That cat is legitimately getting a state funeral, several statues, a weepy 10 thousand word obituary from The Guardian and an Elton John tribute song when he goes.
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@masquerabiandays
That cat is legitimately getting a state funeral, several statues, a weepy 10 thousand word obituary from The Guardian and an Elton John tribute song when he goes.
If you embroider or hand sew in your bed, you may think to yourself, "I'm just gonna set my needle down real quick next to me/on my chest/literally anywhere except inside the project or on a needle catcher and I'll get it in a minute, it'll be fine." But it won't be fine. You'll lose the needle and then you'll have a loose needle just in your bed. Haunting you. Waiting for you. Craving your flesh and blood.
Use your needle catcher.
You'll never guess what's loose in my bed right now.
whenever i look into a historical monarch who doesn’t get talked about much and is just kind of a blank spot in my understanding of the historical narrative, 95% of the time what i find is pure white hot blistering capability. a pencil pusher for the ages. a 39 year reign with no more than three hours of sleep a night. there aren’t any good stories from his reign because he systematically caught and stopped all catastrophic good stories before they could start. you shrimply must respect it
this is one of the more creative hate comments i've seen and i felt the need to immortalize it
Polaris just loves his star creatures so much <3
unpopular opinion probably but I actually like that ao3 doesn’t let people take back their kudos.
unlike social media platforms (which ao3 is not) where people unlike stuff whenever they think or find out the original posters’ moral compass doesn’t perfectly align with their own’s or whatever, and “likes” can be taken back at any time, ao3 treats kudos as something sacred. once you give it, it’s the author’s to keep forever.
Best part is if someone deletes their account, the kudos remains, and it just gets swapped over to a guest kudos instead. The body is gone but the love remains.
(Yoinked this from LinkedIn, genuinely interested in seeing how responses align with demographics) (so far it’s those of us over 35 being indignant but I wanna see how those fully plays out) (it’s cultural and technological history/memory, bruh)
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I am an old bitch - 20/20.
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favorite bits of the cast interviews in the LOTR special features:
Dominic Monaghan, Billy Boyd, Elijah Wood and Viggo Mortensen all taking the piss out of Orlando Bloom for going on about a cracked rib too much, while Orlando Bloom desperately tries to wriggle out of talking about it (special mention to Elijah Wood’s “oh it hurts, babes, and I can’t ride the horse, babes” and Viggo Mortensen’s “they can be very fragile, elves, especially the…Mirkwood strain…”)
Ian McKellen commenting that “they never did find any suitable underwear for Gandalf…”
Dominic Monaghan going on and on about how Viggo Mortensen apparently had a crush on one of the Rohirrim extras (who like a lot of the Rohirrim extras was a woman in a fake beard) while Vigoo Mortensen just mutters “one could perhaps say something about Mr. Monaghan’s…proclivities…”
Dominic Monaghan’s imitation of John Rhys-Davies ordering food at a restaurant for the whole cast. “You have partridge? BRING THE PARTRIDGE!”
John Rhys-Davies talking about an incident with the Lothlorian boats and saying “if an elf and a dwarf are in a boat…and…the boat goes under…let us say that the blame was not placed on the elf” while Orlando Bloom splutters “he’s a big guy, man!”
Elijah Wood talking about how the hobbit actors shared a trailer with Ian McKellen and sometimes they would hear inarticulate bellows of protest from his side when they played loud music in the mornings
Viggo Mortensen talking about how, while filming with those same boats, Kirin Shaw (Elijah Wood’s scale double) started telling him “if the boat tips over…save yourself…I can’t swim.”
Elijah Wood describing how Sean Astin would try to direct the helicopters to land while they were on location, while the other three hobbits were screwing around and throwing pinecones at each other
Christopher Lee recounting how he had so much trouble going up some steps in Orthanc with his long robe that he stopped in the middle of the scene and said, “I cannot get up these goddamn steps, Peter.”
