Still thinking about sanji's line from ep 5,,, why'd he say it like that LMAO they crack me up
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Still thinking about sanji's line from ep 5,,, why'd he say it like that LMAO they crack me up
"I take all your recommendations seriously. I wanna know why you like stuff." really is the hottest line in sitcom history. everyone say thank you quinta brunson
LN4: GETAWAY CAR
you donât like lando. lando doesnât like you. but with priceless paintings and thousands of euros on the line, it seems both of you will have to suck it up for the sake of the job.
pairing: art thief!reader x getaway driver!lando norris
contents: alternate universe: non-f1, rivals to lovers sort of, workplace romance except the workplace is a heist, lots and lots of swearing, implied violence, crime, lando being a smug shit, open ending, everyone in this is a criminal except for ollie bearman.
word count: 10.6k
eveâs notes: heist au!! finallly!!!! it only took like half a year :D also can you believe i had to make an account at an art auction site for this. wild.
BRUSH STROKES OF SILK BLUE. Daubs of gold. A smear of bronze. You prop your chin over your mop as you gaze at the painting with a pleased smile on your lips. Faint cracks by the edges, yellowed paintâthe passing of time, clearly. Still, despite the faint signs of age, you have to admire the near pristine state of the artwork.
âYou look pensive,â Charles notes, rolling the cleaning cart beside you. The cleaning coveralls you both wear are dull enough to make you feel like a smatter of gray on a lackluster wall. A sun-timed shadow, even though night has long since set in. Carlos can be heard shuffling a few steps behind, never one to appreciate the quality of true artwork.
You tilt your head appreciatively. You canât help but imagine just how much more beautiful the painting would look like beneath the sunlight, as opposed to the clinically artificial lights that are on for the night shift.
âItâs one of my favorites,â you hum.
âLa carta, right?â Carlos asks. He kisses his teeth and tilts his head. He does that weird jaw thing thatâs long been a habit of his whenever heâs thinking, his own mop in his hand. âItâs just a woman with a letter.â
You donât even need to glance at the metal plaque beside itâyou know the facts by heart. One forty-one by eighty-three point five centimeters. Oil on canvas. Pedro Liraâs The letter.
âItâs more than that. Itâs about what you canât see,â you start, gesturing appreciatively. Distantly, you hear the last cleaning cart squeaking away onto the next room. âSheâs hiding the letter behind her. Sheâs alone, but sheâs facing the door, and you can see light coming from there, so someone is coming. Someone whoâs not meant to see the letter sheâs received.â You exhale. Youâve seen the painting in your textbook for weeks, but thereâs no denying how all the more breathtaking it is in person. âItâs an anti-portrait. We get to see her secret, but not her face.â
A beat passes. Two. Carlos exhales impatiently. âNo, I think itâs just a woman with a letter.â
You spare a glance at Leclerc, who seems to agree. âEt tu, Charles?â You shake your head with a disappointed sigh. âYou two have no appreciation for fine art.â
Charles chuckles. âOh, trust me. I have plenty.â He glances off to the side and something crosses his gaze, his expression growing more serious.
Charles is looking at you when he asks the question all three of you had been waiting for. âReady?â
You feel the telltale buzz of static in your ear. Alexâs voice is loud and clear. âAlarms are off and exit route is clear. Eighty seconds start now.â
By the corner of your eye, you can see the red light of the camera flickering off. The regular cleaning crew has long deserted the room, leaving all three of you in your matching gray coveralls and black cleaning crew caps.
Eighty seconds.
You know the plan by heart because it was drilled into your head more times than you can appreciate. You know the service exit youâre supposed to take, the angles the cameras are facing, the amount of time it will take from the hallway to the inconspicuous car that will be waiting for you in the back alley. A clean break, Max had insisted. All as long as you make it out before your window of time is up.
Charles reaches for the painting, sparing one last glance at the cameras before taking it into his hands. You resist the urge to tell him to be careful with it. Itâs beautiful, yes, but one scratch and the value decreases exponentially.
Satisfied, Carlos says, âLetâs go.â
The world turns red in a blink. You flinch at the loud, blaring noise.
Shit. Shit.
âThat was not eighty seconds, Alex!â you hiss, wincing at the ear-piercing sound of the security system loudly announcing your unwelcome presence.
âThe alarm is off!â Alex shoots back.
âClearly not!â
âEverythingâs fine on my end. Whatever tripped the alarmâthatâs on you,â he retorts, and thatâs easy to say from the safety of the meeting room, away from the absolute shit show that is about to unfold.
âPutain,â Charles curses.
The plan was simple. A clean break. You wouldnât even need to runâjust hide the painting in the cleaning cart and walk calmly to the service exit.
The sirens are making your spin. The red is dizzying. Burgundy. Amaranth. Crimson. To make matters worse, youâre certain you hear footsteps hurrying along the halls.
Then, as if on cueââStop right there!â
âMe cago en mi puta vida,â Carlos swears, and seeing the security guards standing a roomâs length from you finally makes your survival instincts kick in.
âI am not going to jail for this,â you sayâand you fucking bolt.
Carlos and Charles are hot on your tailâbut so is security.
The walls bleed red with the lights. Carmine. Rosso Corsa. You make a sharp turn left. Service exit. Service exit.
âAlex, if the carâs not there, Iâm slicing your fucking arm off.â
âLess talking and more running,â Alex responds, his voice sounding even more staticky than before as all three of you barrel down the narrow tunnel. Your steps are loud, too loud, and you have enough sense to duck your head to avoid getting hit by an industrial pipe.
A loud clang echoes behind you, followed by a sharp shout. Seems one of the security guards wasnât as lucky.
âDoorâs up ahead,â Alex informs you.
Carlos doesnât waste time glancing behind before he pries the heavy metal door open. Given the loud, shrill sound the door makes, you gather itâs not as easy as he makes it look. You quietly thank the day Max had the foresight to hire Carlos as well.
As promised, thereâs a car awaiting for youâa sleek red car with a loud rumbling engine.
âWhat is this?â you ask breathlessly. This isnât subtle. This is the opposite of subtle.
âJust get in.â Carlos opens the passenger door and takes his seat. You swallow the other comments resting on your tongue and hurry onto the backseat. Love it when a plan comes together.
As youâre climbing onto your seat, you catch a glance of the driver behind the wheelâsomeone who is decidedly not the Aussie you know. In fact, itâs someone unfamiliar and youngerâmuch younger.
Your entire face twists as you latch your hand onto the back of Carlosâ headrest. âAre you kidding?â you ask rhetorically as Charles haphazardly climbs onto his spot. You glance at the Spaniard with disbelief. âWhoâs thisâyour nephew?â
The driver ignores you, rolling his eyes. âWhoâs thisâyour wife?â he parrots back. Youâre fairly sure you can see the white stick of a lollipop poking out from the corner of his mouth.
Both Carlos and you accidentally meet each otherâs gazes. Carlos scowls. You shudder, sliding back onto your seat. âGross.â
Carlos exhales exasperatedly. âJust drive, Lando.â
The engine rumbles even louder than before, and the car dashes out of the alley. You lay back against the headrest, only to catch a glance of the driver in the rearview mirror.
