Teeny tiny grub
let's talk about Bridgerton tea, my ask is open
š
Sweet Seals For You, Always
Sade Olutola
ojovivo

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titsay
occasionally subtle

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Claire Keane

gracie abrams
"I'm Dorothy Gale from Kansas"

izzy's playlists!
tumblr dot com
Fai_Ryy

Origami Around
EXPECTATIONS

ellievsbear
YOU ARE THE REASON
cherry valley forever
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@plannedscape
Teeny tiny grub
I do it a lot here anyway, but allow me a moment to get on my archivist soapbox because this is not only cool af but important too.
The US National Archives (and this may certainly apply to other countries but this post is about this specific institution) has a lot of material. And that may seem like an obvious statement, but what I mean to say here is that it has a lot of unprocessedĀ material.
āProcessingā, in the archive world, is the word we use to meanĀ āorganizing the collection materials in a way that makes sense and describing the collection so people know whatās thereā. Essentially, processing a collection or material is what makes it accessibleĀ to researchers. Think about how you organize yourself or your space. Most of the time when we acquire material we get it exactly how the creator kept it, which is ranges from neat as a pin to literal garbage dump, but mostly falls into the middle area of somewhat organized but also not really. Processing gives the archivistĀ āintellectual controlā (we go through everything so we now know exactly whatās in the collection) and gives researchers something to look at thatās a lot more manageable.
But, like I said, the National Archives has a lotĀ of material. Which at this point includes a massive backlog. So what they have done, with the advent of the internet, is turned to crowdsourcing. (Using a large group of volunteers over the internet to accomplish more than the few people who work for the archive can do, and/or using group knowledge and skills that they donāt have to their advantage. Wikipedia or any fandom wiki is an example of crowdsourcing.) This is a long process, because anything they put up has to be digitized first, and that is not as easy as it sounds. I wonāt rant here, but itās time consuming, labor intensive, and in some cases not even feasible with the material.
Anyway, the National Archives crowdsources through a program that they callĀ ācitizen archivistsā. Itās something thatās free and obligationless, itās totally voluntary and you do things like add tags to pictures, transcribe documents that are handwritten or otherwise not word-searchable, and add comments about things that are missing information or context.
The reason I bring this up is because they have divided the work into what they callĀ āmissionsā, basically just categories of material to work on. They have a new one thatās just been made public (likely because they finally got the digitization completed) that is a large collection of pictures consisting of Native subjects, and they need help tagging them.
So if you feel antsy and need something to do or you feel down and you want something positive, consider helping out the National Archives. Because the work the citizen archivists do makes the materials more accessible to the public, and ultimately to any and all future researchers out there.Ā
Please do this! Its really helpful, especially for researchers
the Library of Congress has something similar- Iāve been transcribing Spanish legal documents for them
https://crowd.loc.gov/campaigns/herencia-centuries-of-spanish-legal-documents/
If I had been in charge of The Office, the last season would have seen the release of the "documentary", and it would be a massive hit on Netflix or wherever, enough so that there was demand for a second iteration of it. But the impact of the fame would have completely warped all the characters, and all their interactions with and comfortability with the camera. Jim would be doing his smile at the camera in a self-conscious way, knowing that this was essentially his catch phrase. All the characters would change their appearance, and they would become influencers just because you can't not accept $10K to make a TikTok for Kraft. And the drudgery of working at a paper supply company would become the drudgery of working at a paper supply company while also being a public figure whose income from Cameo dwarfs the office worker money, but where continued employment is more about maintaining a brand identity. There'd be episodes about stalkers, obsessive subreddits, getting stopped by people on the street, and the whole thing would become an ouroboros of self-reference. And it wouldn't be funny at all.
āmen canāt be oppressedā -> men of colour
āwhite men canāt be oppressedā -> gay men
āheterosexual men canāt be oppressedā -> trans men
ācis-het men canāt be oppressedā -> intersex men
āperisex men canāt be oppressedā -> disabled men
āable-bodied men canāt be oppressedā -> neurodivergent men
ācis-het perisex white able-bodied neurotypical men canāt be oppressedā -> buddy let me tell you about wealth and class and homelessness and immigrants and minority languages and cultures and being a child and being an elderly person and and and
we can keep doing this all day but the reality of the world is that very few people donāt face any kind of oppression at all and everyone exists in a complicated, intersecting web where they have privileges over some people in some contexts and some others are have privilege over them in other contexts. no one individual is incapable of enacting oppression and if you think that about yourself you need to go away and interrogate that belief.
