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if i look back, i am lost
Keni
wallacepolsom

ellievsbear
cherry valley forever
we're not kids anymore.
will byers stan first human second
Mike Driver
"I'm Dorothy Gale from Kansas"

#extradirty

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occasionally subtle
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Love Begins
trying on a metaphor

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@p4rkingjimin
â°â†welcome to p4rkingjimin's tumblr.
âł â [đđđđđ đđđđđđ] ÂĄ! â
Chishiyaâs backstory makes me sick. My poor baby
hi dani
hii mazieee
this is replied to so late im gonna sob ignore it
i want writing requests. plsssss guys :(
i love reading and writing smut in public with a straight face
not enough yume shipping in this world. Need more yume shipping
ok i revamped my tumblr, made things more organized and fixed it holy SHIT that took too long đđ
"Chishiya cared about kuina" "chishiya and kuina" chishiya probably gave her that bomb bc it was the first person he could give it to. chishiya was ok never seeing kuina again. chishiya was planning to leave her behind in the manga. NO !
chishiya yap
i find it funny that chishiya said this after he burnt niragi. looking into the quote, i actually found the statement being by a man named kingman brewster jr (if i happen to remember his name correctly), who was an american educator and diplomat of yale University. the quote itself is pretty simple: "there is no lasting hope in violence, only temporary relief from hopelessness."
"no lasting hope in violence" refers to violence feeling empowering or strong, ultimately fixing a problem temporarily using brute force and such, but in the end it doesnt fix anythingâjust creates more violence.
"Temporary relief from hopelessness" refers to feeling hopeless, acting violently to release a feeling of control but it ends up fading, leaving whatever you felt in the past. it also refers to the cycle of those deceptive creators of violence, all continuing the cycle of rage and hurt.
I think this is VERY fitting, especially for someone like niragi, and even chishiya knew that.
his ability to understand people like that is what makes him so intelligent, for one. though he doesn't understand their direct feelings, he uses logic to find a meaning and i think the reason he quotes people so often/references certain media is not only because of his knowledgeable mind, but because he, himself, can't put it into words. i also find it ironic that he conveniently knows what utopia means in greek, i think due to his philosophical beliefs he'd maybe be into mythology as a whole instead of Christianity
âł â [BORROWED INTELLIGENCE] ÂĄ! â
âł â [đđđđđđđđđ] ÂĄ! â
Kuina vs Last Boss
A lot of people absolutely no one have asked me: Soma, before the symptoms of poison start kicking into your patients, what happens during your game? Does everyone just stand around awkwardly?
The answer is no! Here at the King of Hearts we make sure our patients stay entertained throughout their stay, and one of my favourite ways to accomplish that is to show them the absolute shitshow that was the Kuina vs Last Boss fight, with director's commentary!
Just so everyone can see what you're missing if you don't come to my game and because I'm mad at Kuina, without further ado, here is my analysis of the fight:
(@kuinaoflight @iamthelastboss up your fucking games or I'll personally beat both of your asses myself)
The fight starts off strong! The tension is so thick it can be cut with a knife, and that is exactly what Last Boss chooses to do when instead of aiming for Kuina, he aims for the air beside her. Sadly, Kuina can't take any points for dodging this, because the blow was never going to hit her in the first place.
If you have any beverage beside you I urge you to take a shot every time Last Boss is so off with his blows that he ends up giving his entire back to Kuina. It is really extraordinary how I've fenced for five years and I've almost never seen this happen (maybe because these people actually know how to hold a sword), yet Last Boss accomplishes this in the first six seconds of the fight. We're also going to be counting every time Kuina gives her back to Last Boss.
It is also amazing how Kuina never takes advantage of this and tries kicking him to push him onto the floor and run away. Call it warrior's honour, call it plot armour, either way, we are here for it!
Last Boss deciding again that Kuina is too easy a target and aiming for the air beside her, and Last Boss again giving his whole back to Kuina, this time in the eight-second mark. He's on his way to claim a record.
If you notice, you can see how his sword is behind him; that's because he's 'loading' (I don't know the English word) all his blows. Instead of going for a straight cut, he brings his sword back to gather more power and then releases it, which is stupid because not only does he leave him incredibly exposed (look at how his chest is unprotected), but it gives his opponent time to see where he's aiming at. Not that Kuina needs this, of course! Because once again:
Kuina is twenty feet away from him.