Charles peers at you, arms empty now that he has left the painting in the trunk. Buildings and street signs blur past you. âWhatâs with all the complaints today?â
You glare at him. Alarms. Security. Fleeing on the least inconspicuous car to have ever been madeâand the police probably well on their way. âMax is gonna have all of our asses. Weâre freakinâ fucked.â
The car turns sharply at an intersection, making your head slam against the window. Pain sparks from your temple near immediately. âFuck!â
âYâshould watch your head,â Lando calls out, and you can see the conniving little smirk on his lips on the rearview mirror. He doesnât spare you a glance as he shrugs. âAnd your mouth.â
To say Max isnât happy with you all would be the understatement of the century. The silver lining, you suppose, is that he hasnât yet started yelling.
Thereâs still plenty of time, though.
You watch as Max runs a hand through his face exasperatedly. You shift on your spot. The warehouse feels distinctly colder than it did when you left earlier today.
Carlos stands beside you, body wired and tense. Annoyed. He glances at Alex before finally asking, âWhat was with the alarms?â
Alex straightens on his chair, clearing his throat awkwardly. âI was, uh, checking that.â His chair spins to the side a little. He pointedly looks away from Max. At this point, you know that even making eye contact with him at in ill-timed moment could be enough to finally spark his temper. âMy working theory is that the museum mustâve done a few security upgrades. Something that wasnât in the original blueprints that Charles gave me.â
Charles arches a brow. âSo, it is my fault?â
âI didnât say that.â
Your face scrunches. âWhy?â
Alex shrugs. âWell, maybe the blueprints were a little dated, but that doesnât mean Charles is to blame forââ
âNo, I meanâwhy would a museum upgrade their security system so recently? So suddenly?â
Lando clicks his tongue, legs resting on a table by the corner of the warehouse. âMaybe theyâve seen the news,â he supplies, vague disinterest dripping from his tone.
You fold your arms over your chest, jaw ticking. You narrow your eyes at the new driver. âOr maybe they were tipped off.â
Landoâs brows knit-together as he meets your gaze. âWhatâre you looking at me for?â he scoffs. âIâm no snitch.â
Max calls your name, and you stifle a flinch. âThatâs enough,â he says with an air of finality. You bite the inside of your cheek. âYouâre staying to check the state of the painting. I want you to arrange a meeting with the buyer youâve got lined up. Text me the information when you get it.â
âFineâI mean, yeah. Sure.â
Carlos takes that as his cue. And now that youâve all changed out of your gray coveralls, with him now wearing his usual long-sleeved black tee, he reaches for his duffle bag and slings it over his shoulder. He shares a look with Max as he straightens. âIâll be waiting for my cut,â Carlos says pointedly.
Charles follows shortly, lightly nudging your shoulder. âSee you next week?â he asks you, and you nod.
And then, as per usual, all thatâs left is Max, Alex, and you. Well. Plus the new uninvited presence. You side-glance at Lando, whoâs still scrolling on his phone, biting on the plastic stick of his lollipop. His legs rest on the table, recklessly swinging back on his chair. You resist the urge to tell him to cut it out before he falls and breaks his face.
Before you can fish for another argument, your phone buzzes in your hand, and the screen lights up with a notification from Alex. You furrow your brows at him, to which he subtly tilts his head towards the new driver. You tap the file he sent you.
Itâs a police record.
Lando Norris. Your eyes skim through it. Illegal street racing. Reckless driving. So, heâs been arrested before.
âAlex,â Max calls.
âHm?â
âThe security system. Check whatâs different.â
âIt doesnât work like that,â Alex responds, face scrunched up. âIâve said it a hundred timesâthatâs just cinema bullshit. I need the updated schematics to do a full review. I also need to see it in person, or at least to be in the vicinity. Movies always make it seem so easy but itâs really notââ
âAlbon.â
The sharpness of Maxâs tone makes him puff out his cheeks. âTomorrow. Iâll go tomorrow to see it in person.â
Max nods, his index and thumb rubbing against his eyes. He strides towards Alex, leaning over to see his computer screen. âWalk me through what went wrong today.â
Alex and Maxâs voices settle into the background as you turn your focus back to the new face in the warehouse. Charles, Carlos and Alex didnât seem all that surprised about Landoâs presenceâwhich begs the question, were you the only one that wasnât told, or simply the only one that cared?
Youâre sitting down across from Lando before you can think better of it.
âStreet racing,â you say, and he doesnât even raise his gaze from his phone. You inch closer to him, tilting your head. âThatâs what you were doing before this? Street racing?â
Green eyes flick up to you. Thereâs an unreadable glint in his gaze you canât seem to place. âDid you do a background check on me already?â he drawls. âIâm flattered.â
You narrow your eyes at him. âWhatâs with the change in career paths?â
He pulls his legs off the table, leaning his torso towards you. Lando shrugs, assessing you. âWhatâs with the sudden interest?â
âI wanna know who Iâm in bed with.â Lando scoffs a laugh, and you donât miss the way his eyes deliberately drop across your frame. You can practically see the comment resting on his tongue, so you quickly correct, âWho Iâm working with.â
Lando clicks his tongue, appearing uninterested. âI donât work with you. I work with Carlosâfor Max now, apparently.â
âMhm. Semantics.â You wave him off. Thatâs not the information youâre here for. âHow many jobs have you pulled with him?â
Lando straightens at that, faux-surprised expression falling on his face. Finally, it seems, youâve piqued his interest. âOh, he hasnât told you?â The corner of his lips twitches upward into a smirk. He lets out a low whistle. âSounds like trouble in paradise to me.â
You give him a smile that doesnât reach your eyes. âTeam chemistryâs at an all time high. Weâre fine.â
Lando reaches beside you for his keys, and you feel his scent wash over you. Some expensive cologne. Sweat. Pine. He arches a brow, looking annoyingly smug. âClearly.â
His chair screeches against the floor as he stands up and heads out. Before he does, you call out: âDid you at least win a few races?â
Lando chuckles, walking backwards as he gives you a self-assured shrug. âWhat do you think?â
Sunlight seeps through the overhead skylight as you stride down the gallery. Today, your outfit is a far cry from the gray coveralls Max had you wear two weeks ago. Instead of looking like the cleaning crew, today youâre wearing expensive clothes provided by Maxâfrom where, you never askâto play the part of the interested potential buyer. Nothing too showy, but classy enough to blend in among the other buyers wandering around in the gallery.
Charles wanders around the opposite side of the room, not wanting to seem like the two of you arrived together. He studies the angles of the cameras, the amount of security guards posted around the halls while you study the paintings. Even with your sunglasses on, you can tell the paintings from a distance. A Bogdanov-Belsky by the exit, a Caillebotte at your left, a Sisley on your right.
You stop your walk around the room as you find yourself face-to-face with a Theodore Robinson work that seems familiar, but you canât quite remember the name of. You read the plaque recently installed next to it. A Trout Stream, Normandy.
