yep, pretty much

shark vs the universe
"I'm Dorothy Gale from Kansas"
2025 on Tumblr: Trends That Defined the Year
Jules of Nature
Lint Roller? I Barely Know Her

JBB: An Artblog!
One Nice Bug Per Day

tannertan36

⁂
trying on a metaphor

Product Placement

izzy's playlists!
h

blake kathryn

Discoholic 🪩
occasionally subtle
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Janaina Medeiros
Not today Justin
sheepfilms

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@professorfonz
yep, pretty much
This sick bleach shirt I made. Something to showcase my undying love for prehistoric cave art.
Some of the bleach burned thru the shirt bc this was my first time bleaching anything ever, but it kinda adds to it.
Gonna want the sound on for this one boys
One of the all-time great videos.
Ownership meant a physical copy. Now you own nothing and can't find what you want across multiple streaming platforms.
Bring back headphones that plug in. Bring back expandable memory. Bring back owning media.
also books, they destroyed publishing and gave us kindles but what happens when the devices aren't even ours anymore
which one of u was going to tell me that tea tastes different if u put it in hot water?
y- you were putting it in cold water?????
Radish. Answer the question radish.
yeah??? i thought for like. 5 years that ppl just put it in hot water 2 speed up the tea-ification process didn’t realize there was an actual reason
You dont have the patience to microwave water for 3 minutes???
[ID: Tags reading “u think i have the patience to boil water wtf ?????” /End ID]
why are you. putting it in the microwave to boil it
Do you think I have the patience to boil water on the stove
Its takes less than a minute
Bestie is ur stovetop powered by the fucking sun
How long does it take you to boil a cup of water on the stove
Like seven minutes
Just stick the mug on top of the stove on medium heat n it boils in like two minutes… less than that is u use a saucepan…
Crying you’re putting the whole mug on the stove ???? On medium heat???? Ur stove is enchanted
Every single person in this post is a fucking lunatic
Yet another post that reads like four shakespeare characters who come out in the middle of the play to talk about something completely unrelated for comic relief
(Enter RADISHN’T, MOTHMAN MISATO, BOIMG FROG and CATS'N RAINCOATS, stage left. They are having a HEATED DISCUSSION.)
RADISHN’T: Prithee, which one of you had planned to tell
Of diff'rent flavours gained by simple act
Of brewing tea with water hot, not cold?
MOTHMAN: Egad! you poured the water cold? Wherefore?!
FROG: An answer from you, Radish, I must beg.
RADISHN’T: Indeed I did, dear friends - why does this shock?
Without the guide of others I assumed
That heat was merely added for the sake
Of expediting this solution’s brewing!
Half a decade I have spent, or more,
Not questioning this worldview I had made.
In fact, I am myself a bit surprised
That you might think that I, your dearest friend,
Might have a patience of sufficient stock
To wait until a pot of water boils.
FROG: Three minutes overtaxes patience so?
The microwave will beep when it is done!
CATS'N: My friend, this answer vexes me the more!
Can it be true that thou dost boil by nuke?!
FROG: Are you in turn, my friend, so shocked to know
That I have not the patience, like our Root,
To boil upon the stove our favour’d drink?
CATS'N: It takes less than a minute!
FROG: On what plate?
Perhaps your dinner cooks atop the sun?
CATS'N: How long can take your stove to fill the task
Of boiling but a single cup alone?
FROG: In minutes?
CATS'N: Yes!
FROG: I counted seven, once.
CATS'N: Perhaps you ought to have your timepiece checked!
If on a middle heat you place the cup
You soon will have the scalding drink you crave.
Two minutes, in a mug upon the plate
Or even less, if you should have a pot.
FROG: You cause me tears - is this how thou dost live?
You place upon the iron stove a mug?
A mug, ceramic, filled with water cold?
How do these flames, though medium in height,
Not shatter like a glass this fragile thing?
Surely, then, your kitchen is bewitched
With magicks far beyond the mortal ken!
(The FOUR realise they have wandered into the THRONE ROOM. The ROYAL COURT watches with fascination.)
KING: Ev'ry single person in this group must be a fucking lunatic, it seems.
I’m sorry but the THOUGHT that has been put into this, I actually CAN’T—
The fact that nearly every line is so metrically considered- near perfect iambic pentameter witb the occasional trochee for emphasis, but usually retaining a strong sense of rhythm nonetheless. And then the king comes in at the end, so wound in his disbelief that his response is reduced to prose.
And the even better thing about this is how easy it would have been to structure the king’s line into iambic pentameter: it is effectively already said as such because of the way wizardlyghost has phrased it, yet they haven’t!! They did not break the line, rendering what, by all typically of both Shakespearean canon and other periods context should be the character with the most command and authority in the whole play. If there was ever a more effective way to convey a genuine “what the fuck??”, I know of it not.
