hey guys i made the tumblr default pfps but they're looking directly at you
noise dept.

ellievsbear
AnasAbdin
Aqua Utopia|海の底で記憶を紡ぐ
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祝日 / Permanent Vacation
hello vonnie

izzy's playlists!
KIROKAZE
will byers stan first human second

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open
d e v o n
tumblr dot com
almost home
occasionally subtle
Cosmic Funnies
Misplaced Lens Cap
styofa doing anything
Show & Tell
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@mother-jim
hey guys i made the tumblr default pfps but they're looking directly at you
chat I'm scared
Collection
Gotta have a griller in your collection
thius is fucking me up
and come to think of it it’s pretty hilarious that all it took for me to understand the appeal of ryan gosling was to take away all his love interests and shoot him into outer space. like i’m still not gonna watch any of that other stuff but seeing him break his nose against the control panel of a burning spaceship really opened my eyes
woah this ryan gosling guy is kinda cute. has anyone else thought of this
never lose hope. somewhere, a middle-aged, gender ambiguous person with an advanced degree in an esoteric field and a fiber arts hobby could be crashing out and pinning all their remaining mental health on getting obsessed with your otp. any day now, the most elegantly written 100k fanfic you have ever read is going to hit ao3. it could happen. it has happened.
mmm cant stop thinking about this post, specifically that grace is the only one who wants physical touch but that rocky engages in it for grace's sake. it's such an awesome lens to remember to view rocky's actions through because he really is bending over backwards to make grace comfortable.
i love rocky having no natural desire or drive for touch, and i love the thought of him developing one during the trip to erid. humans need touch and rocky will move heaven and earth to give grace whatever he needs.
i can see rocky coming to resent the xenonite barrier because the lack of direct contact hurts grace. getting frustrated with himself because he knows it's not rational and that grace is being stupid stupid whenever he bumps the panels and sighs that he wishes they weren't there. want grace rocky to die painful, question?! but even after he waves grace off he sits and ponders how to make the panels thinner, more flexible, pushing the limits of eridian technology.
i can see him starting to yearn for closeness so he can cure grace's "touch starvation." the form-fitting suit was built so nothing like what happened on adrian will ever happen again and so when the hail mary starts to complain about her old age he can patch her up. but of course the moment the suit's passed rocky's stress tests grace is throwing his arms around him and rocky has a long long long long long to-do list but he'd rather rip his carapace in half than end the hug a second before grace is full.
he doesn't care about touch. it does nothing for him and means nothing to him. touch is also the single most important problem he has to solve. eridians can make food, eridians can replicate earth, but eridians can never press their carapace against human flesh.
listening to grace waste away, listening to him curl up against the xenonite, listening to him trying to hide his tears as he warbles about how he wishes things were different makes him want to break through the airlock again.
touch has no significance to eridians, but rocky still scoots closer.
imagine your little brother gets married to a beautiful and wonderful woman that makes him a better version of himself and you and her become really good friends and the four of you including your husband become a unit and you're close and you like each other and your little brother is so happy and fulfilled and then his wonderful wife dies horribly and leaves him stricken and permanently changed with grief and he sinks so low that he permanently cuts his mind in two just so he can make the days go by faster and get work done without being haunted by his dead wife who he still loves and you also still love her and you really love your brother and you can't stop him from making the decisions he makes but you can keep reminding him you love him by being someone he can lean on and never letting up your affectionate teasing of him and in general being a "way better sibling than him" and you never agree with how he's handling his life and you're never trusting of his employers but you still haven't found a way of telling him you disapprove without pushing him further away and that's the last thing you want because he's your brother and you're all each other has and you can't help but love his stupid annoying ass and then one night his alternate self shows up to talk to you and ask you for help and he's so different and earnest and vulnerable and interested and bright-eyed and he smiles at you and you so badly want to help him but then he's gone and you're left exhausted and overwhelmed and there you are you're nearing middle age and you're life has wound up in this fucked up place where you're caring for your strange and awkward but loyal and loving manchild of a husband, your actual child who has just been born, and your fucked up grieving suicide risk of a little brother who has gone and got himself caught up in some kind of dystopian corporate conspiracy just because he'd rather let himself be exploited for labour through ethically dubious brain surgery rather than face up to his feelings which are too grotesque and intense for you to ever fathom or understand and that scares you because you want to understand him but you can't. and he's never been more out of reach. okay you've successfully simulated what it's like to be devon scout and that's why she's the best character in the show
severance was already a cool show but it fundamentally changed when the line "you carry the hurt with you. you feel it down there too. you just don't know what it is" dropped. i think the premise of the show was fully actualized
Hadestown // Severance, 2x03 “Who Is Alive?”
SEVERANCE 2.10 Dear Innie, I've read your request and organized my response into three points. Point one: fuck you.
I want to go home. SEVERANCE | 2x07 | Chikhai Bardo
THE AFTER HOURS Severance – 2.09
see you at the equator.
severance, 2.10 ‘cold harbor’ // the guest by anna akhmatova
SEVERANCE 2.10 – Cold Harbor
Severance is a cool show. Because, like. What if you knew nothing. No context. No idea who you are. No history. And, of course, you are scared, but you can’t leave unless you get permission from someone— the person who put you here— someone who will never listen. Someone who makes all the decisions, who says “I’m a grown-up person and you’re not.” And you’re naive and lonely, but at least there’s other people in the same boat as you. Someone, just been there slightly longer, is trying to shield you, trying to protect you, taking responsibility and taking on punishment they “can handle and grow from.”
Like. Oh yeah. I recognize this one. Someone else dresses you. Someone else feeds you. Someone else, who's just like you, but they get everything. The little toys and the waffle party. Helly is desperate and suicidal, but she still has to go to school work. You have to do work that doesn't make sense, but you'll understand eventually. The meaningless, manufactured rivalry between departments. The rumors??? “they have larvae that eat them?” “I’m livestock grown for food” “I’m a bodybuilder who has loads of girlfriends, but you don’t know them they go to a different school?” Punishment in the form of apologizing over and over, having to use all the right words, until you are believed. Endless hallways. Scary authority figures. "Are you mad at me?" Religion being the only type of media you see, until you read some shitty book that changes your life. Confusing, sudden camping trips that are supposed to fix you. Condescension. The words "innie" and "outie" are brought up multiple times as infantilizing. Of course his innie's voice is higher pitched????