Also, none of Last Boss' blows hold any balance whatsoever. He's not in control of his body, he just lets it follow the blade and leave him exposed afterwards. This would also count as an instance where he's more or less giving his back to Kuina (third shot).
You can't see it very well, but just above Last Boss' elbow you can see the hilt of his sword; he hasn't even begun to throw the cut and Kuina is already dodging out of a mixture of being able to read Last Boss' movements, and being able to read the future, because there's no way she could've anticipated it so soon.
Yet again, Last Boss is aiming for the air and not Kuina. Someone get this man some glasses.
Even though Kuina is already crouching and Last Boss hasn't thrown the cut yet, he makes no attempt to change the trajectory of his sword and swing it downwards, because it's the âšgentlemanlyâš thing to do.
Both of them giving their backs to each other. Double shot! We're at five now.
If you're wondering: how much of the fight has already happened? The answer is a whopping 12 seconds.
You do not look half as cool as you think you do.
Look at this beautiful pliĂ© sautĂ©! Here we have an example of Last Boss gracing us with his ballet skills because he doesn't have any fencing ones. I'd attempt to explain what he's attempting with his arms but I have no clue and frankly, some things are better left to the eye of the beholder âš
He is grace, he is elegance, he is wasting energy with pointless jumps, but weđaređheređforđitđ
From now on I'm going to avoid mentioning every time Last Boss aims at the air. Imagine how often it happens for me to decide I can't keep counting it.
Kuina giving her back to Last Boss, sixth shot.
Also, let it be noted that she was in a hallway and instead of trying to run away, she decided: what if I got into a closed room where I can't escape once I get in? Wouldn't that be spicy? And it was!
I know I just said I was going to stop mentioning every time Last Boss doesn't aim at Kuina (and since then I've omitted it three times), but this one sticks out in particular because he's realized the air is too easy a target and now he's got his sights on a different one: the ceiling.
Again: the ceiling!
Brief intermission to be serious for a moment: Last Boss' problems when he's fighting are the following:
As I've already said, he's not in control of any of the blows he's throwing. He blindly swings his sword, and his whole body moves with it, which causes him to have many weak points in his defense.
Already said this too, but the way he keeps pulling his sword back to throw the blow with more power, which makes his opponent see where he's aiming at, and also leaves him exposed. Last Boss' defense is non-existent.
He keeps holding the sword with one hand, and really, he doesn't need to. One reason why you'd hold a sword that is mostly meant to be handled with both hands, with just one, is to close the distance with your opponent AND ONLY DURING A BRIEF MOMENT, before switching back to holding it with two. But Last Boss doesn't need this: Kuina is unarmed. He already has the advantage of the distance, he can reach further with his sword than Kuina could with a kick or a punch. All this is contributing to is a lack of balance, and softer cuts: you don't generate the same amount of power if you're swinging a sword with both arms than with just one.
Pointless jumps, pointless moving around. He's wasting a lot of energy.
Now back to the director's commentary!
Also, I couldn't take a picture which showed it decently so you'll have to believe me: Kuina giving her back to Last Boss again: seventh shot.
Kuina giving her back to Last Boss because jumping to the side was too easy and she too wanted to test her ballet skills. Eighth shot.
She is grace, she is elegance, she dreamed of this because I can assure you this did NOT happen.
Coincidentally, just at this time, Last Boss manages to cut a table with his sword, which is also something I can assure you did not happen. Maybe they talked about this after the fight was over and decided to add some spiceâš to it.
'What if I tell them I just JUMPED over your sword, how cool would that be??'
'OH, OH, and then I CUT A TABLE with the power of my SWORD!'
Kuina decides to roll around on the floor because she's already dominated the ballet game and now wants to try her hand at capoeira. And this allows us to take a ninth shot!
And since it happens again shortly after, a tenth!
Credit where credit is due: this is GOOD. His form is good and you can feel the power behind it. Round of applause for Last Boss!
I have no idea why anyone would be this smug after not managing to land a single blow with your sword on an unarmed opponent, but we love a confident king!! I personally would be crying, but to each his own I guess.
