Welcome

I'm Praxisia, or Prax. This is where I post my weird stuff. 20s, and I like putting NSFW and kink stuff on here.

[thestarbornpilgrim]

[homunculus-argument]

"I learned a lot from making this" is artist talk for "making this sucked ass and I'm not entirely happy with the result."

[animelionessmika]

^what artistic growth feels like

[justcatposts]

Little girl teaching her cats how to draw a flower 

(via)

[hottiewitabloggie]

they’re? just? sitting there ???

[ladycavalier]

it makes it 100% better that i can’t understand her, i feel like i’m hearing what cats hear

[socialistexan]

[crtter]

Heh, she’s speaking Portuguese! Here’s what she’s saying:

*baby voice* “… and if you have any questions, just ask me! And now… yeah. And now you draw the roots. You draw them all twisted up! Got it? A flower? Now draw it. Did you get it, Luis Roberto? Did you get it, Jurandir? Look. Did you get it? That’s how you draw a flower.”

Luis Roberto and Jurandir are people names (Jurandir is especially a name associated with older men) so it’s extra funny that the cats are named that, heh.

[harringroveguy]

Billy hiding his boner after watching Steve flip his spiked baseball bat in the air then lodge it into the side of a demogorgon’s head.

[kyri45]

It’s Sunday my dudesss. Time for your weekly Second Backup AU dose. (PREV / NEXT)

[thingsarentgood]

Clark saying the creatures don't feel anything and then later in the same scene the woman anomaly is seen attempting to run away from the pirate, seemingly in fear. Something something devaluation of life seen as different than him.

[twixie-forever]

my favourite part of Backrooms was when Phil showed Mary a photo of Clark on the cameras and you could see the big fuckass censor square over the Pirate

[matchst1ckdevil]

Its been a while since I’ve rendered anything

[apatheticabberation]

whatever i'll crosspost this one

[mercymornsproxy]

For a little I felt like we missed Clark’s spiral and that’s why the change felt so sudden but in the same scene that Clark shows this “sudden” violent part of himself he says ‘I don’t want to change’.

Clark has always been like this. We saw his extreme anger at the start of the movie. His disregard for those around him with how he speaks to and about them. The implied breaking of the glass was that he threw it, not knocked it over.

I was expecting a spiral but he didn’t need one. He was already there.

[the-irreverend]

Clark has got to be one of the best-written horror antagonists in recent memory, and the thing I love most about his character is how the film makes you understand his hardships, while at the same time not using them to justify, excuse, or downplay his actions.

You really get a clear idea of how his own hardships inspire the bad decisions he makes. And at the same time, it doesn't pull any punches in showing you the consequences of those decisions, which ultimately resulted in the creation of the Captain Clark entity.

Yes, I don't doubt that he was going through a very difficult time in his life, but it goes without saying that it doesn't give him the right to lash out at everyone and make their lives difficult. And it sure as hell didn't give him the right to take out his frustrations on his spouse or Mary!!!

That's why I love (to hate) him so much! He's not some run-of-the-mill mustache-twirling villain. He's understandable, relatable, and even sympathetic! And at the same time, the film is smart enough to not use those things that make him understandable, relatable, and sympathetic to excuse the harm and hurt he chose to inflict.

P.S. Mary's crashout on him was absolutely glorious to behold!

[the-irreverend]

This might be a hot take, but I thought what they did for the "monster" of the Backrooms was ABSOLUTELY GENIUS! How it organically builds upon how the Backrooms work, how it connects to the real world and its people (specifically Clark), and how it creates something that is dangerous and terrifying, and yet at the same time, frighteningly human!

Let me ask you something. Do you think it's interesting that out of all the "people" that were in the Backrooms, Clark's was the only one that was actually dangerous and was actually going around killing people? That's because the Backrooms remembers things in the real world, and "the more times it remembers, the less it does" until it only remembers the details that stand out the most, like how, when you remember a childhood bedroom, you only remember specific furniture or decorations. And the same goes for people!

Because Clark's life is dominated by his anxieties, frustration, fears, and, most importantly, his desire to lash out at everything he thinks is to blame, the Backrooms only remembered those negative feelings. And eventually they all culminated into this dangerous entity. Just like how he lashed out and attacked others that he believes are the fault of where he is, this entity of his own (unintentional) making lashes out and attacks everyone in sight, because, as you can see by the expression on its face, it too is driven by those same anxieties and fears!

That's what makes this my favourite Backrooms entity! Because it's not just another murderous fiend that kills for the heck of it. It's something that beautifully and brilliantly connects to the world it's a part of, AND MOST IMPORTANTLY THE PEOPLE IN THE WORLD, and helps make Clark one of the best horror movie "villains" in recent memory!

[tapeworrmart]

I don't want to change 🪑

[donniesdorm]

bloodymary unlocked

[pris-cas]

Lesson #3 touch: Humans biggest Organ!

I have so many more plans for this! I’m so happy people like it!

Lesson #1 Previous Lesson

[pris-cas]

“Lesson #2 endurance: persistent Hunting”

I headcanon that Eridians, tho fast sprinters, haven’t evolved to be long distance runners because of their cardiovascular system. So seeing a human run easily for more than a couple of minutes freaks them out.

Also Huge Thanks for all the love on my last post!! I’ll definitely be making this into a series!!

Lesson #1 Next Lesson

[pris-cas]

“Lesson #1 how far can humans see”

Lesson #2