✰ ݁ ˖┊: content: nsfw, soft dom!umemiya, established relationship, pwp, breeding kink, soft sex!!!!!!, edging/teasing, ume has a big dick ://, pussy drunk!umemiya, praise, i just needed to talk about his breeding kink okay leave me alone, smut directly under cut, all chars are aged up.
18+ → minors / blank blogs dni
I just. I need a moment to talk about Umemiya’s breeding kink. I know it's just. It’s crazy man. Walk with me please
Umemiya is the type of guy to get so lost inside your pussy when he’s fucking himself into you. His brain can only focus on the way your walls are fluttering around him, the way they grip him so tight. Drawing him back in on every thrust. Practically pulling him deeper and deeper into your core. Until you’re all stretched out, taking his cock completely.
A feat in itself, honestly. Because it’s safe to say Umemiya… he’s big. Upsettingly so, really. So big you really didn’t think he was going to fit inside of your cute little pussy. He didn’t think so either– lying between your legs. Inspecting your lips. Almost making you feel embarrassed by his stare as he would lick at your entrance. Pout on his pretty lips.
“Ah baby~” He used to whine, “Do you really think she can take me? I mean… pretty girl already looks so stretched around just one of my fingers… I don’t want to hurt you, you know?”
It’s a good thing he’s broken you in now. So many hours prepping your puffy little cunt until it’s a little sore, tears beading up on your waterline. So many nights he teases you with just the head of his cock– bullying it into your entrance, not going further than just the tip even when you beg. Beg for him to fill you up, to stretch you just for him in a way you know only he can.
All because he knows what's best for you.
Or, maybe that’s just what he tells himself. Maybe he knows the second he’s finally able to bury his cock fully inside your warmth, knows that when he finally gets to feel your wet heat wrapped around him that he’s going to become entirely addicted.
And trust, when he finally does give in, he’s pussy drunk instantly. His mind drifting far off, stars floating in his vision. Only able to see your face. Only able to feel your body.
Stare you right in the eyes as his thrusts turn a bit sloppy, almost lazy. Savouring the feeling of you in any way he can. Your hips wrapped around his waist, his arms on either side of your head, propping his body up as he gives you that lazy smile. The smile he always gives when he’s about to drive you insane.
Because Umemiya, you see, he likes to play the long game. He likes to draw out pleasure, holding you just on the cusp of epiphany without ever letting you slip over the edge. Loves to bask in the glow of intimacy, creating a whole new genre of music to enjoy. Preens at the way you cling to his shoulder, holding him close.
Smiles because he knows you’ll never let him go.
Even when his thrusts are languid like this– each one slow, almost messy, but deliberate at the same time. His cock brushing against the spot inside of you that sees stars, so deep inside of you that he’s practically pressing against your cervix. Balls pressing against your ass as he pushes himself all the way inside, grinding slow circles into your whiny entrance. Just begging for him to get serious, begging for him to let you find your release.
Ah~ he wishes moments like this could just last forever~ Pretty girl on his bed, creaming around his cock. Looking so lost– but it’s okay. You don’t have to be. He’s right there to take care of you. He’ll always be right there to take care of you.
Fill you up over and over again to make you feel right. Make you feel loved, cared for.
Mmmm… and then his brain starts to drift off again. Too pussy drunk to really think about how dangerous his thoughts really may be. Too high to forget all about the birth control you take religiously.
How can he stop himself from dreaming of a future with you? Of a nice house in the same neighbourhood as his friends. Maybe by the beach so you can have Barbeques every night. Go swimming whenever you want. A family built between the two of you. How much he would love you every single day of his life.
Right, because with Umemiya, his need to breed you. His desires that start from deep in the root of his brain, spread all the way down to his fingertips, they don’t come from the need to claim. No, he already knows you're his. Knows you would never betray him.
No, those desires, the ones that have him burying his face in your neck. Have him finally giving in, picking up the speed of his hips. His thrusts melting you into a puddle of moans– your sanity so far out of reach you don’t even know if you want it back.
Those desires come from his love for you. His desire to be with you utterly and completely. To show the rest of the world the evidence of your love, the evidence of your devotion to one another.