Mixed feelings about Last Boss' stance here. I've mostly done rapier, and I have accidentally gotten a few cuts on the hand because if a sword is going to hit you on the chest and you can throw it off course with your hand, even if you do get hurt on your hand, it's better than having a sword through your stomach.
I could see that, if this was a smaller weapon, you might want to use one hand to block the other person's movements and the other to attack. This is actually done a lot during knife fights, using one hand to deflect your opponent's weapon, and the other to attack.
But it IS a long weapon, and Kuina is unarmed. If she tries to kick him he can just aim the sword to her leg, so it's pretty pointless, even though the stance in itself doesn't look bad.
And I haven't done karate, so Kuina gets away with hers. She's on thin fucking ice though.
And his previous stance is useless because he suddenly switches to swinging the sword like a baseball bat. He wants to keep us on our toes! Always expect the unexpected đ
ALSO, IT IS JUST NOW, AT THE 1:54 MARK, WHEN LAST BOSS FINALLY MANAGES TO CUT KUINA'S ARM. ROUND OF APPLAUSE đđđ
Barely a second later and he's back to making me furious, because this is when he starts banging his sword against the ground.
One of the strong points the katana has, is how sharp it is. But a blade needs taking care of; you need to take care of the rust that inevitably forms, and you have to keep it sharp. The sharper a sword is, the more you're going to have to work to keep it that way.
Which is why it's INFURIATING how he keeps banging the sword against the floor, or leaning on it, just for the sake of looking cool. The only thing this is accomplishing is that by the time he lands another blow on Kuina (I'm guessing, fifty years from now, given his skills), the blade will be so dull it'll bounce off her skin.
Every time someone leans against their sword, a King of Hearts dies. đ„ș Protect your local King of Hearts.
Again, because Last Boss is a gentleman, he allows Kuina to hit him and take his sword while he just sits like: you're doing great sweetie âșïž he's a supportive friend.
Could've kicked her face here, but mannersđ comeđ firstđ.
I'm realizing I'm running out of space for the photos so you'll have to believe me when I say it's time for the eleventh shot!
Kuina managed to get him in a really bad chokehold (and he did nothing to prevent this and just flailed about) and Last Boss countered with a hit to her abdomen. Good!
A liver shot is one of the hardest to take when you're fighting against someone. Trust when I say a liver shot often feels much, much worse than getting hit to the face. It paralyses you, makes it hard to breathe, and hard to keep fighting afterwards.
However, there's a tiny problem here.
The liver is on the other side of Kuina's body.
Good attempt, though, because abdomen hits in general are still rough.
Last Boss decides to keep hitting Kuina with his elbows while giving his back to her, because why would you want to see your opponent? It's more important to take the twelfth shot!
Kuina could just kick him in the back, but she also decides against this.
I have no idea what Last Boss wanted to do here. was he going in for a punch, a kick...? OR WAS HE PRACTICING FOR HIS BALLET SHOW AFTERWARDS?? Yesđheđwasđ SLAY BESTIEđđđ
It's the worst picture ever, but Kuina's kick holds very little power. I could believe that she manages to stop him in his tracks, but the show expects me to think she launched him to the other side of the room. Which, by the way, is where his sword was at, so maybe next time don't throw your opponent to where his weapon is? Just an idea.
From now on, most of the fight comes from Kuina's dreams because it can be summarized with: 'no you fucking didn't.'
Last Boss throws the glasses to the floor, which, good for him, and Kuina decides to fight there instead of trying to escape the room. And when she adopts the karate posture, she slides her foot against the floor instead of just placing it on the spot she wants it to be. Because she wanted to make Chishiya mad when he later on had to take off all the shards of glass from her foot (this happened and I know because I was there too).
I do not know karate, but I do not understand what kind of useful stance would cause you to have one of your hands so up high, and the other so low. What are you protecting with this?? Your hand is too high to be protecting your face and your other hand is facing downwards. Like I said, I don't know karate, but I don't understand what this is supposed to do.
This is her father's pose, which is the one she's imitating, and I think it seems like his upper hand isn't as high as Kuina's, and his lower hand has his palm facing his opponent.
Love Last Boss' stance, hate Kuina's. Why is her ass so far back? This doesn't feel stable at all, her centre of gravity seems way off. But I'll give her the benefit of the doubt since I don't know karate.
