i have princess in a tower disorder (uncontrollable isolation)
Monterey Bay Aquarium
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Lint Roller? I Barely Know Her
🪼

Origami Around
YOU ARE THE REASON

★
Mike Driver

Discoholic 🪩
todays bird
d e v o n
Sweet Seals For You, Always

Janaina Medeiros
$LAYYYTER
wallacepolsom
we're not kids anymore.

tannertan36
🩵 avery cochrane 🩵

#extradirty
Xuebing Du

seen from France
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seen from France
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seen from United States

seen from China

seen from United Kingdom
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seen from Malaysia
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@noodlegirlworld
i have princess in a tower disorder (uncontrollable isolation)
*
joy sullivan
Neck
White stoneware, glaze and oxides, 2025
Jardim Botânico Tropical de Belém, Lisboa, Portugal, 02-06-23
Sulphur Volcano Ethiopia
Jane Fonda photographed by Dennis Hopper, 1965.
"I fear that I will remain like this.. staring at the things I love.. without touching them."
136. A Pattern Language
Ever since i was a little girl i knew i never wanted to be pregnant
If you think of any worthwhile novel—its intersecting arcs, its intertwined themes and metaphors—no one is clever enough to do it. When you have crammed your head with data, you have to take your hands off and see what shapes the story forms. You must trust the process, and that can be difficult, because you have to quell anxiety; the task is to get out of your own way. I think this is true for all worthwhile fiction, not just historical fiction. At the centre of your work is an act of faith in the novel form. You employ what Keats called "negative capability"—you must endure doubt and follow paths without signposts.
—Hilary Mantel, in an interview with The Guardian
Joan Baez "It Ain't Me, Babe" BBC In Concert, June 5, 1965.
A hibiscus flower under ultraviolet light, shining for the polinators.
“The only reward of virtue is virtue; the only way to have a friend is to be one.”
— Ralph Waldo Emerson, Essays: First Series
Manda as it appeared in Godzilla: Final Wars (2004).
French Art Nouveau walnut vitrine cabinet from c. 1900.