But it gets better!! Shakespeare regularly uses meter in order to represent class divide; the nobility usually speak in iambic pentameter, save for a few particularly chosen moments (e.g. Lady Macbeth’s descent into madness, Othello’s realisation of Desdemona’s “betrayal”) or just lines where Shakespeare needs to suggest high emotion or when a character is lost in thought. Supernatural characters like the fairies in A Midsummer Night’s Dream and the Witches in Macbeth usually speak in trochaic tetrameter, an inversion of iambic pentameter. Lower class characters, particularly those used for comic relief (usually under the influence of alcohol), speak with no structure at all: their language is plain prose. Therefore, if this is a conversation between these types of characters, as the prompt from silvergirachi suggests, why the hell are the characters speaking so eloquently???
Now, this is Tumblr. It is subsequently logical to assume that this may have merely been a humorous recreation (and a very good one at that) of the Shakespearean style in a way that is widely recognisable to an audience that may or may not have read a great deal of Shakespeare, which is understandable. However, logic is boring so I’m going to probe further into this to the point where future historians will look to this as an example of overanalysing.
The inherent eloquence of the characters here suggests an unusual subversion of the roles typically assumed in Shakespearean comedy. This could be interpreted along two major avenues: firstly, that the rhetoric displayed by the speakers is fundamentally representative of how truth can be expected even from the most seemingly pointless or ludicrous discussions. Furthermore, it could suggest that it matters not how well constructed your speeches are: if you talk bullshit, it’s going to sound that way despite your attempts to hide it.
This is similar but not identical to the second avenue of interpretation: there is the implication that the noblemen in the play are in fact the comic relief characters, therefore implying that the “common people” of the play are the ones whose influence, though not expressed in such a highly spoken manner, makes a lot more sense than whatever the hell this is. If this was a real Shakespeare play, I would call it a subtle exploration into the innate corruption of the rich and powerful. Well done, op.
Now, I doubt any of this is actually grounded analysis in any way, shape or form, but if someone else can take this to the extremes of writing a Shakespearean scene, why can I not analyse it as such? And where else to do so than Tumblr?
im in tears i didnt think anyone would put this much analysis into this‚ thank you so much
i also like that everyone else gets a version of their handle and then tumblr user pidoop is promoted to king
I am in awe of this post.
deepen the shadows bro. it'll be ok
i meant art-wise but if any dark sorcerers see this. you do you
that said, if you're filming a TV show turn the goddamn lights on what the hell is wrong with you
Here is an article from NPR about it (May 22, 2026):
Carolina Milanesi, an independent technology analyst, said Google is trying to make its cash cow business — search — richer and more personalized, and it will make shopping easier. But there is a risk that users may have fewer choices about what to click. "Right now it's: I ask a question, I get a bunch of answers and I feel that I'm in control as to which answer I take, or if I'm looking for something, which product I'm going to end up buying. That is going to be less so going forward," she said. Milanesi envisions AI-enabled search and agents proposing products to consumers — perhaps even those they have requested — but with less clarity or choice around where it's coming from. "If you're going to say: 'I want a pair of Jordans, go find them,' you're not necessarily sure what steps have been taken and whether the AI has used a source or a store that was paid for and therefore came up in the search results," she said, "or if AI actually went and did their due diligence and picked the best for me as a customer."
And here's one from Time magazine (May 20, 2026):
While Google already has “AI Mode,” the company will now power the whole search bar through its new Gemini 3.5 Flash model. Instead of the classic list of blue links, Google Search will now also generate a custom page with an AI-generated summary of what you’re searching about, which will then trigger a conversation with AI Mode on the main page, allowing users to ask follow-up questions—similar to the kind of layout you would see when opening ChatGPT.
And a little more from Time's article on how this may affect the websites that we are trying to search for:
When Google first started implementing AI-assisted results, news publishers warned of “catastrophic” impacts on the industry, much of which relies on Google search to drive users to their websites. Last year, news websites saw significant traffic declines as chatbots increasingly replaced Google search as the primary way to find sites and ask questions. Small businesses also noted drops in traffic to their sites from Google, which has traditionally delivered customers. Lily Ray, vice president of SEO strategy & research at Amsive, a digital marketing agency, warned as early as last year that Google’s planned changes to search are “going to have a devastating impact on the Internet.” “It will severely cut into the main source of revenue for most publishers and it will disincentivize content creators who rely on organic search traffic, which is millions of websites, maybe more,” she told Technology Magazine.
