Güzel dostluklar edinin yalnızken yanınızda duran sırtınızı döndüğünüzde asla peşinizi bırakmayan masum dostlar edinin kendinize zira insanlar hep ziyan..
TMBGareOK. The Official They Might Be Giants tumblr
Fai_Ryy
untitled

#extradirty

blake kathryn
cherry valley forever

tannertan36
Noah Kahan
No title available
I'd rather be in outer space 🛸
official daine visual archive

Kiana Khansmith

pixel skylines

PR's Tumblrdome

if i look back, i am lost
𓃗
KIROKAZE
let's talk about Bridgerton tea, my ask is open
Keni
todays bird
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@muck-n-mire
Güzel dostluklar edinin yalnızken yanınızda duran sırtınızı döndüğünüzde asla peşinizi bırakmayan masum dostlar edinin kendinize zira insanlar hep ziyan..
How to: Accessibility [EN]
Part 01 - Visual design
It’s been a while since my last how to and felt like putting something together! First of all, HAPPY PRIDE MONTH! To everyone out there! Being in the queer community, i know the struggles we go through everyday and am wishing a very proud month to all of us <3
Moving on to the actual topic here: accessibility. It’s been shown here and there when discussing coding and skinning but WHAT DOES IT ACTUALLY MEAN!
Let’s go back a bit. For years people have been trying to achieve the impossible: an universal design. A design that is universal and usable for ALL people a one-size-fits-all design that will be usable and perfect for everyone. Now, there’s only one ‘little’ problem with this: people are different. I’ve always been overweight and whenever I’ve seen clothes that say ‘one size fit all’, I look at it very suspiciously. Bottom line is: every person is different, pain points and needs will also be different.
So what do we do? One different design for every person who is using our product?
Well, let’s make it equitable, let’s provide flexibility to cater for a broader audience, and let this audience choose what’s best for them. But! That’s doesn't take the responsibility from us, the designers (and coders) to make sure that we are making what we can to enable this flexibility.
------------- I've started a list which I then realised would be way bigger than expected, so decided to make each item into its own post. We'll start with VISUAL DESIGN!
Part 01 - Visual design
Colour
I’ve mentioned before about the importance of contrast and contrast ratio briefly. If you want to go into more details, you may have a look at W3 Guidelines. In short:
Don't rely on colour alone to convey meaning, information and actions;
Make sure there's enough contrast between foreground and background
Provide an option for light/dark mode
Light/Dark Modes
There’s a myth that dark mode is good for accessibility, because it improves text readability. (Personally, I’m a big fan of dark mode, as white/bright screens may trigger migraines). However, as everything in ux, the answer to ‘is it black or white’ is that it depends. As mentioned before, a good rule of thumb is not to generalise and provide flexibility.
When using light and dark mode, make sure the colour contrast ratio passes on both modes. Here’s a few tips for designing for dark mode (according to atmos article attached at the end of this):
Use tints (less saturated colours). Saturated colours can cause eye strain and will be hard to pass accessibility standards.
Image from Atmos website
Avoid pure black. Please. Pure black and pure white when used together might be the default instinct, but the contrast when used together is so strong it becomes hard to look at. Choose dark greys and off-whites/light grey when possible.
Be patient with your colour palette, inverting colours won’t make it necessarily good. Take your time to build a palette that will be suitable for both.
Target Sizes
First, what is this? This refers to the dimensions of interactive elements such as links, buttons, icons or touch targets. Basically, anything you can interact/click.
WCAG 2.2 established a minimum for pointer inputs to be 24x24. This is the space that should be provided for a clickable area.
Image from W3 website
There's a number of exceptions and guidelines which I won't get into too much detail. It's important to think about the area which people are clicking into these elements. Also remember that this may be quite useful for users that are using the forum in their mobiles - so this is quite important (don't you hate when you can't click somewhere because you haven't clicked the EXACT area needed?)
In short:
Make sure target sizes are at least 24px
Make sure buttons look like buttons, anything that is clickable and interactive LOOKS like they are interactive
Make sure links are underlined (again, as an extra visual sign that they are clickable)
THAT'S IT!!
For part 01 at least. This is just the tip of the iceberg though. If you'd like to dive deeper into this, I highly recommend Stephanie Walter's content, as well as the Extra Bold book read. I'm attaching a few more articles and resources here too! If you've read all of this, you are a champ, I know this is longer than usual. Please like and share this content, let's get it out there!
Articles:
Designers Guide to Documenting Accessibility