Okay, and maybe they come from his inherent need to dote on you. To take care of you the same way you have him. Maybe just a little.
But that doesn’t matter anyway, nah, all that matters right now is you underneath him. Taking everything he has to give and more. Your neglected clit twitching as you come apart under him. Your back arching, nails digging into his shoulder blades. Coming undone from his cock alone.
Being so good– just so perfect for him.
It only drives him further, only giving you a second of reprise before he leans back from your form, pulling your hips onto his thighs. Takinging one of your legs and raising it high– placing it just right on his shoulder. Giving him the perfect angle to drive into you. The perfect angle to fill you up, breed you so full and pretty.
Imagining the way your walls will flutter once he finally pulls out, watching as his cum leaks from your fluttering hole. Knowing the second it does he’ll just take two fingers and push it back inside.
His good girl would never waste a drop, would she?
No, she wouldn’t. Not ever. Never for him. So why keep denying you of what he knows he you really want?
It only takes one look into your dazed eyes to have him falling apart after you. How can he not when you look at him like he’s hung the stars? Fucked out eyes half-lidded, pretty smile on your face that just looks so, so tired.
His hips fuck themselves as deep inside of you as he can go, his head rolling back, mouth parting in a silent ‘o’ as white fills up your walls. His lips find your ankle, kissing it gently as he thrusts into you slowly once more. Milking every last bit of cum from his cock. Making sure every last bit stays inside of you. The picture of love, of happiness right below him.
Choosing the Beast: Modern Folklore Heroines Embrace the Animal Husband
“I choose the bear.” The refrain rang out across the web, with many a woman nodding in agreement or at least understanding, and certain men huffing with indignant outrage. Just a meme, really, but did it speak to a deeper truth? Is it merely age-old mistrust of patriarchy talking, or a true desire for the beastly, the wild, the untame?
I’m no sociologist, of course, but I have noticed an emerging trend in fem-gaze media that seems to reflect this view. In movies like I Am Dragon (2015) and recent shows like My Lady Jane and The Acolyte, the heroine chooses the beast, loving her animal husband in his wild form rather than requiring him to transform back into a mundane man to earn her affection. This is such a departure from the typical folktale pattern that it’s difficult to even find an historic example where this occurs.
Commonly thought to reveal the desire to tame a dangerous mate in a patriarchal society, most animal husband tales (ATU 425a) feature a hero who ultimately transforms permanently into a human. This is viewed not only as freeing him from the maddening effect of his wild form, but also saving his bride from committing the sin of bestiality. In these tales, the animal mate’s transformation is necessary for the salvation of both.
Is the modern heroine then damned by choosing her husband’s beastly form? Or does she actually free them both from the yoke of patriarchal expectations?
Bathing: Discovering the Wild Masculine
The first motif that stands out in these modern screen examples is bathing. In animal spouse tales, there is often a dynamic of the hunter and the hunted, and thus a moment when the hunter comes upon their would-be lover unawares. Perhaps they find the animal spouse sleeping, or they cast a light on them unexpectedly, see them without their animal skin or disguise, and so on. And of course, they often come upon the lover at their bath.
There is an implied eroticism in this discovery, finding one’s quarry not only undressed, but also in the most private of activities. Water of course symbolizes fertility, but bathing is also purifying, symbolically washing away all that might make a mate undesirable. And this, perhaps, is the reason that historically this motif is used almost exclusively for animal brides, not animal husbands.
For the animal husband, he either actively chooses to reveal himself to the bride (perhaps on their wedding night), or she violently strips away his disguise, often armed with “flame and steel” like Psyche and her many avatars. Animal brides on the other hand are nearly always discovered at a body of water, bathing. The hunter will then capture her either by stealing her animal skin or cloak, or by placing his own clothing on her. What does it mean, then, when it is the husband who is discovered bathing in a body of water, held as an erotic object in the feminine gaze?
In The Acolyte, Osha follows Qimir to a pool where he slowly undresses, in full knowledge that she is watching. On the shore, she steals his lightsaber, just like the hunter who steals the animal skin, symbolically claiming him. When he emerges, Qimir dons new clothes, as if acknowledging that he is a different person than before he entered the water, almost purified in a way. Osha is forced to confront that there is more to the murderer in the mask than she realized.
