My entry for this year’s International Manga School Competition! It’ll be my last time entering, but I think this is still some of the strongest work I’ve ever made. Please read it if you have the time!
Keep reading

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2025 on Tumblr: Trends That Defined the Year

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@midnight-revolucion
My entry for this year’s International Manga School Competition! It’ll be my last time entering, but I think this is still some of the strongest work I’ve ever made. Please read it if you have the time!
Keep reading
I work cybersecurity, this is like half my job.
the whole vaccine deal tbh
antidepressants
Yes these are all the work of wizards
we need to invent a way to explain how deep running and pervasive and subliminal racism and antiblackness is without immediately sounding like an insane conspiracy theorist
female characters are always lighter than male characters. strong characters are almost always dark. aggressive characters are almost always dark. peaceful and intelligent characters are almost always light. even amongst darker characters the lightest one is usually either the leader or the girls. dark is evil and light is good.
if you try to explain this to a white person they look at you like youre insane
briefly pursuing a career in animation radicalized me on this. So many stories from the industry about how you have to start with your character design as dark as possible, because INEVITABLY you'll get "notes" from higher-ups asking you to make them lighter.
In a class about making a pitch bible my teacher once role-played as a shitty executive with a classmate, pressing them in intentionally abrasive ways about why they made their characters diverse. He emphasized that we had to learn to defend these things, because the racism in the industry is extremely deliberate.
Ronald Wimberly's comic essay, Lighten Up, stays evergreen
ok I endured it. now what!!!!!!!!!
How it feels when someone prevs you
crisp glass of water moodboard
So, we need to talk about what webtoons(the company) has done to webcomics
Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators
I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.
So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers
There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.
🔴All on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason
I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)
🔴Sustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing
With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.
Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!
So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution
Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?
We share resources 😎
Alternative Comic Platform: comicfury.com Comic Resource List: cartoonist.coop/resources/ Screen Tones Webcomic Website: screentonescast.com Webcomic Website Template: rarebit.neocities.org How to make a webcomic: thestarfishface.com/products/how... And feel free to reply with even MORE!
I don't care, I AM better than people who choose not to wear a mask.
glad he didn't overreact
This is what every transition timeline on my dash looks like
My collection of clothing references for writing.
Ya know what , I’m adding. Here are more useful references that I use;
장소: 연희동 Yeonhui-dong, Seoul
Baby otter first time in the water
kity
Victor Frankenstein after achieving the impossible and building a fucking person from scraps of the dead: Oh god, ew, ew it's ugly! Yucky! Yucky! Gross! Ew! Ew! Yucky! Yucky! Gross! Ew!