Viggo Mortensen mentioning that he left a weekend rehearsal and went walking down the street still swinging his sword around, and promptly got the cops called on him
I swear I’m laughing so hard I can’t breathe
My fav LotR extra is Peter Jackson and Christopher Lee talking about how Peter was trying to coach Lee to be more vocal during his death scene, and Lee straight up was like, “That’s not the noise people make when they die to a knife in the chest. It’s *this* noise,” and while he’s demonstrating, Peter remembers that Lee was a special forces guy in WWII and back away slowly and lets him do this thing.
Are you ready for laundry day?
(it's still July 29th somewhere)
power signalling
Kneeling.
Ordered to kneel as punishment or as a show of deference.
Shoved physically to the ground by hands on their shoulders, maybe a kick to the back of the knee.
Picking themself up off the ground but only getting as far as hands and knees.
Crawling because they haven't got the strength to stand anymore.
Dropping to their knees from exhaustion or despair.
Personal space.
Casually invading it.
Uninvited touch - from the deeply creepy to something as simple as a firm hand on the shoulder.
Standing too close - especially if taller or otherwise physically stronger.
Conversely, hurrying to get out of someone's way.
Eye contact.
Staring someone down. Who is the first to look away?
Averting eyes for one's social superiors. Trying to de-escalate by avoiding eye contact.
Too frightened or ashamed to look someone in the eye.
Insisting that someone maintain eye contact while you're talking to them. Insisting that someone never look you in the eye.
Singling someone out just by looking at them.
More generally, Attention.
The room falls quiet when they walk in.
Who cuts in, and who gets talked over. Ignoring those who are beneath your attention.
The excited attention given to the object of respect and idolization.
The careful, wary focus given to a potential threat.
Deliberately attending to something else to appear less threatening. Deliberately burying oneself in something else to avoid attracting unwanted attention.
Codified status behaviours.
Bowing to one's superiors. Bonus points if there are differentiated kinds of bowing for different status differentials.
Soldiers coming to attention when a superior officer comes.
Saluting. Who greets whom first?
Serving food in a particular order.
Standing up when a respected person enters the room.
Non-verbal threats.
Just resting a hand on a weapon, or perhaps even just near a weapon.
Cracking knuckles or rolling shoulders. Clenched fists. The little come-get-some-then life of the chin.
Stepping from a conversational stance into one that's balance for fight or flight.
Pointing a weapon at someone. Casually brushing aside a weapon.
Conversely, de-escalation and surrender.
Open hands, spread in front of them. Hands above head.
(Raised slowly, transitioning from the simple whoa-calm-down gesture to full on surrender as the situation gets tenser.)
Going still. Slow, careful movements being sure to keep hands where they can be seen. Laying down weapons.
Hands on head. Getting down on the floor. Deliberately making oneself vulnerable to prove non-hostile (or non-resisting) intent.
Alternately, deliberately showing "vulnerability" to demonstrate how little of a threat you consider the other person.
The slouch of villainy. Open posture, casual, relaxed in the face of apparent danger.
Casually putting weapons away or turning one's back, confident that they won't do anything.
Signs of fear.
Flinching. Trembling. Closed defensive posture. Tension. Backing away. Fidgeting. Lip-biting.
Arms hugged close to chest. Or refusing to lower defences. Checking for escape routes. Trying to insist that they don't come any closer.
Offer of or requests for help.
Extending a hand to help someone up off the ground. Reaching out a hand in silent plea.
Do they have to ask for help? Are they willing to accept it? Do they get a choice? Who has plenty and who has to rely on the other's goodwill?
Picking someone up off the ground. Carrying them. (Dropping them?)
Adjusting someone's clothes. Withholding aid.
credit:@just-horrible-things // @whetstonefires suggests:
A character can vastly expand their area of influence by laying a hand on a table, for example. If you're standing on opposite sides of a large table, and one of you puts your hand down, that can symbolically take you up into the other party's personal space in a much subtler and more deniable way than actually getting up in their face.
This can be used equally well to convey affection or threat.
I have done some weird trickshots, and some difficult trickshots, but that last one is the most of both I’ve ever put together!
The Daryal canyon (1862) by Ivan Aivazovsky
EVERYTHING HAPPENS TO ME