Her body was wrapped in shadows like moth wings; like rose-petals.
Stephen King, Bag of Bones
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Her body was wrapped in shadows like moth wings; like rose-petals.
Stephen King, Bag of Bones
k-sung:
[ sms; Jade ] You’re not funny and your neck is within choking distance.
[ sms; Jade ] But the symmetry is flattering. A secondhand knife for a second-rate killer.
[ sms; Jade ] Stop sending weird attachments. They’re fucking stupid and grammatically incorrect.
( sms : why ) You have a lot of confidence in your insoles. It’s cute.
( sms : why ) Then stop opening them. You always humor me. Thanks. :-)
❝ everyone has something of beauty about them. but loving lets you look, and look, and look again. you notice the back of a hand, the turn of a head, the way of a walk. ❞
i. angel - the weeknd. // ii. salvatore - lana del rey. // iii. the name of life - joe hisaishi. iv. angels - the xx. // v. oceans. sands. trees. - epik high. // vi. if you - big bang. vii. lúppulagið - sigur rós. // viii. prisoner - the weeknd & lana del rey. ix. pieces of me - epik high.
Quiet - This Will Destroy You
k-sung:
[ 7 missed calls directed to; Jade ]
[ sms; Jade // 7:20 PM ]
Why waste this opportunity? Since you seem so eager to die I might as well oblige.
Chainsaw is too personal. Next suggestion.
( sms : why ) I don’t know about suggestions. Can you even reach my heart from down there?
( sms : why ) Or any other significant life-sustaining organ for that matter?
( sms : why ) I stole your favourite knife, so maybe I’ll leave the job up to someone else.
❛ M A D E into violence –
selective / 18+ content / strictly literate
vepid:
“Jay you already fucking made a follow forever maybe a month ago, yeah I know but my favorite writers are never appreciated enough, suck my nonexistent peewee – I’m going to appreciate them one last time before I disappear” aka dlvby / vepid / 635mph / reverieo’s follow forever version 1.5 nonsense!
My last thing before uni takes hold of me and never lets me go till probably Christmas break / January when fall semester finishes… haha… [nervous laughter into the distance…] (I HAVE EXACTLY 14 DAYS BEFORE I START UNI SO PLEASE AGGRESSIVELY WRITE WITH ME TILL THEN I’M ON MY KNEES??? Thank you.) Anyway. I just want to let you all know that this summer was probably one of the best roleplay experiences in all five years I’ve pretended to be someone else and you all were apart of it somehow and in contribution so I just, really, really would like to take this time to thank everyone. Because this will be my second-to-last summer on roleplay, it really is important to me and I’m kinda feeling emotional and things!!! I don’t deserve any of you in the least.
So thank you, honestly, earnestly and sincerely. Thank you. – From, Jay-z.
Keep reading
and in your half-cracked way you chose silence for entertainment.
Adrienne Rich, from “I Am in Danger–Sir–”
‘Gut Feeling’ Playlist for mizukos.
Headcanon #1 for roommates Jade & Tao: Anywhere and everywhere is always a good place to write down the grocery list. Whether it be on the back of receipts or muddled among hastily written thoughts, the other always manages to find it before heading out. Nearly eight months into living together, the roommates still find it easier to communicate via written word.
This suits Tao for it allows him to keep his distance but also get a glimpse of Jade’s intellect which over time began to show itself through notes that began to grow longer and no longer detailed just what was needed to stock up the fridge but also observations made through the day (although just quietly, he’d really wish she’d stop writing ‘eggs’ over his passive aggressive letters that he leaves about but never sends).
Listed below is an off-center muddle of songs that are devoid of a witty caption or explanation due to the mun simply just having a ‘gut feeling’ that they fit the two in some sort of way. Not exactly eloquent but at least an effort of sorts was made.
1. Coin Laundry // Lisa Mitchell. // 2. Stop The World.. // Arctic Monkeys // 3. Play Dumb // The Crookes // 4. Don’t Want To Waste Your Time // Various Cruelties // 5. Greek Tragedy // The Wombats // 6. Hay Loft // Mother Mother // 7. Blue Monday // Orgy // 8. When You Were Young // The Killers // 9. Under The Bridge // Red Hot Chili Peppers // 10. Heart Of A Girl // The Killers // 11. Nerve // Half Moon Run // 12. Scar Tissue // Red Hot Chili Peppers //
infinitexanity:
Relationship Analysis: Sayo & Sunggyu
Symbiotic / Sym - bi - ot - ic / adj. relationship of interdependence between two or more individuals; often but not necessarily benefiting each other.
Origin: 2012, in South Korea, for monetary gain of criminal activity, 2015.
J. “Do you hear yourself when you speak, or do you tune it out like the rest of us?” S. “Hmm–what did you say?” J. “That’s not funny.” S. “I’m not laughing.”
IT G MA REMIX FT. A$AP FERG, FATHER, DUMBFOUNDEAD & WAKA FLOCKA FLAME - KEITH APE
multiple triggers ///
bold any fears that apply to your muse!! italicize what makes them uncomfortable!! (and add your own if they aren’t listed)
the dark | fire | open water (sea/ocean) | (any) deep water | being alone | crowded/enclosed spaces (agoraphobia) | confined spaces (claustrophobia) | change | failure | war | being controlled/lack of free will | prison | blood | drowning | suffocation | public speaking | natural animals (any kind) | supernatural monster/animals (zombies) | heights | death/dying | intimacy | rejection | abandonment | the unknown | the future | not being good enough | scary stories | talking to new people | poverty | loud noises | being touched (by strangers) | powerlessness
# i feel like you have 9000 of these
send me “#” for cell phone headcanons about our muses including: - what your muse’s name is in mine’s phone - what your muse’s picture is in mine’s phone - what your muse’s ringtone is in mine’s phone - my muse’s last text to your muse
ringtone: x.
