Keni
pixel skylines
$LAYYYTER
Alisa U Zemlji Chuda
Monterey Bay Aquarium
Not today Justin
trying on a metaphor
Sade Olutola
KIROKAZE
styofa doing anything
Love Begins
noise dept.
NASA
Misplaced Lens Cap
No title available
No title available
Mike Driver
art blog(derogatory)
Janaina Medeiros
will byers stan first human second
seen from T1
seen from United States
seen from United States
seen from Italy
seen from Germany
seen from United States
seen from United States
seen from Lithuania
seen from T1
seen from Germany
seen from United States
seen from Netherlands
seen from Australia
seen from Spain
seen from Germany
seen from China
seen from T1
seen from United States
seen from United Kingdom
seen from United States
@moonlight-kaitou
//Definitely need to do some housekeeping after work, my blog isn't even all that mobile friendly, I ought to at least have a pinned info post. (The landscape of Tumblr RP is different than it was ten years ago, that's for sure, but I've always just figured I'll write the best I can and let that speak for itself. No bells and whistles.)
Stargate: Atlantis — The Seed {Sentence Starters}
“Go get some rest.“
“You should take it easy.“
“Do I really look that bad?“
“How’s my newest patient?“
“Override the door controls.“
“It only hurts when I breathe.“
“He surprises me sometimes.“
“I can feel his pulse. It’s weak.“
“I know. I’m gonna turn in, now.“
“Let’s not get ahead of ourselves.“
“It’s a nice speech. Very inspiring.“
“I can’t feel anything. I can’t move.“
“Did you get any sleep last night…?“
“I’ve seen something like this before.“
“I had no idea it could move like that.“
“This is much worse than we thought.“
“You know, I really did miss this place.“
“No, of course not. That’s not what I meant.“
“I’m sorry. I don’t dare make another incision.“
“I’ll take a pass on this one, if you don’t mind.”
“I’m sorry to bother you, but I need your help.“
“It thinks you’re a friend. If you start shooting…”
“No, actually, I was going to say it could kill you.“
“Don’t you worry, okay? We’re gonna get you out.“
“Do you believe the answer’s in there somewhere?“
“Well, this is me, once again being recalled to duty.“
“Fine. Well, then, we’ll just keep them there forever.“
“I don’t want to go to sleep. I’m afraid I won’t wake up.“
“Hmm. That would be lovely. At least I’d be sitting down!“
“If you had played by the rules, she’d be dead right now.“
“I’ll be fine. The first sign of trouble, I’ll step aside, I promise.“
“No, but we’re never gonna be sure unless we give it a shot.“
“Oh, you think the rest of us may have been exposed as well.“
“Now, it should take a few minutes to kick in, so just try to relax.“
“Just try not to make any sudden moves or threatening gestures.“
“No, we’ll keep them there until I’m satisfied that they can be trusted.“
“Well, then, given your condition, I wouldn’t make you my first choice.“
“Look, I know it’s hard for you to stay on the sidelines, but it’s the right call.“
“If there is even a chance that he is still alive, we must continue the search.“
“I mean, maybe it’s harder to change the course of events than we thought.“
“Well, if you don’t mind me saying, I think you’re pushing yourself a little hard.”
“They’ve been waiting to get someone in there who’ll finally do things their way.“
“You need to be in a hospital bed, yourself, not running a medical investigation.”
“I walked in on him once by accident and he pretended like he was checking the system or something.“
//CAN YOU BELIEVE I'M ALIVE?
//AND THIS BLOG JUST CELEBRATED ITS 12TH ANNIVERSARY?
//we are so back fr though
//any of my moots still alive? i love you all
🐝 * ― send 💌 or ( `LOVE LETTER` ) for me to write one thing i like about your blog, one thing i like about your character or your portrayal, and one thing i like about you in general. doesn't have to be anything long, just a little something to make someone's day a little brighter. if you want, include the url of someone else if you want me to write them some compliments.
random dialogue … sentence starters pt. ?
“You look hungry.”
“This… what is this?”
“How’d you find out?”
“Are you catching a cold?”
“That’s very questionable.”
“Do you ever just shut up?”
“Oh, I don’t like the looks of this.”
“Oh no, you sweet summer child.”
“… You don’t actually get it, do you?”
“You look like you haven’t slept in days.”
“Did you actually walk all the way here?”
“There’s nothing wrong with speaking up.”
“You don’t deserve to be treated like that.”
