to run. He glares at her, and his eyes… she’s seen them red and gold and black, but right now they are demonic - a black sclera and pupil with churning red iris. But there is no shine to them, just a void. They scream of danger and she understands a little better why Carlisle warned her so grimly away from him.
“No.” She rummages in her bag. Aro had allowed her to use the library for a whole summer, to learn about demon physiology and healing. He’d been amused by her request - and by the discovery she’d left Carlisle’s family in pursuit of this demon. She knows that he’s already plotting, that nothing he offers is without strings attached, but she’ll worry about that later. She has the knowledge, and that is what is most important. “Let me help you.”
“Why do you want to help me? What do you want?” He’s holding himself oddly, and she realizes he’s trying not to touch the stone again, only the soles of his feet.
“To help you. And to talk.” She checks the bottles have not split in her bag; she’d used old water bottles, and a few of them are warping from the chemicals inside of them. But she’d gone over it a dozen times at least, and these will work. He just needs to let her help. “If you don’t like what I have to say, you can leave. Nothing about this is conditional.”
He stares at her. “You don’t want to be remade?” He asked suspiciously. His breathing is labored. “You don’t want all the secrets of the underworld? Wealth? To live again?”
She shakes her head. “I have money and a home of my own. And I have no memory of ever being anything else but what I am right now. The only thing I want is to help you.”
He lets out a bark of laughter. “You say that. But you’ll expect things. Everyone who comes here does. They always want. Humans are greedy creatures and vampires are parasites. You’ll want something, they all do,” he snaps at her and then he smiles, cruel and sharp. “Not many survive being remade. Maria tried to make a dozen of us. I was the only one of my batch that made it through. You have no idea what pain can be.” He scoffs. “Especially if the change was so overwhelming for you that you blocked it out.”
“I know.” She does. She’s read all the written accounts of being remade into a demon right back to some scraps of information from the Roman Empire; the rituals are mostly anecdotal. There was nothing about how it was done; even Aro didn’t have a full copy of how to remake someone. Several of the leads pointed towards the possibility of the remaining instructions being locked up in the Vatican, but even her visions couldn’t decipher if they were genuine or just a rumor.
The fact Maria of Monterrey had found a record and managed to translate it into a ritual that actually worked was awe-inspiring. It made her one of the most dangerous people on the planet - and one of the most powerful.
But the cost of it… how many people had she killed to create Jasper? To create her army? There were the newborn recruits, the blood for the army, and the ones that she tried to remake… that was thousands, more than Alice could comprehend in the scale of human life.
No, she’s not interested. Perhaps she even fears physical pain a little, because she has no memory of human pain, of the change. She’s never bled, never ached, never really suffered like that. And that unknown void of pain, a universal emotion understood by every living thing on the planet… she doesn’t have that.
But maybe…
“I’ve never been hurt,” she says softly. “Not that I remember. I can’t stand the thought of it. That something can feel like that. If I can stop it, I want to. That’s all.”
His gaze burns into her.
“Do you know how many people have come here and promised me things?” He sounds angry but tired. “They’ll free me, they’ll give me money and food and bandage me up. My own army. Girls. Boys. Anything I goddamn want. Do you know what happens to them?”
She sits cross-legged. “Don’t pretend you killed them.”
“You don’t think I could?” The look on his face is dangerous.
“I know you could. I know that if you really wanted to, I would have been dead before I saw you move. I know that you were the most dangerous man in Texas and Mexico for decades before I was even born - before you were remade.
“But I don’t see any bodies. No bloodstains, no bones, nothing left behind. There’s nothing here. Whatever they offered you, you didn’t kill them for it.”
“When I didn’t give them what they want, they left me here,” he says finally. “All of them.”
“Were there many?” That she is curious about. There are a hundred reasons to seek out a demon, but few people are brave enough, and fewer still with the information to find one.
“More than I expected.” He looks at her, his gaze hard and bitter. “What do you want?”
“To help you,” she says obediently. “To get you out of the chains and upstairs; maybe look at some of those wounds? I’m no doctor, but I think I know what to do.”
“And what is your price?” He sounds testy again, and she’s getting annoyed that he won’t listen.
“I’m a cheap date - maybe you can just not kill me? Once you’re free, maybe we could talk for a little while? I have a house we can go to where you can recover safely, if you want to. Otherwise we part as friends.” That would be a disappointing outcome but one she is prepared for. “As long as you’re okay to be alone. I didn’t go to all this trouble to let you go off on your own and keel over in the street dead.”