Again, Last Boss wastes a good stance because he immediately does something else, and this is when Kuina dodges the blow by turning her head to the side, which happened in her dreams but absolutely not during the fight.
SUCH FIERCENESS, SUCH PASSION, SUCH... a weird place to aim a kick? The neck?? You'd never be lucky enough to hit this during a fight, so why not aim for the head??
Kuina then finishes the fight and her my suffering is over.
Onto the game now!
Aquarium date!
COMISSION @sillyenemyarcade
Chishiya shuntarĆ was a man notorious for never taking days off work. It had been worse since the meteor, he had sunken himself into saving people and studying. But, as his cheerful, bubbly partner, Dani had plans. Just for today of course.
âAre you sure this is where you wanna be? We could be going to dinner instead of this childish place.â He hums, curiously skimming his fingers through the water with some hesitation as he looked at the shallow waters down below, a fish almost nibbles his finger. He grimaces and quickly pulls away. Stuffing his hand into his pocket.
âYes! Trust me, thereâs so many cute fishes. Itâll be worth it.â Her eyes glistening as the water flows, tropical fish, a little octopus hidden under rocks, sea bunnies. âLook at that one!â She points, the tropical fish bangs its head against the glass. Chishiya only stares in amusement, his eyes flickering between her and something else. Suddenly grabbing her wrist. âIâd like to show you something.â
âHuh?â She stares confused before shrugging. âOkay.â As he begins walking, Dani takes in each sight, humming before sheâs met with one of the biggest tanks sheâs ever seen. âHoly-â There were jellyfish of all sorts of colours, seals, in another enclosure, sting rays, sea bunnies, and other poisonous animals. She gasps. âJellyfish!â
He smiles, removing his hand from her wrist to intertwine his fingers with hers, âThat one looks like you.â He murmurs softly, pointing to the pink jellyfish. She giggles, a brown stingray appears, seemingly following the jellyfish, not getting to close. They seem to dance in a way, beautiful and wholesome. âThatâs you.â Dani murmurs softly, her finger pressed against the glance. Chishiya smiles and squeezes her hand. âIt is.â
âAlthough, the jellyfish isnât as.. pretty as you.â It seemed like he tried to find words that sounded sweet, Dani presses a soft kiss to his cheek. A grin on her face.
âLetâs go look at the seals, and get dinner afterwards.â Dani requests, all Chishiya does is nod and smile.
Let me know if I need to change anything! đ©·
Oh my GOD im actually giggling so bad ahdhsjakaksjsjdjjdd this is PERFECT ughhhhh,,, danishiya canon!
omg i love ur oneshots sm,,,,, i adore u pageee !! Can u maybe write a chishiya x reader where she has REALLY REALLY bad social anxiety and like never goes out at allđ
chishiya x anxious!reader
summary: you had never been extroverted (to say the least). But luckily for you, neither has chishiya.
tags: established relationship, fluff, social anxiety
A/N: hiiii! i feel like this is so bad so iâm so sorryđđ my writers block has been terrible these past few days so this is just whatever slop my brain could produceđđ
word count: 1.7k
masterlist!!!
Youâve always been a creature of habit, but âhabitâ feels too gentle a word for the walls youâve built around yourself. Your life exists almost exclusively between the four walls of your apartment, a soft-lit sanctuary of blankets, books, and the faint hum of your laptop. Going out? Thatâs for other people â those that donât feel their heart slam into your chest at the mere thought of a strangerâs glance.
But then thereâs Chishiya. He is different - solitary, like you, but by choice rather than necessity. You had met on one of your rare visits to the grocery store, bumping into him, literally, and, for some reason, he decided to stick around. You finally confessed your struggles with anxiety to him a few weeks after, expecting him to become disinterested like so many others, but he just said, âmeh, outside is overrated anyway.â
Heâs learned you, piece by piece, even noticing the signs before you do sometimes. The way your fingers twist the hem of your shirt when youâre overwhelmed. The shallow breaths that come when the doorbell rings unexpectedly. The way you curl into yourself on the couch when your brain thinks just a little too much.
Tonight is one of those quiet evenings between you both. Youâre nestled under a blanket, scrolling through your phone, while Chishiya lounges in the armchair across from you, flipping through a book on biochemistry or something equally impenetrable.
âYouâre fidgeting,â he says suddenly, not looking up from his page.
