“One wants to tell a story, like Scheherezade, in order not to die. It’s one of the oldest urges in mankind. It’s a way of stalling death.”
— Carlos Fuentes (via lovedly)
Keni
Not today Justin
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PUT YOUR BEARD IN MY MOUTH
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2025 on Tumblr: Trends That Defined the Year
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@michaelwaev
“One wants to tell a story, like Scheherezade, in order not to die. It’s one of the oldest urges in mankind. It’s a way of stalling death.”
— Carlos Fuentes (via lovedly)
West Country Folklore by Tav
Katsushika Hokusai 葛飾 北斎, Two bats flying, c. 1830-50
more
"like a boss" by lonely island was released ten thousand years ago when mammoths still roamed the big wide world. feel old yet?
i love leaning into a bad feeling #mytwistingknife
Randomly remembered seeing this random old black and white photo from like the 50s, pretty sure it was from Sweden. A picture from a morgue, of a tall blond man in some kind of an uniform approaching another man standing beside an opened coffin, clutching something to his chest while looking at the approaching man with a look of wary insult on his face. The caption explained that this was an incident of a police officer stopping a man from putting a bottle of beer in his father's coffin (his own father, not the cop's father) because for some reason doing that was against Sweden's burial laws.
I don't remember the details but I recall how the guy had the looks of a rough life written all over him, ragged clothes in contrast to the police officer's pristine uniform - though obscured by motion blur as he was rapidly approaching with hateful intent - and the much finer burial clothes of the deceased. A small, skinny man with black hair, holding onto the bottle that's about to be confiscated like it's something precious to him.
I felt like something wasn't adding up and went to the comments to see if there was additional context that was missing from all this, and there was: The son and the father were Romani, and at least at the time it was still very much a tradition in Swedish Romani culture to bury the dead with little gifts - not necessarily extravagant or expensive, but things that the lost loved one would have liked.
This wasn't about a mourning son being stopped from playfully paying his respects in a way that someone else thought indignified. This was about a man being prohibited from performing his own peoples' funeral rites.
Had to go find the photo, it's indeed Swedish. Taken by Åke Borglund and photo of the year 1958, apparently.
Source: https://digitaltmuseum.se/021016531349/arets-bild-1958-tagen-i-stillhetens-kapell-tid-uppstandelsens-kapell-i
Holy fuck you found it.
I misremembered, it wasn't a morgue, those are empty church pews.
After finding and posting the photo above, I did some more research and found out where it was originally published. Long story short, I now own a 1958 issue of Se, which was a Swedish magazine for photojournalism, inspired by Life and other similar publications.
The photo comes from an article on a Swedish Romani funeral in Karlstad (a city 300 km west of Stockholm). The text is pretty exoticising and othering, I won't bother translating the whole thing. But I will relay the most interesting information.
First of all, the deceased man is Josef Dimetri (1903-1958), who was a Romani chief. From what I can tell from the Swedish censuses, he left behind a wife and six children, ages 18-31.
Which means that the photo is a bit deceptive on its own - the chapel is still empty there, but the article states it was taken shortly before the rest of the guests arrived. Because there were plenty of guests - and there are more photos of them!
The article doesn't explain why the police was there, but it says they had to step in and break off some fighting and arguments that broke out between guests, which is more likely what they were there for (rather than just inspecting bottles). They can also be seen talking to spectators in the last photo, so staving off curious or hostile people might also have been a reason.
And most important, perhaps: While the policeman did try to stop him from leaving the bottle, the son shook him off and protested that "he needs it, he needs it", and "the tactful policeman" (as the article calls him) did not insist further. So it seems Josef Dimetri was in fact laid to rest with his bottle of beer.
Just a short video of my card weaving in progress
What kind of sorcery is this?! I can never turn more than 10 cards in sequence because they just refuse to cooperate and you have like, what, 35? 40?! HOW?!?!
40 in the tree strap above! The most I ever tried was 44 for this ramshorn strap below - that was tough, but also ok because the groups turned separately? I think my hands would murder me if I tried to go any higher on my backstrap setup though ;) I think the trick is maintaining appropriate tension!
Yeah, that one looks real nice. What did you use it for?
@diamondot speaking for myself, i just decided to learn it one day a few years ago (i had a viking phase ok) and simply started with it. It's surprisingly easy since all the info is available on the net. Honestly, i don't remember where i started since it has been so long ago and now i just browse pinterest for patterns alone. Google tablet weaving or card weaving (same thing, different names) patterns and some basic explanations and yt vids for how to turn and weave the stuff. Things like
S and Z threading are there for a reason, so mind your card orientation. Start with some easy pattern like simple wave or diamonds above, 6 - 10 cards are good for your first project. Don't lose hope in initial stage. Streching and threading all that yarn can take anything between 20 minutes and 3 hours depending on how big is the pattern and how skilled you are. Since you need some lenghts to secure ends and to turn cards, use about 40 cm more than wished lenght of your final product. Secure lose ends after threading through cards so you won't end with a bundled mess. Streching/knotting them to something is one way. Taping each card threads together or using weights (check pictures below) is another way (good only for shorter stuff though). Cards could be made out of anything as long as they have smooth edges and rounded corners. Cardboard, thicker plastic sheet, literal cards cut into squares with holes punched through them, whatever. These are mine 2 decks, minus cards i am using atm.