Similarly, in My Lady Jane, our heroine goes looking for Guildford just before sunrise on their ill-fated wedding night, only to discover him bathing in the stables. The scene is gratuitously filmed from Jane’s (very horny) perspective, flipping the script on the countless scenes in screen history shot with the masculine gaze. Immediately after she discovers and confronts him, Guildford transforms against his will into a horse, and Jane realizes that he is an Ethian, a creature she has been taught is demonic and unnatural.
And in I Am Dragon, Mira makes several discoveries in quick succession: first, she deduces that Arman is actually the dragon. In the next moment, she slips from the island’s peak and falls, saved only when Arman transforms at the last moment and breaks her fall with his dragon form. The water begins to wash over his unconscious body, and at first Mira thinks that she will allow him to drown. But the sight of Arman in his human form after he rescued her, worried over by his animal familiar, stirs her to pity and she wraps him in a sail and drags him to safety. In this way, she clothes him, claiming him as her own.
Each of these heroines discovered a new aspect of her husband at the bath, finding him unexpectedly alluring, and ultimately choosing to begrudgingly claim him. Each animal husband tried to wash away his beastly form, to separate himself from the wild masculine. These men feel a sense of disassociation from a part of themselves, but now that their brides have discovered it, there will be no more hiding. Further, the bride now holds the power in the relationship, evidenced by how her husband needs her: Qimir needs Osha to be his apprentice, Guildford needs Jane to help him “break the curse,” and Arman needs Mira to heal him from his wounds.
Playing House: The Half-Husband
The second feature of these stories is a period of domesticity for the couple. For a brief time after the husband’s beastly nature is revealed, the lovers “play house” like children. While sexual tension is present, they typically do not consummate their union during this time, but instead cook, eat, rest, and care for one another. What’s more, they ignore or even attempt to actively destroy the husband’s animal form. They deny that this is part of him and therefore part of their relationship.
In I Am Dragon, Mira heals Arman, and wakes the next morning to find he has left food for her (dragonfruit, appropriately). Together they begin building a home out of shipwreck debris they find scattered around the island. A cheery montage shows them decorating a living space, choosing clothes, playing music, and dancing. But the specter of Arman’s monstrous form lurks on the edge of their idyllic life. Mira has nightmares, and tells Arman how much she fears “the dragon,” notably not referring to them as the same person. And eventually, it emerges that Mira has been planning to escape, rejecting Arman’s dragon form entirely.
After he sheds the helmet and robes of The Stranger, Qimir turns his attention to caring for Osha: he heals her, lets her sleep in his bed, provides clothes, and cooks for her. In turn, after some lightsaber-wielding, Osha becomes more comfortable in his home and accepts the food he offers, eventually even trying on his helmet. Later, they bicker amiably on their way to Brendok, like an old married couple on a road trip. When not facing down Jedi, Qimir leaves his menacing persona behind and transforms into an empathetic, protective, and alluring partner.
Jane Grey, meanwhile, finds herself using her honeymoon sequestered away in a private cottage to try to cure Guildford of his Ethianism. With her knowledge of medicine, she concocts various potions and magical cures, but none of them succeed. Guildford often checks in on her after these disappointments, making sure she’s getting enough sleep and taking care of herself. It’s also clear that they’ve been regularly dining together when Jane suddenly dashes off to rescue her friend. Guildford follows her and the two protect one another, followed by an almost-tryst. Even when they move into the palace, their day-to-day (or rather night-to-night) life is one of comfortable domesticity, although they continue to deny Guildford’s horse form.
In each of these cases (although less so in The Acolyte without Season 2 to continue the story), playing house can only last for so long while the husband’s animal nature is denied. There is a part of him that is suppressed, rejected, and this leads to him being incomplete, a half-husband. Each hero is unable or unwilling to accept and celebrate his whole self with his bride. Eventually, it is that denial that leads to a rift between the couple, which can only be healed not with the transformation of the husband, but with the embrace of his animal form.