It sucks there seems to be a concerted effort to distance the transfem and transmasc communities from each other. If it werenāt for trans women, I probably wouldnāt have realized I was trans until much later in life.
The cis women in my life were so miserable in their womanhood, I thought that misery was normal. Seeing trans women actually love and fight to be seen as women made me question my own misery
Which notorious English class short story fucked you up the most?
* I Have No Mouth and I Must Scream
*The King in Yellow
* The Lottery
* The Masque of the Red Death
* The Monkeyās Paw
* The Most Dangerous Game
* The Nameless City
* The Ones Who Walk Away from Omelas
* There Will Come Soft Rains
*The Yellow Wallpaper
* The Veldt
* āyou think those were fucked up? What about [X]!ā
Which notorious English class short story fucked you up the most?
I Have No Mouth and I Must Scream
The King in Yellow
The Lottery
The Masque of the Red Death
The Monkeyās Paw
The Most Dangerous Game
The Nameless City
The Ones Who Walk Away from Omelas
There Will Come Soft Rains
The Yellow Wallpaper
The Veldt
āyou think those were fucked up? What about [X]!ā
Okay I have things I should be seeing to but I couldn't help myself. In case you, like me, have not read all of these stories and would like to be amongst the lucky 10,000 today:
I Have No Mouth and I Must Scream by Harlan Ellison
The King in Yellow by Robert W Chambers*
The Lottery by Shirley Jackson**
The Masque of the Red Death by Edgar Allan Poe
The Monkey's Paw by W.W. Jacobs
The Most Dangerous Game by Richard O'Connell
The Nameless City by HP Lovecraft
The Ones Who Walk Away From Omelas by Ursula K LeGuin
There Will Come Soft Rains by Ray Bradbury
The Yellow Wallpaper by Charlotte Perkins Gilman
The Veldt by Ray Bradbury
Honorable Mention from the comments/reblogs:
All Summer in a Day by Ray Bradbury
*note: this is actually a collection of short stories and clocks in at about 72k words
**Originally published in the New Yorker in 1948; interestingly, the New Yorker still has this story archived on their website BEHIND A PAYWALL. CAN YOU IMAGINE.
we are never going to be free until it literally doesnt matter whether a person is ugly or not
the thing about job searching is i see all these job postings and im like i dont wanna do any of this for any of you
people NEED to stop gatekeeping making music like ohhhh i donāt have an instrument ohhhhh i donāt know music theory ohhhhh iām not gonna pay for some program. SHUT UP. take my hand.
you need NONE of that shit!!!!! thereās a website called beepbox.co. literally all you have to do is press things until it sounds a modicum of nice. itās easy itās free and it works on anything which has a browser because itās a website.
if even ONE person starts making music bc of this post it will be worth it.
making bad music is just as important and okay as it is to write badly or draw badly or sing badly. you ARENāT BEHOLDEN TO MAKE GOOD MUSIC. making music is not utilitarian HAVE FUN. HAVE FUN!!!!!!!!!
love how people will encourage people to just start making shit and see what happens when it comes to drawing and writing but when it comes to beginner musicians (music makers if you wish to be less formal) itās just COMPLETE RADIO SILENCE. it feels like no one even knows you MAKE music it just sprouts up from the ground one day and some guy picks it up. am i alone in this dark cave
Fuck it
I'm gonna try and make music
Call me betovan bc I'm deaf as fuck /j
HELL YEAH!!!
Alternatively if you wanna get into music producing in a more āproperā way, you still donāt need any money.
Ableton has excellent free websites to learn the basics:
Learning Music
Learning Synths
You can learn basically everything you need on YouTube. I recommend:
Mercurial Tones Academy
Dan Worrall
Bthelick
A lot of your favorite artists, mainly in electronic music, likely have done track breakdowns, you can watch those to learn how they do things.
