hey viria! I was wondering if you had any tips on improving lineart? bc when I sketch the drawing looks good and all, but when I do lineart it turns stiff and doesn't look natural ;-; plus, I can't make a long, continuous line (when I do it just doesn't fit with the sketch) I end up having to make many small lines one next to another. This makes the drawing look unclean and the process is really long and frustating... do you have any tips on how to fix these issues? thank youuu!! <3
Hi! I feel like this transition from sketch to lineart is such a common problem! I have it too, to a certain extent, though not as bad as it was before, but it’s still there.
To avoid stiffness and to leave the natural flow of the sketch, I think it’s very very important to determine what lines do make it dynamic and expressive. What you like the most about it. Let’s take expressions for example! You drew someone happy, and on the sketch it looks great, and you can FEEL this happiness radiating and you love the way the sketch turned out. But once you start transitioning to the lineart, it loses the certain something. I guess it happens mostly because when it comes to lineart, people feel the need to make it as clean as possible, which excludes some of the motion of the sketch. As to say, when you drew a sketch it has all those crincles of the smiling eyes, and the lines looked a bit messy and expressive, the smile was a bit lopsided and some lines are harsher than the others. Once you lineart it the line variety your sketch had often disappears, and that’s one of the resons it gets more stiff. When I lineart, I always make sure to actually lineart the lines of the eyes the way they are, I zoom in heavily and follow the width of the line my sketch had! So instead of new perfect lines I make new but still a tad messy, if only a bit cleaner and more readable.
When you draw the body, don’t be afraid to either lineart or simply leave some of the lines that made it expressive. If you sketched the leg and it wasn’t really perfect but it was expressive, don’t be afraid to leave those lines that formed it. You will still put colour underneath and all those lines won’t be as noticeable, but they will be there and the lineart won’t be as stiff! That’s one of the reasons why I always leave some bits of the sketch left under my lineart in my final work. I erase the sketch, but not fully. I often leave a lot of lines on the face, and on the hands and legs.
Basically, whenever you make a lineart (on the layer above your sketch), there’s a simple way to figure out what you need for it to still have a certain something. Click the sketch layer underneath on and off. Whatever places irk your eye and feel WORSE with the clean lineart - leave at least some bits of the sketch underneath.
So, if in short, follow the width of the sketch lines in your lineart, and leave some bits of sketch underneath. You can also then merge the layers of sketch and lineart together and play with the depth of the lines. You can simply (very lightly) erase some of those that are further away from viewer, and overline the lines that are closer. That’s optional, but I feel like erasing some very lightly help to make your lineart a bit more interesting!
Now, as for the lines problem. I am also someone who actually mostly uses a lot of small strokes instead of the long fluid strokes, but I feel like for me it works? It doesn’t look too streaky. You can fake the lines by being very precise with your continuous strokes just so it looks quite clean, or just… train your wrist to make long fluid lines.
I use those on the hair, and often on the clothing, whenever I can’t get away with using my strokes. If you do digital, and you do this fluid line but it isn’t in the place you want - undo it and do again, and again if it’s necessary. One of those lines will be good enough for you to be content to leave it there. I can undo so many of the lines over and over again until I am satisfied;;But really - there is only practising to get better with it. The wrist should be trained and there’s no other way to it unfortunately. Keep practising and you’ll keep getting more and more content with your linework!
Also the trick for drawing long lines (especially if you need them quite straight), don’t move your wrist alone, sometimes it’s necessary to move your arm. And you can put a pen to the paper, and then look at the point you need your line to end. And move your pen without looking at it, only at the point you want your line to add! I feel like it works so well so often, it was a trick one of our uni teachers mentioned and i was like WHOOAA
Pheh, I feel like that’s all i have in mind! I hope it helps<3 Don’t give up, keep it up, your hand will be able to do it after all the effort!<3