I'm watching a period drama in the background while I work. Not a half modernized trying to be trendy one. We've got 93 layers of undergarments and proper behavior and people thinking someone gesticulating too much is inappropriate and eating ham in the afternoon is a bit shocking and no one ever yells, and at one point they talk about how ladies don't attend funerals because its inappropriate.
And there's this moment near the end where a character is desperately sick and isn't getting better. And the audience knows we need the New Doctor, but he can't come because of a whole scandal heartbreak scenario. But her sisters hear her so sick she's probably dying, and they just break. They reach the line, and they show us how agonizing it is, and it's gut wrenching, and its because these two girls run. That sounds ridiculous, I know.
The point is that showing them running --I'm talking skirts hitched up, bonnets blown back, no delicacy, no fucks given for propriety, people staring and shocked as they go by, move like there are demons on your heels -- fully sprinting. It does something to me.
That's where the emotions are. in a modern setting 'girls runs down street' isn't likely to wrench at your heart. But in this, it breaks the rules and shows that we're beyond the bounds better than any line could do. I've talked before about the boundaries of what is allowed in the world of a story, what is allowed in a character, and when and how you break that. And idk. This was just a really good reminder that scale matters. It doesn't have to be a big thing to show how bad things are, it just needs to be exactly the right thing, and you can break the audience's hearts.
