âSo,â Charles prompts, moving to stand beside you as he analyzes the painting in front of you. He looks nothing like he did a week agoâdefinitely not like someone who was stealing a prized piece of artwork with you. A matching pair of sunglasses are perched on his nose. âThoughts on the new driver?â
You roll your eyes. âHeâs a pain in the ass,â you mutter, tilting your head as you move onto the next painting. Itâs a Monet. You sigh, turning to Charles. âI miss Danny.â
Charles chuckles at that. âI get it. But Lando⊠heâs a decent enough driverârough edges and all.â
Youâre not sure you believe it all that much. Still, you murmur, âAnd thatâs all we need, right?â You click your tongue, tilting your head appreciatively. âSheâs beautiful.â
Charles nods, watching the painting. âShe really is.â
âVue de la tour Montalban,â you hum. The one youâd been keeping an eye out for. âI have to say, itâs not my favorite Monet. It even feels out of place in this gallery, doesnât it?â You kiss your teeth. âCan you believe sheâs going for three million euros?â
âAuction is in two weeks.â Thereâs a thrilling look spreading across Charlesâ face. He meets your gaze. âHowâs three million split six ways sound to you?â
Now that brings a smile to your lips. âMake it rain.â
There are many upsides to working with Max. Heâs meticulous. Likes to make sure you understand the layout of the place before throwing you into action. He always has a plan, if not, then an outline to be worked upon. Heâs fast, and all you need to do is keep track of what he says about the job and learn it by heart. You appreciate that about himâthat feeling that he always seems to value other peopleâs time. At least, you think thatâs it. It could also be that heâs always in a rush to get things done and move on with them.
Today, the layout of the warehouse feels remarkably like being back at school. You sit on a chair with a desk attached to it, along with a notepad and a pen in hand. Usually, you donât have an issueâusually. You take notes, you finish them at work, you do your research, and youâre done. But todayâtoday your notes are not nearly as thorough as youâd like them to be.
Landoâs leg is bouncing against your chair. It makes your jaw tick, your concentration dwindle. Your chair creaks, and your patience frays.
You spin your head around, frustration evident. âDo you mind?â
Lando is relaxedly sprawled against his chair, pen tapping incessantly against his desk. He doesnât even have anything to write on. He raises a brow at you, tilting his head. âWhatâre you on about?â
âYouâre kicking my chair,â you hiss. You think you hear Alex snort, but you make a point to ignore him. âCut it out.â
âWhat? âM not even doing anything.â Lando rolls his eyes, and thereâs just something about himâan aura of smugness that seems to ripple from him in wavesâthat grates at you. You bite your tongue, lock your jaw, and turn around to face Max, who thankfully hasnât cut his explanation short.
Max projects two pictures of the gallery. Hallways, rooms, camera angles and security placementâall courtesy of Charles and the galleryâs Instagram page. Your pen scratches on the yellowed paper before the bouncing against your chair starts again.
You whip your head around. âAre you five?â
He has his pen cap between his teeth when he responds with a shrugged: âWhatâs your problem?â
You scoff in disbelief. âMy problem?â
âLando,â Carlos says. Landoâs jaw ticks as he turns his gaze away from you, and itâs only then that you notice the slight furrow of his brows, the faintest traces of confusion embedded there.
For a moment, he looks like heâs going to defend himself. His leg bounces in its place, accidentally nudging against your chair again. He seems to opt for a different option, and instead, he says, âIf you think the cops are expecting another robbery,â he starts, slowly, âwouldnât it be smarter to steal from some low-security gallery? Or a museum with an eighty-something old security guard?â He licks his lips, running a hand through his curls as he leans back against his chair. âI justâdoesnât an auction seem too high profile?â
Charles shares an amused smile with you before he twists around in his chair to face Lando. âThatâs the beauty of it.â
His jaw ticks. âEnlighten me.â
âItâs a rich people auction,â you say, as if that explains it. Lando stares at you, as if to say, youâre doing this on purpose. And yeah, maybe you are. Maybe you like seeing him not looking so smug. âRich people think theyâre untouchable. Like they exist on a whole different plane. Theyâll do adjustmentsâshowy things, like making more security guards stand at the entranceâbut nothing that will inconvenience their precious costumers.
âNo security system updates. No metal detectors. Nothing,â Alex adds with a relaxed shrug. âWorks in our favor.â
Lando taps his pen against the desk. Youâre enjoying this more than you shouldâfinally seeing him realize he might be out of his depth. Or, at the very least, that heâs the outsider here.
Finally, he shrugs, leaning back against his chair. âIf you say so.â
Strokes of green and viridian. Splashes of the pale purples and pinks of orchids. Touches of white jasmines and buttery-yellow tulips. The floral scent of hibiscus and roses always helps you concentrateâand, truly, you cannot bring yourself to understand why people go out of their way to study in noisy coffee shops when flower shops are always quieter, more welcoming environments.
Maybe itâs just you. Though, you suppose it helps that during most days itâs just Ollie and you.
You re-tie your apron as you turn the page on your art book, where you find a description on Claude Monetâs Vue de la tour Montalban. You lean closer to the counter, shifting your notepad as you write down, oil on canvas. 61.2 by 81.7 centimeters. Executed in 1874. Pending history of provenance. You draw a little asterisk there to remind yourself to check that later. Buyers rarely care for the past ownership of paintings, but in the case they do, itâs always useful to have it researched and ready.
The bell from the shop dings, and you donât bother looking up. At this hour, itâs usually kids that never buy anythingâor customers that take too long to decide and make a hundred turns around the store. Still, you chime, âwelcome! Let me know if I can help you with anything.â
Your attention is still set on your art book, reading the small note underneath the paintingâs description. Monetâs first trip to the Netherlands was not a pleasant journey in search of new subject matters, but a necessity of politics. After Monet, his wife Camille and their baby spent the Franco-Prussian Warâ
A man stops just behind the counter, setting down a bouquet of pink roses. It forces you to look away from your work and put on your customer-service smile. âHow can Iââ
Your entire body grows cold, ice pricking against your skin. Those smug, annoying green eyes peer back at you, brows raised in slight surprise and lips curved upward.
âOh, look who it is,â Lando drawls, looking disgustingly amused. âWhat is it, sweet little florist by day, art thief by night?â He drums his fingers against the counter, turning his head to scan around the shop. âItâs a nice place you got, by the way. Do you own it, or just work shifts?â
Finally, you find your voice. âWhat the hell?â Your thoughts are running too fast for you to properly process them. How is he here? How did he find you? âYou need to leave. Now.â
Lando leans against the counter, arms folded over it. Heâs not looking all that different from the other few times youâve seen him. Black hoodie, dark jeans. He has the hood down this time, revealing unruly curls that somehow look in disarray but in a stylish manner.
Lando narrows his eyes. âWhat? So you can run background checks on me, but itâs wrong when I do it?â
You barely have time to spare a glance and check whether Ollie is in the near vicinity when you reach for the strings of his hoodie and yank him down to your level.
You glare at him. âWhat if I showed up to your place of work, huh?â
Lando snorts, unmoved by the sudden closeness. âI donât work. Yâthink driving cars for Max is a side-gig? I donât double as Uber.â
âYou are way out of line just by being here. Do you have any ideaââ
Ollie calls your name from the back, making you stiffen. You let go of Landoâs clothes and turn around, hoping you donât look as on-edge as you feel.
Ollie stands by the hydrangeas, matching white apron tied around his waist. âHey, everything okay?â he asks softly, momentarily glancing at Lando. Ollie stands straighter, jaw tensing, as if trying to intimidate him. He turns back to you, traces of concern evident in his voice. âIs he bothering you?â
You blink. Then, you smile. âAh. Noâweâre okay. Thanks, Ollie.â
He nods, though unconvinced. He spares Lando one last look before going to water the lilies.
