that one meme but i can't draw rabbits (and also kazui is there)
Claire Keane
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ellievsbear

#extradirty
almost home
d e v o n

Love Begins

@theartofmadeline
Xuebing Du
I'd rather be in outer space 🛸
let's talk about Bridgerton tea, my ask is open
occasionally subtle
Not today Justin
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YOU ARE THE REASON
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hello vonnie

gracie abrams
Stranger Things
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@novaliae
that one meme but i can't draw rabbits (and also kazui is there)
So… what the fuck was that?
One of the first bits of information that you can find on Dissociative Identity Disorder is that it is a disorder founded in childhood trauma, usually causing polyfragmentation of the self. A single fragmentation of the self caused in FULL ADULTHOOD may as well be psychologically impossible. I’m a college student with one psychology course under my belt and I know that. Yamanaka has a fucking psych degree and somehow put less research into writing Mikoto’s disorder than I did writing fanfiction about him. IN HIGH SCHOOL. Because he didn’t want to let go of his ableist narrative.
Because let’s be frank, it is absolutely an ableist narrative. I can see that the intention is to critique the intense stress of Japanese workplace culture on the mentally ill, which is a noble idea, but the fact remains that the narrative of people with disorders like schizophrenia and DID being habitually violent and dangerous is rooted in the idea that mentally ill people are to be othered and shunned instead of helped and empathized with. All this time, I thought the intention with Mikoto was to employ the trappings of this harmful trope as a framing device that the writers then intended to deconstruct. Clearly, that was too much to hope for.
How do we go from Camouflage and Non-Denominum, two of the most intelligent and empathetic episodes in the entire series, to sensationalist trash like this? I’ve been a MILGRAM fan for five years now. It’s been one of my greatest creative inspirations. I have never been so close to dropping the series as I have been today. I won’t - there’s only one episode left, I may as well see how it ends - and even though I don’t think I could ever hate the series, this, along with the handling of Mahiru’s case, is a massive black stain upon a series and a case with so much potential. Shame on you, Yamanaka. Do better.
watching heartstopper forever and charlie setting up for the picnic has me wondering whether im more jealous of their queer joy or all the bowls of berries they get to eat
The test for allyship isn't how you treat an oppressed person who is your friend, family, spouse. It's how you treat an oppressed person you absolutely can't stand who is vile and loathsome in every way.
Do you gender trans people correctly even when they're being absolutely terrible people? Do you refuse to use the r-slur against someone who suicide baited you but is neurodivergent? Do you refuse to snark at a mentally ill person who is being genuinely unpleasant, "go take your meds!"
Do you allow members of marginalized groups to be terrible people without judging their entire demographic for it? One of the most invisible yet vital forms of privilege is the right to be terrible people as an individual rather than as a group. Do you acknowledge that there are bad people in every group, that it doesn't make their group less worth fighting for? Or do you shake your head if you happen to get mistreated by some who belong to a group and insist the entire group is awful and not worth your allyship?
Oppressed people can see how you treat those of us you like, but do you still treat the worst of us with the basic dignity you treat the worst of other groups with?
what, staring at her tummy like a pervert?
stare more
today I learned that in 2008, the city council of florence overturned dante’s sentence of execution if he returned from exile. yes, dante’s inferno dante, who died in 1321.
but the funniest part of this is not that they were debating the exile of a man who has been dead for over 500 years.
the funniest part is that the vote was 19-5. five people voted to uphold dante’s exile.
The objectively funniest part of this is actually that the city that holds his remains, Ravenna, refused to give his remains back. This was a ploy from florence to have his remains moved back for the tourist money and its been ongoing for a long time. Florence had a fake tomb built in the city to trick people into visiting, and have tried to force the return of the remains.
His actual caretakers have been very steadfast in keeping them hidden, moved, or generally out of reach to respect his choice in life to never, ever, ever return to florence, even when he was first offered the chance to return. This is at this point an almost millenium long feud that florence is really, really mad about losing
so basically the five people who wanted to uphold his exile were in the right
I absolutely love Miya Cech, I follow her on insta and she seems adorable. But I doubt this is the right track to follow for a character like Toph. (I'm also certain this wasn't Miya's decision but rather the writers, but they are once again letting the young actors take the fall for them just like they did with the changes in Sokka's character, I'm noticing a bad pattern here.)
The whole point of Toph is that she was raised with femininity and grace forced upon her, manners and etiquette being an important part of high society. Being feminine for her also meant not being able to fully embrace her element, seeing as earth is often associated with brute force and strength.
