verklempt.

JOANIE. 29. I spend all my money on books. perfect last meal: sushi and rice paper rolls [with shrimp, chicken, and pork belly]. currently reading: ROMANTIC OUTLAWS, Charlotte Gordon WHAT IF IT'S US, Becky Albertalli & Adam Silvera just finished: ALL YOU CAN EVER KNOW, Nicole Chung [5/5] LOOKING FOR LORRAINE, Imani Perry [5/5] NOTES OF A NATIVE SON, James Baldwin [5/5]

[ffahey]

[ NIKOLAI LANTSOV ]  nikolai had been told that hope was dangerous, had been warned of it many times. but he’d never believed that. hope was the wind that came from nowhere to fill your sails and carry you home.

[what-ohhellnah-holdup-huh-ohokay]

Members messages to each other

[what-ohhellnah-holdup-huh-ohokay]

*Taemin, somewhere in the distance*: ‘This is Plagiarism!!’

[flawlessbeautyqueens]

Gemma Chan photographed by Matt Holyoak

[eliosu]

I heard there was a new droid coming so now we have enough player for a flipping battle

[shesnake]

—Case closed. —I don’t want it closed, I want it solved.

[ncentineosource]

lara jean getting on her tippy toes to kiss peter kavinsky

[flawlessbeautyqueens]

lupita nyong'o photographed for the cover of allure magazine, 2018

[melonmemes]

[dadsolo]

We are the spark that will light the fire that will burn the First Order down.

[mcavoy]

A person is, among all else, a material thing, easily torn and not easily mended.

 Atonement dir. Joe Wright 2007

[678i0u]

[violentwavesofemotion-deactivat]

You hold a little fire up to my bare skin, which is already a small pyre, one which burns and burns but never burns down; in fact the flames are ever growing.

Franz Kafka, from a letter to Milena Jesenská written c. July 1920 (via violentwavesofemotion)

[violentwavesofemotion-deactivat]

She’s always trying to make something whole, something beautiful,

Louise Glück, from The Complete Poems: 1962-2012; “Celestial Music,” (via violentwavesofemotion)

[cassandradiabla-deactivated2018]

[shesnake]

“Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

[lochiels-deactivated20180429]

COSTUME DRAMA + flower crowns [requested by anonymous]