Guapa pa' mi dios 🌌
he wasn't even looking at me and he found me
Sweet Seals For You, Always
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@paulajotta
Guapa pa' mi dios 🌌
Happy halloween 🎃 👻🖤
When ikuo asked dai on a date
Me: este compa ya está muerto, nomás no le han avisado (That friend is already dead, they just haven't notified him)
¡ 25000 «Me gusta»!
-Tienes que saltar -Gwi-ju
-Sola? -Do da-hae
-No, sola no - Gwi-ju
-Yo estaré contigo, aún cuando creas que estás sola y no seré solo yo, pronto conocerás a los demás. Las cosas no siempre serán fáciles pero cuando las rememores verás que todos los momentos que pasamos juntos fueron felices...no lo pierdas hasta entonces...cuídalo...recuerda esto...no es el fin...es el principio - Gwi-ju
Capitulo 12
FL still has not a single pang of conscience four eps in - she wanted to switch targets not because she felt any qualms about using a vulnerable child (or said child’s traumatized father) but because she got scared seeing the family powers. If she’s had a single unselfish concern in these four eps, it has not been shown.
The way she uses people’s traumas and damage against them to gaslight is not endearing either.
I think I am supposed to feel bad she owes money but here is where “cool motive still murder” phrase comes in.
I’ve seen people say “but complainers were fine with LMH in Blue Sea.” Sure - I became fine with him when it became clear he caught feelings. There is not a single shred of evidence FL has any feelings of any kind for anyone in that household (or that she has any personality outside the scam thing - it’s not that she has one fake personality she uses to scam and a real actual personality - we see none of the latter.)
PS the scammer family plan is idiotic. In real life, the moment they tried to get control in the court, the family would get an attorney who it would take two minutes to expose their past scam history and that would be the end. Their plan makes QoT scammer plan seem like genius.
Are we watching the same drama?
1. She was also a child when that "family" of scammers also took advantage not only of her traumas and her situation. I don't justify it but for me being 13 years old and having a family is not the same as being 17 and being completely alone with a debt that wasn't even yours and having to pay it (not counting everything she had to go through during her childhood). You don't know if she is so used to seeing adults take advantage of children that she doesn't take the time to think about the damage it does.
2. It was not her debt and look, 13 years later she still cannot pay it
3. Why should she have feelings? No one in that house has genuine feelings for her, you forget that they are also using her for their own benefit.
4. gaslighting? They are also doing it to her, not to mention that they are also manipulating her and hiding things.
Dile ya a tus papas que no vas a regresar
Te vas con un loco que no te para de amar
A vivir salvajes, libres
Libres allá en San Lucas
“porque no puedes vivir bien”-pregunto él
“porque no se vivir plena, nunca he sido feliz y por eso necesito caos para poder seguir funcionando”-conteste yo
Con quien vas a reunirte no te hará sentir solo.Al menos, como mínimo.
Matamune
hometown cha cha cha proves that sometimes love is not enough
“No me importa donde vas a estar el año que viene...no me importa si estás loco...¡DIOS!..solo sé que quiero estar contigo...no entiendo lo que estas haciendo...Parece tan inútil,es decir, todo simplemente parece inútil pero cuando estoy contigo es diferente...no se porque”
- NATALIE ANDERSON
Ámame hasta el punto de destruir el mundo por mi
Doom at your service (via 0sunflower0)
“Quiero verte tan locamente enamorada y renunciar a todo por mi”
Bahía de Kino 09/05/2021
I LOVE ANGST AUGH
they’re both being so careful with each other here because they’ve just been having such a sweet and lovely time and this turn in atmosphere is so sudden and unexpected and they neither of them know exactly what’s wrong or why or where they stand with each other. but also they’ve both learned from their previous fight, and this fight mirrors that one so closely–someone is leaving unexpectedly, someone feels abruptly left out–and so they’re very cautious with their words and how they react to the hurt they’re feeling cause they neither of them want what happened before–the not talking, the night spent apart worried followed by days of anger and no communication–to be repeated.
for mijoo he just said he’s moving out, that in fact he came to the shoot already prepared to move out–to leave her. so while taking care of her while she was sick, while feeding her, while encouraging her to do as she pleases, he was already prepared to leave. and leaving means something to mijoo–she was told to leave the set early, but she stayed to finish her work; she had no home and she built one, created one for herself–and seongyeom already defined the home she built as “a place to *return* to.” and seongyeom has this entire history, too, one that’s informing how he’s taking in mijoo’s words. he’s mr. one month. people are interested in him (his good looks and money and family?) for a month and then they bail cause he’s too boring. somehow mijoo has lasted for over a month. and so when she says he’s putting up walls, and he–who so assiduously started writing in a journal so he could know himself better–has no knowledge of himself doing so, what his history of romantic interest is telling him is that she’s getting becoming with him.
but the angst here, the angst. ACADEMY AWARD. mijoo’s eyes are wide with confusions and fear cause out of nowhere he gives her a fucking parting gift. like what the fuck is that??? and seongyeom! he’s on the brink of fucking tears. he’s fucking devastated. he’d scared that mijoo’s about to, omg, leave him, and he looks down and takes a breath and builds up his courage and says the like gentlemanly thing, which is to give her an opportunity to say she’s not interested in him anymore. i love it when feelings are so clearly overwhleming characters but instead of giving in to those feelings (*clenches fist in victorian repression*) they hold back and try to do right by themselves and the person in front of them, which is what both mijoo and seongyeom do here.
Odio como la desprecian como si no fuera suficiente para que la persiguieran