|| bisexual 🏳️🌈 || she/her/hers || child of the 80s || Gundam Wing, Weiß Kreuz, Fullmetal Alchemist, Final Fantasy VII, Hellsing, Bleach, Death Note, Saiyuki, Cowboy Bebop, Trigun, Merlin, Supernatural, James Bond, Star Wars, Lord of the Rings, Star Trek, Hannibal, Spideypool, Sherlock, MCU, Doctor Who, Yuri On Ice, The Expanse, Sense8, Stranger Things, Heated Rivalry ||
I’m sorry my lovelies but the reason you hate yourself is because you treat you like shit. If you came up to me and then told me I was a fuck up who could never do anything right I'd fucking hate you too.
if you didn't let me go to bed until after midnight because you'd rather watch Netflix than let me rest, and then got mad at me for not being productive the next day I'd be PISSED
Love is a verb! Self love isn’t a warm fuzzy feeling, it is compassion and action in support of yourself!
And yes, this includes having compassion for the bully in your head. Unfortunately that part is also you and deserves as much of your understanding as the rest of you.
This is the real reason why you need to be kind to the bully in your brain too, because that motherfucker is really good at doing a switcheroo when you're not paying attention.
[Image ID: Tumblr tags reading: trying so hard to correct this, catching myself and scoling myself for not being kind to myself, what kinda circular logic is happening in my brain, anyway. this i /End ID]
continuation of this short post where shane tipsily contemplates getting squished between ilya and marleau’s sweaty bodies <3
it’s been several months and shane isn’t even thinking anymore about getting panini-pressed between his husband and his husband’s bro-y best friend. it was buzzy and fun and ilya teasing him about it while they fucked afterwards was kinda hot but he’s done with all that now.
that’s the plan, at least, until he finds himself in a club. finds himself a little drunker than he intended. finds himself on the dance floor, ilya guiding him with long, sexy movements that keep them pressed together so nicely, chest to chest. it’s less dancing, to be honest, and more swaying. taking stock of each other’s bodies and following the ebb and flow of them. and shane is drunk and happy and a little turned on by his smoking hot husband so that’s why he reacts the way he does when it happens. when they’re suddenly not alone.
shane is perhaps hyperaware of cliff marleau’s presence tonight, but only in the way that ilya hasn’t gotten to see him in such a long time. it’s a reunion of sorts. so vibes are up. his husband’s happy and that makes shane happy, his slightly swimming brain latching onto the endorphins that spike around marleau like they’re his own.
it’s why his body reacts the way it does when one moment, things are footloose and fancy free, and then the next, there’s this solid, hulking weight settling behind him, not touching but unmistakably there. it’s marleau’s deep voice. marleau’s woodsy cologne. marleau’s heat, hovering just shy of shane’s back as he leans over his shoulder to shout something at ilya.
it’s loud as fuck in here, the bass sitting low in shane’s chest, so he really does mean shout. but ilya leans in a bit to catch his words. seamlessly. they’ve done this so many times, shane assumes, finding each other in clubs after inevitably splitting up. and that’s fine. that’s good. ilya’s laughing and he’s happy and that makes shane happy. and then the crowd moves.
it’s light - a ripple effect as a group of girls make their way through the sea of bodies - but it’s just enough, that adrenaline spiking with a top-off of sweet endorphins as suddenly, marleau’s body sinks in to press all along shane’s back.
it’s nothing. an accident. and yet shane’s heart suddenly bunny-kicks in his chest, the light squeeze of him caught between ilya and marleau’s chests sending a pulse of satisfied heat through his core. because neither of them are moving away. there’s a natural sway to them that comes from being in a crowd of bodies, but the extra space must’ve never freed up behind marleau after the girls passed. and all of the sudden shane’s brain and dick register that he’s stuck. that he’s squished, by firm muscles, from all sides.
he’s been in this position before. on a dance floor like this. rose kissing him, miles’s lips not so secretly brushing against the back of his neck. it’s not a new position, but tonight is nothing like that. right now, there’s nothing remotely sexual even happening. it’s just ilya talking to his friend. just having a moment. casual and circumstantial and yet shane’s skin is on fire. his muscles are screaming with relief, the beautiful satisfaction of the deep pressure surrounding him making his brain swim down deep.
ilya shouts something back to marleau with a devastatingly handsome smile. it gets both hands reaching over shane’s shoulders to give ilya’s a friendly rub and it’s too loud to catch. all shane knows is they’re both laughing now. they’re like boys again - a revisit to their clubrat days and they’re just as smooth and sexy but they’re mature now. stable. and shane is ilya’s, those big hands on his hips now that marleau’s snug against his back. there’s no room to actually dance and shane’s finding he couldn’t be happier about that, pulse thick and thundering in his ears as another wave presses in, marleau’s touch dropping back to clamp over shane’s deltoids as he’s forced to press forward again - so fucking tightly into him this time that shane stumbles that last half a step into ilya’s chest and fuck.
