A Midsummer Night's Dream (1999)
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@necrolariat
A Midsummer Night's Dream (1999)
JOHN LIGHT as OBERON and MATTHEW TENNYSON as PUCK (Act 3, scene 2) A Midsummer Night's Dream (Shakespeare's Globe, 2013)
'A Midsummer Night's Dream' illustrated by Arthur Rackham, 1914.
A drawing of Puck, Titania and Bottom from "A Midsummer Night's Dream" illustrated by Charles Buchel, 1905
MICHELLE PFEIFFER as TITANIA A Midsummer Night's Dream (1999)
New York City ballet production of Midsummer Nights Dream
The fact this isn't a painting is a testament to one of the greatest feats of set design and production I've ever seen.
My god just look at this! The lighting, set design, photography... I've just never seen anything like it.
This is from 1966 and you can see over a hundred photos on the NYPL digital collections website. It is absolutely gorgeous. These are just a few of my favourites.
Plus Puck's face here:
Wildflower Array
Mount Rainier National Park
vibrator store, you CANNOT send me an email that says "she deserves to feel good" with a discount code for mother's day, you CANNOT be doing that
by Zhou Hong
Concept art of Thistle Corrina, Tillia Mill, Silky Goldberg, & Terry Alfayed from "Schrei-Ten" (PC) [NSFW 18+] illustrated by Tomoe Motosugi.
im sorry to everyone who has ever tried to talk to me and then realized my communication skills are equivalent to a stale piece of bread
"fandom is dying," they whine as they stab artists and writers in the chest with discourse knives and harassment screws. "why isn't anyone making content for me to greedily consume for free as I make the experience worse for them and everyone around me?"
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
dead serious normalize having an average boring ass life where you have enough to meet your needs we do not need to be remarkable we just need to be alive
The rest of the space is going to be pretty pissed when they see this.
did you google how to take a screen shot