Katy Keene by Barb Rausch
2025 on Tumblr: Trends That Defined the Year
taylor price
Jules of Nature

if i look back, i am lost

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Andulka
AnasAbdin
Xuebing Du

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Game of Thrones Daily
Peter Solarz
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Claire Keane
Monterey Bay Aquarium
Sade Olutola
trying on a metaphor
occasionally subtle

Janaina Medeiros

shark vs the universe

❣ Chile in a Photography ❣

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@paganinihorror
Katy Keene by Barb Rausch
a-ha in the 80s
the time has come for Sanrio to bring back Big Challenges
THEY BROUGHT HIM BACK LET’S GOOOOOOOOOOOO
「 Pretty Guardian Sailor Moon R OP 」
And suddenly everything is different. They have looked at each other.
Retro Gaming with Paganini Episode 1.5: Ranma 1/2 Hard Battle continued! #anime #snes #retrogaming #ranma
I'm starting to cover my game collection on TikTok. Currently I just have two videos on Ranma 1/2 Hard Battle. I don't know if I'll get into streaming at all, so my dumb little phone videos are what I've got!
FEATURE: The Harajuku Line: Forgotten Fashion Monsters of Japanese V-Cinema
3 Imaginary Films That Don't Exist (But Should)
20 years ago, Japan was overflowing with movies: some good, some bad, many now totally forgotten in the present day. It was an era in which the direct-to-video market, known domestically in Japan as "V-Cinema," supplied entertainment in the form of cassettes to countless rental shops and consumer VCRs.
The good news is that there are now entire genres of V-Cinema ripe for rediscovery. Chief among them is a handful of films known as the "Harajuku Line" (原宿線). These were a series of films set in and around Tokyo’s famed fashion district in the late '80s to mid-'90s, just as new strands of Japanese youth culture were beginning to emerge from the underground. In addition to preserving a time and place from before the area was taken over by international fast-fashion brands and real estate development, the Harajuku Line titles were especially unique in how they freely combined multiple film genres, class and generational conflicts, street fashion, and a strong female point of view...
READ MORE AT TOKYOSCOPE BLOG!
y’know, it’s been a while since I made this reasonably popular post about how my abuse was the fault of my abuser and my society, not the fiction she used as an excuse.
But I want to talk a little bit more about how I came to that realization, because it wasn’t easy, but it was extremely important to how I conceptualized what happened, and what systematic abuse means.
During and immediately after the abuse - as in, for a little more than a year after we’d broken up and I moved away - I hardcore blamed Twilight for what happened. She called herself the lion to my lamb, she called herself a vampire and said she couldn’t resist me, she…. basically LARP’d twilight at me (and yes, even then, when it wasn’t terrifying it was hilarious). Of course it was Twilight that made her like this, she’d all but explicitly said so. She compared her emotions to Edward’s on the regular; of course Twilight was normalizing those emotions for her. Everyone thought Twilight was romantic so of course she thought things like stalking and controlling me were romantic! I was so sure. I never harassed people, but it’s part of why I chose to study media in college; to analyze unhealthy relationships in media and try to get abusive content recognized as harmful.
And then, almost two years after leaving her, I started talking on tumblr about her, on my main. Just a little, a few stories, comparing her actions to those of a character in a webcomic and pointing out that casting those as romantic is why I’d gotten abused. How she’d talked about twilight’s romance and some of her more distinctive and awful behaviors.
And then I got a message. “Was her name *****?”
It was.
“She did those things to me too. But she said it was like iron man. Like, she was tony stark, and I was pepper potts who has to put up with all of this to save her from herself.”
…
I hadn’t known, until that moment, that there were others.
There were a lot of others.
We reached out to a few of her other close friends / closeted ex’s. Same story, different fandoms. And then we looked at her college, gently reached out to the person she’d dated freshman year.
The same story again, shifted to accommodate whatever fandom we shared with her, twisted to make her actions look romantic. After me it was another girl, summer after we broke up, 50 shades. Her college boyfriend, it was Steve and Bucky. Over, and over, and over, stories changed only in details, and each one she used fandom to cast herself as the tragic hero and us as the ones who had to save her, who should see her abuse as an expression of how much she loved us.
There were so many of us, and she’d used fiction on us all. She’d used it, like a tool, jammed into whatever gap in our armor she could find.
