#extradirty
Today's Document
YOU ARE THE REASON
Cosmic Funnies
cherry valley forever
art blog(derogatory)
TVSTRANGERTHINGS
i don't do bad sauce passes
❣ Chile in a Photography ❣
if i look back, i am lost
Not today Justin
Mike Driver
titsay
let's talk about Bridgerton tea, my ask is open
ellievsbear
Xuebing Du
Andulka
Discoholic 🪩
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wallacepolsom
seen from Indonesia
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@mbcorvo-author
Someone should teach me how to get back on using a blog, other than how to get back into writing.
It's been months since I decided to get back here on tumblr (not that I have other social media, as you might have noticed I'm very bad at using them) and I still haven't done a single thing.
SERIOUS: NEW BOT SCAM ALERT
heya!
this right here?
THIS IS ABSOLUTELY NOT REAL.
the "@staff" is just the bio text.
tumblr staff will not contact you through anything other than email or their official accounts, which will all have this badge:
DO NOT ENGAGE WITH THIS OR SIMILAR ACCOUNTS AND ABSOLUTELY DO NOT CLICK ANY LINKS FROM IT.
report and block. i'd also appreciate it if you shared this post, bc that blog was JUST created and was already tagging a LOT of people, and i know not everyone has the scam-sensing instinct, even if this might seem obvious to some.
@staff @tumblr @support
Colorful Seraphina artworks, in this economy? It's more likely than you think.
This pretty angel is Metatron, from my Biblical Horror novel HOLIEST:
Paperback: [Amazon] Hardcover: [Amazon] E-book: [Amazon] [Itch.io] [Patreon] —[Seraphina's Webstore]
regularly scheduled reminder that I hate AI, I don't consent to any of my art being used for AI whether that's for chatbots or generative AI, I've never used ChatGPT or Claude or Gemini or Grok or whatever the fuck in my life and never will and I do think that makes me a better person than people who do. also if you're a "fan" of mine and willingly use AI, I think you're actively making the choice to hand over all brain function to companies owned by billionaires who hate you and humanity, which makes you pathetic and embarrassing.
Religion in fantasy worlds: Everyone believes the exact same things about Green Nature Goddess and has official rituals for her that are the same everywhere
Religion irl: Technically it’s heresy for me to worship this skeleton but my spiritual advisor said that it’s legit so I’m gonna keep giving it offerings of yogurt
Religion in fantasy worlds: We’ve gotta pour water over this statue or else the god will get angry
Religion irl: We’ve gotta pour water over this statue? Why? Idk man that’s just what you do. Just do it alright.
Religion in fantasy worlds: These are the rules. The rules are law. Nobody can break the rules.
Religion irl: Okay you say that there are “rules” but how exactly are we defining “rules” here? Like is a suggestion a rule? How are we defining suggestion? No come back. Listen. Are we going by nuance in the original language or are translations fine or-
High control religions/cults recruiting in fantasy worlds: Join us! For we shall all eat the moon! This is a legitimate position to have!
High control religions/cults recruiting irl: We have free snacks. That shirt looks sooo cute on you btw. What, you heard that we wanna eat the moon? The media is always telling lies about us you know. We may have some unorthodox opinions about the moon but, tell you what. Come get some snacks, make some new friends, maybe chat about the moon a bit. See what you think. We’ve got pizza.
Religions in fantasy worlds: We must make a sacrifice to appease the gods! *draws up a sacrifice circle and completely destroys the sacrifice*
Religions irl: We must make a sacrifice to appease the gods! *has a communal barbecue*
favourite things about first drafts:
square brackets with notes to self mid-line like [does this make sense with worldbuilding?]
ah yes, Main Character and their closest friends, Unnamed Character A and Unnamed Character B.
bullshitting your way through something that you probably definitely need to research later
also square brackets to link up scenes. [scene transition idk] my beloved
the total freedom of word vomits
"I'll fix that later"
the moment when the world and characters start to gain a life of their own
pieces falling into place as you write that you were uncertain about before you started
the accomplishment of Made A Thing
Not only is this allowed but it's something i encourage all writers of any kind to play with! :D
The idea that all writers know what to say all the time and just splash fully-formed drafts out one word after the other is false. There are some who can do it, but i think most of us... can't. Which is why we need tricks like square bracket notes! They're not cheats or lazy writing or some other flavour of Not Allowed, but instead really really important tools that we should use as much as we need to.