DAWs (Digital Audio Workstations) ultimately all do the same things, and Cakewalk is a great FREE fully fledged one. Sure it has some issues, and doesnāt have many plugins included, but it works just fine. All the music I released so far was made there, before I made the jump to Ableton.
As for VST plugins:
Vital is an excellent free synth
Native Instruments Komplete Start is a good free collection of plugins
TDR Nova is a great free EQ
Thereās a lot of others and I donāt wanna name everything Iām aware of here, but feel free to DM me for more (Or if you have any other questions and stuff too).
And as for samples, you can get a bunch of free ones at:
Cymatics
Ghosthack
Having good headphones is nice and what Iād recommend you invest in first once it comes to it, but even your current ones will probably be fine, mainly if you slap AutoEQ onto them to flatten the frequency response. And ultimately, music isnāt all about the mixing, the most important part is conveying an emotion.
I know this goes against the spirit of the original post a little, but I want people to know that getting into music production also no longer costs thousands, you can just do it at home on your computer without no money.
Yeah, there is still quite the learning curve, I get that, though itās also why itās managed to hold me as a hobby for so long.
I do however have something of the exact opposite variety too, the most simple way to make music I know of, and a wonderful little semi-social experience, along the lines of the game Journey:
The New PLINK! is the long overdue update of #plink by @DinahmoeSTHLM. Jam with friends and strangers all over the world.
hi op i think you should know that i did indeed make a song for the first time because of this
Thanks to a pair of a bionic gloves, this 80-year-old classical pianist can finally play the piano again. The maestro, JoĆ£o Carlos Martins, had lost dexterity in his hands due to aging and health complications. His face at being able to play piano again says it all. š¶
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Sometimes the future is pretty cool, actually.
Bro heās so happy heās crying and thatās making me cry he gets to play piano again after so long I
JoĆ£o Carlos Martins isnāt just any pianist, heās one of the best pianists alive today. The dude has been playing piano for over 70 years (his career started when he was 11, but by the time he was 8 he had already won a contest playing Bach), and out of those 70, 56 years he spent playing with some kind of disability in his hands.
By the time he was 20 years old, João Carlos had already been invited by Eleanor Roosevelt to play at the Carnegie Hall, played with the biggest north american orchestras, and recorded the entire work of Bach for the piano. At the height of his skills, he could play 21 notes per second.
In 1965, at 24 years old, he suffered an accident during a soccer match which ended up causing an injury on his right elbow, damaging his ulnar nerve and atrophying 3 of his fingers. This caused him to stop playing for a year, and to play with difficulty until his 30s.
After long periods of physical therapy, but still with much difficulty, he returned to the stages and was received several positive reviews and was acclaimed by the public. However, he ended up developing a work-related musculoskeletal disorder, which forced him to stop playing again.
This wasnāt enough to make him give up on his musical career, and even with atrophied fingers and paralyzed hands, he still managed to play and record all basically of Bachās work from 1979 to 1985, still being wildly popular despite his difficulties.
However, the worst would come in 1995: at 55 years old, during a robbery in Bulgaria, JoĆ£o Carlos was struck in the head with an iron bar, resulting in neurological sequelae which paralyzed his right arm. After a lot of physical and neurological therapy, he managed to move his right hand again enough to play the piano with both hands, but due to a worsening of his condition, at 58, he started to develop troubles not only moving his hand, but also speaking, so he had to go through another surgery. It didnāt seem like he would recover much movement in his hand after surgery, however, so he used the short time he had before his hand atrophied completely to record one last CD with both hands.
In 2001, at 61, he recorded the album Piano Concerto for the Left Hand, written by Maurice Ravel for Paul Wittgenstein, an austrian pianist who lost his right arm during World War 1.
His intention was to record 8 albums using only his left hand, however, his left hand developed a disease called Dupuytrenās contracture, causing his fingers to become permanently bent and contracted, as well as causing pain. He went through another surgery, this time in his left hand, but it didnāt prevent him from losing movement in his left hand, causing him to have to abandon the piano, seemingly for good.