Enforcing Patriarchy: The Rival
Each of these relationships exists in direct opposition to the dominant culture in the story: Arman as the Dragon is the literal enemy of Mira’s people, Qimir as Sith is the enemy of Osha’s Jedi masters, and in My Lady Jane, intermarriage between humans and Ethians is punishable by death. By choosing to stay with their animal husbands, even for a brief time, our heroines are openly defying the patriarchal norms of their societies. But no oppressive society is about to take that transgression lying down. In each story, a rival emerges to enforce the patriarchal order, kill the beastly husband, and retrieve the bride.
In I Am Dragon, Mira’s betrothed and descendent of the dragon-slayer, Igor, journeys to rescue her from the dragon. Over the course of the story, it becomes clear that Igor cares nothing for Mira herself, and merely feels entitled to her as his bride. Dragon-slaying is his heritage, so he must find her, kill the dragon, and take his place as the hero of his people. Even the marriage ceremony illustrates his ownership of her: he takes hold of a rope tied to her boat and reels her in, thus binding her to the patriarchal order. Contrast that to Arman, who offers her the power of flight, a symbol for freedom.
In Osha’s case, Qimir’s rival for her loyalty is clearly Master Sol, who wants to keep his former pupil dependent on him and the Jedi. Sol takes patronizing fatherliness to an extreme, constantly rescuing Osha rather than letting her stand for herself, teaching her to deny her feelings and instincts, and lying to her to “protect” her. The Jedi refuse to allow that there might be any other way to access the Force than their own, thus invading the home of the Brendok witches and ultimately orphaning the twins. Sol continues to press this dominance to the end, challenging Qimir and insisting to Osha that his own lies were justified.
In My Lady Jane, there are two rivals, both women. Lady Frances attempts throughout the show to dominate her daughters and crush their wills, forcing them into unwanted marriages, applying political pressure, and even counseling Jane to abandon Guildford to save herself. The other rival is Mary Tudor, who is determined not only to emulate her father’s violent, oppressive, and misogynistic reign, but to crush anyone she considers “unnatural” or who poses a threat to her rule. These characters stand as clear examples of how women can enforce patriarchy, too.
In each story, there is a moment when the rival briefly recaptures or “rescues” the bride from her beastly husband, bringing her to a moment of decision: will she stay within the bounds of patriarchy like a good little girl? Or will she make an act of defiance to choose her own path?
Marriage: Choosing the Beast
The bride’s choice will ultimately decide not only her fate, but that of her mate as well. As an independent character, the wild masculine is deeply wounded, separated from himself and thus from his bride. He longs to transform not into a greater, more whole person, but into a lesser, half-person. Alone, without the embrace of his anima, he cannot see the value of his beastly form. Instead of healing, he faces annihilation.
As a part of the bride’s psyche, the beastly husband represents her innermost desires, the truth of her heart, and a spirit freed from the expectations of her society. He is her animus, her missing wild masculine. If she transforms him into a man, then she will tame his wild nature, bringing him to heel under the boot of the patriarchy. Choosing the human form and rejecting the beast means rejecting her own psychological needs. It would be just another form of psychic dismemberment.
Fortunately and unusually, each of these modern brides chooses her beastly husband without demanding he transform. When Osha finally agrees to become Qimir’s apprentice, she takes his hand under the willow tree, clasping the newly-bled lightsaber between them. A few scenes later, this wedding imagery is repeated when they hold hands over the saber again, this time looking into a sunrise/set. Notably, at the moment they “marry” under the willow tree, Qimir is wearing his beastly helmet with rows of menacing, wolfish teeth. He has not come to the light side or shed his Dark Side persona, but Osha has embraced him anyway without fear. And while they might not both be healed (yet), they are more whole together than they were apart.
When her efforts to cure Guildford of his Ethianism repeatedly fail, Jane begins to suspect that his “condition” cannot be cured at all. But listening to her Ethian friends Susanna and Archer finally convinces her that the truth is Guildford doesn’t NEED to be healed - being an Ethian is who he is, and it’s nothing to fear. Unfortunately, Guildford still associates his beastly form with his mother’s death, so he is unable to accept it as Jane encourages, and flees. After a near-death experience, he uses his equine speed to return to the castle just as Jane is deposed and captured. As our heroes battle toward the end, Guildford comes to learn that there are many other proud Ethians, and that his family loves and accepts him in any form.