“Don’t you think you’re taking this too far?”
“Why do you let them talk to you like that?”
“I love this so much. I could do this all day.”
“What made you think this was a good idea?”
“No, sorry, that’s really not a good look for you.”
“You’re smarter than you give yourself credit for.”
“I care about you. This isn’t going to change that.”
“Next you’ll tell me you’re a superhero in disguise.”
“I often find myself questioning how you’re still alive.”
“I know you were just crying. Your eyes are still puffy.”
“Seriously? You’re just gonna sit there and do nothing?”
“Respect is earned. And you still have a long way to go.”
“You don’t have to make it up to me. It wasn’t your fault.”
“I don’t think you’re grasping the severity of the situation.”
“You thought it couldn’t get any worse. Well, it got worse!”
“I think my mind has gone places it will never fully recover from.”
“Just because you’re brave doesn’t mean you need to be reckless.”
“I know you’re going through a rough time. Can I get you anything?”
“So, you’re telling me, if you had the chance to change it, you wouldn’t?”
“You had multiple chances to reconsider this choice. And you still made it.”
“I don’t know what’s going on with you, but you need to get your act together.”
“It was the weirdest dream I’ve ever had. I’d like a word with my sub-conscious’s manager.”
Send 🕸 to trap my muse in a net
𝐒𝐇𝐈𝐍𝐈𝐍𝐆 𝐀𝐑𝐌𝐎𝐑 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
i rewatched the etern.als. and then i got thinkin. and now you guys are on the receiving end of more protective prompts, but these little beauties are aimed more for the act of actually saving a life! bon appetit!
DIALOGUE PROMPTS.
“ what the hell were you thinking?! you could’ve been killed! “
“ hey! get away from them! “
“ if you wanna hurt them, you’re going to have to get through me, first. “
“ you underestimate how much you mean to me. i wasn’t about to let them hurt you. and i certainly wasn’t about to let them even consider killing you. “
“ i told you before. i’m not gonna let anything in this world nor the next harm you. “
“ you need to get out of here! go! i’ll buy you some more time! “
“ what are you doing?! i told you, get out of here! now! “
“ get it through your head, i’m not gonna just leave you here! “
“ now’s not the time to play the martyr, got it? you’ve got a good long life ahead of you, and i intend to keep it that way. “
“ you need to go now, okay? don’t worry. i’ve got this. they’ll want to be trying a lot harder if they want to keep me from protecting you. “
“ don’t worry about me; are YOU okay? “
“ damnit, [NAME]! i TOLD you not to play the hero! “
“ i can look after myself, you know. but… i do appreciate you stepping in back there. you saved my life. “
“ why are you so invested in keeping me alive? “
“ that was for saving my life. “
“ it’s alright, they’re gone now… are you alright? hey, look at me; are you hurt at all? “
“ are you insane?! run! “
“ were you preoccupied, or did you just really want a dramatic heroic entrance before you saved my ass? “
“ are you okay? “
“ yeah, yeah, i’m okay… are you okay? “
“ hey! why don’t you try picking on someone your own size! “
“ hurry! take my hand! “
“ get in the car! now! “
“ i’m sorry i was late… are you alright? they didn’t hurt you too badly, did they? “
ACTION PROMPTS.
add a “+ REVERSE” to switch the roles around!
[ SHIELD ]: sender uses their own body to shield the receiver from an attack.
[ EMBRACE ]: sender quickly wraps the receiver in a protective hug and turns so the sender’s back might take on the brunt of an on-coming attack.
[ SHOVE ]: seeing the receiver is in immediate danger, the sender runs to them and shoves them out of the line of fire.
[ YANK ]: seeing the receiver is in immediate danger, the sender hastily grabs them and pulls them against them, out of harm’s way.
[ TACKLE ]: sender physically tackles the receiver out of the line of fire.
[ THROW ]: sender throws themselves between the receiver and an on-coming attack, taking on an injury that might have been fatal to the receiver otherwise.
[ DISTRACT ]: sender causes a distraction to draw the receiver’s attacker/s away from them.
[ FIGHT ]: just as the receiver is about to be attacked, the sender arrives suddenly and begins to physically fight off their assailant.
[ CATCH ]: sender manages to intervene and catch the falling receiver before they fall to their death.
[ SACRIFICE ]: sender sacrifices themselves, either fatally or otherwise, in order to save the receiver’s life.
[ HIDE ]: sender quickly pulls the receiver into a hiding place, hiding them from their pursuers.