The surprise on his face is genuine. “I cannot die from this. That’s the whole point of being down here,” he said slowly. “I can only suffer. It would take much, much more to end me.”
He looks sad and tired when he says that, and she wants to hold him. To reassure him that it will get better. It can be wonderful, if he gives her a chance.
“Good. Then if you want to leave me, you can. Just let me help you, and everything will be okay, I promise.”
They stare at each other for a long time, neither of them flinching before he nods his head once.
“I hold a grudge. If you double-cross me…” he begins but she’s already moving closer.
“I understand.” And she does - she’s had visions of him in battle, and the sheer violence and blood-lust had scared her. He is a dangerous creature. But she’d be more likely to rip off her own arm than intentionally harm him.
“You’ll want to take off your shoes.”
It’s an odd request but she takes off her boots and moves forward.
One foot on the stone and she can feel the warmth inside of it; when she looks down, her stockings are already being to singe from the heat.
“Keep moving, or you’ll stick,” he warns and she’s horrified.
The stains on the stone that she had assumed were age were patches of blackened skin still stuck to the stone - his skin - that had torn away from him every single time that he moved.
And then there was the sudden awareness of that fact that his feet have been resting flat against the stone since they’ve started speaking, and she wants to scream, to pry him off the stone herself. She looks at him in naked horror and his lip quirks in quasi-amusement at her expression.
“It’s consecrated ground - no matter how deep it goes, it will always burn the likes of us - me worse than you, but I wouldn’t linger. And no, your shoes wouldn’t protect you.”
Consecrated ground. Fucking consecrated ground. She’d read about it - Europe was lousy with it, but much of it has faded away forgotten and unsanctified in the last couple of centuries as religion has lost its grip on the population. It’s much rarer in the states - most of it is in New England, allegedly. But this perfectly built little prison, complete with consecrated ground… she wants to ask a million questions about the how and the why, but she knows he won’t answer. Not yet.
Right now, she needs to get him off of the floor and out of this evil little room as soon as possible. And the first step is to break the chains embedded in the wall - where a single panel of rock is placed.
She’ll worry about getting the brace off of him once they’re out of here.
He watches her, almost entertained, as she tries to break the links, inspecting the chain carefully for flaws or weaknesses. But even with all her strength, they don’t even bend. They are stubborn and as cursed as this entire basement.
She can feel it - they cannot be broken. She can’t see a way around it.
But when she looks down at him watching her, at his dead-eyed stare of acceptance that he will not be leaving, she feels the weight of what she’s promised him. That he still believes that she will fail and leave him to his fate.
But she was Emmett Cullen’s sister for nearly three years, and Emmett had never met a law, a riddle, a trap or a rule that he couldn’t find a loophole for.
Which is why she brought a screwdriver. An entire toolkit, actually. Whilst vampire strength and speed could fix so many problems, there were some things that required the precision of a toolkit or a lock pick. And maybe the last gift Emmett ever gave her was a mini pink toolkit, and she’d taken that when she’d left.
If there was one thing that all her research had taught her was that magical laws are rigid and precise. The chains will not and can not be broken - that is clear to both of them. She probably isn’t the first that has tried over the years - she could only imagine that he’s tried to free himself hundreds, probably thousands, of times.
So they cannot break them.
She doubts anyone bothered to stop them from being dismantled.
He stares at her incredulously when she pulls the screwdriver from her bag, like maybe she’s some kind of fool. And maybe she is.
But when the first screw hits the stone, she smiles brightly at the look of shock on his face.
“Pick all of them up, I don’t want anyone knowing how we figured this out,” she says bossily, hopping between her feet - her stockings have burnt through, ragged blacked edges having stretched back up above her ankle. She has more clothing at the house, but she’s mildly annoyed at the architect of this building for ruining them. It’s an uncomfortable heat, an odd sensation, but it doesn’t feel too bad as long as she keeps moving.
He fumbles for the screws as each of them fall - they are smaller than it feels like they should be for the size and weight of the chains, but there are so many of them.
And then…
And then the heavy chains drop free of the wall, and he is free. He stares at them in total bewilderment before he looks back up at her.
“Now you’re free,” she says breathlessly, jamming the screwdriver into her bag, and goes to help him stand. He’s unsteady but takes a deep breath as he begins to peel his feet from the stone. It’s horrific as the skin of his soles tears away, blistered and raw but not yet blackened, thankfully. He lets out a groan of pain, one that makes him sound every single day of his age, every single day of his pain.