Ollie is barely out of earshot when Lando grins. âSomeone has a crush,â he says in sing-song tone. It makes your eye twitch. âI get it. The whole girl-next-door, girl working at the flower shop vibe must work wonders for you.â
Your jaw ticks, a retort already posed on the tip of your tongueâbut you can see Ollie lingering out of the corner of your vision. Heâs a worrierâusually, itâs a good trait that favors him. Heâs never late. The flowers under his care rarely ever die. Heâs lended you his keys more times than you can count. But the last thing you need right now is another set of ears and eyes on Lando.
You bite your tongue until it bleeds. You smile, reaching for his pink roses. âWill that be cash or card?â
Afternoon air feels cold inside the warehouse as you pace, fists angrily clenched at your sides as you finally stop.
Max raises an unimpressed brow from his seat. âAre you done?â
âHe went to where I work, Max!â Thereâs anger in your voice, indignationâbut also something you havenât quite placed yet. You still canât get over Landoâs sheer audacity. âNot even Charles has that information.â
Alex raises his hand from his seat, noodles stuffed into his mouth. âI do.â
âThatâs not the point.â
Max sighs, blue eyes scanning the printed documents you gave him. All the relevant information you could get on the painting youâll be stealing from the auctionâfrom the name to the possible prince ranges to the material of the frame. His eyes flick up to you, uninterested. âIâll get Carlos to talk to him.â
Your jaw twitches. âShouldâa bashed his fucking nose in the second he stepped in.â
âDonât,â Max says, waving his hand, never looking away from your notes. âThat could severely impair his ability to drive.â
âAnd we need a driver.â Alex supplies helpfully.
âDo your best not to damage him, yes?â
Your voice is quiet and barely restrained when you reply, âNo promises.â
Lando is late. Which isnât goodâfor a number of reasons. Starting with the fact that youâre stealing the painting from the Wolff auction tonight. Itâs quite a sight youâre left with as you all wait for Lando to show up. Carlos and Max are wearing black suits and matching bow ties, while you wear a black silk dress and flats. Alex, on the other hand, is lucky enough to stay wearing a baby blue hoodie and jeans while he lounges in front of his monitors.
âIf he doesnât get here soon, weâre gonna be behind schedule,â Alex notes.
You fold your arms over your chest, a knowing scoff escaping you. âDidnât I say he was unreliable?â
âHeâll be here,â Carlos says gruffly.
The door to the warehouse slides open as Lando steps in, looking out of breath. âSorry! Iâm here.â
You donât realize youâre staring until Lando throws you a look that says what are you looking at? His hair is more messy than usual, the buttons of his dress shirt halfway undone as he fixes his suit jacket, no tie in sight. âHell has frozen over.â
Lando rolls his eyes. âI couldn't find a tux on such short notice. I had to borrow it from a friend.â
âWhy are you wearing a suit? Youâre the getaway driver. Drivers donât need to dress up.â
Lando clicks his tongue. âYâknow, for once, weâre actually in agreement, sunshine.â
âThereâs been a change of plans,â Max states.
âChange of plans?â Max never changes his plans. Ever. Heâs thorough, heâs preciseâhe doesnât make changes because he doesnât miscalculate. âWhy?â
Max runs his ringed fingers across his jaw. âCharles isnât making it tonight.â Your brow twitches. Youâd assumed the reason Charles wasnât here already was because heâd be meeting with you at the auction. âSome detective brought him in for questioning. Heâs fine.â
âIs he?â Lando asks.
Max arches a brow, as if surprised Lando was the one to question him. âHe will be, once we pull off this job without him and cops rule him out as a suspect.â
You start running the scenario in your mind. It doesnât workâsurely Max has realized that it doesnât work. âI thought you said this was a four person job. Distraction, two for extraction, look out.â
âIt is.â Max glances at Lando.
The protest is on your tongue before he can elaborate. âNo, no. He is not replacing Charlesââ
Lando seems just as opposed to the idea, protesting, âIâm the driver, breaking into auctions is not in my job descriptionââ
Max pinches his nose, raising his hand to silence the two of you. âItâs either Lando or Alex.â
You donât even blink. âThen itâs Alex.â
The man in question flinches in his chair.
âThatâs notâit canât be Alex, I need him shutting down the security system remotely and erasing any trace of us ever being there.â
âI donât get why you canât just contact Danny.â
Carlos shrugs. âLast I heard, he has the feds on his ass. We shouldnât touch him with a ten foot pole.â
âReally?â You sigh. âDamn. I liked Danny.â
âForget about Daniel,â Max says, exasperated. He meets your gaze. âLandoâs coming withâeither get on board or get out.â
The car ride to the auction is quiet. Untilâ
âAre you even aware of the plan?â
Lando rolls his eyes so far back he probably gets a glimpse of his brain. âAre you even aware of the meter-long stick youâve got up your arse? Itâs a wonder you can even sit downââ
âYa, suficiente. You two are acting like children,â Carlos groans into his palm, looking out the window.
âShe started it,â Lando mutters, parking the car into the alley. For once, heâs chosen a vehicle thatâs actually inconspicuousâno neon paint or an overly-loud engine, but just a sleek black car.
âWeâll go in first. Wait five minutes after us, so we donât go in as a group. Carlos and I will go out the back,â Max explains. âRememberâeight security guards. You just need to distract the two that are posted outside of the room, and weâll handle the rest.â
âGot it,â Lando says.
Max and Carlos step outside of the car, closing the doors behind them. Lando drums his fingers against the wheel, watching the two walk up to the entrance of the auction building. You stare at him from the backseat. A moment passes.
âCould you really not find a tie?â
Lando twists in his seat. âCan you lay off?â He glares at you. You meet it evenly. Heâs the first to look away, muttering under his breath.
You roll your eyes. Instead of responding, you reach for your clutch, open the door of the car, and exit.
âOi, five minutes are notââ
You open the door to the passenger seat and sit down. Lando looks at you weirdly, so you ignore him. You open your clutch, sifting through its contents. âButton up the rest of your shirt.â
âSo, youâre giving orders now too, sunshine?â
âQuiet being so difficult.â Reluctantly, Lando does as you tell him. âAnd stop calling me sunshine.â
Lando scoffs, lips curving up into a smirk. âWhy? I think itâs fitting. What with your sunny personality and all.â
You roll your eyesâand, really, thatâs starting to become a habit whenever youâre around Lando. Finally, you pull out a rolled-up black tie from your clutch. You straighten it, making sure there are no visible creases and that it looks presentable enough.
You turn to Lando, and not trusting him to put it on properly, you wrap it around his neck. He leans closer to you, and you can feel his breath fanning against your forehead
âWhy do you have a tie just on you?â
âIt was for Charles,â you say, intent on making the perfect Windsor knot. âHe had asked me to bring one for him. Guess itâs your lucky day.â
Lando snorts. âYeah, right. Lucky.â It occurs to you at that very moment that Lando might not have experience with this type of job. That he might be nervous. Youâre starting to consider offering some words of encouragement when Lando interrupts. âSo, you and Charles, huh?â
âMe and Charles, what?â
âYâknow.â He shrugs. âYouâre always paired up. You seem close. You had his tie in your purse.â You finish with his tie, but donât pull back. Landoâs green eyes suddenly feel scrutinizing. âIf youâre keeping it a secret from Max or something, youâre doing a shit job at it.â
You furrow your brows. Then, realization. A laugh bubbles out of you, and Lando has the sense to look surprised. âCharles and I arenât⊠weâre not together, or anything. Weâre friends.â
ââŠWith benefits?â
You pull away from him. âYouâre disgusting.â
Static sparks in your ear and Alex pipes up, âLook out and distraction. Can we get a move on?â
âYep, on it,â you respond.