Being feminine just wasn't her, and in running away and embracing who she really is she rejected it completely, learning to love herself in her own way. Toph being Toph drove forward the story! And yes, this came with a bunch of flaws. Toph had a big mouth, was aggressive, rude (which she chose to be), not hygienic, and chose to exhibit bad manners.
I once again notice this pattern of the Netflix writers taking any flaws a character might have and trying their damnest to erase them. Katara wasn't allowed to be a thief, or decisive, or angry. Sokka wasn't allowed his sexist -> feminist arc. Aang wasn't allowed to actually run away from responsibilities. And now Toph isn't allowed to be the brutish girl she is.
toph is an icon for disabled people. she’s one of so few blind characters who is a hero and whose disability is not her weakness or fatal flaw. while it does make her life harder, as any disability does, it also gives her strength. she is the greatest earthbender of her generation. she invented a whole new subsection of bending. the people behind the live action production had a chance to make history just by doing the bare minimum: casting a blind actress to play a blind character. they couldn’t even do that.
not only that, but they’re making her “slightly more feminine” to “humanize” her. as if there weren’t so many young girls out there who looked up to toph because she was weird and didn’t fit the mold. in “tales of ba sing se” she tells katara, “i don’t care what i look like. i’m not looking for anyone’s approval. i know who i am.” to have a female character who doesn’t conform to beauty standards is so important especially right now with the prevalent beauty influencer culture.
while the original cartoon’s representation of women wasn’t perfect, it was diverse. katara and ty lee were both feminine. they liked to dress up and look pretty. toph is not feminine. she grew up forced to dress in formal clothes and style herself a certain way and decided to liberate herself from that. all three of these women are incredibly strong and incredibly talented at what they do, and none of that is impacted by their appearance or gender presentation.
every day, my hatred for the netflix version of avatar grows.
i love writing out numbers and then putting them in parentheses like "one (1)" even when i dont need to i think its funny
Next up someone is going to claim that the Narnia series isn't kids books.
Kids books is probably not the best way to word it, you can enjoy them at every age, including your childhood, as you get older you may find new truths in them, but they're still good for any age.
nah children’s books is fine. it’s just the target demographic nothing more. things can be aimed at kids and also be good.
“I only act like I know everything, Rogers” is actually my favorite nat line
Ofcourse everyone sees nat differently, some people think of her as more ruthless and mysterious like in the comics
I like to think of her as more human, someone who got handed a fucked up deal and somehow made the best out of it, yes she is able to kill and torture without batting an eye but she was just doing what she was taught, after she joined shield she became a softer person
Someone who puts on her pjs when she comes home from work and crouches down to pet the cat, someone who’s love language is physical touch and will always hug her friends and family when they need it, she’s the kind of person that will fly half way around the world to be there for her friend during a funeral of a loved one, even though they’re fighting at the time, she’ll eat icecream right from the tub and she can recite lines from her favorite movies from memory
Sometimes she has to toughen up, it doesn’t matter if it’s for personal of professional reasons and that switch flips so effortlessly she doesn’t even notice it sometimes, but at certain times the facade cracks, the new natasha slips through and she has to admit that she only acts like she knows everything, she used to get the information she needed, finish the mission and get out of the situation as soon as possible, things aren’t that simple anymore, but natasha isn’t the same person she was then either so it works
a smol reminder that catws said blackhill rights. have a gay day.
CATWS through a blackhill lens
part 1: Fury’s “death”
before i get into this is just wanna say that these are just my headcanons, when i have a non canon ship i like to find a way to ship them that allows me to still enjoy the canon story meaning i often find a way around the story that we get, this means that with blackhill i have to find a way around nat and steve, nat and bruce, but most importantly, the undeniable tension between nat and maria in catws, if you don’t like blackhill or disagree with this that’s fine, just don’t read
in my headcanon nat and maria get together during their shield days, maybe even before we first meet nat in iron man 2, i believe they're going strong during avengers and their relationship is tested during catws which i will discuss in these posts
there's a lot happening in catws and blackhill wise i think it's by far the most interesting movie, i'll be discussing several scenes but this post is about fury's "death"
when the scene where fury is in surgery starts we see nat and steve looking into the operating room (i won't be discussing how weird it is that they can do that), steve is already there and nat joins him in the room, on the left we can see maria on the phone
pretty soon maria joins nat and steve, she looks into the operating room for a second, the three of them briefly discuss what happened which leads to my favorite canon blackhill moment, nat guesses the bullets that were used to shoot fury are soviet made and maria confirms this by simply saying "yeah", now this doesn't sound like anything interesting but i recommend ya’ll to rewatch this scene cause the way she says it is just so so soft, with the way she says this one simple word maria is trying to say "i'm here for you, i know this is hard, this isn't your fault, you did everything you could, it's gonna be okay, i love you" because she can't say those actual words, she cant hold nat's hand and hug her an let her fall apart against her, neither of them want that, both because there's other people there and because nat isn't ready to feel her feelings like that just yet, she doesn't want to accept this and she doesn't want to acknowledge her grief, maria knows this