Some of the most helpful tricks I've collected over the years are:
make some notes in square brackets – e.g., I had to write a scene on a sailboat, but I know nothing about sailing so i literally just had notes like [boat part] and [how to do X thing?]. If you use square brackets as punctuation anyway, use something else like [[double square brackets]] or a unique letter combination like XY at the start of the note; the point is to pick something you can search for easily later on.
(You can also style inline comments in a different font/colour. Scrivener has an inline annotation feature; if you use Word, you can make a specific Style to make notes stand out at a glance, etc.)
bullet-point your way through any tricky parts – this can be pure stream-of-consciousness vague ideas. it only needs to make sense to me later. much more helpful than just leaving big blank gaps that Future Me has to work out how to fill, but also better than dwelling on a piece of writing forever.
use comment tools – mostly do this if I have ideas for alternate events and/or phrasing, or if I want to check something for continuity purposes.
write out of order – Best advice i ever got for academic writing is to know or even write your conclusion first and your introduction last, which your main argument in between. Similar principles apply in fiction, or any kind of creative writing. If there's a part of the essay that I can visualise clearly or a part of the story that is particularly exciting or important, I might write that first, then figure out how it fits/how everything fits around it.
keep a loose scenes and/or "outtakes" folder – anything that i write out of order goes here, along with any notes for how I think I want to incorporate it into the full text. In the same vein, if I delete something but don't know for sure it will never be relevent ever again, it gets cut and pasted into an outtakes folder.
Basic rule though is that you do not have to get your writing perfect on the first try. This is where drafts come in. The way I see it is to treat each draft as a fresh start – I create/open a new document (well, new Scrivener file) and start over as if from scratch. Each draft gets a narrower focus than the last. This is my process, as an example:
first draft is the word vomit. You do whatever you need to do to get it onto the page, and it can be terrible. In fact, it probably should be terrible. You can fix everything later. it's fine.
The second draft is a half-hearted cleanup attempt. I'll re-type everything because everything is subject to change, from the characters' personalities to the pacing to the order of events. It's all primordial goop, basically. i'm just poking and prodding and making a few adjustments, but mostly trying to create a more stable version of the first draft. All shortcut tricks continue to be my best friend.
By draft three I'll let myself copy-paste between documents if I'm particularly happy with a passage, but try not to get hung up on anything specific. I'll still make liberal use of square brackets etc. as I need to, but try to address as many from the previous draft as I can. This is where I get more brutal with making decisions and trying to fix parts of the story in place.
Draft four is usually my final draft, but there's literally no rules about how many drafts you're allowed to write. It's at this point that I try to keep square brackets etc. to a minimum (unless i've diverged significantly from the plot of a previous draft and having to rewrite large chunks), and make sure to address all the notes and problems encountered in previous drafts.
This is when I move on to revisions. Revisions are the "final do-overs", for me. I start them when I'm satisfied with all the large-scale aspects: plot and chronology; characters' personalities, motivations and arcs; large-scale pacing (so the over-arcing pace, rather than the pacing in individual scenes); backstories; and worldbuilding. I'll copy the last draft's document instead of starting with a blank one. First I run through those large scale things one more time and tweak until I'm happy, not just satisfied. Then I shrink my focus to in-scene pacing, dialogue, and the quality of the writing itself.
I'll also rewrite my plot outline between each draft, too. The act of actually re-writing stuff is very helpful for making your brain think about it.
Drafting like this isn't for everyone, but realising that you can just bullshit your way through chunks of text was a massive game-changer for me. Some people will do a draft, then work on something else, then come back and do another draft, work on something else, etc. Some people's drafting process will look more like what I consider to be revisions. Do whatever works for you. Just remember that from the moment you first decide you Want to Write a Thing to the moment you hit "post" or "publish" or give your manuscript over to a publisher, you can keep making as many changes as you like in any way you like. (And if you go the querying to traditional publishing route, you'll probably get suggestions for, and have space/time to make, changes to the manuscript quite far into the process).