Getting inside is no issueânot when you both already look the part and Alex has gotten your fake names on the list. The hallways are well lit, a handful of collectors and potential bidders still wandering around, taking in the artwork that will be up for auction in an hour or two.
Youâre about to get into position when you spot it, just out the corner of your eye. Forest greens. Splashes of blue. Bold strokes of red.
Youâre walking up to the painting before you can think better of it. After tonight, itâs probably going to go into some rich personâs private gallery. You trace the metal plaque installed beside itânot that you need to read it, anyway. You know everything about it already.
Lando strides and settles beside you, hands inside the pockets of his slacks.
âAnĂ©mones, by Claude Monet,â you say absentmindedly. Itâs part of a large collectionâforty paintings with similar motifsâthough you doubt Wolff managed to get possession of any others. Most of them have been tucked away from the public, belonging to miscellaneous private collections. âYou know, I think this one is one of my favorites of his. He spent around four years just painting flowers for this collectionâonce, he actually said, I perhaps owe it to flowers for having become a painter.â More quotes of his come to mind, unbidden, from those late nights you spent studying to get your degree. What I need most are flowers, always, always.
You sigh, pulling away from it, feeling Landoâs attentive eyes on you.
âItâs tiny,â Lando says, as if the painting has personally wronged him.
âItâs not about the size.â
He chuckles. âDâyou find yourself saying that a lot?â
The urge to smack him is strong. You stifle it. Instead, you turn to the artwork once again. Try to commit each brushstroke to memoryâto appreciate the fact that, at least, you get to see it in person. One of the perks of the job, you suppose. âItâs justâsad. Itâll probably never be seen by anyone else again. Maybe itâll even end up in some warehouse, gathering dust.â
âWhy donât you buy it, then?â
You exhale, tilting your head. ââCause itâs probably going for over 1.5 million euros.â
Lando coughs loudly, as if choking on air. He draws a few eyes your way. â1.5 million? For some shitty little painting of flowers?â Disbelief is evident in his voice. âWhy would anyone spend that much to throw it in some warehouse? Scratch thatâwhy would anyone spend that much period?â
âRich people shit,â you murmur with a shrug, careful not to be overheard. âAuctions are for art collectors, sureâbut thereâs also uninformed millionaires with money to spend. And when thereâs more of thoseâwell, these things tend to become a dick measuring contest among them.â
Lando furrows his brows. He pokes his cheek with his tongue, thinking. âThis isnât the painting weâre here for, though.â
That snaps you back to reality. âNo,â you say, sobering up. âItâs not.â But maybe a part of you wishes it was.
âAre you in position?â Alex asks through your earpiece. You hum in response, but donât move.
Lando arches a brow, expectant. âSo? Are you the distraction?â
This isnât happening. âYeah, Lando. Iâm gonna bat my eyelashes and flash the security guards.â He blinks at you. Oh, heâs fucking clueless. âGod, get a grip. Iâm lookout. Youâre distraction.â
His eyes widen comically. âWhat?â he asks, a little too loudly. âIs that true?â he hisses.
You can practically see Alex shrugging from the comforts of his seat. âYouâre a lot more reckless than she is. You make for a better diversion.â
âWhatâWhat do I do?â His Adamâs apple bobs. âI donât know how to be a fuckinâ distraction!â
Your smile drips with saccharine. âBut you do it so naturally.â
Lando inhales deeply, and then moves towards the center of the room. Besides him, thereâs a table with champagne glasses and hors dâoeuvres. He lingers there, awkwardly, occasionally glancing at the two bodyguards posted outside of the room Max and Carlos have to get into.
You wince, tilting your head. Itâs like staring at a car crashâtragic, terrible, but you canât look away.
âHeâs floundering,â you say. âOh my god. Just pull on the freakinâ table cloth and break the glasses. What are you doing?â
Lando approaches one of the security guards, as if trying to establish conversation, but it doesnât seem to work.
Unbelievable.
âWeâre gonna miss the window,â Alex tells you.
You close your eyes, swallowing a groan. Damn it. âIâm going in.â
As Lando goes back to the table with the appetizers, you make a show of picking up one of the champagne flutes. Lando furrows his brows as he sees you, and you gesture for him to step closer to you.
He runs a hand through his curls, tugging at his hair. âLook, I donât think Iâmââ
âOh my god, why do you keep following me?â you ask loudly, drawing the attention of multiple potential buyers and art collectors.
Landoâs eyes widen, glancing around. âWhat are you doing?â
You yank your hand back. âLet go of me!â you exclaim, making more heads turn. You can feel the eyes of the entire room on the two of you, all meaningless conversation ceasing near instantly.
âIâm not touching you,â Lando hisses.
A man side-steps you. A security guard, if the uniform means anything. He looks down at you. âMiss, is this man bothering you?â
Lando forces a smile, moving his hands in an attempt of a placating gesture. âThis is all a big misunderstandingââ
âSir, Iâm gonna need you to back up.â He gestures at the other security guard to join. He settles behind Lando, a hand resting on his shoulder to prevent him from doing anything rash. The older security guard turns to you. âMaâam?â
You widen your eyes. âThank you so much, sir. He wonât stop following me. Iâve told him Iâm not interested but he keepsââ
Finally, Lando seems to catch on to what youâre doing. âSheâs lying, sheâs a liar,â Lando declares loudly, dragging out the words. He makes a gesture as if trying to wave off the security guards. âShe was all over me like a minute ago.â
Youâre certain you hear a gasp somewhere in the room. You bite the inside of your cheek, trying to swallow a laugh. Oh, is this what weâre doing now? If Lando thinks youâre one to back down from a challenge, then heâs sorely mistaken.
âThat was before I found out you were engaged!â you cry out, whipping your head back to the security guard, reaching for his shirt dramatically. âCan you believe it?â you ask, and the man blinks down at you blankly. âHis fiancĂ© is probably at home, wondering why heâs stuck at workâmeanwhile heâs feeling me up in a closet!â
You watch as Lando bites the inside of his cheek. He coughs to cover up a laugh.
âIt was a very nice closet.â
âYou are unbelievableââ
âOkay, Iâm going to have to ask you two to leave,â the first security guard says, all too aware of the sudden quiet that has fallen over the room.
âMe? But heâs the one thatâI came for the auction, I wasââ
âMaâam, please, itâs better if we handle this outside.â The way his palm latches onto your shoulder tells you itâs less of a suggestion and more of an order.
âOutside? But I donât wantââ
âThey have it,â Alex says.