She doesn’t say anything, she just supports him until they are finally, finally back on the dirt floor.
“Do you want to sit?” She asks quietly and he shakes his head.
“I want to get out,” he says stiffly, and she nods, as they move towards the exit.
It’s an awkward trip back up the stairs; the staircase is narrow, but he needs her guiding support for now, his legs shaking with each step. It takes twice as long as it should, with him pausing every so many steps, as she half-shoves him onto each step. His movements are made awkward from the brace, and she’s already trying to figure out how she’ll pry that thing off him.
And then…
She shoves open the trap door, the wood splintering. And even the feeble moonlight shining down from the broken window feels like someone has just lit up the room - the darkness of the cellar feels inky and oppressive in comparison; the oil-wells dimmer than they were when she descended.
He lets out a shuddering breath as he climbs out, into the fresh air, his eyes darting around the space.
“It’s okay, it’s only us,” she soothes. “You’re safe.”
He nods, but he doesn’t look at her. He’s staring at the boarded-up windows, at the broken glass and rotting pews and forgotten prayer books.
The look on his face reminds her of herself, when she awoke that first time in the woods alone. She knew nothing, had seen nothing in person… just the appreciation and awe of being there, in that place. A moment of simply being alive and in the world.
She remembers it well.
—
They sit inside the old church in silence for a while.
After a while, she begins to pull out first aid from her bag. “Let me,” she says softly, and he doesn’t protest - though he refuses to let her see the wounds under his threadbare clothing. She hasn’t got anything that will stitch his wounds, but she can clean the wounds and bandage them so that they at least stay sanitized and protected. The chemicals she has to use burn her nose, but they seem to work.
“Now, let’s have a look at the brace,” she says soothingly, the screwdriver back in her hand. He eyes her with suspicion but nods once for her to continue.
It’s not as easy as the chains. The brace is too tight and has bitten tight into his skin. The screws come out slowly, ad she doesn’t care that they roll amongst the glass and the debris.
The brace doesn’t fall away. Instead, she has to peal each piece away, skin and scar tissue tearing, leaving raw open wounds in their wake. But he doesn’t make a sound as each piece hits the floor. He just stares up at the piece of sky he can see.
And then it is gone. The wounds will scar, she knows it. But he has movement back, real movement again. His neck, his arms, his wings… Free again, a little bit more.
“Done,” she says softly.
“I don’t even know your name,” he finally says hoarsely, and looks back down at her, as she packs everything back up.
“Alice Cullen,” she says, and thinks about correcting herself. She’s not sure what surname she should be using honestly. She never had one of her own, and nothing else feels like it would fit. She was supposed to be Cullen for a while and then…
Well, she didn’t want to get ahead of herself. Cullen was fine.
He nods in acknowledgement before looking back up at the sliver of sky visible through the broken window.
“I want to leave this place,” he says in a steady voice.
“Of course.”
She wants to offer to burn it down. To tear it down with her bare hands for him. But he won’t understand, not yet.
“Let’s go.”
—
He finds his strength as soon as his feet hit the grass, enough to stand on his own and move away from her support, onto the grass, shivering as his feet sunk in for the first time… in so very long. His turns in a slow circle, just staring up at the clouds and the trees and the world outside he’s hellish, cursed little dirt prison.
He… to call it a scream is not accurate. It is a scream, a roar, a holler, a flood of grief and rage and resentment. It is pain and loss, swearing revenge against the one that did this to him. It is regret and heartbreak and relief.
He is free.
His wings stretch out reflexively, the black staining his hands and face faintly, and the full horror of what the brace has done to him is revealed beyond the splitting and tearing and stretching of the wounds - his wings only open as long as his arm-span; the humeral and secondaries appear to have been crushed from the brace. And the humerus bone appears to have been snapped and reset so that it cannot extend. Half of his wings are limp and crumpled against his spine, a dead and mottled colour.
He has been crippled, possibly forever.
Except…
She’s never really been in the business of giving up. Of looking at something and accepting a bad roll of the dice. She looks at his wings, slack and broken, and she wants to fix them. She’s already considering it, mentally adding splints and bandages, breaking and resetting bone, stitching back together the thin flesh that stretches over them. It would be painful and miserable and it would take a long, long time. And it might not work.
But she already knows that if it didn’t work, she’d take him to Carlisle. She’d take him to Carlisle and use every single trick in her book to convince him to help. She’d promise that Carlisle would never see her again, that she’d never bother any of them, if Carlisle would just fix him. She’d take him to Carlisle, to Aro, to goddamn Maria, if it meant helping.