Yes!!
I don't believe I've ever met two writers who have exactly the same process. Every writer I've spoken to about the craft of writing has their own process, usually developed over years and years of practice and trying things out.
For example, I don't rewrite at all, that sounds horrendous, I just save-as to create a new draft. I also get the big structure stuff done in outlining, but I'm a weirdo who writes 20k word outlines. As mentioned above, I am one of those people who needs space between drafts--or at least, between rough draft and first revision. And I do my first revision on paper, always. The human brain processes screens and hardcopy differently! I write all over my printed rough draft, and then go back to the doc and apply those edits and anything else that occurs to me at the time, so my draft 2 is more sort of draft 2.5??
There's a lot more, obviously, and it's different between novels and short stories (I don't print short stories unless I'm really struggling). But I'm always experimenting with different ways to write, and sometimes they work and sometimes I get stranded and have to go back to the drawing board. Some people have a lot more hand writing in the prep stages, in notebooks or on index cards--I visited someone once whose dining room walls were covered in butcher paper and index cards with pushpins!
So if you're a newbie writer, experiment! Read about a bunch of different ways to get those words down! Try new things! Put notes and placeholders and such in your drafts, write by the seat of your pants, try out the whole in-depth outline thing, revise every paragraph before moving on to the next one, whatever works!!
Also please feel free to come talk to me about it! I love hearing about how people write.
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how? How does he know it?” Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.
This is your "show not tell" advice explained!
Editor here.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What we’re talking about here are FILTER WORDS (and to some degree verbs of being). Yes, “thought” words are included. But so are “heard, saw, looked, tasted, smelled” etc.—most words having to do with the senses.
This isn’t black and white advice; sometimes you’ll use these words and that’s okay. They’re not WRONG. They’re just weaker. And they’re weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like they’re experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes they’re seeing through and thoughts they’re privy to. So you don’t need to tell them “I saw X.” Or “I heard X.” Or “I thought Y.” You can just jump into the action/observation as it’s happening.
This is also where you want to pay attention to verbs of being.
“It was rainy.” Versus: “The rain pounded against the roof.” Or “The rain howled like an injured animal.” Or “The rain tapped against the window like an anxious lover.” All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
This is also where
you want to pay attention
to verbs of being.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.
That means that when you read a line like
John saw that the curtains were open.
It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.
You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.
You wanna know what's perfectly impactful while keeping a tight POV?
The curtains were open.
Simple as that.
This was one of my all time most powerful writing lessons! This mindset shift makes you a stronger writer immediately in a way that just keeps getting easier and better for you.
The take I always have on advice like this is that "John saw that the curtains were open." and "The curtains were open." are sentences that are telling you two different pieces of information.
Some of this, yes, is about POV distance--but some of it is also about the information being conveyed by the sentence. If you are using a sentence like "John saw that the windows were open" it should be because the information you are seeking to convey is that John saw it.
Maybe this matters because the next time John looks back they are closed, and so he's doubting what he saw. Maybe it matters because he later has to recount information about the room he was in, and it's notable that he specifically saw that the windows were open. The fact and method of his observation is part of the point of the sentence, rather than simply the observation itself.
When we are using sense verbs, it should be because part of the point is the sense. Same with "thought", "felt", etc.: "Mary thought that Susan looked a little thin" is telling us a different piece of information than "Susan looked a little thin."
Contrarily, at least in my opinion, simple telling phrasing like "It was rainy" can sometimes bring us more into a character's head than something showing like "The rain howled like an injured animal." I have read books when a relatively plain-spoken/plain-thinking character suddenly starts having elaborate descriptions of things like scenery or weather, and it is abundantly clear that the author wanted to spruce up their writing and avoid "telling." The problem is that it drags me as the reader out of the character's head and shows me where all of the strings are. I'm suddenly thinking about how the author is worried about being yelled at for "telling" instead of just reading the story.