ââon second thought, going outside sounds divine.â
Lando lets himself be pushed by the security guard, who is decidedly less gentle than the one guiding you. Before leaving, however, Lando turns to the crowd and calls out, âYou might want to send your coats to the cleaners. Or burn them.â Heâs shoved by the security guard. âYou folks have a good night!â
By the time the two of you are outside, escorted by security, you and Lando are still bickering. âYou always do this, you have to make a scene out of nothingââ
âIâm making a scene? Maybe I should tell Tara about how it was my name you were saying when youââ
The doors to the auction building close, and your faux screaming match ceases. Lando stares at you. You stare a him. Your lips break into a smile, before a barely-stifled laugh sparks out of you and Lando follows suit.
âI donât think I knew heists could be this fun,â you say between giggles. The two of you start walking towards the car, ready for when Carlos and Max arrive with the painting in tow.
âYeah,â Lando grins. âMe neither.â
The two of you fall into easy step, side by side. The knot you made for Landoâs tie is starting to come loose and your black dress is starting to itch. When his hand accidentally brushes with yours, you find it doesnât bother you all that much.
Lando is unlocking the car when realization rolls down your back like a cold bucket of ice.
âI was supposed to be lookout,â you say blankly, stiffly.
Shit.
âDo you have any idea how fucking unprofessional this was?â Max barks at you. You feel glued to your spot, something like a knot forming in your throat. Your cheeks feel hot, your hands clammy. Usuallyâusually, youâre never at the receiving end of Maxâs anger-induced reprimands. You donât mess up. Not like this, anyway. âWe couldâve been arrested. Carlos nearly was arrested. Cops could have my fucking face in their radar now. Do you even understand what that means?â His jaw twitches, a muscle tensing as he glares at you. You stare at the floor. âWe had a plan. You were supposed to be lookout. You nearly fucked up this entire operation.â
Your throat feels dry, your stomach in knots. You lick your lips, your voice weak when you try to apologize. âIâmââ
âIt wasnât her fault,â Lando protests.
Maxâs eyes narrow in his direction, with Lando sitting over one of the tables of the warehouse. His jaw looks like itâs one misdirected comment from splintering in half. âShe shouldâve known better,â he growls.
Lando hops off the table, tie and suit jacket long discarded. He scoffs, doing a quick once-over of Max. Seizing him up. Itâs not a good idea. âYeah, maybe, but you donât have to be a dickhead about it.â
âLando.â
âWhat?â he asks, turning to you with disbelief written all over his faceâas if to say, are you really gonna let him speak to you like this? âHeâs being a prick.â Lando steps closer to Max, putting some distance between the two of you. He works his jaw with his knuckles, green eyes narrowed. âIf your plan didnât work out like you wanted, then maybe the problem isnât herâmaybe the problem is you.â
Maxâs cold, calculating gaze sweeps over Lando, before a scoff escapes him. He shakes his head, as if discarding a thought. âYouâre out.â
Lando huffs. âFine by me, prick.â
âNot you.â Maxâs gaze flicks to you.
The warehouse falls silent. You watch as Alex freezes on his chair, confusion and disbelief clear in his face.
Understanding feels remarkably like trying to digest a pile of stones. Hard to swallow. Heavy in your gut. You donât trust your voice, yet you hear yourself askingâ âAre you serious?â
Max looks unfazed. âYouâve proven youâre unreliable. I donât work with unreliable people.â His voice is nothing but cold when he repeats, âYouâre out.â
âMaybe this isnât a decision we shouldââ Alex tries.
âBut it wasnât her fault,â Lando repeats loudly, frustration bleeding into his words.
âYou will establish a line of contact with the buyer we had agreed on. I will wire you your part of the money,â Max continues, as if he hasnât just dropped a bomb on you. You feel like youâre going to throw upâworse, you think youâre going to cry. âBut after that, I donât want to see you around here anymore.â
You clench your fists at your side, trying to keep your hands from trembling. Is this all it takes? One mistake? Itâs unfair, you think. Itâs so fucking unfair. But Max has never particularly cared for fairâonly for results. And today, you mightâve cost him the one thing he values above money: his identity. All it takes is one cop to make the connection, to linger on Maxâs presence a moment too long, and this all unravels. He already said Charles had been taken in, that Carlos nearly got arrested. Thereâs too much heat at the moment to afford any loose ends.
Still.
You laugh. Itâs a bitter, bitter thing. It coils inside your chest, around your ribcage. You feel pinpricks behind your eyes, but youâll be damned if you even shed a single tear in his presence. âYou know what? Fuck you, Max.â
You feel tremors in your bonesâloss, maybe. Frustration. Embarrassment. Anger.
In the end, you walk out of the warehouse with your head held high, and Lando following just a few steps back.
âFuck you!â
The metal door slams loudly behind you.
The drive home is quiet. Lando buckled his seatbelt silently, jaw tense and knuckles tight around the steering wheel. You didnât speak, so neither did he.
Droplets of rain fall against the windshield, the clouds bleeding into different shades of indigo. Finally, the car skids to a halt. The drop-off point. A place that is neither too close nor too far away from your apartmentânot close enough to give away any personal information, but not too far that youâll have to spend a long time walking home.
You stare at the dashboard, at the smeared traffic lights that bleed into one another through the window.
This is it. Itâs over.
âIâm sorry,â Lando says quietly, motionlessly.
âIt wasnât your fault.â
âNo, it was. Fuck,â Lando squeezes his eyes, tugging too harshly at his hair. The silence lifts, paving the way for a frantic sort of planning. âIâll explain it to him. Iâll make him listenââ
That almost draws a laugh out of you. âYou canât make Max do anything. Nobody can.â Your face crumples like paper, frustration tearing you apart at the seams. You bite the inside of your cheek. Hard. âHow could I make such a stupid, stupid mistake? I know better than that.â
âStop it,â Lando says harshly, sharply, âyou didnât make a mistakeâyou were great. If anything, this whole plan was doomed the moment he decided to make me replace Charles.â
You huff a laugh. Lando leans his head against the headrest, pursing his lips, as if considering something. Silence settles once again. You can hear the rain pattering against the roof of the car. Drip. Drip. Drip.
âI should tell you,â Lando starts. âIt was an accident, that day I went to the flower shop.â He turns to you, shoulders dropping a little. âI didnât know you worked there.â
A scoff scratches against your throat. âYeah, right.â Thereâs no real malice behind your words, not anymore. Just exhaustion. You feel worn to the bone. Exposed. âYou were just getting flowers, and it just so happened to be the flower shop I work at?â
âI didnât know,â he insists, stammering, âItâsâItâs near my place.â He runs a hand through his curls again, as if thatâll help him convey his thoughts more clearly. âRunning into you was an unlucky coincidence and I wasâI was being a dick.â
Your brow twitches. âAre you⊠apologizing to me right now?â
âYouâre sure as hell not making it easy.â
You chuckle. âRight.â You slump your head against the car seat. Surprisingly enough, you find you believe him. Maybe it should bother you more, that he knows where you work. Until a few days ago, it did. Youâre not quite sure why it doesnât anymore. At least now you know he didnât do it to get under your skin.
Exhaustion makes you honest. âDid she like the flowers, at least? Your girlfriend?â
Lando squints, then laughsâa weak sound, tiredâas he shakes his head. âI, no. No, the flowers were for my sister. She, uhâŠâ he drums the pads of his fingers against the steering wheel, âShe likes roses, and sheâd just had a baby.â
âSo, youâre an uncle now,â you note.
