the most based tgirl tomboy in the world

24 f she/her

[dogpuppy]

[hungtsgoddess]

the woman with a large penis would like to harm you for her sexual gratification

[doiiboy]

leaving marks on someone is so hot, like what do you mean I bit you so hard it’s starting to bruise or I dug my nails so deep that the lines are turning bright red??

[allyourlife]

my fav calvin n hobbes joke and no one ever puts it anywhere

[manuciruja]

awww the like button turns into a rainbow when you press it! that's so cute...hey staff what's with all the trans women you keep nuking?

[manuciruja]

i think we should be ridiculing them more for this. you don't get to try and go all "queer website" when your staff likes to go on nuking sprees targeting the trans fem users

[depsidase]

[kabber]

[demilypyro]

Digital circus' biggest problem is that it was written to be a niche show aimed at weird analytical queers with actual media literacy and it accidentally blew tf up and hit the mainstream and a bunch of people who have never had a second thought about anything got into it

[filmphotofranz]

[mikus-sleepiest]

[blxnc]

there’s this term i coined in my friendgroup i call “the charizard effect” and it can apply to anything and everything, but it was born from me explaining my feelings about the pokemon charizard. the term is basically about how overexposure to something be it by corporate shilling or fandom prominence drives me away from really enjoying something bc i’m exposed to it so much against my will i become tired of it. it came to me bc i was ranting about how tpci does not, and cannot stop reinventing charizard, and how it is popular and obtusely included in almost every region, merch, etc in every way possible and it’s highly commodified.

i dont dislike the pokemon charizard, in fact i really like its X form, but i am exposed to so much charizard in my pokemon consumption that i cant be bothered to care for it in any more than in passing. this applies to a bunch of other stuff i’d otherwise be ok with, but i always just call this aversion phenomena “the charizard effect”

[blxnc]

making this term has done numbers for me being able to concisely express how i feel abt something. like. its not charizard’s fault i feel this way, im sure i’d feel normal abt it if it was stripped of all this over commodification, but i cannot. hence the name

[nacht---hexe]

oh mein gott the girls are playing tf2

[2-beadyeyes-deactivated20251104]

*sees your dead body * eewww lol *remembers we are mutuals* well idk :-) its cute i guess

[spruce-fox]

[throathole]

This is what burgers look like in your mind when all the places to get food near you have already closed

[balaclava-trismegistus]

its crazy how Steven Spielberg is just about single-handedly responsible for basically all of the most dangerous pro-war propaganda made in American history that directly led to the attitudes surrounding the global war on terror which extend into our present bare-faced fascist government worshiping martial force above all else.

[balaclava-trismegistus]

>releases Saving Private Ryan in 1998

>completely deranged movie that re-invented the mythology of WWII and forged it into a spectacle of righteous bloodshed

>has a character whose arc is completed by overcoming his resistance to gunning down unarmed, surrendering enemy prisoners

>whole thing is sheathed in uber-sentimental Spielbergisms about the duty and honor and sacrifice and shit

>Sets up Dreamworks Interactive

>Produces Medal of Honor, released 1999

>invents the genre-form of the military shooter and, again, slathers it in rousing sentimental justice and honor and shit

>In 2001, releases Band of Brothers, which he "created" and produced alongside Tom Hanks

>show all about camaraderie, and soldiers' duties to one another, about the bonds they form and the resilience these relationship provide these men in the face of the difficulty of what they must do, that being the war

>each of these stories are essentially about the burdened masculine duty of warfare, doing the difficult thing that must be done, the honor and dignity and sacrifice in the only war we've ever had that was ethically justifiable because of the the universal aggression of the axis forces

>makes the perfect case for why, sometimes, in the face of a truly great evil, warfare is just, and righteous, and men can choose to do it out of goodness, to protect that which they love, and that there is immense, heightened beauty in this love during war the likes of which nobody but a warrior can truly understand

>the first episode of Band of Brothers airs on September 9th, 2001

>In 2002, after working on and releasing Medal Of Honor: Allied Assault, 22 members of Dreamworks Interactive start their own studio

>In 2003, they release their first game

>it's titled Call of Duty

[balaclava-trismegistus]

YOU ‼️Understand completely! The wave he was riding at the time was so influential, so institutional, so powerful, that he completely re-defined the concept we have of what WWII looked like. Just the landing sequence changed America's vision of warfare. Each of its constituent parts were immediately parodied and, just as quickly, turned into genre tropes. Hacksaw Ridge is a movie I was sort of disgusted by. Nominally, it's about praising the nobility of a pacifist during wartime. But it was directed by Mel Gibson, who is a crazy pig, so it tries to have its cake and eat it too with gleefully reveling in the cartoonish destruction of human bodies. The pornographic quality of men being hacked apart with mines and mortars and machinegun fire, to behold their misery, is something cut from Saving Private Ryan whole cloth. But in Hacksaw Ridge, Gibson, in his worship of the spectacle of warfare, his jubilant bloodlust, even lifts the somewhat infamous detail of a flamethrower specialist having his fuel tank explode when it's struck by incoming fire. Somewhat infamous because it's now generally agreed upon that they can't explode like that. Much like everything else in that sequence, it is a theatrical fabrication to pull the audience into feeling certain ways, resting on an illusion of authenticity. Now that's just how people imagine the war. The spectacle of misery and brutality is what people expect. It's entertainment. It's pornographic. Americans can't cum unless they see a young man writhe on the ground in agony begging for his mommy. And then Spielberg's movie ends with his decadent, deep-fried sentimentality stating "well all that human suffering and loss of life was 100% worth it. No notes. Bye." This is a 30-year track we were set on by Spielberg. This was crucial for everything that happened, for the specific culture of veneration that sprang up around our military during the global war on terror. This is like a parasite he designed in a lab to inject into our brains and kill the country from within. He just completely, fundamentally changed the way America thinks about warfare. And that's before we even get into him inventing the military shooter! He's responsible for fucking CALL OF DUTY coming around. This dumbfuck, in all his talent, attempting to venerate the sacrifice and glory of The Greatest Generation, created the most fatal cultural time bombs anyone has ever made, specifically because he designed them to be so agreeable. Because of his domestic sentimentality.

[tamamita]

To substantiate on OP's claim, Spielberg even desired to make a COD movie.

Steven Spielberg Wanted The ‘Call Of Duty’ Movie, But Activision Bailed, Says Report

We almost got a Steven Spielberg Call of Duty movie, but according to a new report, Activision just couldn't go through with it.

[kaban-bang]

many such cases

[kaban-bang]

[occidentalist]

first they came for the communists, and I decided to omit that line from every consequent telling of this poem bc lowkey I was coming for the communists too and I didn’t want it to make me look bad :(

[pokeballvictimized]

Ball enlargement surgery for tanuki girls