Still, he’s unable to transform at will, and when Mary captures him and sentences both husband and wife to death, it seems their story may end in tragedy. But as Guildford has been struggling to accept himself, Jane too has been battling with her own conscience. Does she renounce Guildford to save herself? Use her wits to kill the guard and escape? Bend to her mother’s manipulation? Jane confronts each temptation, and ultimately chooses to face death rather than betray Guildford or herself. But when her Ethian friends (the wild instinct) appear to disrupt the execution, our heroine seizes the opportunity to rescue Guildford. Unable to free him from the burning pyre, she confesses her love for him, and they kiss amid the flames.
Fire is often a herald of transformation, burning away illusions to reveal the truth. And when Jane and Guildford exchange their vows in this symbolic marriage ceremony, Guildford’s fears and illusions are finally burned away. Now that his bride has accepted his beastly form, he can accept it too, and so he at last transforms at will into a horse so that they can escape. Their story ends with them married and whole before the sunrise.
Among our modern heroines, Mira is the boldest in her embrace of the beastly husband. Offered yet again as a bride to Igor, she realizes that this is not what she wants, and casts off the tether from her boat. She declares “I love the Dragon!” using the name of her husband’s animal form rather than his human name. Then, she sings the song that will call the dragon to her, and he appears to carry her away again.
But their story is not over yet! Earlier in the story, Arman told Mira of how he loses control when in dragon form, and that dragons are compelled to reproduce by burning maidens to death and retrieving their offspring from the ashes. Returning to the island with her a second time, the dragon drops her on the altar and prepares to spew fire, but Mira lunges up and kisses him. This act of love, even when he is a monster, stuns the beastly husband. Again, Mira declares her love and kneels before him, saying she does not wish to be parted. We might expect the animal husband to transform in this moment, but instead he lays his fearsome head in her lap as a lover. Their story ends with a child and a flight in the sky, silhouetted by the sun just like the other couples.
Each bride, when confronted with the option to return to the patriarchal limits of her childhood, chose instead an act of love and acceptance for her wild masculine. This embrace helped the beastly husband to accept his whole self, and he is healed without having to cut off the wild parts of himself.
What Does It Mean?
Again, this story is so rare in world folklore that it’s difficult to even find examples. On fleeting occasions that the woman chooses an untransformed beast, it is presented as a cautionary tale. These women are framed as a danger to the community for their bestial impulses and abandonment of the social order, much like witches who were said to consort with the devil. It was certainly never presented as a happy ending, insofar as we can tell from written accounts.
So what does the emergence of this tale mean for our culture? I would argue that this is just the latest step in our ongoing reckoning with historic gender roles, as well as renegotiating with other forms of systemic oppression. People of all genders are pressured to reject a part of ourselves, cutting us off from our own truth and desires that run counter to the enforced social order. We must not challenge patriarchy, must not embrace different gender expressions, must not blur established hierarchies of power, must not find joy and power in our identities, and so on.
This enforced denial does tremendous damage to everyone caught in the system, and so through story, we dream our way to escape. We dream of embracing the dark, wild parts of ourselves, of flying free on a spaceship or a dragon or enchanted horseback, and of being totally loved for who we are.
It’s clear patriarchy is still fighting back against this emancipation of the wild feminine and wild masculine, given that both The Acolyte and My Lady Jane were canceled not long after their release. In the case of The Acolyte in particular, there was a sustained campaign from its announcement to harass and silence the creators. Demoralizing as this phenomenon may be, it’s important to remember WHO ultimately owns these stories:
“Fanfiction is a way of the culture repairing the damage done in a system where contemporary myths are owned by corporations instead of owned by the folk.
