Morgan

he/him, thirtysomething, queerdo

[taydivorce]

unrequited father son relationship

[audible-smiles]

My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.

[silverhand]

I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.

This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.

Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.

Being gay and out was career suicide in the 90s.

Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).

Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).

I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.

It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.

[morgan-thefae]

this pride month i’m wishing there was some kind of full body mascara so i could make my body hair look thicker

[should-be-sleeping]

You are 60% water and every lake, river, pond, swamp, creek, and ocean you encounter wants to reclaim it desperately. Be careful out there.

[should-be-sleeping]

[should-be-sleeping]

Good, I hope it haunts everyone about to enter a body of water so bad that they wear a life jacket. 🙌

[should-be-sleeping]

Every single person I knew (past tense) who has drowned was "a strong swimmer." Water in the wild does not care how good you are at swimming.

[should-be-sleeping]

I mean this with all due respect:

You are not going to pass a skillcheck against a rip current once it has you.

Waves will not bow to your physical prowess no matter how impressive.

Shock does not care that you used to be on your school swim team.

If you hit your head, being good at swimming isn't going to turn you face-up while you're unconscious.

You may be unable to return to shore. Rescue may be unable to find you quickly.

[joanthreatt]

Scheduling this for when weather starts warming up. Be careful swimming this summer

[importantpics]

[likeafantasy]

[byjove]

I think the biphobic misconception that bisexual women only date men and bisexual men only date men may have a correlation to the fact that there is always a man freaky and horny in your DMs no matter what. It isn’t that bisexual women are secretly straight or that bisexual men are secretly gay, it’s that men are out there behaving like starving dogs and you feel so bad you end up feeding one, you know? Anyway, this coffee is a medium and I ordered a large. It’s okay, it’s busy in here, I get it.

[fiddlepies]

BRUSHBUDDY!!!!!!!!

[moontxt]

Lou Sullivan, trans activist (1951 - 1991)

[genderkoolaid]

I’ve said it before + it’s becoming true again this time. Whenever I’m alone (i.e., without a boyfriend) my crossdressing becomes more serious + constant. In my search for the perfect male companion, I find myself. In my need for a man in my bed, I detach myself from my body and my body becomes his; I stroke his hair, I see his wrist. I feel the warm winds blowing my open shirt from my smooth, hard, flat chest. I catch the hungry eyes of another beautiful youngman. I reconsider male hormones—trying to remember why I decided against them before.

— We Both Laughed In Pleasure: The Selected Diaries of Lou Sullivan

[yokolate]

YOMI NO TSUGAI (2026) • 1x04 ↳ Hidari

[the-enchanted-little-star]

[knxfesck]

that's right.

[homunculus-argument]

"If you accept any food from the fae, they shall never let you go" is a human belief. The fair folk stand by the principle that if you feed 'em, you gotta keep 'em. If wildlife learns to rely on you for food, you have already fucked up, and you can't just stop feeding them cold turkey. That human is your responsibility now. Because you left your peach cobbler unsupervised.

[cherrypiereadytodie]

des

[cherrypiereadytodie]

pa

[cherrypiereadytodie]

[creekfiend]

I'm so glad that that truncated fucking ran-into-a-wall-at-speed tadpole-ass looking squirrel only lives in high altitude forests in Borneo bc this means I am extremely unlikely to encounter one in my day to day life. thank god

[tuftedpygmysquirrel]

Hello.

[creekfiend]

DID YOU MAKE THIS BLOG SIMPLY TO TORMENT ME

[tuftedpygmysquirrel]

I can go upside down.

[creekfiend]

WHERE IS THE REST OF YOU

[processes]

minimalist pencil sketches of cats by Shou Xin (手訫)

substack