You freeze, realizing your foot has been tapping against the floor. âAm I? Sorry.â
He glances at you then, those sharp eyes softening just a fraction. âItâs fine. Whatâs on your mind?â
Itâs nothing big - not really, just the usual spiral. You had seen a post online about a local event happening this weekend. It looked fun, like something youâd enjoy, but you were hyperaware that fear would keep you away once again. It stirred that familiar ache: the longing to be involved, to be normal. But saying it aloud feels silly, redundant even. âJust⊠stuff. You know.â
He nods, closing his book with a soft thud. âThe delivery guyâs coming soon. Want me to handle it?â
You exhale, grateful he doesnât press. He never does. He was good like that, always offering without making it seem like a favor. âYeah. Thanks.â
You eat in companionable silence, the kind that never demands filling. It never did with him. Afterward, he clears the table while you wash up, and when you return to the living room, heâs already dimmed the lights, knowing you prefer it dark.
âMovie?â he asks, settling on the couch.
You nod, curling up beside him. His arm drapes over your shoulders casually, his fingers tracing idle patterns on your arm. Itâs these little things - the way he anticipates what you need without words - that make you feel seen.
Safe.
But Chishiya isnât content to let you hide away forever. Not in a forceful, sudden way; no, heâs far too clever for that. He plants seeds, subtle suggestions that will nudge you toward the edge of your comfort zone. Like last week, when he mentioned ordering books online but mused aloud about browsing in person someday. âLess waiting,â he had said offhandedly. You had brushed it off, but the idea lingered in your mind. It would be nice, you hadnât been to a bookstore in years.
Heâs doing it again now, as the movie credits roll. âI finished that thriller you lent me. The ending was predictable like you said.â
You smile, shifting to face him. âTold you. What did you think of the twist with the sister?â
âOh that was from chapter three.â He said with a playful smirk, knowing you didnât get it until chapter 10. âI need something new. Thereâs a bookstore downtown â itâs small, independent. Not too crowded.â
Your stomach twists, that familiar knot forming. âYou could go alone. Or order online.â
âI could.â He pauses, his eyes meeting yours. âBut I thought you might want to come. They have that section on rare editions you like.â
Itâs not a demand; Chishiya never demands. But thereâs a subtle challenge in his tone. The kind which means heâs not going to back down. He knows you love books - the smell of paper, how the pages sound when you turn thrm. Your apartment is lined with shelves, supplementing any need to go to a library, but all of those books were bought online or gifts from family if you were lucky.
âI⊠donât know.â The thought of stepping out, navigating the streets, possible small talk with a cashier - it sends your pulse racing. âWhat if itâs busy? Or someone talks to me?â
âThen we leave.â Simple, logical. âItâs a Tuesday afternoon. There wonât be many people. And Iâll handle any talking.â
You bite your lip, fingers twisting in your lap - a sign he clocks immediately. His hand covers yours, stilling the motion. âNo pressure though. Just think about it.â
The next morning, you wake to the scent of coffee. Chishiyaâs already up, leaning against your kitchen counter with a mug in hand.
âMorning,â he says, sliding a cup toward you.
You mumble a reply, sipping gratefully. It was the same routine as always: breakfast together, him reading the news on his phone while you sketch absentmindedly in your notebook. But today, you can tell heâs watching you more closely, not overtly, but you feel his eyes in the side of your head.
By noon, he broaches it again. âIâm heading to the bookstore at around two. If you change your mind, the offer still stands.â
Your heart hammers in your chest. Part of you wants to - desperately. To feel normal, to share something simple with him outside the confines of your apartment. ButâŠ
What if you get overwhelmed? What if you embarrass him?
He senses the war in your head without needing to ask. Setting his phone down, he moves to sit beside you at the table. âTell me what youâre thinking.â
âItâs stupid,â you whisper. âI want to go, but⊠my chest gets tight just imagining it. How would I cope if I canât even think about it? What if I freeze up?â
His expression doesnât change - no pity, no frustration. Just understanding. âItâs not stupid. And they wonât be staring; people are too focused on themselves. But if it happens, we adapt to it. Breathe through it, like we practiced.â
Those practices - he started those subtly too. Deep breathing exercises disguised as âmeditation for focus,â which he claimed helped his studies. You know better now; it was for you, to arm you against your own anxieties.