shane’s eyes flutter closed. hands fall to clutch into the back of ilya’s tank top. his dick jumps in his jeans as the heady pressure squeezing around him tightens. neither of the men seem to care that marleau’s all up on shane and maybe that’s normal. maybe that’s just the way the club scene is. you get cozy and flush against your best friend’s partner and no one bats an eye because it doesn’t mean anything. it’s just a spacing issue.
maybe shane’s the freak.
because he’s trying not to, but he can feel himself getting hard. he can hear all that teasing that poured from his husband’s lips after he admitted to hypothetically wanting this around that fire pit. the pressure. the trap. with this man specifically.
marleau leans his head back for a second and his warm breath fans against the nape of shane’s neck and suddenly, like a demon has possessed him, it’s taking everything in shane’s power not to back his ass up into marleau’s lap. to grind against him a little. just to see. god, he’s drunk. he needs ilya to take him home and fuck him. he needs to stay right here and live out his days crushed between these two sweaty bodies, their colognes mixing into this insane aroma that gets in shane’s head and makes him wanna do something crazy.
he just needs to recenter. steady his pulse. enjoy the pressure without equating it to something filthy, like he can usually do so well, but for some reason is struggling hard as hell with right now.
shane rests his chin over ilya’s shoulder with a hum. closes his eyes. remembers himself and where he is and opens them back up, making eye contact with a twink who’s watching him with what can only be described as biblical proportions of envy.
they need to leave. before shane does something stupid. before he ruins a friendship that’s been in the works for over a decade because he’s drunk and horny and can’t control himself.
shane lifts his head to brush his lips against ilya’s ear, but before he can ask, something happens behind them. whatever it is, it’s got marleau’s lap pressing up flush against his ass and god, it sends this buzzy pleasure through him so, so deeply and the noise escapes shane before he can reel it in. before he can act like he’s normal and not very obviously so fucking turned on between them.
he can feel ilya’s chest rumble. hear the smirk that’s dancing across his lips as he noses his way over to shane’s ear instead.
“soon,” he murmurs, and shane has no way of knowing how his eyes flick up to snag on marleau over his shoulder. “let us play with you a little longer.”
the poster that this incredible illustration is based on is extremely striking. but while searching for it, I also found earlier posters for conveying this message along with a corresponding one for summer, and I fucking love them. absolutely lovely graphic design work. (both are from 1924, artist is Austin Cooper)
the one I was looking for originally also has a summer variant. (artist is Frederick Charles Herrick: 'it is warmer below' is from 1927, 'it is cooler below' is 1926)
In every way this is set up to be a joke like any other short video, it even uses the trope of main character in a wig to represent their mom, but it isn't funny at all. It's just sweet and nice
The business hasn't changed. You know, the economics haven't changed. The thing that's changed for me is that I was on the White Lotus and now I can be in a Broadway play. That wasn't true for me five years ago. The economics of theater have changed because we live in a country that is fundamentally unsupportive of the arts. You know, governmentally, there's no federal support for the arts. So now in order to do a play on Broadway, you have to do the White Lotus or else you're not allowed. They have to replace you with somebody more famous.
(If you hadn't done White Lotus and Gilded Age and hadn't sort of blown up as a "star"—)
We wouldn't be sitting here. Absolutely not.
(Your acting ability, what you do on stage, not enough?)
No, that's not how we make those decisions anymore. And you can ask all these extraordinary theater actors who don't do plays anymore because celebrities are doing plays. It's just a different world that we're living in now.
I would say August Osage County that production would not come to Broadway now. Nobody would take a risk economically on that move with a bunch of Chicago actors, a bunch of unknown actors in a company. I don't think the play would move now. I don't think anybody would pony up to do it.
(And Tracy wouldn't have a Pulitzer.)
That's right. And I wouldn't have married him. I'm just kidding. That's probably not true.
(It's a really sad thing you're saying.)
It is a sad thing! The state of affairs for the arts in this country is a very sad thing. Everyone's fighting for the same dollars, and I would argue the country goes the way of the arts. So, as we see that decline, I think it's symbolic of a greater erosion in our humanity.
Other people have said this in notes, but the Bulwer-Lytton contest involves writing the most absurd opener you can think of and submitting it to the contest. It's not a judgment like the Razzies or the bad sex in books award or something; it's a game. Diana Murtaugh of Baltimore is to be congratulated for this win.
Alright, everyone in the comments is like "it was closed because of pirating and don't you dare list alternatives because loose lips sink ships"
This is completly false. Rabbit shut down because they had no business model, were making no money whatsoever, and went bankrupt. What Rabbit did (host and stream remote-control virtual machines) is not inherently illegal by any means.
Hyperbeam is the exact same thing and I've been using it for years for perfectly legal activities -- you can display maps for d&d games, have youtube watch parties, play tag-team neopets, whatever you like. It has full access to the internet, so could someone do illegal things? Probably. But you could also do illegal things with your normal web browser. Not my problem.
Unlike Rabbit, Hyperbeam has a side-hustle (main-hustle?) offering more advanced virtual machines to businesses and schools, so they do actually make money and should stick around longer.
Now go experience the world wide web with your friends.
Not all venom fans are monster fuckers 😞 some of us are just aroace disasters who like the idea of a platonic soulmate who likes to murder annoying people for you, is that so bad?