Misplaced Lens Cap
No title available

★

oozey mess
One Nice Bug Per Day

Kiana Khansmith
Stranger Things

Origami Around
AnasAbdin

ellievsbear
YOU ARE THE REASON
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ

Andulka
I'd rather be in outer space 🛸
hello vonnie

Discoholic 🪩

❣ Chile in a Photography ❣
almost home

Janaina Medeiros
seen from United States
seen from T1
seen from Malaysia

seen from Brazil
seen from United States

seen from Mexico
seen from Saudi Arabia
seen from United States
seen from Malaysia

seen from China
seen from Bolivia

seen from Saudi Arabia
seen from Malaysia

seen from Canada
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@poignantink
Hi Mr Gaiman, I'm pretty sure your answer is going to be something along the lines of "just write" but, I am having trouble starting on my book. I have plans, I have a path. But my brain is having issues stepping over the threshold as it were. Neurodivergence is a bit shit like that. Is there any advice you could give?
For me, the best thing to do is to persuade my brain that I'm not actually working, that I'm doing stuff that doesn't matter. Look, I'm not even typing. I'm just scribbling down some ideas. With a pencil! And now I'm typing up notes.
Do something that your brain can't stop you doing, whether it's handwriting or dictating or writing on old brown paper bags or big post-it notes.
There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book
Stephen King
hm if you say so
thanks microsoft
Scrivener is a writer’s best friend.
It’s a word processing software created with unruly, complicated novels in mind. However, some writers stay away because its many features can be seem overwhelming at first. If you want to use Scrivener, but haven’t taken the plunge yet. Or if you already use Scrivener, but haven’t explored its many features, check out my three part guide to writing a novel with Scrivener, from planning to editing and all of the key smashing in-between.
1. Planning with Scrivener
Scrivener comes with tools dedicated to outlining, researching, and brainstorming your manuscript. The first part of this series details everything you can do in Scrivener before setting that first line down in ink (or pixels.)
2. Drafting with Scrivener
The second part in this series covers the actual “writing” part of writing. It covers multiple composition modes (even making your screen mimic Microsoft Word!), writing in split screen, word targets, and more.
3. Editing with Scrivener
The third part of this series gives advice on exporting your writing into a standard manuscript format, saving each version of your work as you go along, and the best tools for revising your manuscript.
Download a free 30-day trial of Scrivener at its official site.
Disclaimer: This is not an ad. I am not being paid by the Scrivener people. I just really love this software.
Reblogging this because I’m currently writing with Scrivener. (In conjunction with using the Forest app to time my writing sessions and the progress tracker I made.)
I forgot how utterly amazing this software is, so I’m re-blogging my three Scrivener guides!
The four features that are killing it for me right now are:
A separate text file for each chapter. The organization make it so easy to move around my manuscript, so that doing things like going back to certain chapters to find information I need isn’t an utter nightmare. Equally important, I try to make sure my chapters are between 1,500 and 2,500 words for consistency. Having a separate text file makes it easy to see how far away I am from that mark. Which brings me to feature two.
Targets! I can set manuscript targets, session targets, and chapter targets. This means I can tell Scrivener I want my novel to be 40,000 words long, my chapter to be 2,000 words long, and that I’d like to write 1,500 words today. I can even say I want to finish my book by August 1st, and it’ll tell me how much I need to write each day to meet it–adjusting automatically if I go over/under my daily goal. It’s motivational too, pushing me forward because I’m never far away from hitting a goal.
Statistics! Scrivener goes above and beyond for manuscript statistics. I click one button and it tells me how many words there are in my book, how long the paragraphs and sentences are on average, how many chapters there are, the longest and shortest chapters, how many pages the document would be as a paperback, and even how long it would take to read!!!! I. Love. It.
Paragraph highlights in composition mode. This is a comparatively insubstantial feature, but in this drafting phase it’s been really helpful for keeping me moving forward–focusing on the words I’m currently writing, not going back and changing the ones I wrote twenty minutes ago.
whispering “no” while reading a book because you know that the character's about to make a fool out of themselves and kill you with second hand embarrassment
“yes, I’ve been wanting to read that!” I say with complete earnestness, as I proceed to ignore every opportunity I have to read it
oh wow, thanks homer!! i wondered when his next book was going to come out
Things I Would Hope Writers Avoid Doing To Their Villains Challenge
Facial scars
Obvious disability or deformity due to being ~Evil~
Hooked noses (COME ON, FOLKS)
“Ugliness” versus picture perfect heroes
Cartoonishly evil when the audience is for older readers and adults
Death = Redemption (ugh)
Death = Justice (double ugh)
Serial Killers are always criminal masterminds
Moving away from white versus black, light versus dark terminology
I might be willing to give a pass on the first four if the treatment they received due to the disability/disfigurement/whatever is their origin story and it’s less about them being an actual villain and more about how society is severely fucked up, disguised as something that looks familiar.
