jeff buckley was really on to something when he wrote the bar "broken down and hungry for your love / with no way to feed it" because yeah. Yeah.
RMH

Janaina Medeiros

@theartofmadeline
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wallacepolsom

oozey mess

pixel skylines
Show & Tell
he wasn't even looking at me and he found me
dirt enthusiast
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d e v o n
let's talk about Bridgerton tea, my ask is open

★
hello vonnie
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Love Begins
art blog(derogatory)
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@maxattackx
jeff buckley was really on to something when he wrote the bar "broken down and hungry for your love / with no way to feed it" because yeah. Yeah.
Out of control Edwardian youths refuse to clap at production of Peter Pan, force distraught J.M Barrie to pull out rarely seen "Tinkerbell Fucking Dies" ending
when thinking about how oppression works, on a structural level, my guiding principle is that I must spend at least as much time looking down as I do looking up.
what do I mean by this? here's an example. when my surgery is delayed multiple times, I spend a little time looking up (there is only one surgeon in the entire area who will perform this surgery on trans people, so every trans person's surgical timeline is bottle-necked and delayed by months every time he goes to a conference or takes a vacation or experiences an injury. in other words, if I was cis, I would not encounter this difficulty in accessing surgery). and then I spend time looking down (due to nonstop harassment and legal threats, this practice now only treats adults and will no longer perform surgeries on minors. in other words, my access to surgery is predicated on adult privilege I have at the direct expense of trans youth's lack of access).
if you do not build a habit around thinking in this way, you will become the person Audre Lorde describes as "so enamored of her own oppression that she cannot see her heelprint upon another woman's face." If we are seeking to dismantle structures of oppression, rather than to simply use and climb them, then we absolutely must make a practice of looking in both directions, especially when we feel like we're on the bottom.
Oh Jason Todd…
catch up game ;3
thank you @clearedpipes and @limeandgreenfrog for tagging me!!
🎵 last song I listened to: about me - Esha Tewari
📺 last series: School Spirits!!
🎬 last movie: Knives Out
🏅best thing about the last month: being finally done with AP classes bruh
📚currently reading: Our Missing Hearts by Celeste Ng and A Reaper at the Gates by Sabaa Tahir
👾 currently working on: an essay about the aids pandemic, memento vivere and biting of oneself
🌶️ sweet/spicy/savory?: spicy fuegooo
🎨 favorite color: pleasant teal color or salmon
🤩 current obsession: dc comics (specifically batfam), stupid chud competitive videos games and horror movies mwahahah
☕️ tea or coffee?: teaa!! no coffee for me at all
🌐 last internet search: epic games installer
tagging: legit anyone who wants to join idk how many people have done it already
hey yall thg ppl who have recently followed me I wanted to let you know that my thg side blog is actually @radiogenius !! i get up to silly things and mischief there
I'm so terrified of ever going under anesthesia what if I tell my mom I'm a faggot
i have fallen deeper into timkon hole and i wanna get better at male anatomy for them,,,
thing thats good: yay
thing thats bad: aww
thing that has both genuinely amazing pieces of storytelling and abysmal dogshit slop both happening like entirely interchangably:
“The employees need a larger salary” “hmmmm large celery”
it's really funny how the entire world basically just blew the fuck up six short years ago and nobody wants to admit that that may have had some lasting consequences lmao
like so much of Everything today is premised on the idea that the earth-shattering catastrophe which happened within living memory of everyone older than a third grader has had no meaningful material or psychological effects on the general public and i don't think that's good, lol.
"(some of) the top-line economic indicators (sorta) recovered (in most places) so everything is fine and we don't need to talk about it" is not a sustainable framework for interfacing with reality
"why is everyone so angry and paranoid now?" "why is politics so dysfunctional now?" "why is [x] [y] and [z] now? blah blah blah"
2020:
my baby
how talented!