love reading the aeneid when i'm having a bad day because no matter what kind of day i'm having aeneas is having a worse one
Xuebing Du
Lint Roller? I Barely Know Her

shark vs the universe
đ©” avery cochrane đ©”
let's talk about Bridgerton tea, my ask is open
Sade Olutola
Cosimo Galluzzi
KIROKAZE
almost home
Cookie Run:Kingdom Official!

@theartofmadeline

blake kathryn
đȘŒ
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
cherry valley forever
Fai_Ryy
Cosmic Funnies

⣠Chile in a Photography âŁ

pixel skylines
seen from Netherlands

seen from United States
seen from Bangladesh
seen from Netherlands
seen from Ireland
seen from United States
seen from Spain
seen from Vietnam

seen from India
seen from Brazil

seen from Kenya
seen from United States
seen from United States
seen from India
seen from United States
seen from Vietnam
seen from Bangladesh
seen from New Zealand
seen from United States
seen from Philippines
@nyxinastris
love reading the aeneid when i'm having a bad day because no matter what kind of day i'm having aeneas is having a worse one
like father like daughter
â cross stitch of a cat , which is about 1000 years old !
A textile fragment was found in Peru. It belongs to the Chimu or Chancay culture (pre-Columbian era X - XV centuries)
not to be a gatekeeper or anything but i wholeheartedly believe that if you cannot appreciate the constant planning, effort, and labor of ancient workers (slaves, farmers, weavers, potters, etc) - you genuinely cannot examine or appreciate antiquity in any meaningful way (besides becoming an example for what NOT to do).
Because so much of what survives - the impressive works that people think of when they hear âGreece,â âRome,â âEgypt,â âSumer,â etc. is not the result of âscholarsâ but was built off the labor and skills of laborers who were not âscholarsâ in the modern sense, were not âeducatedâ in the same manner as someone from fucking middle-class USA or whatever, but who were trained and informed about their particular discipline in a way that most of us cannot even begin to fathom. And their labor was built off the unseen efforts of other workers - slaves, farmers, weavers, potters, quarrymen, smiths, etc - with similarly specialized, period-specific knowledge that I think is impossible to fully appreciate if you do not respect blue-collar work and manual labor.
Like, you can say you âknow moreâ than the average person in antiquity - but you donât. Maybe in a conceptual manner - yeah, we know about distant planets and galaxies, weâve got germ theory, we have made a collection of the entire human genome, we have walked on the fucking moon - but from the perspective of someone from 500 BCE (if I may be allowed a dash of speculation here), does that matter?
In our industrialized, globalized world, I think we forget the sheer effort that went into everything. The sheer degree of skill needed to create homes, tools, clothing, ceramics, fine jewelry, statues, and everything in-between. The skill, knowledge, and effort that went into everyday subsistence activities, like farming, herding, and weaving; and into other trades such as shipping and manufacturing. These are not mindless tasks, devoid of calculation and forethought; to pretend they are in even the slightest is disingenuous.
I would even go so far as to say it is extremely classist & sexist, because - shocker - people still work in these fields. The food you eat, the clothes you wear, the streets you walk, the buildings you eat and sleep and live in - these did not spawn out of a vacuum. Constant effort - unending, backbreaking labor, time, and skill has gone into the world we walk through today, so people can go on pretending like theyâre somehow âsmarterâ than those who came before them, when the only difference is that we* are able to concentrate on something besides our own survival. something otherwise âuselessâ for everyday survival, and i say that as an archaeologist. Excavating a Bronze Age brewery does not provide food, it does not provide you with clothes (it actually damages them), it does not give you shelter, it mostly provides you with broken potsherds and a whole lot of dirt destined for floatation. Yes, it requires practical skills too - but many of these are essentially also used, even more frequently, in manual labor and agriculture.
And - in this broken, frightful world - we are so damn lucky** that people can even spare time for this, to learn more about the ancient world. And we are even more lucky that - when we are born with health complications, are disabled, or are faced with diseases like pneumonia, measles, and COVID - that these are not death sentences. Artificial scarcity, corporate greed, and fearmongering can make them so, but there is still that ability to live. To focus on the past, instead of making it to the next day, the next week, the next month.
But - I want to emphasize here - this is all entirely reliant on the work of people who continue to carry out the same manual labor done by countless individuals - enslaved and free - up through antiquity. People whose calculations were their survival, whose understanding of the natural world and local resources made the difference between life and death.