maria also knows better than anyone what fury meant to nat, he was (is) the closest thing nat had to a father and at this point he’s one of the very few people that know about her relationship with maria, maria knows losing fury would mean losing a family member, knowing what it means to nat and also losing someone very important herself we can tell that maria is extremely emotional, i have to say that to me it isn't clear whether maria knows fury's death is fake at this point but considering her reaction i don't think she knows, maria is a good liar but nobody can act that well
after the doctors call time of death steve walks away (it's important to note there are still a few people standing behind maria and nat, at no point are they alone during this scene), we get these two shots of just maria and nat that i am absolutely in love with, the first is of both of them still looking into the o.r. we can tell both of them are absolutely distraught, as i said before fury meant a lot to them both as individuals and to their relationship, nat is absolutely speechless which doesn't happen often and our “hardass hill" has a red nose from stress and crying, if you rewatch the scene you can even see maria’s lip quivering
in the second shot we see maria leaning against the windowsill in front of them, i interpret this is her offering her hand in case nat wants to take it, you can see her left hand is at shoulder width while the right hand reaches towards nat, she would never take nat's hand in front of coworkers without asking and she also wants to give nat space which we will later learn she needs a lot, but she wants to offer that comfort to natasha regardless, maria taps her finger a few times to draw nat’s attention to her hand and to tell her she can hold it if she needs to, after a few second natasha still doens't take maria's hand, it’s too much, too soft, there’s too many people there, she simply can’t
in the next scene we see nat saying goodbye to fury with steve standing in the back, again it start with the two of them and then maria enters the scene, she tells steve that she needs to take fury's body, by saying this she implies she wants steve to tell nat it's time, we don't know if maria and nat talked in between these scenes but i don't think they did, i believe their relationship started to slip after new york and fury's "death" was the final drop, there's so much strain on their relationship and they're both going through so much that at this point they're feeling more distant from each other than they have in years, natasha shuts herself off and puts her walls back up that maria spent years breaking down, they're scared that if they talk about what's going on they'll either break down and lose sight of the mission or lose each other, so they don't talk at all
again we see maria more emotional than we have ever seen or will ever see her, after a few second steve goes to get nat
and then this last shot i'll talk about is also the most heartbreaking to me, i can't imagine how heartwrenching is must be for maria to not be able to comfort nat in this situation and have to see someone else try to do this, deep down she wants to wrap nat in her arms and let both nat and herself break down but neither of them have time for that so instead she watches the love of her life lose one of the most important people to her and be comforted by her new friend that they barely know, first she looks at them, then she simply can't bare it anymore and looks away, she can't look at fury's body, she can't look at natasha's heartbroken expression and she can't look at steve standing in the spot she should be in, so she looks away
finally nat walks away and maria can't resist, she glances towards nat, she has to look at her, one second of eye contact will tell her enough, will nat leave forever or will she come back to her, will she feel her feelings or will she focus too much on the mission and self destruct, will she dissapear or will she break her old pattern, nat doesn't look up, so maria never finds out what she needs to know, and more importantly, she doesn't get to look into nat's eyes which is the only thing that could bring her the slightest bit of comfort and ease
part 2: the bunker scene (coming soon)
part 3: nat and steve (coming soon)
part 4: snippets (coming soon)
HAPPY KISS A GINGER DAY
maria’s apology to natasha in catws deleted scene 100% true
winter soldier did so much for so many Natasha ships. The clintasha implications, the buckynat of it all, blackhill angst, romanogers is right there, samnat meet and flirt hard, great peggynat content once you hit the multiverse. I could go on
Black Widow and Winter Soldier fight in Captain America: The Winter Soldier.
God there’s something so refreshing about seeing Steve meet Natasha after seeing the ways everyone else has been treating him
Like everyone at shield has clearly been ignoring him or just allowing him to completely isolate himself (not sure which is worse considering this guy literally just lost everyone and everything he’s ever known, loved, or fought for) bc Fury doesn’t seem to be fully taking him seriously, Coulson (and I’m sure others he’s met up to this point) is such a big fanboy he can barely keep his composure around him
And then there’s Natasha who meets him and immediately starts teasing him (by poking fun at Coulson’s excitement nonetheless) and that’s when we get our first (of very few) genuine Steve smiles in this movie
After being treated like a comic book character come to life (either not taken seriously or fawned over), she’s probably the first person since he came out of the ice to treat him like a person and that is SO important