This still didnāt keep him away from music, and after learning to conduct from a friend of his, he became a conductor in 2003, at 63 years old. Due to his paralyzed fingers, JoĆ£o Carlos couldnāt actually hold the baton or even turn the pages in the score (at least not fast enough to not stall the music), however, so instead the maestro simpy memorized every score note by note. He memorized, on average, 5000 score pages. (Unfortunately, he started to develop dystonia on his left arm, causing it to twitch, which caused him to have to stop conducting for a while, but he came back shortly after and has been conducting ever since.)
He went through another brain surgery in 2012, to recover the movements in his left hand, but at this point it was so atrophied he hadnāt even opened it in 10 years. He still occasionally played the piano in important events, and he even played at the opening of the 2016 Summer Paralympics in Rio, but his playing was very slow and he could barely use his fingers, playing only a single note per second (compare with his 21 notes per seconds back when he was young).
(João Carlos Martins playing at an event in São Bernardo do Campo, 2013)
His bionic gloves were custom made by an industrial engineer, after said engineer saw him playing live and thought he could probably come up with something to help him. After he approached JoĆ£o Carlos to offer his help, the bionic gloves got ready just in time for him to play at the 466 anniversary of the city of SĆ£o Paulo, in 2020, where JoĆ£o Carlos claimed āthis is the first time in 22 years I place all 10 fingers in the keyboardā. Now, in 2021, he often posts videos of himself playing, and he always gets very emotional while doing so, and he is hardly seen without his new bionic gloves.
Itās okay to not want to have sex ever. Itās okay to never even try it.
I was 23 before it even occurred to me that not starting with sex ever was an option. The feeling of relief was so great I actually cried.Ā
You donāt have to if you donāt want to. You can have a fine live without ever having sex, I promise you.Ā
Also, itās okay to never date anyone ever. Itās okay to never even try it if you donāt want to.Ā
I wrote a masterās thesis on intentionally single people, and the number of them that said in various ways,Ā āI didnāt know not dating people was even an option at firstā was absolutely tragic. They honestly thought they had no choice and it never occurred to them that opting out was even a possibility available to them. Ā
People honestly believe these are life experience you are required to have AND THEY ARE NOT.
You can just not have sex. You can just not date people. You can completely by-pass one or both of those things. Neither of those things are required to be healthy, happy, normal, mature, fulfilled, or any of the other bullshit notions that get attached to these things.Ā
Sex positivity is about bodily agency which includes the choice to NOT/NEVER have sex, so inclusion of asexual/celibate/sex repulsed people will always be a pillar of any real discussion of sex positivity and sexual freedom.
before my egg cracked, i had noticed that trans people were often pro-accessibility and up-to-date on the needs of disabled people, but i hadnāt seen any inherent connection between the two (other than the obvious minority-looking-out-for-other-minority thing). but now that iām trans and medically transitioning, and i have to constantly repeat myself while talking to doctors and nurses, and explain things about my own anatomy to medical staff who should already know this, and having every single problem i might have blamed on myĀ āconditionā so nothing i say is taken seriously, all of the sudden i have a little sneak peak into the life of someone who has to deal with this all the time. like shit bro, being disabled probably sucks ass, someone should do something about this
happy disability pride month, we all deserve autonomy and respect and access to medication
TLDR: this white queer person tried to hold other white queer people accountable for their racism and they DID NOT LIKE THAT
FR!!! I also think it's important to mention that as a trans girl, I see a lot of other white trans girls appropriating asian culture because they associate it with femininity, which genuinely pmo as a wasian girl (i am more white than asian and am very white passing, so I can't fully provide input on this). This definitely ties into the larger point of the video, bcs I have not seen other people call out these issues and they are usually ignored, and when they are brought up people are just blatantly ignorant ("if i can't see it it doesn't exist"). even i don't feel like I've noticed the issue this person is talking about, but I am not in transmasc spaces so of course I wouldn't see it. I doubt this person has noticed transfem asian appropriation, but I have since I am in largely transfem spaces. but either way, this problem definitely exists in both spaces, and it definitely still needs to be addressed.
I saw a very useful video about this similar phenomenon even in cis white people. They said in the video white men emulate black men because they think it's more "masculine," and and white women emulate east asian women because they perceive them as "more feminine/cute/etc."