Dark mode ui best practices
Dark mode best practices
Accessibility annotation examples
Colour accessibility tools
Inclusive components design
Accessible design in 60s
Target size minimum
Resources
Accessible colours
Accessible colour palette builder
Truth In The Eyes Skin - Free!
This is my newest baby, Truth In the Eyes. Majority of the design for the skin was made in a fever rush from around 10 in the evening to 4 in the morning on a week day, pretty much an outpouring of all my accumulated stress. Making the skin a reality was a different story altogether, but I am finally done! I hope you all like it, and please let me know if you are using it! (Somehow. Maybe like the post, or reply, or message me... I'd love to hear from you!)
Features:
Easy to customize color scheme, background and font style
Fixed top navigation bar with modal quicklinks area
Wavy shapes!
5 pre-installed member groups + admin and mod groups
All custom HTML templates
Guidebook webpage code + redirect row with staff links
Mix-and-match post/content styling codes (for headers, images and simple borders)
You can preview the skin here: https://truthintheeyes.jcink.net/index.php?act=idx
Please read the policies for skin use here: https://truthintheeyes.jcink.net/index.php?act=Pages&pid=2#one
Download the installation files here: https://ko-fi.com/s/2b22eeb70d
Also, I'm not sure if you noticed from the skin but I really really like thaibl / thaigl and especially pondphuwin. Haha. If ever you want to rp using thai faces, hit me up.
Notion Skin Building Guide - Free
get now on my ko-fi
[EN] Soooo, I did a thing! I've fallen completely for Notion and have been using like crazy. I decided to make an ultimate masterlist to keep track of my commissions and premade and thought - why not make it available? So this is a guide containing resources, to-do lists and much more.
It's free for use! So please, like and reblog if you use it.
[PT] Entããão, eu fiz uma coisa! Virei a doida do Notion! Decidi fazer uma masterlist das masterlists pra me organizar com minhas skins e pensei - por que não disponibilizá-las? Portanto, este é um guia que contém recursos, listas de tarefas e muito mais.
O uso é grátis! Se utilizar, por favor goste e compartilhe!
Sabotage free jcink skin
Sabotage is a retro, minimal, spy-chic full jcink skin meant to be simple and easy to read.
Live preview: illustrious.jcink.net/index.php
Download: https://ko-fi.com/s/3ed8eb1d05
Features
Fully responsive
Improved accessibility, optimized for screenreaders and keyboard navigability
Custom Profile
Custom member list
Six member group colors
Font Awesome 6
Basic custom BBCodes
Bonus BBCodes
CSS variables for quick customization
License: CC BY-NC-SA 4.0 This skin is free for non-commercial use, you may edit/adapt/share, as long as you leave credit intact and allow others to edit/share on the same terms.
In my art history class we’re discussing museums and repatriation and I am so fucking angry
Just wait until I have some free time, I’ll post my favorite whiny bitch responses from European museums.
First, a fun fact: “It is noted in the report that some 90% of African cultural heritage currently exists outside of the continent and is displayed in major Western museums.” So keep that in mind when reading these.
Let’s get this party started, shall we?
“Contrary to the sanctified treatment of objects in these museums, there have been cases in Africa where artworks have temporarily left the museum to be used in rituals.”
Europeans, clutching their pearls: But it is Art, it cannot be soiled by the hands of the masses who created it!!
Then I read a big long paragraph from a French museum director that in summary reads: Hey everyone, let’s start from scratch and pretend colonialism never happened. That good? Does that work for everyone? Awesome.
“…cultural objects from the area which is now Iraq are being used to promote BP [Oil], which supported the 2003 invasion of Iraq.”
So y’all just gonna an oil company sponsor an exhibit of dubiously obtained Iraqi artifacts? Cool, cool, no colonialist undertones there.
“[D]irector of the British Museum Hartwig Fischer said that while the museum’s trustees were open to all forms of cooperation, “the collections have to be preserved as whole.””
You mean, all those collections donated from wealthy individuals who pillaged the entire world? If you really believe this I’ve got a simple solution for you: return the entire damn collection.
“Unlike Nazi-looted art, what was taken in the former colonies are not recognized as criminally obtained under international law.”
Hi yeah what the actual fuck
Then there’s the Parthenon Marbles, and if you don’t know, it’s a whole big Thing with a near comical backstory. But this post is long enough as is, and I don’t want to bore you. In short: Britain has bunch of the carvings and statues that were left in the Greek Parthenon, and Greece wants them back. Here are some choice bits from the British Museum’s current official stance on the marbles:
“Archaeologists worldwide are agreed that the surviving sculptures could never be re-attached to the structure.”
That is??? Not the issue??? No one is suggesting this???
