Would you take me out?
KIROKAZE
$LAYYYTER
hello vonnie
d e v o n

No title available
The Stonewall Inn
No title available
Misplaced Lens Cap
will byers stan first human second
untitled
Sweet Seals For You, Always
Mike Driver
he wasn't even looking at me and he found me

tannertan36
2025 on Tumblr: Trends That Defined the Year
almost home
Noah Kahan

Andulka
Stranger Things
RMH
seen from United States
seen from United Kingdom

seen from Türkiye
seen from Türkiye
seen from Malaysia

seen from United States
seen from Russia
seen from United States

seen from United States

seen from United States

seen from China
seen from Bangladesh
seen from Malaysia

seen from Canada

seen from United States
seen from Vietnam

seen from United Kingdom
seen from United States
seen from Jordan
seen from United Kingdom
@myselfmysame
Would you take me out?
“Something of our relationship to the earth is determined by the particular place we stand at a given time. If you stand still long enough to observe carefully the things around you, you will find beauty, and you will know wonder.”
— N. Scott Momaday, Earth Keeper: Reflections on the American Land
Jovita Majewski (b.1987) - Stream. 2022. Oil on canvas.
Lawrence Weiner, (invitation postcard), Rolf Preisig, Basel, November 28 – December 23, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Lawrence Weiner]
“War, famine, pestilence, and death. Astrophage is literally the apocalypse. The Hail Mary is all we have now. I’ll make any sacrifice to give it even the tiniest additional chance of success.” – Eva Stratt, page 431
PROJECT HAIL MARY (2026) dir. by Christopher Miller & Phil Lord
Hsiao Chin (Chinese, b.1935) - Vortice Cosmico 16, acrylic on canvas, 113 x 132 cm (1985)
"The Arcadian dream has all fallen through, but the Albion sails on course Let's man the decks and hoist the rigging because the Pigman's found the source And there's 12 rude boys on the oars These are the good old days"
Let America Be America Again
By Langston Hughes Let America be America again. Let it be the dream it used to be. Let it be the pioneer on the plain Seeking a home where he himself is free. (America never was America to me.) Let America be the dream the dreamers dreamed— Let it be that great strong land of love Where never kings connive nor tyrants scheme That any man be crushed by one above. (It never was America to me.) O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe. (There's never been equality for me, Nor freedom in this "homeland of the free.") Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars? I am the poor white, fooled and pushed apart, I am the Negro bearing slavery's scars. I am the red man driven from the land, I am the immigrant clutching the hope I seek— And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak. I am the young man, full of strength and hope, Tangled in that ancient endless chain Of profit, power, gain, of grab the land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one's own greed! I am the farmer, bondsman to the soil. I am the worker sold to the machine. I am the Negro, servant to you all. I am the people, humble, hungry, mean— Hungry yet today despite the dream. Beaten yet today—O, Pioneers! I am the man who never got ahead, The poorest worker bartered through the years. Yet I'm the one who dreamt our basic dream In the Old World while still a serf of kings, Who dreamt a dream so strong, so brave, so true, That even yet its mighty daring sings In every brick and stone, in every furrow turned That's made America the land it has become. O, I'm the man who sailed those early seas In search of what I meant to be my home— For I'm the one who left dark Ireland's shore, And Poland's plain, and England's grassy lea, And torn from Black Africa's strand I came To build a "homeland of the free." The free? Who said the free? Not me? Surely not me? The millions on relief today? The millions shot down when we strike? The millions who have nothing for our pay? For all the dreams we've dreamed And all the songs we've sung And all the hopes we've held And all the flags we've hung, The millions who have nothing for our pay— Except the dream that's almost dead today. O, let America be America again— The land that never has been yet— And yet must be—the land where every man is free. The land that's mine—the poor man's, Indian's, Negro's, ME— Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again. Sure, call me any ugly name you choose— The steel of freedom does not stain. From those who live like leeches on the people's lives, We must take back our land again, America! O, yes, I say it plain, America never was America to me, And yet I swear this oath— America will be! Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain— All, all the stretch of these great green states— And make America again!
Bob Dylan on the best and worst things about being 80
From: Ruth Kaufmann, The New American Tapestry, Reinhold, New York, NY, 1968 [Saint-Martin Bookshop, Bruxelles-Brussel. Art/Design: © Trude Guermonprez]
Women Without Men//Shirin Neshat. 2009
WOMEN WITHOUT MEN is Shirin Neshat’s independent film adaptation of Shahrnush Parsipur’s magic realist novel. The story chronicles the intertwining lives of four Iranian women during the summer of 1953; a cataclysmic moment in Iranian history when an American led, British backed coup d'état brought down the democratically elected Prime Minister, Mohammad Mossadegh, and reinstalled the Shah to power.
The Lord of The Rings: The Two Towers, J.R.R Tolkien
- v. hugo
lam yabqa fi qaws sabri minza’: my patience is at an end (lit.: there is no arrow left for the bow of my patience)
Girlfight, 2000 (dir. Karyn Kusama)
↳ THE GREAT DIVIDE, Noah Kahan (1/3)
My fourth album, The Great Divide, is yours to listen to. It is hard to even begin to describe what these last few years making this album has felt like. The collision of fear and pressure and joy and luck and total love has left me wordless, and if you know me personally, I hardly ever shut my mouth. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the total commitment of my band, producers, and team, by the steady and loving touch of my wife and family, and of course, by the constant and enduring encouragement of you all, who I am so lucky to have as fans. I am very proud of what we are doing together and I hope we can live this dream for a long long time
Tracy Chapman 1999