[ KILL ]: sender, seeing the receiver in immediate and intentionally fatal danger, intervenes by killing their assailant before they can kill the receiver.
[ INCAPACITATE ]: sender, seeing the receiver in immediate danger, intervenes by knocking out their assailant before they can harm the receiver.
[ AFAR ]: sender, having been watching the receiver’s interactions with a threat from afar, saves them from an impending attack while remaining distant from them.
[ SECRET ]: sender, having been secretly following the receiver, saves their life from an immediate threat while remaining hidden from the receiver.
[ REVEALED ]: sender, having been secretly following the receiver, reveals themselves in the process of saving the receiver’s life from an unexpected threat.
[ REUNION ]: after spending a considerable length of time apart, the sender reunites with the receiver after saving their life from an immediate and potentially lethal threat.
[ KISS ]: after having been saved from immediate danger by the receiver, the sender, in a state of intense emotion and relief, kisses them to express these feelings.
[ HUG ]: sender, having just saved the receiver’s life, pulls them into a tight hug out of relief and a need to steady and support both themselves and the receiver.
𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 . ( a collection of 100 nonverbal action prompts . mature and potentially triggering themes are present . add “ + reverse ” to swap assigned roles .)
∗ o1﹕ sender tucks hair out of receiver’s face . ∗ o2﹕ sender offers receiver a bite from their fork . ∗ o3﹕ sender places their feet / legs in receiver's lap . ∗ o4﹕ sender offers receiver an earbud to share their music . ∗ o5﹕ sender comforts receiver in the aftermath of a nightmare . ∗ o6﹕ sender gives receiver company in the hospital . ∗ o7﹕ sender wraps their arms around a hysterical receiver to calm them . ∗ o8﹕ sender shows up at receiver’s home late at night . ∗ o9﹕ sender falls asleep leaning against receiver . ∗ 1o﹕ sender wields a [ gun / knife ] at receiver . ∗ 11﹕ sender runs their fingers through receiver’s hair . ∗ 12﹕ sender invites receiver to dance . ∗ 13﹕ sender takes a [ picture / video ] of receiver . ∗ 14﹕ sender places their head in receiver’s lap . ∗ 15﹕ sender and receiver make eye contact across a busy room . ∗ 16﹕ sender pushes receiver against a wall to kiss them . ∗ 17﹕ sender and receiver cook together . ∗ 18﹕ sender comes to receiver after being injured . ∗ 19﹕ sender sits in receiver’s lap . ∗ 2o﹕ sender lifts receiver's chin , invoking eye contact . ∗ 21﹕ sender overtakes receiver in combat . ∗ 22﹕ sender finds receiver [ injured / bloodied ] . ∗ 23﹕ sender straightens an article of receiver’s clothes . ∗ 24﹕ sender crawls into bed with receiver . ∗ 25﹕ sender rolls their eyes at receiver . ∗ 26﹕ sender lights receiver’s [ cigarette / joint ] . ∗ 27﹕ sender is caught wearing receiver's clothes . ∗ 28﹕ sender strikes receiver with a pillow . ∗ 29﹕ sender writes a note on receiver’s skin : [ note ] . ∗ 3o﹕ sender wraps a blanket around receiver’s shoulders . ∗ 31﹕ sender runs and jumps into receiver’s arms . ∗ 32﹕ sender shoves receiver out of anger . ∗ 33﹕ sender hovers over receiver’s shoulder as they complete a task . ∗ 34﹕ sender is found by receiver somewhere they shouldn’t be . ∗ 35﹕ sender curls up against receiver in their sleep . ∗ 36﹕ sender is found drunk by receiver . ∗ 37﹕ sender throws an item of sentiment bitterly at receiver . ∗ 38﹕ sender joins receiver in the shower . ∗ 39﹕ sender is caught following receiver . ∗ 4o﹕ sender traces one of receiver’s [ scars / bruises ] . ∗ 41﹕ sender twines their fingers with receiver’s . ∗ 42﹕ sender barges into receiver’s home unannounced . ∗ 43﹕ sender kicks receiver’s shin beneath a table . ∗ 44﹕ sender aggressively shoves past receiver . ∗ 45﹕ sender kisses receiver’s [ forehead / cheek ] . ∗ 46﹕ sender pulls