she is a clingy drunk
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@punkydino
she is a clingy drunk
i n x o l o t l e
once you realize you don’t actually need to sleep, you can really (stops talking abruptly and stares straight ahead for 4 minutes)
Freshly reanimated Occtis be like:
I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.
And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.
Am I rambling into the void or does this make sense to anyone else?
see here's the fucking thing. darth vader was considered super scary, but he was standing next to run-of-the-mill rich fascists whose power lay in money and position, and he was part of a run-of-the-mill decadent evil empire bloated on the spoils of its conquered planets. kylo ren, on the other hand, is standing next to captain phasma (hardened warrior who grew up on a radioactive hellworld and who kills anyone who sees her face) and armitage hux (feral cult leader who's personally assassinated like half of high command and who outscreamed a bunch of teenagers at five years old), and he's part of an almost-completely-spacefaring order where even the people who look like run-of-the-mill rich fascists have probably done cannibalism out of starvation AND that formally announced its existence to the galaxy by blowing up five fucking planets from literal lightyears away because EVERYTHING ABOUT THE FIRST ORDER IS ABSOLUTELY BATSHIT INSANE. so honestly i think he deserves some credit just for being able to keep up
"SUPERGIRL" 2026, dir. Craig Gillespie
"the Hadestown proshot exceeds box office expectations" truly, who could have predicted fans going repeated times, to see the musical whose entire concept is about the musical repeating
people always talk about the doomed love timeloop when they talk about hadestown. look i love that shit as much as the next homosexual but can we please talk about the revolutionary politics. genuinely one of the best anticapitalist pieces of art of the 21st century. can we watch act 2 with our brains please
can't believe that the turning around story ended with him turning around again i'm so upset
I wish I could make white people(and not just white Americans) understand how diverse the pre-columbian Americas were. The history, religion, culture, politics was at least as complex as Europe's. There was the full gamut of religions, from monotheists to animists to ancestral religions. There were city building empires, village farmers, nomadic traders, and so many other ways to live. This is all just based on what we know, the fragments left behind and the stories of survivors of an apocalyptic plague. All this before the most extended campaign of genocide in history was waged in an attempt to wipe out those survivors.
Over 500 years spent trying to cut down a whole trunk of human culture.
Do you understand how much poorer our whole species is because of it? Can you imagine where art, religion, and science would be if we still had these vast bodies of knowledge? The stain of the colonial project will never be fully washed clean. We owe more than just the land to those we stole from. We owe them a whole future, a future that could have been brighter for all of us. If only greed and fear weren't allowed to rule this land.
imogen in laura's tag team at the teeth live show outfit :)
long may I reign
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those are his hooves you bitch
happy 10 years of those are his hooves you bitch
why the FUCK am i still on here
Overwatch Cinematic Trailer redraw - Mirrorwatch version