To pretend like we are somehow more knowledgable, more capable, more âadvancedâ intellectually than those who laid the foundations for the entire fucking world we live in today, is a lie. A smug, disgusting little lie that spits on all we have done as a species (and all the progress we are trying to make) with the idea that âweâve done itâ, weâre âsuperior,â this idea that only encourages rotting in self-assured apathy while the world burns.
And you cannot appreciate the past when you approach it with false assumptions which are based on nothing except preconcieved notions of modern superiority and the belief that knowledge is both âquantifiableâ and absolute. We are just as capable of joy, wisdom, compassion, and love as the ancients; and we are just as susceptible to fear, anger, and hatred as they were. Iâm not saying everyone has to know the ins and outs of every ancient industry ever to appreciate the fucking Parthenon, but if someone cannot approach the ancient world with an open mind, a sense of humility, and self-reflection - then I suspect they cannot appreciate the fucking Parthenon.
*When I use the term 'we,' I am referring to individuals who do not specialize in manual labor/blue-collar industries and/or engage in subsistence agriculture.
**I know that these are all very situational and that the management and medicine available to people is inextricable from their class, identity, and nationality. I am merely trying to stress that it is possible. I would be dead without modern medicine; and I know countless others who are the same way.
the desire to reread radio silence whenever there's a slight inconvenience in my life
hey so just finished iwtv s3 and we're getting more devils minion in s4 right right
This is what happened right?
Could you explain about the post on Arthur Evans and Minoan archaeology?
Sir Arthur Evans is very well-known figure for his involvement in Minoan archaeology and after the evacuation of Knossos prior in 1877. Our understanding of Minoan culture we believed is largely thanks to his preconceived notions of Aegean cultures, and artists he hired to recreate for Minoan art, particularly by Emile Gilliéron and his son.
Many people who believed the Minoan aesthetics thought to be authentic reflection of Cretan bronze age, when in reality they were reconstitution from people who belonged from an old school late 18th-early 19th century archaeology.
The so-called snake goddess, Minos' throne room, the priest-king, and even the ladies in blue fresco? Yeah those weren't actually there in the first place.
These 2 statuettes were assembled from 3 different pieces from different time. Also on top of the "snake goddess" is a cat added by Evans for reasons we don't know.
Reproduction of the "Priest-King, Knossos, Emile GilliĂ©ron (1906â1907). The Metropolitan Museum of Art.
Also assembled from 3 different figures. Evans used the Egyptian comparanda to create a singular figure of a suppose king.
Reproduction of the "Ladies in Blue" fresco. Emile GilliĂ©ron Swiss (1927). Fragments dated ca. 1525â1450 BCE. The Metropolitan Museum of Art.
Noted that these fresco is about 3500 years old, so these are the only intact pieces that survived, but recolored.
Bottom: Excavating the Throne Room at Knossos, 12 April 1900. PhEvans Book 8, 21, no. E.Top. 655 (= Evans Reference Evans1935, fig. 881).
Extensive information about the throne room creation can be read in here and the source of the photograph.
THE POWER OF IMAGES: RE-EXAMINING THE WALL PAINTINGS FROM THE THRONE ROOM AT KNOSSOS - Volume 112
This brief article is also good at understanding the project.
Delve into Sir Arthur Evans' restoration of the Palace of Minos at Knossos and how it's now recreated in a 3D digital model with Ashmolean c
Now to not completely blast the guy, he may have good intentions to try preserve the artifacts and there's nothing inherently wrong with reconstructing or reproducing. At the time of the discovery of ancient Cretan sites, religious violence were happening in Crete that includes ethnic cleansing of both Christian and Muslim communities by opposing sides. Fearing the sites will be in grave danger, he sought to save them. In additions, his theories and ideas were influenced by his contemporary academia and its predecessors, so he's not the only person who was really into the Great Goddess religion.
Unfortunately his work were taken uncritically by professions after WWII and the public after his death. As a result it's hard to research Ancient Crete because a large part of analysis was influenced by Evans' aesthetics and ideas of a snake goddess, mother goddess, etc.
Athena sketch
fanfic shit easy
first time living kinda nervous
test weaving of penelope's tapestry on the chiusi skyphos:
reference:
there are some adjustments I need to make for tension, but I'd like to make the next version into a header band for a warp-weighted loom so I can try weaving the whole pot, including telemachus and penelope.
Couldn't tell you if i like this or not but whatever,
đ Iris concept
Siblings
and if i said nolan's odyssey starring no greek actors and with no recognizable aspects of greek culture or involvement by greeks, is the direct legacy of white supremacist colonialism that treated ancient greece as not just the pinnacle of ancient culture, but of an artificially created "european" culture, which white western europeans and their settler descendants, as the new pinnacle of culture, were the sole spiritual inheritors of.
âEmbroidered Snowy Stepsâ â The only footprints that wonât melt