He shrugs. âGuess so.â
âCongrats.â
âThanks.â
âAnd, for the record, you were. Being a dick.â You exhale, tilting your head towards him. He meets your gaze evenly. âBut I was also an ass to you. Multiple times. So⊠yeah.â
The corner of his lips curve up into a smile. âWas that an apology?â
âTake it or leave it, hotwheels.â
âIâll take it.â
You click your tongue. âSince weâre speaking now, I should probably warn you to steer clear of the flower shop.â
âYeah, I got it.â
âYeah, âcause of that, but also because I lied to Ollie and told him you were a piece of shit ex of mine.â
âWoah,â Lando straightens off his seat, âyou told your boyfriend I was your ex?â
You roll your eyes, and the weight of the day feels a little lighter on your shoulders. âOllieâs not my boyfriend, heâs my coworker. And he had a few questions after you leftâfigured it was a good lie in case you ever tried to come back again.â
Lando scoffs. âPlease. Like the kid could take me. He waters plants for a living.â
You squint. âI meanâhe is taller than you.â You shrug. âYouâd be surprised.â
You can feel Landoâs eyes on you. Lingering. Tracing your features. âWhyâd you work there?â he asks, softer this time. âYou clearly donât need the money.â
âWhat makes you say that?â
âYou mean other than youâve been pulling jobs with Max for a while?â He gestures at your hand. âIâm pretty sure that little bracelet of yours is worth more than youâd make in a year.â You glance down at it. Itâs a small, barely noticeable silver chain. You bought it with the money from your first heist under Max. âSelling flowers doesnât exactly sound like a lucrative business.â
You think about it for a moment. âI worked there when I was younger. The ownerâsheâs too old to take care of it now. It almost feels like itâs my own place in the world, you know?â You sigh, rolling your eyes at yourself. âI donât know, maybe I just need to be a normal human being for a couple of hours a day.â As soon as the words leave your mouth, theyâre tinted with a sarcastic scoff. âLike thereâs anything normal about me,â you mutter, suddenly annoyed.
You rob museums and millionaire-funded auctions. You spend hours at your day job studying paintings youâre planning to steal and sell. Your best friend is a lockpick and a pickpocket who has stolen your wallet multiple times for fun. You use your art degree and your contacts to fence stolen paintings for money.
âWho cares about normal?â Lando says, as if itâs the most natural response in the world. âNormalâs boring.â He looks at you with an expression you canât quite place.
Landoâs eyes are pretty, you realize with startling shock. Not quite green, but not hazel either. There are splashes of blue thereâdaubs of brown in a sea of green. You can feel yourself lingeringâmaybe he can feel it too.
âI should go,â you say, reaching for the handle of the door. Itâs still raining outside. The cold air rushes inside the car like a rippling wave.
âI donât have one, by the way,â Lando says suddenly, abruptly. He grimaces, his nonchalant act faltering. âA girlfriend, I mean. I donât have a girlfriend.â
You can see from the way his face twists up that he regrets ever speaking. You shake your head, and to your own surprise, you find yourself smiling.
âSee you around, Lando.â
Weeks pass by slowly. Mornings stretch into dull afternoons, days feeling grayer and grayer as winter starts to roll in. You try to make a routine for yourself, something to keep you from focusing on that throbbing emptiness you feel in your chest whenever you stop.
So, you donât stop. You arrive at the shop hours earlier and leave at long after sundown. You trim bonsais and water plants and throw away flowers that have long since dried. You wipe the windows. You scrub down the counter. At some point, you find yourself staring at a pair of scissors and wonder whether you should cut your hair.
You start bringing your art textbooks back to work. Thereâs no heist to prepare, no painting to studyâbut you let your mind wander, just occasionally, as you study the different artworks. Kahlo, Bracquemond, Malharro, Lira. If Ollie notices any changes with you, heâs smart enough not to mention it.
Itâs not like you need the moneyâthough itâs always a pleasant addition. Youâve saved enough so that if you donât live extravagantly, you could manage. But you miss the thrill, the rush of adrenaline it gives you.
The only time you let yourself linger is at nightâwhen you stare at your phone for a moment too long, unsure whether youâre waiting for a call from Max or a text from Lando.
Neither ever comes.
You received a text from Alex, a few days after your unceremonious severing of tiesâa text he undoubtedly sent behind Maxâs back. It was an apologyâsomething short, sweet, and enough for you to appreciate it.
The one person youâve been talking to consistently is Charles. He mustâve been the last to get the newsâand a part of you canât help but wonder how he reacted. Heâs more level headed than most of you, but still.
âI could quit,â he told you one afternoon, over the phone. You could imagine the concentrated pinch of his brows, the displeased turn of his lips. âWe used to manage just fine before, when it was just us.â
âIâm not asking you to leave.â
âI know. Thatâs why Iâm offering.â
You sighed, going quiet for a moment. âItâs fine, Charlie. I mean it.â A beat. âPromise me you wonât do anything stupid.â
Charles had just grumbled something in French, and that was that. You saw the news a few days after thatâanother auction house, a painting robbed from right under their noses. What surprised you was that the painting they stoleâa Camille Pissarroâwasnât even the most valuable work of his that had been on display that night. It almost managed to cheer you up a little. Their loss.
âAre you sure you donât need me to close? I can stay a little longer,â Ollie says, untying his apron and hanging it behind the counter.
âIâm sure, Ollie,â you say, shaking your head. âGo home. Itâs getting late.â
Ollie hums, bidding you a quick goodbye before exiting the shop to go get his bike. Heâs a good kid, you think. Youâre still not quite sure what youâll do once he graduates.
The bell rings, and you find yourself fighting off a smile as you hang your apron beside his. âDid you forget something?â you call out.
You hear Ollieâs footsteps draw closer to the counter. Slow, measured. Thenâ
âActually, I was hoping to get a suggestion.â You turn your head around so quickly you nearly give yourself whiplash. And there he isâdecidedly not Ollieâstanding in the middle of your shop like he belongs there. Landoâs hair looks longer, tousled, curls unruly as ever. He still wears that black hoodie of his, paired up with black jeans and sneakers. Heâs tilting his head at you, waiting.
âWeâre closed,â you say blankly. And, reallyâitâs jarring, seeing him here after expecting not to see him again unless he was showing up on the news.
âI figured,â he says. His fingers drum against the counter, green eyes with a mischievous glint. âThen again, Iâm not really here for the flowers.â
Your mouth feels dry. âWhat are you doing here?â
âI wanted to see you,â he says honestly, earnestly. It makes something jump inside your chest. Something curls inside your gutâa feeling distinctly opposite to the bottomless pit thatâs been churning in your stomach for over a month.
âDid you, now?â
âYou havenât exactly made it easy,â Lando says, curious eyes scanning the place. Still, you can see the growing grin in his lips. âYou did warn me off visiting this place again.â He shrugs. âSânot like I had your number.â
Youâre not sure why that makes your lips quirk up, gaze tinged with amusement. âNot like it wouldâve been that hard to get it.â
He hums, sidestepping the counter as he strides closer to youâclose enough that you can see that mischievous glint dancing in his green eyes. Mischievous, but paired with something⊠softer. âYou just love arguing with me, donât you?â Lando asks, head tilted.
âNot any more than you do,â you respond.
