Às vezes não tiro roupa nenhuma [Sometimes I don’t take any of my clothes off], 2022.

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Lint Roller? I Barely Know Her
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@mosquitinho
Às vezes não tiro roupa nenhuma [Sometimes I don’t take any of my clothes off], 2022.
I've been horny. Obviously just in my abstract ways
Ed Ruscha
N NO, 1993
acrylic and oil on raw linen, 20 x 24 inches
god israel's destruction of tyre is like especially depressing tbh like thats one of the oldest inhabited cities in the world. people have lived there since the bronze age. there is so, so so much history and world heritage there that's being blown up and destroyed forever because its existence doesn't fit israel's nationalist vision of history.
lots to say about israel's politicized and propagandized use of history and archaeology to further their narrative tbh. here's a good article about it.
Weaponizing antiquities is part of Israel's colonial legacy, says Rafi Greenberg, whose colleagues have largely remained silent about Gaza's
drawing restraint: trying to trace cat but cat is trying to eat the tracing object.
Prem Sahib
Kin, 2026 projection mapped digital animation, audio 12 minute loop
Prem Sahib’s latest exhibition, Kin houses the eponymous work, a projected image, the shadow of a stray dog, that moves through otherwise empty gallery spaces.
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S&M Sniper Magazine 1979 - 2009
NUMBERS
1980
Thierry Mandon – Suspended Domestic Scenes within Severed Buildings
let's all have fun because it's better than not having fun
Hell yes. Spring Break 2013. Pop a Molly and get jolly in south beach. New York is a dream to me now.
Pilar Albarracín, “She-wolf” (2006): a vaguely shamanic-looking performance reminiscent of Joseph Beuy’s I Like America and America Likes Me, in which she shares picnic with a wolf in a gallery setting. The Spanish artist has explored various feminist themes that raise questions of domestication and the domestic codification of life. Her most recent works recreate portraits in the manner of Frida Kahlo. This exhibition at the Galería Filomena Soares was shown alongside her installations involving kitchenware. I’m reminded of the American artist Kiki Smith’s eccentric explorations of womanhood through folklore, and pagan witchcraft, especially her depictions of wolves, wolf/women hybrids and bestiality, archetypal associations of womankind with wild untamed nature. With mankind’s desire to dominate nature, woman’s confinement to the kitchen space appears analogous to the taming of a wild beast, only Albarracín translates the confinement of the kitchen space into the confinement of the gallery space.
the concept of a site that doesn't even allow porn requiring age verification for mature content. you gotta give us your legal id or else we'll hide random posts that were incorrectly flagged from you
okay yay 👾
Yevgeny Charushin, Snow Leopard