I can’t…. explain, how I felt then. I found all this out in the course of a couple weeks. An isolated incident of someone who loved me and who I loved, whose relationship had gotten twisted by a romance novel, turned into a story of intentional and systematic abuse. I hadn’t realized how much I was using Twilight to avoid fully blaming her until I couldn’t do it anymore. Until I had to fully face the fact that she’d been lying to me, she’d been abusing me, and she knew that she had to make me think it was ok somehow. She’d known it was wrong. She wasn’t brainwashed by Edward stalking Bella; she wanted to stalk me, and she used Edward as an excuse.
When I say “abuse is the fault of the abuser”, I don’t mean in just a pure metaphysical, “everyone’s responsible for their own actions” kind of way. I mean that abusers start with their abusive behavior, and then fill in whatever behavior and excuses they have to to justify it to themselves and their victims. Maybe it’s media. Maybe it’s substance abuse. Maybe it’s past abuse that they suffered. Maybe it’s some psychology mumbo-jumbo about projecting past trauma onto you. Maybe it’s mental illness. Maybe it’s anything.
I had thought - I thought that maybe she was a good person, underneath it all. That media had twisted her. That it Twilight has just been different, she would have been different. I thought media made her think it was ok.
There is a unique kind of pain in realizing that someone you loved chose to hurt you. There is something that changes you, to realize that they wanted to take an action, realized it would hurt you, and then looked around their life like a handyman looking for a tool: “what would make this ok?”
Abusers choose to hurt you. They know that their actions will hurt you, and they choose to do it anyways.
Everything after that is an excuse.
Covers of Monthly Halloween 『月刊ハロウィン』
The Emerald Shapery Center/Pan Pacific Hotel - San Diego, CA (1991) - now Emerald Plaza
Landscaping designed by Wimmer/Yamada, architecture by C.W. Kim Architects & Planners
Scanned from the book, 'Interior Landscapes: An American Design Portfolio of Green Environments' (1999)
Please enjoy these highlights from one of the most important texts held at my premier research library
Demetrios, 1989.
Model: Sabrina Colle.
Interesting how antis insist anything on AO3 is CSEM yet they don't call the police. It's almost like they know deep down that there's nothing worth reporting on there.
Oh but anon, they do alert authorities. The cybertip line, which is supposed to be for alerting the FBI in the case of real cyber abuse (of which creating CSEM definitely qualifies) has been especially clogged up by false tips within the past few years, and it is almost certainly because of the rise of antis.
It was a bit ago by now, but I remember a post that was floating around where an anon claimed to have reported someone to the cybertip line for writing a sex scene between two fictional characters who were consenting adults. Of course, the user wasn't in any danger, any competent agent would dismiss a tip like that as soon as they realized what it was actually about. Instead, assuming the anon wasn't bluffing, the consequences of that false tip fell onto the abused children who may have been raped again in the time it took for agents to sift through the false tips in order to get to the real ones. Plenty of lawyers have even gone on record to say, "Stop reporting cartoon drawings as CSEM! They do not count! You're just making it harder for us to help real children!"
Not only that, but antis have already gotten in trouble for spreading real CSEM, both to try and "own the nasty proshitters", but also sometimes because when some of them see stuff like that, their first instinct is to put it in a public callout post, which further contributes to the exploitation of the child in said illegal content that they liken to that of an abused anime character.
But yes anon, Archive of Our Own is a very famous public website. The fact that it can be everywhere on the surface web in plain fucking view for this many years without the FBI so much as batting an eye should be proof enough that written fiction cannot be CSEM, but of course, antis don't have fucking brains, so they can't figure that out to save their lives. They just keep saying that AO3 is full of "child porn" and the government just like...hasn't noticed yet, somehow.
You see what happens when you act like fictional abuse is the same as real abuse? Not only does it make you treat fictional characters like real people, it also makes you treat real people with flesh and blood like they matter just as much as a fake construct in a story that doesn't actually exist.
People who play GTA V have no trouble understanding this distinction. That's why jumping cliffs with your car and running people over in that game is funny instead of deeply traumatizing.
Sorry, anon. Can you tell that I'm angry? I'm a little angry.
Gotta love how "If a character was introduced to us as a minor, then they are FOREVER a minor, even if they canonically grow up" is just accepted as a normal thing to think by some weirdos.
Like, i stg, there are still people who insist Korra is a minor because she was 17 in Book 1, despite the fact that she's 18 in Books 2 & 3, and 21 by the end of the series.
And I'll never forget that one screenshot where some dipshits on Tik Tok said it was creepy that the characters from Naruto canonically grew up and had children.
Anti-ship discourse has fucking warped people's perception of what's normal to a ridiculous degree.