This ALSO ties into white trans men and nonbinary emulating east asian men because they perceive east asian maleness as a "more feminine" version of masculinity and therefore "more achievable/idealized."
i have my own gripes with this in regards to how other white trans men fetishize east asian men and how they might write erotic RPF or fanart, which in a vacuum might be whatever, but there's this undercurrent of "being east asian (or appearing east asian) is an automatic pass for me to fetishize you and make objectifying comments about you" which i personally have experienced firsthand and. aaauuuughghhhh i wish ppl would be more Aware of how their tastes in RPF or whatever (fantasies about celebrities who might never see it) affects how they interact with REAL PEOPLE they might actually talk to FACE-TO-FACE??? especially when it's rooted in racism like this
the perception of blackness as "more masculine" and east asians as "more feminine" is absolutely unacceptable and we should address it more.
Drug arrives years after pandemicās peak, but could still offer protection to vulnerable populations.
An antiviral pill has, for the first time, been shown to prevent COVID-19 in people exposed to the SARS-CoV-2 virus at home, according to trial results published today in theĀ New England Journal of Medicine1. The drug could be a lifeline for those who still face real danger from the virus, such as care-home residents or transplant recipients on immune-suppressing medication.
There are good things happening in the world.
"you only deserve food and shelter if you contribute to society" says people living in countries where nobody's labor actually feeds or benefits their neighbors anymore but exclusively benefits the companies keeping the food and shelter behind the artificial paywalls
You're not nomads relying on each other to hunt and gather anymore, you're talking about stocking shelves for fucking wal marts
And even the oldest societies on earth all took care of the elderly or sick anyway
dudes will be like "if you don't Contribute To Society you don't get to live, that's the simple facts" meanwhile their job is like Marketing and Brand Development Specialist
"It doesn't help your credibility to exaggerate, most employers wouldn't literally work you to death" like, I used to work in distribution. If booking a truck driver for back to back shifts until they fall asleep at the wheel, crash, and die counts as being worked to death, I have personally met employers who've worked employees to death and gotten away with a slap on the wrist. It may not be universal, but it's a hell of a lot more common than a lot of us would prefer to think.
Death by spreadsheet is an acceptable degree of separation for most in middle management. They can sleep at night without guilt for what they've done, because the system charitably setup twelve degrees of separation between their choices and the real-world harm. But do not be fooled, their choices set that harm into motion. Without their reckless disregard for human life, the harm would not be done.
I used to work at a TV station in Ohio. On weekends, we only had an 11pm news broadcast. Not much happened on weekends, ya know? I worked Monday-Friday 9-5, but someone on the weekend shift quit, so I also had to come in at 9pm on Sat/Sun to work the 11pm news. It was brutal. I worked seven days a week, even if two of them were ~3hrs.
This was a particularly bad winter. One Saturday, we had a level 2 snow emergency: That means you should only travel if you absolutely must. Like, it's not uncommon for cops to pull you over in level 2 emergencies to ask where you're going and why. It is genuinely dangerous to drive in that much snow.
I told my boss as much, how I almost crashed on the way home at 12:30am after a news broadcast. I told him I would need to call off if there were a snow emergency again during a night snow.
He told me, point blank, "If you ever call me about the goddamn snow, I will take it as a call of resignation."
And that was that! The very next Saturday, snow fell again. It was a level 2, but would become level 3 by sunup. Level 3 means driving is literally illegal except for ambulances and snow plows. I stared out the window, watching the snow, and I had to make a choice.
"Will I die for this? Will I kill myself to keep this job?" I made $11/hr.
Yes, managers work you to death. That's their job.
Every single labor protection is written in the blood of those who were literally worked to death, and business owners and profiteers would claw those protections back with glee if they could. They will squeeze every red cent from your body if they are allowed, and write off your death for an insurance payout that they'll try to pocket for themselves while hiring your replacement for half the pay they gave to you.
it's funny how all the movies from the '70s and '80s (and even some from the '90s!) just assumed that smog would get worse and worse until the earth (or at least LA) was perpetually shrouded in smoke, then the government banned smog and it went away; incredible really.
Acid rain went from being a pollution disaster to an environmental success story. How did scientists manage to prove that acid rain existed,
similarly "acid rain" was a genuinely devastating problem that was solved, eventually, by banning it! turns out you can just do things.