“acting with the full knowledge and permission of the Ottoman authorities”
Really? You sure about that? Because it seems like no one else agrees with you on that. Also, even if there was clear permission, saying “The empire that conquered Greece told us we could take them” doesn’t exactly strengthen your case.
“the Greek authorities have now removed all the architectural sculptures from the Parthenon to the Acropolis Museum. They have thus completed a process begun by Lord Elgin 200 years ago”
Are… are you suggesting that Greece only wants to preserve its heritage because you wanted to first? Seriously? I’d be damn careful about touting yourself as paragons of historical preservation, Britain.
“The Museum is a unique resource for the world: the breadth and depth of its collection allows the world’s public to re-examine cultural identities and explore the connections between them.”
And how did your collection get so big, might I ask? Oh, you don’t know? Because you’re not willing to do the research on how most of these artifacts were acquired? Fascinating.
“This display does not alter the Trustees’ view that the sculptures are part of everyone’s shared heritage and transcend cultural boundaries.”
Guys I’m dying they sound like an entitled white boy in an intro to philosophy class
By the way, this document that is less than 1,000 words mentions that the public can view the them “free of charge” no less than 3 times.
Fun times.
Sources: (x) (x) (x) (x)
I actually was given a C minus in this class in my undergrad for calling out museums for being whiney about repatriation. My professor HATED me and we would get into heated arguments about how stolen artifacts needed to be returned. God those were the days….lol FYI this professor Dr.Wilson got mad one day and told me to go back to Mexico and asked me if I was legal. I know this anger…lol
Greece’s Acropolis museum is literally a huge fuck you to the British Museum. The New Acropolis Museum opened in 2007. It looks amazing
Since you can’t dig anywhere in Greece (especially right by the Acropolis) without hitting ruins or artifacts, they built a glass floor so that visitors can see the ruins below the building.
A huge part of the design for the new building was to emphasize that Greece is ready and capable of caring for the Elgin Marbles (a huge defense the British Museum will give is that colonized countries don’t have the resources to care for the artifacts properly). So they went out of their way to make this as clear as possible.
The top floor of the building is entirely devoted to the metopes and friezes around the Parthenon. Like, so devoted that they even oriented the top floor to align with the actual Parthenon
So if you walk around the floor, everything is oriented as if you were walking around the actual Parthenon.
So the two ends of the floor are dedicated to the two pediments. And they were very particular with how they’re displayed.
Wow there sure are a lot of things missing.
They left space for where the Elgin Marbles should be. All of the pieces are labelled. For all of the missing pieces, there is a sign saying that that piece is in the British Museum. It’s pretty hard to miss when entire sections are not there.
That entire floor is just to show that they all belong together. The pediments need to be back together. Get your shit together British Museum
You missed my favorite part of the museum:
They have separate room devoted to these statues, with a spotlight shining on the empty spot where the sixth one is supposed to be. It was the saltiest museum I have ever been to, and I was living. My favorite part was when the tour guide pleaded to us to write to the British Museum and ask them to return the artifacts, and an older man from India muttered under his breath, “Ha! Good luck with that.”
That aside, it’s also one of the most beautiful museums I have ever been in. The architecture is stunning. If you ever get a chance, absolutely go to it.
For those who don’t know the story behind why all these Greek statues are in Britain, buckle up for a wild ride.
The Parthenon has a storied history, obviously, as it is was an incredible temple in a major Mediterranean port. It had started to show wear and tear over the years, and different people had attempted at various points to “save” it, or at least save the carvings. Most of the time, these attempts did more harm than good.
Then along comes Thomas Bruce, a Scottish nobleman more commonly know as Lord Elgin. Between 1799-1803 he acts as British ambassador to the Ottoman empire, which controlled the entire region that is now Greece. He gets really interested in the old works of the classical civilizations and asks the Sultan of the Ottoman empire if he can undertake an extensive study and recording of the art at the Acropolis in Athens. Not only does the Sultan say yes, his agreement states that Elgin can “take away any pieces of stone with old inscriptions or figures thereon.” It is agreed by all parties who are not the British Museum that the Sultan was referring only to the various pieces that were scattered across the ground, but not anything still standing.