Your writing, down to the sentence structure and word choice level, should be about what you are trying to accomplish. Is the point to tell us that the window was open, or is it to tell us that John saw that the window was open?
you get a comment on tumblr. it's a bot trying to scam you. you get a DM. it's a bot trying to scam you. you get a message on instagram. its a bot trying to scam you. you're an author and you get an email telling you how much they loved your book and want to showcase it at their bookclub. it's a bot trying to scam you (and it uses bad AI to pretend it knows your story). you get a comment on ao3 saying how much they love your fic - and they made you fanart!! it's a bot trying to scam you. you get a hate comment on ao3 which insults your writing or calls you a monster for writing something "problematic". it's a bot. but at least that one isn't trying to scam you.
there's just something really cruel and insidious about this wave of scams going after creatives. You get an email and think someone genuinely loved what you made but - no. It's another scam. It's someone trying to trick you into sending them money. On AO3, it might literally just be a bot someone made specifically to be a hateful little shit.
putting the stuff you've made out there for everyone to see is hard and scary and we're all just bumping around looking for a bit of appreciation and love and connection and these bastards are using that to try to rob us. I hate it.
Im going go get into the sea and stay there
okay come forward which of you reposted this to reddit lmao I SEE YOU
Okay everybody go leave a comment on the fics you're reading, find your favorite author's social media and tell them you liked their book, and comment on your favorite artist's YouTube or Bandcamp page, go go gooooo.
The Lucifer & Beelzebub Pietà (after Bouguereau) from [HOLIEST], but (almost) fully rendered.
HOLIEST can be purchased here:
Paperback: [Amazon] Hardcover: [Amazon] E-book: [Amazon] [Itch.io] [Patreon] —[Seraphina's Webstore]
this post will find you when it needs to find you.
just some facts: you are loved. you are not alone. you are valuable. you are worthy of good things. you are deserving of self love and forgiveness. i’m glad you’re still here.
I think "The Hangover" movies would work better as a whole movie genre. The beginning is always the same: group of friends wake up hungover as hell, to start figuring out what the hell happened last night. Turns out a lot happened. As a tradition of the genre, there's always an animal in the house that has no logical reason to be there.
But get this: The same premise every time, but in wildly different times and places. Victorian England, the gentlemen went fuckshit with some nice sherry, wrote some questionable letters, worked together to compose an absolutely idiotic thinkpiece essay and sent it to the local newsprint (the publishing of it must be stopped) and for some reason there's an ostrich.
A troupe of travelling performers in the late Kofun period wake up in the stables of an inn, and the main plot point is the little beast sleeping on someone's chest. None of them have ever seen a cat before, but one knows enough to tell that those are imperial pets, and whoever's fucking cat that is will both be capable and willing to kill whoever stole it. So they'd better fucking return it.
A Tepehuan group of youths find themselves way out of the place that they last remember they had been, for some reason someone's balls have been shaved and painted red, and the strange out of place animal sleeping at their makeshift campsite is some random swedish guy. The spaniards don't seem to know how the fuck he ended up there, either, but they clearly do not have a mutual language with each other.
Memo to everybody :
Never be afraid to recycle an idea you had for a WIP you abandoned. Sometimes the idea needs a different set of characters or a different setting.
An addition:
Never be afraid to recycle an idea you had for a project you already completed. Sometimes ideas really are just that good and deserve to be used more than once.
Don't be afraid to use the same recipe to make a new cake
This is for a silly trend over on [instagram], but I'll take any excuse I can to talk about the Unholy Husbands.
HOLIEST can be purchased here:
Paperback: [Amazon] Hardcover: [Amazon] E-book: [Amazon] [Itch.io] [Patreon] —[Seraphina's Webstore]
Writing Resources to use instead of AI
For coming up with character names:
Behind the name (my absolute fav)
Allows you to choose the origin of where you want the name to be from, whether you want a more feminine vs masculine vs androgenous name (as voted by users), random surname generator, and clicking on the name gives you important info like if there are any famous people with the same name, where it’s from, how common it is, and how people tend to see it, etc.
You can also search their name database by letter or meaning or origin, so if you know you want a character who has a name/surname that starts with an A from Ireland, there’s a whole list for you to choose from.