noai.duckduckgo.com blocks all AI content in search results automatically
So I saw this news last week and finally switched over to duckduckdo and the difference is STAGGERING. It's like...search from 20 years ago. The results I want are at the TOP. I can't believe I waited so long to switch.
agreed, switching to duckduckgo last year was the single best improvement in my life. just remember to change the search settings > manage ai and turn all the different toggles to Off (duck.ai), Never (search assist), and On (Hide ai images)
Just bringing this down from above quotes:
“It will severely cut into the main source of revenue for most publishers and it will disincentivize content creators who rely on organic search traffic, which is millions of websites, maybe more,” she told Technology Magazine.
So when the news sites go out of business, the content creators give up, the only places you can buy things from are the ones big enough to pay Google's going rate for being included in results, and the entire internet has been turned into an AI-generated ouroboros of shit... then what?
the brothers Area
Kelp gull (Larus dominicanus)
mutuals
Bonus: If I buy a book I get to keep it! The publisher can't turn up at my house at random and confiscate all the books I bought.
Delusion as a service
IT'S THE LAST DAY to pre-order my next book, The Reverse Centaur's Guide to Life After AI, at my Kickstarter. Get it as a print book, a DRM-free audiobook or ebook,, and help me continue to prove that DRM-free isn't just the right way to reach an audience, it's also the best way to reach them.
In 2003, Disney opened a new Epcot ride, "Mission: Space." Formally, it was a space travel sim that used a giant, high-intensity centrifuge to simulate gee stresses; practically, it turned out to be the most efficient machine ever created for surfacing previously undiagnosed heart defects in extremely dramatic and potentially lethal ways.
It turned out that a small number of people have these heart defects, and that the defects themselves are quite harmless, provided that you are never put in a giant, high-intensity centrifuge. Given that most of us will never be put in one of these centrifuges, it is quite possible to live your whole life without ever knowing that you have this lurking vulnerability. But once you build one of these machines and start shoving millions of people through it, you're bound to catch some of those rare people, and they will have cardiac episodes that are scary at a minimum, and are at the worst fatal.
For me, the lesson isn't that Disney did something wrong by building a giant cocktail shaker for human bodies. I'm not a thrill-ride guy, but lots of people like 'em and the machines themselves are benign for nearly everyone who puts their bodies into them.
Rather, I think the lesson here is that there are rare pathologies lurking in all of us, vulnerabilities that may never surface – until we come into the presence of a novel stimulus that unlocks them.
There's an analogy here to technology debt: technologically unsophisticated people think of software as a machine that never wears out and has no incremental usage costs (apart from electricity). In this framing, software is the perfect asset, one that never depreciates. But the reality is that software is a liability, not an asset:
https://pluralistic.net/2026/01/06/1000x-liability/#graceful-failure-modes
Software exists in a system, and while software might function perfectly under the conditions in which it is first created and deployed, there are continuous changes to all the technology that is upstream, downstream and adjacent to the software, which means that systems that are robust and secure at the time of deployment can become brittle and dangerous, even though the software doesn't change at all:
https://pluralistic.net/2022/04/24/automation-is-magic/
"You don't perfect your society just by making it work well. You have to make it fail well. A utopia isn't a society where nothing goes wrong – it's a society where things go wrong all the time, but we're able to fix them"
dude, this is really scary, and liminal as well. It's like the bathrooms
New BBC Sherlock Super-High-Quality Production Pictures by Arwel (x) - 221B S3 set - Note the speaker dock on the table, which Sherlock uses to play the Watson waltz on.
why are these causing me more emotions than shots with the actual characters in them
/me squinting at tiny mobile screen: ah yes, very details, much HD
I feel like I’ve lived here for years.
Source
Happy Pride Month!
Holy shit!!!!!!! HUNGARY DID IT!!!!
-via the Los Angeles Blade, June 1, 2026
everytime i wear an outfit like this i think about this tweet
I love this so much, I’m gonna start saying “nuts” we need to bring it back
I love b&w proper ladies breaking character with “sonofabitch”
"OHH you're following me, oUUhhh I didn't know that!"
It brings me such joy that people seem to have always done the *sputters and blows raspberries like you're having a stroke* thing when they stammer
If you’d like to see more of these, go on YouTube and search “breakdowns of 1938” (or 1939, 1940, etc). The editors at Warner Bros used to save them and make a blooper reel for the whole year to show at the staff holiday party.