-Henry Jenkins, NYT 1997
Ah, an oldie-but-goodie. But Dr. Jenkins is right. Corporations may greenlight, film, release, and then cancel these stories, but ultimately they belong to the people. We take from these tales what speaks to us, leave what does not, and then retell them ourselves in fanfiction, in art inspired by the stories, and in lessons we pass on to our friends and families. If the embrace of the wild masculine speaks to you, let the story take root in your own life. Do you know someone who needs to be embraced, just as they are? Do you need to accept the parts of yourself that society tells you to hate? Do you want to be free, healed, and whole?
If so, then let these stories show you how, and tell more like them. Embrace the beast, and find your joy.
Sources:
Beauty and the Beast Tales From Around the World by Heidi Anne Heiner
In Search of the Swan Maiden: A Narrative on Folklore and Gender by Barbara Fass Leavy
And a relevant song for you, as a treat:
Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype by Clarissa Pinkola Estés, Ph.D.
Day 17. Monster-kinktober: Full moon + Swallowing/Cock Warming
A/N: Inspired by this post by @davinawritings. Also sorry (not sorry) because I feel like this is the 4th werewolf this month but I just fucking love werewolves. Enjoy!
Your boyfriend usually had an incredible stamina, but full moon fucks were out of this world. You always ended up exhausted and so fucked out you couldn’t sit properly for the next couple days. Thanks the goddess it only happened once a month or you’d be fucked… in a bad way (and in a good way).
That’s why you don’t act surprised when he appears in the door of your home office, a huge erection in his gray sweats and the biggest smile on his lips. He looks obscene like that, your wettest of dreams… and he’s all yours.
“You know I need to prep you so you are ready for the full moon tonight,” he offers as an explanation for his sudden appearance.
“I know you do, but I can’t do it right now, I have work!” You try to argue, just for him to walk to you and pull you off your chair, sitting there himself and then sitting you back onto his lap.
You are still facing the computer, but the cock under your hot center is so hard and tempting that you can’t avoid rolling your hips to create a bit of friction. You groan and curse him for chuckling.
“See? Now you can do both,” he smiles and kisses your neck as you try to focus your attention back to the screen.
His hands pull your legs apart as he starts rubbing your clit slowly over your pants. You try to focus on your work, but you are completely unable to read a single line on the email because he’s so distracting. It’s not your fault that dating a werewolf has turned you into a desperate mess every time his dick was involved. He shouldn’t be so good at it if he wanted you to be normal about it.
“You are distracting me!” He chuckles but doesn’t stop, his fingers pressing hard against your clit through the fabric, so good, but not nearly enough. “Ugh, fine. Let me take the pants off first at least, I don’t want them ripped open like last time.” You tell him, your hand stopping his when he tries to open your pants to slip his hand inside.
He laughs at your acceptance, caressing your ass as soon as you uncover it. Your tiny thong doesn’t get the best of treatments, being ripped away in one fast movement before you can take it off. Fucking wolves.
He keeps moving his hand in the way that drives you completely insane, his fingers probing and touching, rubbing and fingering… You are dripping wet around his hand and trying to respond to the damn email. He doesn’t say anything, but he starts breathing harder and harder behind you, his hips pushing up in tiny thrusts that tease you with the promise of a good dicking.
“I need to work,” you remind him, frustrated in every way possible. Especially sexually.
“Sorry, sorry, I’ll stop. Let me just…” You hear the sound of a zipper being pulled down, and then something pressing against your pussy.
“Don’t you-” Your phrase is cut short when he pushes his dick inside your wet heat and you groan. “Fuck, okay, but don’t move, I need to work.” You remind him, again.
You’ve played cock-warming before, he loves to feel you stretched around him, and loves even more when you fall asleep with him inside of you, so he can fuck you as soon as he wakes up. The little somno fantasy was one of yours, but he indulges in it more than enough.
He kisses your neck tenderly. “Okay, honey, I’ll be quiet and still. Do your thing.”
But he’s neither quiet or still. He moves his hips in tiny circles, he “accidentally” rubs your clit with his thumb with the excuse of readjusting your hips for more comfort. He caresses the insides of your thighs until you are panting, his dick buried inside of you.