receiver out of harm’s way . ∗ 47﹕ sender is found sobbing by receiver . ∗ 48﹕ sender locks receiver out of their room . ∗ 49﹕ sender brings receiver [ coffee / tea ] in the morning . ∗ 5o﹕ sender rests their forehead against receiver’s . ∗ 51﹕ sender plays a song for receiver that reminds them of them : [ song ] . ∗ 52﹕ sender takes a [ punch / stab / bullet ] meant for receiver . ∗ 53﹕ sender buys receiver a drink at a bar . ∗ 54﹕ sender needs receiver’s help getting in the bath . ∗ 55﹕ sender and receiver cross paths in the kitchen late at night . ∗ 56﹕ sender twists receiver’s arm behind their back . ∗ 57﹕ sender winks at receiver . ∗ 58﹕ sender is found collapsed by receiver . ∗ 59﹕ sender prevents an injured receiver from getting up . ∗ 6o﹕ sender claps a hand over receiver’s mouth to silence them . ∗ 61﹕ sender cages receiver against a [ wall / the floor ] with their arms . ∗ 62﹕ sender storms away from receiver during an argument . ∗ 63﹕ sender is found by receiver sleeping in receiver’s bed . ∗ 64﹕ sender [ applies / touches up ] receiver’s makeup . ∗ 65﹕ sender throws receiver into a wall during combat . ∗ 66﹕ sender dances sensually with receiver . ∗ 67﹕ sender strikes receiver across the face . ∗ 68﹕ sender places their hand on receiver’s leg while driving . ∗ 69﹕ sender pulls a chair out from under receiver . ∗ 7o﹕ sender catches receiver’s wrist when they turn to leave . ∗ 71﹕ sender leaves an intimate mark on receiver . ∗ 72﹕ sender beats receiver in a video game . ∗ 73﹕ sender and receiver stand in stunned silence after a fight . ∗ 74﹕ sender cares for receiver while they’re sick . ∗ 75﹕ sender and receiver go on a hike . ∗ 76﹕ sender is caught snooping in receiver’s things . ∗ 77﹕ sender and receiver cuddle while watching television . ∗ 78﹕ sender throws something aggressively at receiver . ∗ 79﹕ sender creeps up behind receiver to scare them . ∗ 8o﹕ sender and receiver go shopping together . ∗ 81﹕ sender helps receiver [ dye / style ] their hair . ∗ 82﹕ sender draws receiver into a kiss by the back of their neck . ∗ 83﹕ sender is discovered having a panic attack by receiver . ∗ 84﹕ sender accidentally injures receiver during sparring . ∗ 85﹕ sender grabs receiver roughly by the hair . ∗ 86﹕ sender brings receiver to their knees during combat . ∗ 87﹕ sender shows receiver evidence of a lie they told . ∗ 88﹕ sender winks [ seductively / mockingly ] at receiver . ∗ 89﹕ sender yells at receiver to put their hands in the air . ∗ 9o﹕ sender helps receiver patch up a wound . ∗ 91﹕ sender holds receiver as they cry . ∗ 92﹕ sender silently and angrily points receiver towards the door . ∗ 93﹕ sender gestures for receiver to sit down . ∗ 94﹕ sender pulls receiver into their lap . ∗ 95﹕ sender cradles receiver’s face . ∗ 96﹕ sender tackles receiver out of the way of danger . ∗ 97﹕ sender has hidden an injury from receiver , and receiver finds out . ∗ 98﹕ sender confronts receiver about their unhealthy behavior . ∗ 99﹕ sender proposes to receiver . ∗ 1oo﹕ sender has just died , receiver finds out .
Blood blood blood blood
Who doesn't like a bit of blood!? Let's get those muses bleeding!
For the worried
"Don't worry about it, this happens sometimes."
"It's just a nosebleed."
"Some asshole punched me!"
"What? No, I'm fine, I ..."
"Oh, shit, I'm bleeding."
"Where did that come from?"
"Don't worry. Don't - don't worry..."
"I feel woozy."
"Oh, god, that's ... why am I bleeding..?"
"No, no! It's not my blood!"
"I uh. I tripped."
"It's just a bit of blood, christ, calm down."
"Ow. Um. Ow."
"I can't feel it. I should be able to .. feel it... right?"
"It's just a little cut, it's not... oh. I guess that's deeper than I thought."
For the bloodied
"Hey, you're bleeding."
"Are you okay? That's a lot of blood."
"Oh, god, are you hurt? Are you hurt?!"
"Oh no."
"You're not meant to look like that."
"What do you mean it isn't yours!?"
"I'll get you some tissues."