âOkay,â you say finally, surprising yourself. âIâll try.â
His lips quirk into an almost-smile. âGood.â
The next hour is preparation, though he doesnât call it that. He suggests comfortable clothes - your oversized sweater and jeans that donât pinch. He packs a small bag: a water bottle and noise-canceling headphones, for you, just incase.
As you step toward the door, your hands start to tremble. Chishiya notices - of course he does, he notices everything when it comes to you - and he silently slips his fingers through yours.
Outside, the world felt obnoxious: cars humming and clanking as they drive by, people talking too loudly, eyes looking your way. You cling to chishiyaâs arm, your eyes focused on the ground. âToo much?â he asks.
âA little.â Your voice wavers.
âWe can turn back.â
But you shake your head. âNo. Lets keep going.â
He just nods, continuing to guide you down the sidewalk. Itâs not far - ten minutes at most â but right now it feels eternal. A passerby brushes too close, and you flinch so Chishiya shifts, positioning himself between you and the street, like a human shield.
âFocus on the details,â he says quietly. âCount the cracks in the pavement. Or name the colors around us.â
Itâs another trick heâs taught you. You try: gray sidewalk, blue sky, red stoplight. And slowly, the panic ebbs away to something more manageable.
The bookstore appears ahead - a quaint corner shop with a faded sign. Through the window, you can see shelves stacked high, soft lighting, and only a few people.
Inside, itâs heaven. The air smells of old paper and ink, a silence which is only broken by the turn of pages. A single clerk nods from behind the counter, then returns to their book. No forced greetings, no hovering.
Safe.
You exhale, the tension in you uncoiling slowly. Chishiya releases your hand but stays close, browsing a nearby shelf. âTake your time.â
You wander tentatively, fingers trailing the spines. Fantasy, mystery, poetry - your havens. For the first time in ages, the outside world feels⊠tolerable. Chishiya picks up a volume of his favourite medical journal, but his eyes flick to you often, just checking in.
At one point, you reach for a high shelf, and heâs there instantly, plucking the book down. âThis one?â
âYeah. Thanks.â
He adds it to his stack. âAnything else?â
You browse longer than planned, the anxiety fading into mere background noise. But as you approach the counter, it surges back. The clerk - a kind-faced woman in her forties - looks up. âFind everything okay?â
Your throat tightens, the words sticking in your throat like tar. Chishiya steps forward seamlessly. âYes. Just these.â
He handles the transaction, chatting minimally with the cashier about the weather. You stand beside him , grateful for his buffer.
The walk home feels lighter than the one on the way here. You had actually done it â a small step that feels like a milestone towards a slimmer of normalcy. Maybe it was a coincidence, but the cars were quieter now, and the pavements less crowded.
âYou did well,â he says once youâre inside, door locked behind you.
âI almost didnât.â You sink onto the couch. âBut⊠it wasnât as bad as I thought.â
He sits beside you, unpacking the books. âProgress isnât linear. Today was a step. A big step for you.â
You lean against him, exhaustion mingling with the small pride. âWhy do you push me like this? Not that I mind, but⊠you are okay with staying in, right?â
âI am.â His voice is thoughtful. âBut I see how the isolation weighs on you. I donât want you to feel trapped - not by anxiety, anyway.â
Thatâs the closest heâs come to admitting heâs helping on purpose. âThank you.â
Later that evening, as youâre both reading your new finds, he says, âThereâs a cafĂ© near the bookstore. I heard its nice⊠quiet. Maybe we could try it sometime?â
âMaybe.â
âMaybe is good.â
And it is. With him, nothing feels too scary anymore.
INTRODUCTION !!
Safe and sweet.
Haaaiii luvies!! this is for the bestest friend ever (i'd say we're friends <3),, they're fr the #1 urumi fan and idc i ship urumi x igi so bad!!!!!!!!!!)!))))!!!! Soooosssososoo,,, this is for them!!!!!!
TYPE: urumi x reader (no use of y/n.), gender neutral!reader, fluff, borderlands au (after a game.)
WARNINGS: brief mention of blood, injury, and death. small kiss,,, obsession with strawberry pockyâand just cuties <3 idk lmk if i forgot anything???
pocky crumbs and sweet kisses, at least you survived.