Fair point and this list could better be described as ‘things I wish people would stop doing thoughtlessly.’ However, hooked noses as a sign of villainy is very much an antisemitic trope and needs to be approached as such. Give your heroes hooked noses! Hooked noses are cute!
“yes, I’ve been wanting to read that!” I say with complete earnestness, as I proceed to ignore every opportunity I have to read it
To every book I've ignored before.
Be kind. Be brave. Be unstoppable. 💜💜💜
I am obsessed with the Rosewood Chronicles by Connie Glynn and the audiobooks read by her are amazing. I have to admit, I originally bought it as something I could listen to while I fell asleep because I didn't think I would like it as much as I did so it wouldn't matter if I missed much but WOW! I was hooked from the first chapter and every time I thought, ok I know where this is going, it changed and showed it wasn't predictable.
Because she who must not be named has temporarily ruined Hogwarts houses for me, I'm now going with Rosewood houses, and I'm Ivy!
#bookworm #booklover #booklr #bookstagram #connieglynn #rosewoodchronicles #rosewood #lottiepumpkin #elliewolf #undercoverprincess #ivyhouse #mrtruffles #rosewoodhall #rosewoodhouses #books #reading #pink #tangledcrown #bookreview #booknerd #therosewoodchronicles
This guy knows what he’s talking about. He’s one of the lead writers for Leverage and if you ever watch the series on DVD, do yourself a favor and listen to him talk about how the scripts got written. Some of the advice he has is stuff I use all the time: 1. Don’t introduce an important plot person or thing after the first half of the story. 2. Always tie up loose ends. 3. Introduce important things in the middle of unimportant things. 4. If you have to infodump, find an emotion to tie it to and it will seem less like infodump and more like a motive rant. Seriously this guy knows how to write.
true writing is knowing exactly how your wip starts and knowing exactly how how it ends but the middle is the equivalent of you standing stranded on highway 52 while your car burns in the background before a freeze frame zooms in on your face and a voice-over goes “yup that’s me. you might be wondering how i got here.”
Reading a draft of your own fic chapter and l o v i n g it is great up until you get to the point where you just stopped fucking writing
hello 911 I’d like to report my own murder
I’ve gone back on an old compact disk and read stuff I’d downloaded from an old computer waaay back when and found stuff I genuinely don’t remember writing. It’s always a downer to find out it was mine and has a cliffhanger ending that I have no idea where I had intended to go with it. Maybe that’s the reason it is incomplete;-)
Allow your writing to be fantastical, silly, illogical, overly dramatic, ridiculous. Don’t get hung up on whether or not your story makes sense at first. That is what editing is for.
If you think it would be cool to give your character a unicorn as a pet DO IT even if they live in a city or magic doesn’t exist. Why? Because maybe you will find as you write that instead of a real unicorn, they have a unicorn keychain that is their good luck charm or that they own a horse that lives on their grandparent’s farm or that their best friend is obsessed with unicorns. But you might have never discovered those things if you didn’t start writing out the farfetched idea.
Give yourself permission to write wild.
How to kill a Female Character without Fridging Her:
–Make her death be her decision, not because of some spur-of-the-moment reaction or emotional bond with a man, but because she’s thought it through and has deemed this path to be the one she wishes to follow (it can EVEN BE for a man, but there’s a lot to be said for a woman shoving the Hero down the passageway so that he can survive while she fights off an army alone, as opposed to leaping in front of a bullet or a sword for him)
–Make her death be the logical endpoint for her journey as a character; she argued “I don’t want to watch people hurt, I want to fight”, she dies as a warrior. She chooses to go to medical school and fight diseases, she dies exposing herself to a disease so others can study her. She’s spent her life running away from danger, she finally chooses to face death readily and willingly.
–Focus on her lady friends and their reactions, the men who didn’t have romantic interests or a need to protect her, the ones who relied upon her who now need to face the world alone, without her teachings or protection. Be careful not to make her death the trigger for their development, but rather, make it clear what her absence is going to do. If she had her finger stuck in a dam to keep the water from pouring in, what happens now that she’s gone? Does someone else stand there? Do people evacuate the city? What are the consequences of her absence beyond emotional trauma and revenge?
–Just kill her. Have her die like a soldier. One bullet, one explosion, she’s dead, the heroes move on because there’s nothing else to do, they deal with something else. Minimal drama. Minimal angst. Turn the eyes from “Boohoo she’s dead” to “We need to keep moving” as fast as possible.
–Make sure you’ve clarified all of her attachments outside of her love interests, and her goals, focus on her feelings, acknowledge the relationships she’s built with other people to make her absence more noticeable, and to gain a full perspective on what happens when she’s gone.
–Kill her like you would kill a man. Think of any famous man-death scene (”Clever girl”, “Fly you fools”, “There is another Skywalker”, “I don’t know how much longer I can hold this”, “Tell your sister you were right”, “Take her to the moon for me”), and just do that, put it on a level with that, and there you go.