"Take a deep breath, okay, I'm going to help."
"Sit down, sit down."
"I'm calling an ambulance."
"You're hurt!"
"Stop trying to be brave for one minute."
"I'm getting some bandages."
"Did you punch them back?"
"You'll be okay."
@kudokidtendo 🌙[continued from here]🌙
He lets himself slide gently down from the railing, so that his feet might be planted firmly on solid ground- ever the while with that relaxed, devil-may-care smirk that never failed to get under Nakamori's skin. The face told one story- but the way his gloved fingers twitched, the way he was ever so imperceptibly eyeing up the situation-
He wasn't about to let his guard down for a moment. Under the facade, there was a thief tensed like an elastic stretched to its limits, just a hair's breadth from the snap. They may have had an understanding, but even that only took someone so far when you were on vastly different sides of the law.
"Well, I suppose I'll be returning this little wonder."
With little more than that as warning, he tossed the ruby necklace towards the detective in a lazy overhand, before twisting to the side in a fast, fluid motion- firing a single card straight at their tranquilizer watch.
Watching the other slide down from the railing and plant his feet upon the solid ground of the roof where the two of them stood with each other, eyes focused and intent upon him for mere moments. Kid was more than definitely plotting something, eyeing up the situation. The two of them thought more alike than either of them even really understood, and it was a little bit unnerving. And so, an almost nervous smile formed upon Jimmy's face, rushing to catch the ruby necklace as quickly as possible, his hands grabbing it as it came down from the air as gravity took its' toll.
"You tend to return things as easily as you take them from their rightful places. You ever really think about keeping them after you take them? Or is there some kinda moral code here that goes beyond what I understand?" He asked. Though he wasn't able to keep that little banter up for long when Kid twisted to the side in that single fluid moment of motion. His eyes caught the glint of Kaito's gun that fired cards, and the trajectory he calculated meant that one of the cards fired was going to hit his watch!
Within seconds, he had pulled his hand quickly in front of him, the card grazing his arm and making him flinch, only for Jimmy to hit a button on the belt, a soccer ball inflating and dropping after he'd released the button. The soccer ball landed by his feet and Jimmy lifted a foot to settle it upon the ball, staring at the Kid in determination. This one... this one was definitely dangerous. Though he did still owe the Kid one, for the Bell Tree.
"I don't think twice about kicking when I'm fired on. But I still owe you one... so why don't you get out of here?"
Damn, that's a miss. Well, it was worth a try.
The soccer balls, too, were a danger, but he was confident he could avoid them, and worse case scenario, he walks home with some impressive bruises. The watch, on the other hand, could easily render him unconscious, and wasn't that a terrifying thought.
Well, by some stroke of luck, he's being offered an out, and he'd be crazy not to take it. "Very well. I suppose this makes us even, Meitantei."
Even was good. He knows what to expect that way. As it was now, it was hard to tell where they stood as detective and thief, and he never would have thought that would make him feel so... off-balance.
He hops the railing, feet skirting the very edge of the roof- a wind rising to play with his cape. Good flying conditions tonight. "Oh, and by the way,"
"This thief doesn't keep what's not theirs. Merely borrow."
@kudokidtendo 🌙[continued from here]🌙
He lets himself slide gently down from the railing, so that his feet might be planted firmly on solid ground- ever the while with that relaxed, devil-may-care smirk that never failed to get under Nakamori's skin. The face told one story- but the way his gloved fingers twitched, the way he was ever so imperceptibly eyeing up the situation-
He wasn't about to let his guard down for a moment. Under the facade, there was a thief tensed like an elastic stretched to its limits, just a hair's breadth from the snap. They may have had an understanding, but even that only took someone so far when you were on vastly different sides of the law.
"Well, I suppose I'll be returning this little wonder."
With little more than that as warning, he tossed the ruby necklace towards the detective in a lazy overhand, before twisting to the side in a fast, fluid motion- firing a single card straight at their tranquilizer watch.
Girls dont want <other thing> girls want Lupin III vs Kaito Kid.
" I'm absolutely not a brat! "
"Sounds like something a brat would say!"
Pokémon Scarlet & Violet Starters (Part 1)
Curated to be spoiler-free. Change any wording to suit your needs!
"What're you doing out here?!"
"It can't fight while it's like this."
"You can't go in the [place]. It's locked."
"You can't just leave me hanging here!"
"These memories are leaving a bad taste in my mouth—and I want it gone!"
