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Vive L’Amour (1994) dir. Tsai Ming-liang

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SLOW MOVES (JON JOST, 1983)

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NOWHERE (GREGG ARAKI, 1997)

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The Wayward Cloud (2005) dir. Tsai Ming-liang

crackmagazine

Here’s this month’s cover with the incredible Blood Orange

It’s shot by Emmanuel Olunkwa and written by Brittany Spanos READ IT NOW

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The story of film: An odyssey - Tsai Ming Liang

treethymes

Under the logic of capitalism, there can be no greater luxury than the luxury of time or, rather, the crime of boredom. For to be bored is not to have made full use of time, to be inefficient, to waste time. If mainstream cinema’s aim is to provide “escapism” from boredom by utilizing “various forms of speed (activity-filled narratives, rapid camera movement, fast cuts, up-tempo soundtracks, and so on) to keep us entertained” (Misek 2012, 135, 137), the slow art film, on the other hand, “anticipates a spectator not only eager to clarify the value of wasted time and uneconomical temporalities but also curious about the impact of broadening what counts as productive human labor” (Schoonover 2012, 65). A cinema of slowness, therefore, invites us to reconsider the value of waste…

Song Hwee Lim, Tsai Ming-liang and a Cinema of Slowness (2014)

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My daughter Caitlin’s a freshman. And Danny is in 11th grade.

We Are Who We Are | 1x01 - “Right Here Right Now I”

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Steven Yeun photographed by Meg Young for Schön! Magazine (2018)

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Falling through the skies and holding onto you for life I’d clip my wings for you If I was to die, I don’t care if we’re eye-to-eye I’d clip my wings for you