Anything he needed. Or wanted. She would get it - she had waited for this for so long.
He’s silent now, and he turns to look at her with confusion on his face.
“I looked for you, you know. For almost forty years.” Her voice is soft, and his gaze turns wary. “I get …visions of the future. Of the path that I’m on. And you have always been in them. I saw you with Maria in the south. I saw you when you left with Peter and Charlotte. I never saw what happened, and how you ended up down there but I tried so hard to find you. I’m sorry I didn’t come sooner.”
And he stares at her, the black receding from his body, the wings folding back into his body.
“What did you see?” He asks, and he sounds exhausted.
“That I love you. All of you, for as long as you’ll have me.”
He shakes his head, and for a second, he looks so young. “Did you see what happened when she remade me? When she worked out how to make her army more powerful?” He asks. “Did you see what it took to become this? Did you see what I became?”
“I did.”
“Ninety days. Of pain and sacrifice and being ripped into pieces and put back together. To feel the rage boil and burn until your skin,” he murmurs, looking back up at the cloudy night. “Of having this fresh, feral monstrosity of yourself fit itself inside of you and this… clarity of the world and how everything fits together. I’m not the man you want, Alice Cullen.”
“Yes, you are. And it’s … not Cullen anymore, not really. I left them because they wouldn’t let me find you.”
He’s silent, staring at her.
“They said I should think of you as good as dead and that wasn’t… you were still here. I just had to find you. I wasn’t going to mourn you just because you weren’t a vampire anymore. What Maria did to you didn’t change our future, so it didn’t matter to me. But it did to them. So I left them.” She shrugs. “I had enough money saved that I have my own home now - our home if you want it. But it’ll just be us.”
He looks at her hard, like he’s trying to look right through her.
“I was going to destroy you, you realize,” he says finally, his knees buckling but he sinks into the soft ground with dignity, leaning against a tree. “I was going to devour you whole.”
“I mean, with a safe word…” she begins and he lets out a chuckle.
“You aren’t what I was expecting,” he says finally, and she moves closer. She can smell rain on the air. “I’ve never met anyone who didn’t want to be remade like me as payment.”
She’s seen it. In a few decades, he’ll offer it as a form of protection. That the only thing more dangerous than a mated vampire and demon would be two mated demons roaming untethered to a master or mistress.
She’s seen futures where she accepts and they are … sublime. Glorious and terrible and so very, very happy. And she’s seen futures where she’s content with herself, and they are just as happy, just as fantastic and beautiful and fatal. It was never about the venom or the magic that flowed in their veins. It was always them.
“If you don’t want to stay with me, I can help you find Peter and Charlotte,” she offers. “You can recover in my home until then, and we can part as friends.”
He looks back up at the sky as the rain begins to fall, a smile stretching across his face as the water hits his face.
How long has it been since he’s seen and felt rain?
“I think I’d like to stay here for a while,” he says finally, and she can feel how tired and confused he is.
He doesn’t trust her yet - it will be a long time until he does, she knows that. Long after his wounds have healed - she’s certainly got some ideas for his wings, but it’ll be a while before he’s willing to hear her out - he’ll still treat her with suspicion. And that’s okay. She didn’t bet everything on him to be scared off so easily.
Sitting down beside him, she’s careful not to touch him. His eyes are glazed and dreamy as he watches the clouds and the rain, the darkness swallowing them up in the woods behind the church.
“You should rest,” she says softly. “We’ll have to leave before dawn, but we have a few hours.”
“I’m fine,” he corrects, but his words are slower and easier, and she doesn’t say anything else as he slowly drifts off, the cool rain on his face.
Jasper Whitlock. Major of the Confederate Army, turned by Maria of Monterrey back in 1863. The love of her life, who was supposed to show up at a diner in Philadelphia but never made it. The scourge of the South, a mythological monster forged out of pain and horror that most people couldn’t imagine, let alone survive.
And her reason for everything.
He looks… peaceful as he sleeps, the rain clinging to him and not even disturbing him. All the stress and pain and rage slipped off his face. He looked like a different person.
She doesn’t remember what sleep is like, and it’s strange to think of just not being for a while. To just be so vulnerable.
It’s a strange feeling, waiting for so long, and now being here with him. Watching him sleep in the rain, broken up into little pieces but somehow still standing.
The real thing is so much more than she ever anticipated.
Nothing will hurt him again. No one will imprison him again. He is free. She found him. Anything he wants, anything at all.
