Portrait of Anne, a Tongan woman wearing a lace-trimmed dress, Polynesia, 1890.
British Museum
Lint Roller? I Barely Know Her
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2025 on Tumblr: Trends That Defined the Year
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Portrait of Anne, a Tongan woman wearing a lace-trimmed dress, Polynesia, 1890.
British Museum
Daguerreotype portrait of a seated couple, American, 1850s.
Getty Museum
Portrait of a Māori woman wearing a tag cloak (korowai) and a boy wearing a cloak decorated with peacock feathers, Aotearoa (New Zealand), late 19th century.
British Museum
Family portrait, about 1855.
Photo by Jacob Byerly (American, 1807 - 1883)
Getty Museum
how can you eat the fried hearts of something that once was alive and had a beating heart? do you feel any guilt? i hope you do.
please google what an artichoke is
A few weeks ago one of my historical pet peeves was activated when I heard about a new Robin Hood movie that takes the groundbreaking, unprecedented, bold and visionary step of suggesting that the Middle Ages were a time of brutality, cynicism, and lawlessness.
Sarcasm alert. Everything I've heard about this movie sounds like it was created specifically to annoy me, so I'm going to try to ignore it and just talk about my pet peeve, which is this pop culture myth that the medieval period was particularly filthy, brutal, misogynistic and lawless.
Which is simply not the truth, and here's a true story from 1348 that shows the real Middle Ages.
We know this story because it's a very important moment in the development of common law - that is, the facts and the conclusion of the story were written down and became the basis for how similar cases would be decided long into the future. This 1348 judicial decision (citation: I de S et Uxor v W de S (1348) yb 22 edw iii f 99) is still read by law students today when studying the tort (or wrong) of assault. That's nearly seven hundred years of judges and lawyers looking back at a medieval judicial decision and saying, "Yes! That was a good and just decision!"
To set the stage, it's the 1300s - a century famous for the Black Death, the Hundred Years' War, the Peasants' Revolt, and the Babylonian Captivity of the Church that saw the papacy moved to the French town of Avignon as puppets of the French monarchcy. But that's not the only thing that happens in the 1300s. This century also sees the publication of Dante's Divine Comedy; the Clockwork Revolution in which intricately designed clocks tracked everything from the hours of the day (which were measured in variable lengths) to the phases of the moon and the Sun's path through the zodiac; the creation of gorgeous books of hours and tapestries; the career of Christine de Pizan, the first woman known to have made a living from her pen; the writing of Geoffrey Chaucer and the radical social and religious reforms proposed by John Wyclif and his followers.
About the middle of this century a man known to history as W de S came in the night to the house of I de S and M, his wife, looking to buy some wine. The door to the taven was closed, so W pounded on the door with a hatchet, which he had in his hand. At this, M, the tavern-keeper's wife, put her head out the window and told him to stop. W responded by throwing the hatchet at M, narrowly missing her.
The tavern-keeper and his wife, contrary to what pop culture will tell you, responded exactly the way a couple of pub owners might respond today: they took the offender to court and argued that W had made an assault on M. W argued, in response, that he had committed no crime because the hatchet had not in fact struck M.
You might now be thinking that of course W would have won the case, since no actual physical harm was done to the woman he'd attacked. But you would be wrong! The judge in the case declared that the assault itself was harmful, and that W was liable to pay compensation for the fright he had caused M.
"Ever since then," states my old Torts textbook, "the tort of assault has extended protection to a person's right to be free of emotional disturbance brought about by intentional threats of physical violence."
Law did exist in the middle ages. Women, as well as men, could expect to be protected by the law from assault. And not only physical, but even emotional damages could be awarded for assault...all the way back in 1348.
It wasn't a perfect time, but it was far from the callous brutality depicted on our movie screens.
#i just so happened to be perusing the dsa's religious socialism's website yesterday#and there was an interesting essay about this movie's exclusion of friar tuck!#friar tuck being a jovial character that ruins the grim dark fantasy i guess#but also friar tuck being a representation of systemic reform#or someone inside a corrupt system (the church) who actually partakes in the rebellion against it - via @jabletown
Enjoying the Beach
Oregon Coast
Decorative mermaids from Harley MS 4972 f. 20r, 1275-1325
Pics of my Pride flag quilt top! I designed it myself, and tried to use as many distinct fabrics as I could except where I didn't have enough of a single color (looking at you, purple and brown). Size is about 60 x 90 inches. Now just waiting on the backing fabric (which I am soooo excited about). Not sure how I'm going to quilt it yet, but I am not very skilled so something extremely basic. Enjoy!