Elgin interpreted this wording to mean, “Take anything you want. Go absolutely hog wild.” So he did. He sawed many of the marble carvings off the building to make them easier to transport, which did damage to both the carvings and structure of the building itself. Here’s my favorite part: one of the ships he was using to transport the marbles sank. When Elgin found out, he sent a letter to local authorities asking them to retrieve the cargo, which he referred to as “stones of no interest to anyone but myself.”
He took literal metric tons of artwork, which he wanted to use to decorate his home back in Britain. Except he poured so much money into this project that he went into debt and had to sell the marbles. Parliament bought them (which was not a popular decision at the time) and put them in a public museum. Then in 1832 Greece won its independence from the Ottoman Empire, and the marbles have been a point of contention in Greek-British relations ever since.
Here’s another quote from the British Museum displaying an astonishing degree of ethnocentrism!
“The public display of the sculptures from spring 1807 encouraged Hellenists in their love of ancient Greece while, at the same time, it inspired the Philhellene movement in its sympathy for the inhabitants of modern Greece and their struggle for independence.”
The most recent volley in this fight was Britain saying, “well, we can’t give you the marbles, your museum is too dinky to display them in their full splendor.” In response, Greece built the above museum.
As many people mentioned in the comments, Black Panther was fantastic in that it brought the issue of museums and repatriation into the public view. Now with more voices joining in, hopefully change can happen more quickly.
You left out the part where the document giving Elgin permission to take them may or may not be a forgery, also!
This was a part of this I was not familiar with! And wow! I looked into it, and there is decent evidence that the agreement from the Sultan was faked! This story just keeps getting better and better!
Also! If things are taken out temporarily to be used in rituals?
FUCKING GOOD THAT’S WHAT THEY’RE FOR. TO BE USED BY THE PEOPLE WHO MADE THEM.
i’m a history undergrad on my way to a masters in museum studies with the sole intent of repatriating as many artifacts as i can. when people ask me what i’m gonna do with my degree i literally tell them, in all seriousness, “i’m coming for the british museum.”
As someone who has been the “blue collar” worker for museums (helping to design exhibits) - dear god I just want the museums to be local or borrowed on legal and agreed terms.
be feral in the woods and kiss a few boys
ADHD aka “the volume is turned up very loud and I’m paying attention but my brain doesn’t Hear It but when I put on subtitles I Immediately want to do something else with the show on in the background but then I miss entire episodes but if I switch to music im gonna spend 2 hours picking it and forget what I was gonna do initially but then discover that if I have music on in the background with my show I can watch it just fine”
goblin time!
i haven’t posted anything goblincore in a while, so here, i brought you some stuffs
you can wear this bottleneck as a ring!
these coins are completely regular but we found them buried in cement and spent like 5 minutes scratching them out
this is probably coal, it’s super black with golden specks on the outside and breaks easily
can someone tell me if this is quartz, marble, or some other type of rock? it’s sparkly and looks a little bit like bread
this is a piece of white porcelain covered in a material i’m not familiar with. most of the time, it looks black, but it’s actually reflective. here it is reflecting my pride flag.
and this piece of glass has a dinosaur skull in it
bonus:
Oooo very nice!!!
and bread rock to me looks like some very low quality quartz. its the kind that’s often found in stuff like limestone gravel!!
Could possibly be a light colored granite as well judging by speck and texture!
Good morning to everyone except Catholics
As a pansexual Catholic witch, I feel like you need to reevaluate making blanket statements
Good afternoon to everyone except Catholics
ive got one foot in a fairy ring and the other in a mossy bog
I got the fiddles in the back 🎻💪🏾
Bruh
A version for tumblr that can be read without opening a new tab, since plenty of people would scroll past this story otherwise.
The bravest woman on Earth.
I love her. Forever reblog.
I have the utmost respect for this woman.
please reblog. reblog the way you would reblog a picture of a hot singer, a pretty girl, a tasty meal or some nice stationary. Because this will not make your blog ‘less aesthetic’ or anything. This is important, far more important than anything I’ve mentioned before.
Nevertheless, she persisted.
Persist.
Malala is important. Women are important.
Breathe!
I assume the roots are moving with the trees due to wind but dang that looks like a cool effect
Yeah, it is super easy to understand why ancient folk believed in monsters, spirits, and the like, because nature is ducking weird.
This is what they meant when they said the mountain was seen to be breathing
crazy
Woooooo