Census sites
Especially useful if you’re looking for a name from a specific place and/or time period. Just search “(country) census (year)” and you’ll find a database of real people who lived in that place at that time. No one can ever call your names unrealistic again.
For coming up with place names:
Fantasy name generator
This site can basically come up with any name for any person, place, or thing you might ever need. There are also specific generators for different fandoms if you’re looking to make an OC in an established world.
For finding that one word on the tip of your tongue:
One Look Thesaurus
This is my go-to. Not only can you find synonyms like a regular thesaurus, but you can also describe words like “unhappy smile” or “quiet laugh” to find the more specific word you’re looking for.
WordHippo
Works as a thesaurus (very similar to One Look) but also includes search options for words that rhyme, words that contain a specific letter or are a specific length, different word forms, sentences with a specific word etc. etc. It's like Thesaurus++
For coming up with ideas:
Word cloud
When I need to inspire a new idea, I write down all the things I’m interested in (hauntings, academia, lesbians, etc.) and put them into a word cloud to shuffle them next to each other. Sometimes seeing a concept in a new context can spark new ideas!
WWF Discord
This is my discord channel (shameless plug) for when you need to brainstorm off other people but don’t have anyone irl to talk to. We’re also happy to read and give feedback on writing, answer writing questions, or just chat!
For visualizing places and characters:
Pinterest can at times be a bit too sterile for my tastes, but if you use the right words, you can find more realistic photos of places. For example, adding “aesthetic” after basically any word will bring up a more broad collection of photos to help you flesh out places.
This is also a great way to find photos of people and fashion to help visualize characters. I’m bad at describing clothes, so I usually collect photos of outfits to help me know what my characters are wearing. Searching up “character inspiration” will collect more interesting photos and drawings of people who might not exactly be of our world.
(However, to make Pinterest not show you AI results, you have to go into your settings and check the “reduce AI” box. Luckily, it does mostly work.)
Death to Stock
Like pinterest but completely AI free (hooray!) Only drawback is that you have to pay a monthly subscription (about $20 CAD).
Cosmos
Very similar to pinterest but slightly more "artsy". I'm not super familiar with this one but I believe all the photos are human and you can save them and create collections with a free account.
Dupe Photos
Royalty-free stock image site with very Pinterest-core photos!
Minecraft
If you haven’t built your entire fictional city in Minecraft instead of writing, why not? It’s fun.
The Sims
This one is dual purpose because you can not only create your characters in Create a Sim, but you can design their houses. If you really want to go for it, you can bulldoze all the lots in your town and build your world from scratch.
Hero Forge
This character creator is intended for making D&D minis, so it has more fantasy-like options over the Sims if your characters are a bit out of this world.
House Plans.com
I was introduced to this resource through the comments on this post and it has quickly become one of my favourite things to use. If you struggle with the layout of buildings, this site lets you choose beds/baths/sq ft etc. and will show you house plans created by designers that most closely match your specs. You can also search by style instead if you're more interested in the aesthetics.
For checking grammar:
Grammar Girl
Easy to follow definitions and examples, and if you learn better by listening, every article comes with a podcast to follow along with instead.
Grammar Monster
This one is my favourite for checking grammar rules because there’s tons of examples in graphics that helps for any situation.
Reedsy
Among other things, reedsy can connect you to professional editors within your budget.
For writing advice:
One Stop for Writers
This one was recommended from my discord channel and has all sorts of tutorials and resources for the writing craft.
My Blog Directory
Another shameless plug, but if you need writing advice on something specific, you can search through my directory to see if it’s there. If it isn’t, you can always send me an ask about it!
For an alternative to Google Docs:
Ellipsus
Think google docs but without AI. Yay!
Scrivener
A more comprehensive writing software created specifically for writers, however there is a one-time payment to use ($80 CAD).
(will update this list with any more suggestions or resources I discover 😊 Thanks to everyone for your recs!)
Just updated with some of the recs you've all been sending in! Thanks for your suggestions!
crossposting from bsky - glad I stopped using spotify when I did and that I unlinked it from my discord, but still
[ reddit thread | bsky post ]
helpful to know on 1,234 days left
Everyone have a nice day. Imagine something self indulgent for the ocs or the characters