( sms : why // 6:45 PM ) stop calling me then hanging up. stop calling me period.
( sms : why // 7:01 PM ) murder me gently with a chainsaw, i’m changing my number.
he tries not to touch anything on this boat, but contact on multiple surfaces is inevitable, plagued by lingering ghosts from men who faces burn in the back of his head; he learns their dialects, their fighting styles melts into his own, too much damage and destruction have played its course on this nondescript vessel. he gets entangled in their aftermaths. it serves its purpose well-enough for what they’re required to do, mask as a fishing craft with a few hired hands operating the deck. men, tanned skin cracked in wrinkles and weathery age, who have been paid to ignore what goes on in the compartments underneath them. how their equipment below was stripped away and replaced with burnt tools on the walls, there’s a single chair bolted down to the floor in the middle of that empty void.
their lips sewed together by bribery and threats that will leave gunpowder in their lungs if they dared opened mouths. enriched in the savage brutality none are blind to, but feigning an ignorance under forced circumstances comes with the desire to live. they don’t even look at him standing on the deck – pretend he isn’t here with blood caked underneath his fingernails ( from carrying her in ), cigarette held loosely between his hands, he doesn’t smoke out of addiction. humans are predictable in their own excessive fear driving them through the barest of fragility, he imagines he shouldn’t understand. but he does and if he could pity them, he would. he is pleasantly amused when she doesn’t scream out as the bastard breaks her skin open. skin a myraid of galaxy laced bruises. but not surprised to see that bitter acceptance on her face masked by silent tears, he’s read enough on her to know who she is.
out here – ten miles directly off the coast of tarragona, spain, he cannot quite tell where the sky itself begins from the expanse of bitter gold sea, faded after glow casts his hands in the same shade. he drops the cigarette overboard, making his way down the dilapidated stairs leading to solitary darkness and through the singled off door he finds the room they’ve set up specifically for the guest. youngkwang is loud, incredibly so as he boasts of his conquests breaking down what’s already composed of fragmented pieces, and he slides out the door with orders stuck to his mouth. how he wants the younger one to hurt her – how he wants to make her bleed, ripped shred by shred, until she’s nothing more than a lingering mass on the floor and he’s left there to pick up remaining pieces. he imagines the spoiled man calls it love. kai, he’s taehyun here, nods with the cold uniformity this role requires. it’s when they’re both standing over her and his hand is forcing her to regain focus on what he has to do here, grasping the sharp handled knife as he had done that cigarette earlier, loosely, too skilled to be of coincidence. he bares down enough on her thigh to bust through flesh. wonders in the back of his mind if he can get her to scream for him.
don’t damage this one. need her alive for pay off. protecting.
The room is spinning when she opens her eyes. Pain is the sister of time: slowly, slowly inflicting a burn that licks upon a maelstrom of wounds, until hands clasped together can bear the weight no longer and sink bruises into her own flesh. She supposes this is the price she must pay for a polished skyscraper towering over the clouds in Seoul, her father’s abhorrent smile, dirty hands counting dirty money. They build a home in her, watch it burst into flames, let herself commit to an eternity of this damnation. Equality has always been the sum of all inequalities. Here, she succumbs to the equation that had taken her world by the throat of its axis and flipped it upside down.
By the time the door swings open again, shadowed footsteps dipping into the midday glow cast on the floor, her breathing has gone from uneven to virtually absent. There is only the sound of the gentle sea, crackling foam, and a shuddering breath punctuating each cadence of wave against ship. Blurry countenances diverge, tired eyes making out one, two, three— the first one forces her to notice the knife in his hand, pungent scent of nicotine sinking hands into her lungs. Disgust paints her tongue. “Don’t touch me,” she hisses, but the words never make it past parched lips.
Skin rips apart at the already loosened seams, an ugly bruise shattering into patterned shards of red staining purple. It barely forces a whimper from her, instead makes pupils dilate, recycled tears streaming down the rugged sand dunes of her cheeks. Behind the man, she can see Youngkwang, deranged eyes lit up from the foulest of all cores in silent laughter. She shuts her eyes, heavy eyelashes a wet web of impassive surrender. This is what acceptance feels like. He is made to hurt, and she is meant to hurt.
This is how he says he loves her, all knuckles over hidden contours and a cowering frame, consuming selfishly and sinfully. Trying in vain to map out the cartography of her skin without crushing the bones that shake underneath. This is how he breaks and mends these bones in the dark, turning her into a collection of unfinished braille and fingerprints touched by ruthless greed. Morse code.
When she awakes, her breathing resumes its uneven pattern, hitches in her throat every so often, an instinctive wishing for a lull in time. Fear brings one to its knees, but prayer finds no rest on a bitter tongue. She wears the scars of last night’s nightmares on her face. She has traveled this far on the back of all her regrets. She doesn’t cry anymore.