When you let out a groan, he chuckles, his finger instantly finding your clit and rubbing it until you are coming apart over him. He doesn’t come, he doesn’t say anything. He just stays inside of you as you try to re-focus on the work.
It takes you twice the amount of time as it should to answer all the emails. You know you won’t be able to focus anymore with him there, especially being a full moon. Without saying anything, you stand up before him, his dick still hard as you turn and look down at him. He looks wild, his eyes unfocused and his dick leaking profusely. He’s feral in the prettiest way possible.
He looks at you with reverence. “Please, please, please, honey… I need, I need…” He doesn’t get to finish his phrase, your brain already knowing exactly what he needs. Your pussy is not ready, but you have other perfectly fine holes, and his dick always tastes better when he’s been inside of you anyway.
You fall to your knees in front of him and smile at his leaking cock, your lips coming around his tip instantly. His hips move imperceptibly under you, trying to remain as still as possible as you suck him slowly, drawing his pleasure until he has tears in his eyes and you feel like a goddess. He doesn’t say anything, tries to remain in his best behaviour as you swallow around him, making him moan your name in a filthy way.
“Do you… Can I? Are you gonna swallow, honey?” He asks.
You nod around his shaft, your hand squeezing on his knot as he cries out over your head and spills his seed deep in your throat, making you choke slightly and pull out. It always amazes you how much he can come during the full moon. He ends up coming all over your chin and tits, making a mess out of you (like always).
“Fuck, you look indecent like that,” he says in the most broken way he can muster. You smile, your tongue darting out to lick some of his come out of your lower lip. He groans and picks you up, throwing you over his shoulder and walking you to the bed, his dick hard once again.
Full moon days are awesome.
(You don’t get to go out and run under the full moon because by that time, your pussy is already overflowing with his seed and you are so exhausted you pass out… with his cock still inside of you.)
werewolf bf fucking you in front of his pack because they don't believe the runt of the pack could ever get a girl, much less a human. He's usually pretty subby, but this time, he takes control. Growling and snarling in your ear, hands around your waist holding you in the air as he ruins your cunt, stomach bulging with his big cock. Finally breeding you and proving to the pack that your his
Monster fuckers are so creative cuz it’s like you’ll look at a monster and go “how the fuck would one go about fucking that?” And then a monster fucker will slither from the shadows and give a demonstration of human ingenuity
Monster fuckers are so creative cuz it’s like you’ll look at a monster and go “how the fuck would one go about fucking that?” And then a monster fucker will slither from the shadows and give a demonstration of human ingenuity
Centaur best friend whose really fuckin horny because the poor man can't get himself off! So, he decides to ask you for help.
Friends help each other out and you're his friend, aren't you?
He swears it won't change anything between the both of you and all you'd have to give him a hand job just this once. But two weeks later, he's crawling back, begging for more, begging for your mouth this time.
He's so needy, don't you care about him?
But the blowjob turns into him needing your pussy. He's just so desperate to breed and he again promises it'll just be a one time thing, so of course you let him.
You don't want him to be in pain, do you?
His cock is fucking massive, and even after an hour of prep its a wonder he even fits, but god be dammed if it doesn't feel amazing. A "one time thing" turns into once a month event, then twice, then every week, until it devolves into him keeping you around as a flesh light for anytime he gets even slightly turned on.
What're friends for if not to help with getting out frustration, right?
Imagine being the only human at a monster market and everyone is obsessed with you. They insist on you setting a kissing booth to "get a bit more money" than selling your usual human bread. When you finally give in, the line is so long you can't see the end of it. You kiss so many monsters you lose track of what is what or who is who. You promised it was only going to be a one time thing, but you can't stop thinking about how many tongues where shoved back your throat, how many textured lips and wild hands grabbed your hair... You can't stop thinking what else would they do to you. That gets you so hot under the collar that you have masturbated about that idea way too many times. Maybe you could try again. Maybe you get a bit frisky and let them touch you a bit more. Maybe some of them can't hold themselves back and grope you. Maybe a traveling hand fingerfucks you in the middle of the market with everyone looking. And maybe your booth becomes the talk of the market and even more monsters come to see you. Come to touch you. Maybe you can upgrade to a sex booth...