Lando leans closer, eyes flickering down to your lips. You can feel his breath fanning against your cheeks. His hand brushes against your waistâslowly, tentatively.
âYou know, itâs been a shit show without you,â he says quietly. Like a secret only youâre privy to. âNot that he would admit it. Iâm pretty sure he got scammed with this last buyerââ
You lick your lips, reaching up for the strings of his hoodie. âI donât wanna talk about Max,â you murmur. Itâs not out of resentment, eitherâbut looking at Lando under the warm light, cheeks rosy and lips pink, Max might just be the last thing on your mind.
Neither of you are sure who makes the first moveâitâll be something to argue about later. Thereâs nothing gentle or soft about the way Lando kisses. Itâs teeth on teeth, tongue on tongueâa competition on who can be the first to draw blood. Still, you can feel him smiling against your lips, his hands splayed around your waist as your arms reach up around his neck. His teeth pull against your bottom lip. Your fingers pull against his hair. Youâre the first to draw a sound out of him, making you grin.
When you pull apart, both your lips are glossy and rosier than they were before. He looks breathless. You imagine you do too.
âYou can be really infuriating, you know?â Lando asks.
âHave you looked in the mirror recently?â
He scoffs a laugh. âYou just can never let me win, can you?â
âDefinitely not.â
Before you can help yourself, youâre bringing him closer to you again, pressing your lips against his. Your tongue darts against his bottom lip, making him hum.
He pulls away first, eyes dazed. He looks down at your lips again then back up at you, as if restraining himself. âLet me take you out,â he says abruptly, voice a little wrecked at the end, âlike on a proper date.â
You smile as you press your nose against his neck, lips trailing over the skin. He shudders, and it only eggs you on.
âYeah?â you tease, voice breathy and quiet. Lando groans, moving to capture your lips with his again. âWhere will you take me, hotwheels?â you ask between kisses.
He grins, green eyes alight. âAnywhere you want, sunshine.â
By the time Lando leaves, night has fallen outside, and closing time has long since passed. At last, itâs just you in the flower shop, lights turned off and windows locked.
Youâre about to lock up and leave for the night, when you notice a small package you hadnât seen before tucked into a corner, just beside the door. You kneel down, curious. Itâs wrapped in a brownish paper, paired with a Fragile! Handle with Care sticker. You furrow your brows. Thereâs no way this is Ollieâs.
You wonder whether you should call him. Ask if he forgot a package. The thought dies as quickly as it appears. Curiosity gets the best of you, and you find yourself tearing at the brown paper.
The first thing you see is strokes of green. Perfected brushes of red and blue. You donât believe your eyes. The gentle unwrapping becomes more desperate, urgent. Once itâs completely off, itâs unmistakable.
AnĂ©mones by Claude Monet. Inside your shop. In your hands. Youâve gone insane. Thereâs simply no other explanation for it.
You donât know how long you sit there, on your knees, staring at the wooden frame in your hands. You donât blinkâafraid that the moment you do, itâll vanish like you never had it in the first place.
You move your hand, only to feel something odd behind the frame. You scramble to turn it around, spotting a small, tiny slip of paper tucked behind.
You unfold it. Thereâs a phone number scribbled on it, followed by: No more excuses.
Then, on the other side: I think Iâm starting to get why you liked this one so much.
You blink. Did Landoâ
Fuck, he did. How did he get it? When did he get it? Your fingers trace the painting gently, as if itâll turn to dust with the minimal pressure. Your body slumps forward slightly, disbelieving. This is yours now.
You drive home following every traffic law to ever exist. You signal as you turn, body taut like wire, unconsciously acting as if thereâs already police eyeing you suspiciously. Itâs only once youâre inside your apartment that you allow your shoulders to drop and gently place the painting on your rug.
A part of you wants to hide it under your bed. What if someone finds out? But even looking at it now, you know you could never do that.
You try to bite down a smile, but itâs futile. Maybe you could ask Lando for ideas on where to hang it. The thought feels remarkably like sunlight warming your chest.
Youâre floating a bit, mind drifting anywhere other than your apartment. You still canât quite believe it. All those thefts, all those fenced paintings and sculpturesâit never occurred to you that you could keep one as your own. Lando did that.
When you reach for your phone to text him, you find that thereâs another message already waiting for you.
Itâs not from Lando. Itâs from an encrypted numberâone youâre all-too familiar with.
Thereâs a job that you could be useful for.
Are you in?
reblogs and comments are always appreciated! âïž
THE CARLANDO HUG đđ§Ą
Spencer Reid the man you are
How I look when Iâm tryna lock tf in
SHREK 2 (2004)
Fun fact: Dolly Parton is not blonde. All her blonde dos are wigs. When she goes out with her husband, because he doesnât want to be in the public eye, she has her real hair and wears more typical middle aged southern lady outfits and people justâŠ. Donât recognise her. She just Clark Kents her way into maintaining a private life.
Sheâs the real life Hannah MontanaïżŒ
Wasnât she Hannah Montanaâs aunt đ?
I have to add some details because their story is pretty cute
At 18 Dolly moved to Nashville. The very first day she was there she met a guy outside the Wishy Washy Laundromat. Her husband, Carl Dean, has said âMy first thought was Iâm gonna marry that girl. My second thought was, âLord sheâs good lookin.â"Â
After 2 years of dating they wanted to get married but her record label said no because women are more profitable if theyâre single. They eloped at a little church before the label could stop them and put off their honeymoon so Dolly could focus on work
In 1966 Carl accompanied her to a dinner/awards ceremony, it was his first time going to an industry event. After the dinner he said to his wife âDolly, I want you to have everything you want, and Iâm happy for you, but donât you ever ask me to go to another one of them dang things again!ââ And she never did
He lives a quiet life in Nashville and runs an asphalt business
For their 50th anniversary they renewed their vows at their home in front of family and friends, it was the wedding theyâd wanted but couldnât have when they first got married
Bless Dolly.
Shout out to Steve Harrington for apparently being the only genre-aware person in the Hawkins group, grabbing something to defend the group as soon as they hear a weird noise, poking stuff around with an oar, not letting the cursed girl spend too long on her own⊠and when Dustin mocks him, he snaps back, âconsidering the people in this room have nearly died about half a dozen times, I donât find it funnyâ. Heâs so right and he should say it. Steve KNOWS heâs in a horror film and heâs built to be the final girl.
TODAY IS THE ONLY DAY YOU CAN REBLOG THIS
i havenât drawn my wonderful otp buckynat in 700 years so i did some doodles :*
Rest in power, our King in the stars. â„ïž
I canât believe itâs been a year. It feels like an eternity has passed, but it also feels like it didnât happen at all.
I finally got around to finishing what I started a year ago, a piece called âForeverâ. đ đŸ
andrew garfields peter is going to see tom hollandâs peter in a multi million dollar suit and turn around and leave
garfieldâs peter when hollandâs peter asks who made his uglyass suit:Â
sorry! my pradaâs at the cleaners! along with my hoodie and my âfuck youâ flip-flops, you pretentious douchebag!
Leaked footage from Doctor Strange in the Multiverse of Madness.
I spent 7 hours on this Community meme, please laugh.
duolingo has more gay representation than the marvel cinematic universe
Can you please elaborate?
there are more gay characters on duolingo than the marvel cinematic universe