When you start weaving and pattern looks like a total mess, try turning cards in opposite directions. It usualy solves the problem (all that forward/backward can be a bit tricky and mirroring motions/patterns/card orientation can be confusing at first seemingly messing all your work even though you are doing everything right technicaly, just in opposite order/direction). Don't lose your hope. I still manage to mess up like first 5cm of every other work i start. It's not an issue as that start usualy gets cut off anyway (the tension is not right for at least first 4 rows, aka 1 full card rotation, until all threads go up and down at least once no matter what you do. Don't sweat it). You don't need any fancy startup either. Historicaly, people used to weave like this and this and this:
I just strech the thing between 2 chairs myself. Door knobs work as well and so does staircase railing. Wherever you have some space. Long hair clips are your friend, especialy when you are done with weaving for the day and you don't want stuff to tangle
And that's about it. Have fun 😊
Some of my favorite tablet weaving resources are :
This website is where I learned, twenty years ago while u was intending on Sturtevant Wi.
These books are both great, Collingwood is more comprehensive, but harder to just pick up and weave from.
Buy Card Weaving 2Rev Ed by Candace Crockett (ISBN: 9780934026611) from Amazon's Book Store. Everyday low prices and free delivery on eligib
Buy The Techniques of Tablet Weaving by Collingwood, Peter (ISBN: 9781626542143) from Amazon's Book Store. Everyday low prices and free deli
I love when people post things like this, then say, “ah ha ha, it’s not that complicated! 🤗”
It is complicated. You’re just really good at it!
Hi. I may be late to reply but i'm in a weaving mood so here we are.
The thing is that the technique looks complicated due to the fact that there is 100 something and that number alone is scary. But. Actually several buts.
But number 1 - the technique is OLD. Meaning - while being somewhat tedious just like any other textile craft, it has been used and learned for a long long time and there's plenty of resources (check out links above or any youtube video explaining the process) of varying difficulty from complicated af to easy peasy lemon squeezy with closed eyes
But number 2 - there is only one core principle/step you need to understand and that is when some threads go from up to down or from down to up (aka when they cross), you need another thread going in between so they won't simply snap back again. That's it. That's the basic principle behind every weaving ever. What card weaving does compared to standard weave is that instead of a single thread going up and down in the single row, you get 2 or 3 or 4 or 6 or whatever number of threads your pattern calls for in the same row
But number 3 - the number of rows = number of cards. Simple as that. Cards turn around to make a cord like when you are twisting 2 or 4 or whatever numbers of threads to make a rope. If some of those threads have different colours, you get a repeating pattern.
But number 4 - card orientation or S/Z orientation or whatever other fancy name for the twisting direction simply means that if you turn all your card in the same way at the same time, which one of them will make the twisted rope in this / angle and which one will do that in this \ angle. That's it. That's the whole mystery between S/Z threading.
But number 5 - you can start with as little as 4 cards to make a custom set of shoe laces or a key strap or whatever and call yourself a weaver. Because you did that. And it was nice. And it was easy. You just turn and thread and turn and thread and then you keep repeating this while watching a movie or something. There's no need for the math finals level of concentration here.
But number 5 - no one, literally NO ONE starts with a pattern like this
No. Everybody starts with something like this
Keep it simple, keep it easy, make 10cm and be done if you want to. It's perfectly fine.
But number 6 - you don't need any fancy items for starting. No hooks, no needles, no loom, no anything. If you have 2 balls of yarn in different color or some remains of your old cross stitch project or whatever and some card-like stuff you won't be sad for making holes in it, you are all set. Back side of the sketch pad is good. Poker cards cut to squares are good. A sturdy enough sheet of plastic is also good. You remember that old pexeso pairs stack you didn't touch since you were 9? Guess what!
My point is that if this looks like something you may be interested in, then you can absolutely try doing it for literally zero cost other than your time.
recollections
Love that you’re making it clear exactly what physical demands this job has, but could you possibly, potentially, phrase it differently?
My resume
I have kind of a niche political view on tumblr, which is that I think misogyny is bad even when it’s just hurting women
the backrooms are simply not as scary conceptually if there is Something In Them
the whole reason why they're so unnerving is BECAUSE there's nothing in them!! because they're unrelentingly liminal and lonely and uncomforting. there shouldn't be a monster guy in there chasing you. you should glimpse other humans (?) from a distance but they walk away before you can close the gap and then they're gone. things should run away from YOU. do u get it
"and there was a MONSTERowooowwohhhh" the monster is isolation and banal beige sameness and uncanny valley architecture. you fool. you rube. you're putting a hat on a hat and the second hat is not only unnecessary but it ruins the first hat!!!!!!! "there's a monster in there" great so now it's just another place for a monster to be. ridiculous
fine I will concede: you CAN actually put something in there while maintaining the vibes, but it should complement the location instead of just being a generic scary guy you could put literally anywhere
heirloom farmer Bettinakbh in Denmark
Sorry I started sobbing uncontrollably when you expressed the slightest concern for my lack of human connection, and casually mentioned you think I deserve better than a life of isolation and loneliness. Super weird. Not sure what was up with that lol. You still think I’m cool and mysterious and sexy, right?
they need to come up with more words like necrosis and miasma and mausoleum and cadaver and morose and decrepit and stuff like that just so metal bands can expand their vocabulary