i believe he should have had a new hairstyle every episode

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@megazaprat
i believe he should have had a new hairstyle every episode
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Mutually Beneficial 💜💚
Lil bonus below :3
teenagers and the old, powerful and lowk evil spirit that hangs with them
a lot of holmes adaptations / pastiches seem to assume that holmes lived in 221B before watson moved in
and i get the narrative appeal of that- it sets 221B aside as Holmes’s world, and thereby creates a setting that reflects his character, where Watson can come in and experience this unknown man and his unknown world as facets of each other
but in A Study in Scarlet, holmes is looking for a roommate before moving into 221B. a mutual friend introduces him to dr. watson, and they go to check out 221B together, decide they like it, and then move in at roughly the same time. (watson moves in the same night as the day of their visit- holmes moves in the next morning.) and i like that, too. that 221B does not just belong to holmes, nor did it ever- that it belongs to holmes and watson; they see it together, move in together, and make it home together. even after watson moves out (and holmes never seems to find another roommate to replace him), he still feels at home in 221B. cuz it’s theirs.
like ok i know that you can tell a lot about a person by their living space, which means making 221B holmes’s living space and then panning through 221B is a pretty good way of introducing holmes as a character, especially in visual media
but as an alternative strategy, consider: watson having moved in, sitting down with his morning tea, watching his new roommate who he met yesterday bringing in box after increasingly strangely labelled box to their new apartment
I saw someone mention, what does Murderbot do with all of its hard currency cards it gets once it finally starts getting paid? Here’s my take:
Drones and clothes.
It likes its drones, a lot. And when they get broken, which happens frequently, it gets nervous about not having enough left. When Dr Mensah wants to bribe Murderbot in Fugitive Telemetry, she buys it drones. She told the station head of security “…it was a medical issue, that (Murderbot) needed them to fully interact with (its) environment and communicate.” mostly as an excuse meant to irritate the woman, but I don’t think she was actually that far off with that assessment. MB is designed to process input from an entire network of cameras and sensors. Having just it’s own eyes and ears makes it feel practically blind (a major issue in Network Effect and System Collapse), not to mention its preference for looking at people through external cameras to avoid eye contact anxiety during conversations.
Once Murderbot realises it can buy its own drones? Dear god. It’s gonna go buck wild. Just purchase an absolutely ludicrous amount. No more worrying about running out of them. No more feeling blind in areas where there’s no security cameras to hack. It’s got its own drone army it can deploy wherever the fuck it wants to go. Preservation Station is going to be crawling with the fuckers.
And where’s it gonna keep its drone army? In its rediculous amount of pockets.
There’s a really cool scene in Exit Strategy where MB buys its own clothes for the first time.
When I put the new clothes on, I had a strange feeling I usually associated with finding a new show on the entertainment feed that looked good. I “liked” these clothes. Maybe I actually liked them enough to remove the quotation marks around “liked.” I don’t like things in general that can’t be downloaded via the entertainment feed.
Maybe because I’d picked them myself.
Maybe.
I think it’s gonna want to experiment more with that feeling. It’s not the kind of person to be into fashion, but it does have some strong feelings about clothes. It hates logos of any kind. It prefers dark colors. Lots of pockets are a must. It likes the idea of wearing lots of layers to make it feel protected from the world. It has a melt down in Network Effect and refuses to talk to anybody until its jacket is returned.
It wouldnt see the need to wear a different outfit every day like humans do, but I think it could get really into picking out a new set for each mission, specifically tailored for whatever the mission requires, mix matching tactical gear with casual clothes, and maybe an occasional subtle nod to something a character from one of its favorite shows wears.
And if those are the only two things it’s spending it’s money on, oh you best believe it is getting top of the line. No more shitty Company tm crap. Its shoes cost as much as a security consultant makes in a year, because that was the only thing it needed to spend money on that year.
some outfits! c: had fun with the coloring
҉O҉U҉T҉ ҉O҉F҉ ҉S҉C҉R҉I҉P҉T҉
"No, no, no… That’s not in the script. Is it?"
You can't just do that! Send a telegram first or something!
huge fan of the depth of a good purple but another area that draws me is definitely around aquamarine/turquoise/seafoam. you can not go wrong once the green starts getting just a tinge more blue. a gal could certainly do worse than to pull over there and stay a while
something earth shattering going on here
this is why one of my favorite all-time paintings is Ship in Stormy Seas by Ivan Aivazovsky... he was really onto something there
a close up to just... light shining through those waves, makes me feel faint with exhilaration every time
THERE IS A BOAT BY IVAN AIVAZOVSKY!!
Ivan Aivazovsky could paint glowing water. One of the GOATs for sure.
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Tsundere Type 2 (Part 1)
Puppyyyy
A lesson for all tsundere caretakers.
Hot choco, blankets and hugs
Akane's journey of self discovery 👩❤️👨 👩❤️👩 🐱