"Seems like you know a thing or two about [subject]."
"That thing's your problem now, not mine."
"You remember me, right?"
"No need to tell me your name. [name], right?"
"You've got to help me out with this—you'd be perfect!"
"What was that all about?"
"Hello? This is [receiving muse]'s phone, right? It's me— [sending muse]!"
"What even WAS that thing, though?!"
"Must be some kinda truly terrifying beast... But how are we supposed to search for a thing when we don't even know what it looks like?"
"Watch your step. It's pretty dark..."
"...Hey now. No. That's not for you."
"I went through all the trouble of making that for you, and you just give it away?!"
"I hope you realize that's all there was, so now there's none left for you..."
"I really owe you..."
"Don't you dare touch that! That isn't for you!"
"I guess I should at least tell you the full story."
"[name] here is the only thing in the world I care about."
"Figured this might happen."
"I knew I wasn't just hearing things!"
"Come out, come out, wherever you are!"
"I've read about it in books before... A mental scar. Like psychological trauma, you know? I think that's what you call it."
"Maybe it had a terrifying experience in battle, so now it's scared to battle at all?"
"Pah... Listen to you. Like you had anything to do with it."
"Come on. Let's get moving before I change my mind!"
"I used to play here all the time as a kid."
"There'd better be a good reason for calling me here like this..."
"That place is bad news."
"And I can't just stand by and watch while a friend heads off into danger on his/her/their own."
"Yeah, much as I hate to admit it... I do think we're gonna need some more support."
"At least try to take this seriously, would you?!"
"When did you go making friends with some shady character like them?!"
Send one for a plotline you are interested in with my muse(s)
If multimuse, remember to specify! The examples are for possible ideas! Things are no way restricted to only those examples!
😡 - A enemy plotline (i.e. sworn enemies of a conflict, enemies at work/school, old enemies reunited)
☠ - A toxic plotline (i.e. romantic relationship, toxic friend, a muse trying to use the other to further their own goals)
😄 - A friendship plotline (i.e. becoming friends, old friends reunited, friends breaking up)
❤️ - Romantic plotline (i.e. falling in love, falling out of love, not quite ever admitting feelings, unlikely partners)
💚 - Queer Platonic Relationship plotline (i.e. becoming QPR partners, falling out of a QPR, living together)
🤩 - A plotline based around admiration (i.e. one-sided, both admiring each other but hiding it, muse and their role model/mentor)
💰 - A plotline based on monetary gain (i.e. business partners, partners in crime, coworkers)
🤐- A blackmailing plotline (i.e. via information, hostage situation, object of value)
⛓ - An imprisoned plotline (i.e. imprisoned together, one muse imprisoning the other, escapees on the run)
📃- A plot where the muses are stuck together for a reason above their power (i.e. classmates who are in a group project together, coworkers who get assigned to each other, mentorship, survival situation)
💼 - A plot where our muses share a goal and are working to achieve it together (i.e. starting a business, inventing something new)
Send “I’ve got you” to carry my injured & nearly unconscious muse
Life Savers
for muses who do it for a living, just happen into doing it more often than they don't, or who just happened onto the opportunity to save a life that day.
dialogue!
"You saved my life."
"Oh my god. That was amazing."
"I could have drowned."
"I almost died."
"I brought... it's a thank-you card."
"Whoa. Did someone send you flowers?"
"How are you always in the right spot at the right time?"
"You came to save me."
"You could have died."
"I'm here! Hey, I'm in here!"
"Help! Please, I need help!"
"When I opened my eyes... you were there."
"Weren't you scared? The building was on fire."
"If you didn't know First Aid, I wouldn't be here."
"Can I hug you?"
"Hey.... Seriously. Thank you."
actions/situations!
[shock] -> for one muse to wrap the other up in a shock blanket [free] -> for one muse to give the other something 'on the house' as a thank-you [explain] -> having narrowly escaped death today, one muse has to explain to the other exactly why there are people actively trying to kill them [find] -> for one muse to find the other after they've been critically injured [water] -> for one muse to share their last supply of water with the other in a life-threatening situation [introduction] -> for our muses to have just survived a life-threatening event together -- and now that they've survived it they can actually learn each other's names [patching] -> for one muse to have just saved the other's life, and now on top of that they're sitting there patching up any injuries gained by either one of them, in the process [celebration] -> having narrowly escaped death today, our muses go out to celebrate [sex] -> having narrowly escaped death today, our muses stay in to celebrate