Sampler, silk embroidery on linen foundation, c. 17th century, England
In honor of one of my favorite short stories of all time being set today, August 4, 2026, here is a repost of a commission I got from the wonderful @bethfuller in early March 2020 of the poem featured therein (and that which gives it its title) by Sarah Teasdale:
I don't know what's triggered it but I keep thinking about what I internally term "the yaasification of Orcs" and what it has to say about people. Ill frontload my caveats up here and just say 1. I realize I'm not the first to remark on any of this and 2. I'm really not trying to imply that your opinions or lack thereof on fantasy art is of deep ethical concern. First off, what I mean by this is how, especially in recent years, depictions of Orcs in a lot of media has become less monstrous and much more 'just a buff person with green skin and tusks'. Compare the DnD art for playable Orcs from their inclusion in the Volo's Guide to Monsters expansion (2016) to their next appearance as a core playable race in the 5.5e Players Handbook (2024):
I could talk at length on dissecting these images and other popular depictions, but in the interest of brevity and staying on message Ill just summarize. In 2016 Orcs are monstrous humans, in 2024 they are buff elves. Ill admit that part of m dislike of the change is just a departure from things I liked growing up. Warcraft II was a big part of my childhood and introduction to Orcs, and Ill always love them that way best. But there is more to it than that. I understand that a lot of this change comes from a place of reimagining Orcs beyond simple evil archetypes, to avoid the potential for unfortunate racial or xenophobic undertones, and so on. I think that's a good and noble thing. Fantasy tropes are modern myths, we can and should shape them and build upon them. But I don't feel like this really does that. What does it say that to make the Orcs less 'problematic' that they need to become elves? Why can't they keep their bestial jaws, their somehow both ape and swine-like features? I remember once, on this very website, seeing someone repost a bunch of art of very elven looking Orcs with a comment to the effect of "Who says Orcs have to be big and buff?" and framed itself as somehow, frankly, woke for the depictions. As though saying "I have made the thing slender and elegant and now its beautiful" was somehow deviant, and not the most mainstream of takes. There also comes with it a kind of strange erasure, a kind of white-washing of Orc lore. I think its because if we want to imagine Orcs in the frame work of modern conceptions of race they definitely aren't "fantasy white" so they must be "fantasy POC" and therefore anything wicked is a big no-no. They can't be demon-blooded marauders, they need to be misunderstood. Ironically, I feel we just reinvent the Noble Savage but green.
I think better depictions of Orcs include works like Dungeon Meshi (Delicious in Dungeon for those who didnt read it before the official translation and must be resigned to sounding like a pretentious weeb) or even just Warcraft III. In Dungeon Meshi the Orcs are explicitly porcine in appearance and absolutely do raid and kill. The story touches on this as a conflict of cultures, economic conditions and more. In Warcraft III, coming after a game where the Orcs were heavy metal dag-blasted evil, the story focuses on Orcs living in the aftermath of a failed invasion, abandoned by their demonic overlords and oppressed by the human victors. The story manages surprising depth on the subject of their culpability in the evil they wrought upon the land as well as the injustices they face now. Both takes are, I think, more interesting, more honest, and more, well, intellectually valuable takes on the topic. I don't hate the Orcs from 5.5e, and generally don't like to harp on people depicting things how they like. And there's still plenty of good monstrous Orcs out there. But something always gnaws at me about it when I see "green elves". Some kind of stolen valor for monster-fuckers I suppose. "Yeah, I love the monstrous" says someone talking about an generally attractive woman with muscles. I could really do a deeper dive on this, but that would perhaps just be indulgent. Im going to cut myself off here. Zug Zug.
The Chinese shoe manufacturer decided to demonstrate the indestructibility of their shoes
What are your favorite sapphic reads?
In no particular order
Carmilla (okay this is my favorite book, so that order is particular)
Fingersmith
Karen Memory (just the first one; I DNF'ed the third and the second is Meh)
My Darling Dreadful thing
the Animals At Lockwood Manor
A Dark and Drowning tide
the Book of Blood and Roses
A Lady's Guide to Celestial Mechanics
the Haunting of Hill House (subtext but shhhhh)
A Sweet Sting of Salt
There's something so uniquely joyful about a mare taking her new baby out for a run. I could watch them all day.
THESE HORSES ARE SO DARK THEY ARE SO PRETTY
Let's be gorgeous with mama
Yet another new study debunked the basis for the anti-trans sports bans. It was never about sports but for creating legal avenues for exclusion and abjection. This is one of the largest analyses ever conducted, involving 52 studies and 6,485 trans people. Read the study here.
post so nice had to reblog it twice and force it down everyone's throats